Submitted by Mariana Dornelles Vargas (marianadv) on 2015-05-05T12:56:07Z No. of bitstreams: 1 embates_sobre.pdf: 6700745 bytes, checksum: 26ff6a551cbbc3da0a494b33afff992d (MD5) / Made available in DSpace on 2015-05-05T12:56:07Z (GMT). No. of bitstreams: 1 embates_sobre.pdf: 6700745 bytes, checksum: 26ff6a551cbbc3da0a494b33afff992d (MD5) Previous issue date: 2012-02-29 / Nenhuma / A presente tese examina as afetações das tensões entre campos sociais sobre as práticas do jornalismo na WEB, permeadas por lógicas desenvolvidas na ambiência da midiatização. Investiga de que forma estas tensões resultam em conflitos e rupturas, onde se tornam visíveis e dizíveis novas formas de controle e censura sobre o webjornalismo midiatizado. Um estudo complexo que analisa os mecanismos e a abrangência destas tensões e seus efeitos sobre a produção da noticiabilidade, que emergem de relações de poder e resistência vivenciadas na internet e na sociedade, conectadas. Para isso, desenvolvemos reflexão teórica, a partir de conceitos que nortearam nossa investigação, entre os quais destacamos os de midiatização, circulação, tensão entre campos sociais, resistência e poder. Também realizamos descrição e análise empírica, com metodologia híbrida, de três acontecimentos jornalísticos, midiatizados no âmbito da WEB, e assim nominados: Pleito por internet livre, Dupla contenda e Duelo entre político e blogueiro. Após observá-los e estudá-los em suas processualidades, depreendemos o webjornalismo brasileiro envolto em tensões e enfrentamentos entre os campos sociais - nos quais percebem-se ações de controle, censura e resistência -, em relações que cada mais vez mais se complexificam, diante da crescente midiatização da sociedade e da chegada da tecnologia do poder à rede. / The present thesis examines the affectations of the tensions between social fields on the practice of journalism on the WEB, permeated by logics developed in the mediatization environment. It investigates how these tensions result in conflicts and ruptures, where new forms of control and censorship become visible and utturable on the mediatized web journalism. A complex study that examines the connection between the mechanisms and scope of these tensions and their impact on news production, which emerge from power and resistance relations experienced on the Internet and society. This way, we develop a theoretical reflection based on concepts that guided our investigation, among those concepts we highlight mediatization, circulation, tension between social fields, resistance and power. We also conducted empirical description and analysis, with hybrid methodology, of three news events, mediated in the WEB, and so named, Pleas for free Internet, Double contention and Duel between a politician and a blogger. After watching them and study them in their processes; we inferred that the Brazilian web journalism is wrapped in tensions and confrontations between social fields - in which actions of control, censorship and resistance are perceived -, in relationships that become more and more complex in the face of the increasing society mediatization and the arrival of the technology of power to the Net.

Thesis (Ph. D.)--Universität, Trier, 2006. / Includes bibliographical references and index.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation studies the strategies of an organization under a crisis situation in the construction of a journalistic occurrence in a mediatized society. There are constant challenges to be overcome by organizations, visibility processes are constantly being changed by new technologies advent, changes in the media s role and the appropriation of their approaches by various social fields on their daily practices. This are just some changes which require reflection about crisis management strategies adopted until nowadays. The organizational crises present themselves as very explored occurrences by the media. These events are characterized by the disruption of everyday s life, mainly by its unpredictability, that's the fact that arouses wide interest in the media field. With the method of content analysis (Bardin, 1977) we adopted as our empirical object the crisis faced by Air France with the tragedy of Flight 447, analyzing news in Folha de São Paulo and Le Monde s newspapers. Thus, we persue to study the impact of this crisis in French and Brazilian media, to verify the sources used by the media in the occurrence construction, as well as the position given to the organization in the news published, identifying the organization's strategies to mitigate the incident, and understanding the strategic nature of the interface press -company in crisis situations in news production. So, as a result of this research, we concluded that in this crisis the organization has adopted and maintained a concise and objective position in addition to technical measures taken to circumvent the situation. This triggered another kind of relationship with the media, where what was witnessed was not an Air France's image crisis, but on the other hand, the occurrence "447" was explored as a tragedy. So, what stands out in this scenario is that between the crisis and the news, the news prevailed. / Esta dissertação estuda as estratégias de uma organização em situação de crise na construção do acontecimento jornalístico em uma sociedade midiatizada. São constantes os desafios a serem superados pelas organizações. Os processos de visibilidade foram e continuam sendo alterados pelo advento de novas tecnologias, a transformação do papel da mídia na sociedade atual e a apropriação de suas lógicas pelos diversos campos sociais em suas práticas cotidianas são apenas algumas mudanças que demandam questionar e refletir sobre estratégias de gestão de crises adotadas até hoje. As crises organizacionais se apresentam como acontecimentos jornalísticos bastante explorados pelos veículos de comunicação. Esses acontecimentos se caracterizam pela ruptura do cotidiano, sendo marcados principalmente pelo seu caráter de imprevisibilidade e pelo amplo interesse que desperta no campo midiático. A partir do método da análise de conteúdo (BARDIN, 1977), adota-se como objeto empírico a crise enfrentada pela Air France com a queda do voo AF 447 nos jornais A Folha de São Paulo e Le Monde. Assim, busca-se analisar a repercussão da crise em questão na mídia impressa brasileira e francesa, verificar quais as fontes utilizadas pela mídia na construção do acontecimento, bem como a posição dada à organização nas notícias publicadas sobre esta crise, identificar as estratégias da organização para amenizar o ocorrido e compreender o caráter estratégico da interface empresa-imprensa em situações de crise no processo de construção do acontecimento. Dessa forma, como resultado da pesquisa, conclui-se que nesta crise a organização adotou e manteve um posicionamento conciso e objetivo, além de ter tomado as medidas técnicas cabíveis para contornar a situação. Esse fato desencadeou um outro tipo de relacionamento da mídia para com a empresa, no qual o que se presenciou não foi uma crise de imagem da Air France, ou seja, no acontecimento AF 447 , a característica mais explorada foi a da tragédia. Sendo assim, o que se destaca nesse cenário é que, entre a crise e a notícia, prevaleceu a notícia.

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Notre thèse se présente sous le titre : « La citoyenneté libanaise aux prises avec les médias, nouveaux et traditionnels, face aux conflits religieux et communautaires ; une amplification ou une réduction des fractures ?». Notre thèse est avant tout une question posée sur le pluriculturalisme qui constitue la société libanaise, qui la spécifie, et qui représente une richesse socioculturelle et sociopolitique qui intéresse les Sciences de l’information et de la communication. Les médias audiovisuels, électroniques (sites web, journaux électroniques, blogs internet, etc.) seront la source susceptible d’alimenter toutes ces facettes culturelles, politiques, économiques, ethniques, religieuses, etc. Depuis longtemps la réalité confessionnelle politisée libanaise est imprégnée plus ou moins sensiblement par les médias traditionnels, et récemment les nouveaux médias ou sites web. La structure libanaise de la citoyenneté serait basée en priorité sur quatre conditions fondamentales : communauté, médias, citoyens, Etat. Le citoyen libanais appartient par nature à une communauté dans laquelle il est lié aux autres par les liens de la religion et de la confession, ce qui donne au Libanais un sentiment particulier d’appartenance identitaire. De ce fait, cette communauté religieuse, cherche toujours à s’auto – défendre et à s’exprimer afin de préserver son existence et sa continuité, et les médias peuvent jouer un rôle majeur en ce sens : chaque communauté possède son média qui constitue son porte – parole. C’est ainsi, que la communauté médiatisée avec tous ses rites et convictions politico – communautaires, occupe le premier rang des préoccupations des Libanais, alors que les principes citoyenneté – Etat pour un grand nombre de Libanais, occupent un rang secondaire.C’est dans ce domaine que nous allons analyser au cours de notre recherche, le versant contemporain de l’opinion publique grâce au regard des technologies numériques et digitales, de la communication médiatisée, ainsi que la vision politico-sociale présentée par les quotidiens. / The title of our thesis is: “The Lebanese citizenship grappling with the new and traditional Medias, facing religious and community conflicts; amplifications or reductions of fractures?” Our thesis in the first place is a question asked about multiculturalism which constitutes the Lebanese society, specifies it, and represents sociocultural and sociopolitical wealth which interests the Information and Communication Sciences. The Audiovisual and Electronic Media (Web Sites, Electronic Newspapers, Internet Blogs, etc.) will be the source likely to feed all these cultural, political, economic, ethnic and religious faces.Since a long time, the Lebanese politically confessional reality is more or less impregnated by the traditional Media, and recently the new Media or Web Sites.The Lebanese structure of citizenship would be based in priority on four fundamental conditions: Community, Media, Citizen and State. The Lebanese Citizen belongs by nature to a community in which he is bound to others by bonds of religion which gives the Lebanese a particular feeling of identity. Thereby, the religious community, always seeks to defend itself and to express itself in order to preserve its existence and its continuity, and this is done by the Media: each community has its own media, which is its spokesperson. Thus, the community mediatized with all its rites and political-community convictions occupy the forefront of Lebanese concerns. While the principles of citizenships and state for a large number of Lebanese occupy the secondary rank.It is in this area that we will analyze during our research the contemporary face of public opinion possibly enlightened by the new technology of communication, the opinion mediatized as well as the politico-social vision presented by the daily newspapers.

The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual. Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration. This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.

The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual. Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration. This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.

This practice-led research enquiry examines the form and experience of postdramatic theatre and intermediality. Through three practice-led enquiry cycles, the performance, Unstable Acts, was created. The study was designed to introduce the practitioner to a new process of practice within a postmodern aesthetic and to investigate the theory and practice of intermedial performance. Accordingly, Unstable Acts generated moments of praxis concerning postdramatic theatre and intermediality. By analysing this praxis an increasingly complex understanding of de-representational performance, the liminal experience, percipience, reflection and intermediality in postdramatic theatre was developed. In responding to Unstable Acts, the study proposes a working model for the poetics of postdramatic theatre which places intermediality as a formal recurrence of the postdramatic form. The model also proposes that the postdramaturgical strategy of de-representational performance is a central stylistic quality of postdramatic form, and that the liminal experience is central to the postdramatic theatre experience. Connecting de-representation and liminality through queer theory, the model contends that reflection is an important aspect of both the form and experience of postdramatic theatre. In so doing, the study provides a clearer understanding for theorists and practitioners of the poetics of postdramatic theatre and the position of intermediality in postdramatic practice.

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Made available in DSpace on 2014-12-17T14:36:14Z (GMT). No. of bitstreams: 1 SandraMOS_TESE.pdf: 3908132 bytes, checksum: 84ff37c9d90b24de2e894bfc67ede983 (MD5) Previous issue date: 2010-12-14 / The dialogue represents an essential condition for the complete realization of the Communication. In Paulo Freire we find a concept of dialogue which expresses itself, fundamentally, in two dimension: on one hand, in the confluence of subjectivities; on the other, in action. Dialogue would not be, therefore, a thinking for , but a thinking with . On the other hand, the media, here understood as synonym of technical media of information and expression is spread all over society as synonym of communication media. In this direction, this paper intends to check if the media allows the dialogue, in the heart of the Freirean concept of communication. We start from the premise that it is not possible to come to an answer if we continue to accept the theoretical approach which polarizes the process of communication between emitter and receptor. By using elements of the ethnomethodology such as the analysis of the conversation and the reflexivity, we dived in the school everyday life of educators and students of an elementary level public school in the city of Natal, capital of Rio Grande do Norte, in order to, through some experiences with the media, corroborate Paulo Freire's ideas, stating the mediation made by the world and seeking a bias for the use of the media to enable a more dialogic education / O di?logo figura como condi??o essencial para a plena efetiva??o da Comunica??o. Em Paulo Freire, encontramos uma concep??o de di?logo que se expressa, fundamentalmente, em duas dimens?es: por um lado, no encontro de subjetividades; por outro, na a??o. O di?logo n?o seria, portanto, um pensar para , mas, um pensar com . Por outro lado, a m?dia, aqui compreendida como sin?nimo de meios t?cnicos de informa??o e express?o est? difundida na sociedade como sin?nimo de meios de comunica??o. Nessa dire??o, este trabalho tenciona verificar se a m?dia possibilita o di?logo, no seio do conceito de comunica??o freirerano. Partimos do pressuposto de que n?o ? poss?vel chegar a uma resposta, se continuamos a aceitar a abordagem te?rica que polariza o processo da comunica??o entre emissor e receptor. Utilizandonos de elementos da etnometodologia como a an?lise da conversa??o e a reflexividade, mergulhamos no cotidiano escolar de educadores e educandos de uma escola p?blica de Ensino Fundamental na cidade do Natal, capital do Rio Grande do Norte, para, atrav?s de algumas experi?ncias com a m?dia, corroborar as ideias de Paulo Freire, afirmando a media??o feita pelo mundo e buscando um vi?s para utiliza??o da m?dia no sentido de proporcionar uma educa??o mais dial?gica