<p>У раду је описана укупна књижевна заоставштина Милана Савића; извршена класификација и жанровска систематизација појединих дела; дат је поглед на стваралаштво с акцентом на&nbsp;вредновању његовог доприноса српској књижевној историографији; ширини и дубини његовог рада на уређивању Летописа Матице српске; извршено вредновање његових оригиналних књижевних радова, приповедака, путописа, драма и другог.</p> / <p>U radu je opisana ukupna književna zaostavština Milana Savića; izvršena klasifikacija i žanrovska sistematizacija pojedinih dela; dat je pogled na stvaralaštvo s akcentom na&nbsp;vrednovanju njegovog doprinosa srpskoj književnoj istoriografiji; širini i dubini njegovog rada na uređivanju Letopisa Matice srpske; izvršeno vrednovanje njegovih originalnih književnih radova, pripovedaka, putopisa, drama i drugog.</p> / <p>This document describes whole Literary legacy of Milan Savić with classification and systematization according to the genre for several of his works. Further, the document gives overview of his work and its contribution to the Historiography of Serbian Literature, the scope of his editorial work of magazine Letopis Matice srpske, evaluation of his original literary works, short stories, travelogues, dramas and other works.&nbsp;</p>

Evidence on comparative quality of life and housing of Italians at origin, and emigrants in two destinations was gathered from field research, and from three surveys: one, of residents of the town of origin (n = 153), Larino, in the province of Campobasso, and the other two, of residents of major destinations of Larinesi emigrants--Montreal (n = 118), and Milano (n = 73). The main working hypothesis was tested that the best quality of life is found among emigrants living in Montreal. The research also explicated the historical connection between policies of migration and housing concerns in Canada and in Italy. / Quality of life was measured using a battery of structural, objective and subjective indicators that were calibrated for relative comparisons between the two cities of destination by the re-analysis of two large surveys (Milano n = 966; Montreal n = 461), and by the use of of official statistics. / Multivariate analysis results showed that in comparison to the town of origin, Montreal produced the best and most distinguishable socio-demographic context and Milano the best geographic context. The objective indicators based on the ratios of income to need and those based on income relative to each city, are most influential in Montreal. Subjective indicators such as attitudes and lifestyles are more consistently related to levels of education than to place of residence. / High rates of house ownership among the Larinesi in Montreal, and changes in their patterns of use of space which accompany permanent resettlement--especially those regarding the use of an extra kitchen--were found to be explainable in terms of the "housing culture" of the town of origin.

Cette nouvelle édition critique du De fuga saeculi d’Ambroise de Milan repose sur la collation de nouveaux témoins manuscrits et sur la révision de ceux utilisés par C. Schenkl, dont les valeurs respectives sont évaluées à l’aide d’un stemma absent de son édition de 1897. Le texte ainsi édité est assorti d’une traduction originale en langue française. Le De fuga saeculi, œuvre spirituelle et morale publiée par Ambroise avec trois autres textes au sujet proche, est replacé dans le contexte milanais de la fin du IVe siècle : mutations des modes de vie chrétiens, intérêt pour la vie monastique, concurrence avec les partisans du néoplatonisme et devoir pastoral de guider et former la communauté d’une capitale impériale. L’enquête sur les sources révèle que le De fuga saeculi est à la fois l’héritier des traditions philosophiques platoniciennes et stoïciennes relues au prisme de la pensée de Philon d’Alexandrie, et le promoteur d’une fuite du monde spécifiquement chrétienne inspirée d’épisodes et de préceptes de l’Ancien et du Nouveau Testament. Le commentaire éclaire les enchaînements d’une pensée kaléidoscopique, mettant en évidence les thèmes principaux, leurs reprises et leurs variations. Est ainsi soulignée l’originalité ambrosienne de la fuga saeculi sur un sujet d’actualité à la fin du IVe siècle et au début du Ve siècle : une fuite intra-mondaine qui est différente de celle encouragée par ses contemporains, Jérôme, Paulin de Nole et Augustin. / This new critical edition of De fuga saeculi by Ambrose of Milan is based on the collation of new witness manuscripts and the revision of those used by C. Schenkl (their respective worth was examined thanks to a missing stemma in the 1897 edition). The edition is accompanied by an original French translation. A spiritual and moral work published by Ambrose along with three other texts on a similar topic, De fuga saeculi is placed in its Milanese context of the end of the 4th century : transformations in Christian ways of living, an interest in monastic life, competition with advocates of Neo-Platonism and a pastoral duty to guide and train the community of an imperial capital. An enquiry into the sources reveals that De fuga saeculi both inherits the Neo-Platonician and Stoic philosophical traditions – reinterpreted through the thought of Philo of Alexandria –, and advocates a specifically Christian escape out of the world, inspired by events and precepts from the Old and New Testaments. The commentary displays the sequences of a kaleidoscopic thought and highlights its majors themes, re-uses and variations. Inner-wordly escape is a topical issue of the late 4th and early 5th centuries, but Ambrose’s conception expressed in De fuga saeculy is original given that it differs from those of contemporary writers such as Jerome, Paulinus of Nola and Augustine.

Au VIe siècle, dans le royaume des Burgondes, Avit de Vienne compose une lettre pour sa sœur, la moniale Fuscine. Cette œuvre consolatoire et élogieuse se nomme De consolatoria castitatis laude. Ce texte permet de comprendre la situation particulière dont bénéficie la virgo dans la société chrétienne tardo-antique. Au niveau de son contenu, l’objectif de ce livre sert à montrer à la monacha que le choix virginal représente une forme d’échappatoire et de liberté. Il s’agit d’une réalité que ne connaît pas l’épouse. Les devoirs du mariage, les dangers de la maternité, les tracas du siècle, le veuvage, le deuil, tout cela est inconnu à la vierge parce qu’elle s’écarte des obligations terrestres. L’utilisation de la Bible et de plusieurs références patristiques constituent l’héritage des mentalités religieuses dont s’inspire Avit dans la construction d’un discours orienté sur la distinction socioreligieuse de la virgo. / In the 6th century, in the kingdom of the Burgundians, Avitus of Vienne composes a letter for his sister, the nun Fuscina. This consoling and eulogistic artwork is called De consolatoria castitatis laude. This text generates in us an understanding of the particular context of the virgo in the Christian society of Late Antiquity. Regarding the text, the purpose of the book is to show to the monacha that the virginal choice represents a way of escape and freedom, a reality that the spouse is unaware of. The duties of marriage, the dangers of motherhood, the troubles of the century, the widowhood and the mourning are all unknown to the virgin because she excludes herself to worldly obligations. The use of the Bible and several patristic references shape the legacy of religious mentalities which inspires Avitus in making an oriented speech on the virgo’s socio-religious distinctness.

Diploma thesis "I become speech." Death and Return of the Author in the Perspective of Philosophy of Identity focuses on the question of inclusion of the author into the interpretation of literary text and aims to highlight the fruitfulness of such inclusion as well as some of its dangers. The thesis is divided into three parts. In the first part the author of the thesis presents a polemic account of some antiauthorial approaches, especially the "death of the author" as appearing in the texts of R. Barthes, M. Foucault and Jacques Derrida, along with a short mention of antiintentionalism of W. K Wimsatt and M. C. Beardsley and a theory of the model author by U. Eco. The common feature of the aforementioned antiauthorial theories is a reductive idea of the author and his relation to text - the problematic aspects of authorial interpretation, which their texts wish to make evident, is then only a consequence of the problematic underlying notion of the author-subject. The second part of the thesis intends to present an alternative theoretical understanding of the "real author" using the philosophy of identity od J. Butler and P. Bourdieu. These authors are proposing a theory of a person who is not understood as a "real thing" that would be available for a complete delimitation, description and...

The thesis focuses on the translations of Czech literature in Finland, specifically on the person of eminent translator from Czech into Finnish, Kirsti Siraste. It describes the historical context of the second half of the 20th century when Siraste worked as an active translator, the ideology of the era which influenced the whole social climate, i. e. the translator's and publisher's work as well; and the position of Czech literature in Finland at that time. The thesis also maps the comprehensive situation of literary translation in Finland because Czech literature is a part of literary translation production as a whole. Another focus point of the thesis is the research of norms in literary translation and Finnish literary production as well. The last part of the thesis is a translatological analysis of one of Siraste's translations, specifically The Unbearable Lightness of Being by Milan Kundera. The analysis consists of a comparison of the Czech and the Finnish text focusing on political references, which might become a subject of (self-)censorship, and other realities in the text; and other integral parts of translatological analysis - characteristics of Milan Kundera as a writer, and his work, the Czech version of the novel as a whole, the translation in the context, and the reception of the...

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The development of the concept of irreverence is examined in terms of its historical, theoretical and metatheoretical contexts. The underlying assumptions of the concepts of neutrality, curiosity, and irreverence are distinguished and contextualised. Neutrality is discussed with reference to Milan systemic therapy and first- and second-order cybernetics, while curiosity is examined in the light of constructivist and narrative approaches to psychotherapy. It is argued that these two concepts represent two sides of a dualism, which is transcended through irreverence. Irreverence is interpreted as a postmodern stance, involving the questioning and relativising of therapists' basic assumptions. The pragmatic components of an irreverent stance, namely self-reflexivity, orthogonality, flexibility and accountability, are explored with reference to related concepts in the work of other authors. Throughout the text metalogues are used in an attempt to engage reader and author in a collaborative enterprise of acknowledging and reevaluating their own basic assumptions. / Psychology / M.A. (Clinical Psychology)

Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.

Le duché de Milan durant le Quattrocento est marqué par le règne des deux familles dominantes de la Lombardie, les Visconti et les Sforza. Pendant une période marquée par les conflits territoriaux et les disputes pour le titre ducal, l’art du gothique international se fait essentiel dans la propagande politique. Parmi les diverses œuvres de cette période qui soulignent le pouvoir et la position hiérarchique de la noblesse, les paquets de tarot le plus anciens qui nous sont parvenus sont les jeux Visconti-Sforza, datés de la première moitié du 15e siècle. Nommés ainsi selon leurs commanditaires présumés, la nomenclature est utilisée pour désigner quinze jeux, dont trois sont analysés dans ce mémoire : le jeu Pierpont Morgan-Bergame (réparti entre l’Accademia Carrara, à Bergame; le Pierpont Morgan Library, à New York; et la collection privée Casa Colleoni, à Bergame), le Brera-Brambilla (Pinacoteca di Brera, à Milan) et le Cary-Yale (Beinecke Library, à New Haven). L’étude de ce corpus nous permet de comprendre l’histoire de pouvoir des Visconti et des Sforza, ainsi que les traditions de la littérature poétique et des processions triomphales de l’époque. Par une analyse iconographique de ces jeux, notre objectif a été de cerner et de comprendre le contexte socioculturel dans lequel ils ont été créés. Cette analyse met également en lumière les importantes questions concernant les attributions aux artistes, les dates de réalisation et l’identification du mécénat de ces jeux de luxe. / The Duchy of Milan in the Quattrocento is marked by the reign of two powerful families in Lombardy, the Visconti and the Sforza. During a time full of territorial conflicts and disputes for the ducal title, art in the International Gothic style became essential to political propaganda. Among the various works of this period that emphasize the power and the hierarchical position of the nobility are the oldest sets of tarot that have survived to the present day: the Visconti-Sforza tarot decks, dating from the first half of the 15th century. Named according to their supposed patrons, the nomenclature is actually used to designate fifteen separate decks, three of which are analyzed in this master’s thesis: the Pierpont Morgan-Bergamo deck (divided between the Accademia Carrara in Bergamo, the Pierpont Morgan Library in New York, and the private collection Casa Colleoni, in Bergamo), the Brera-Brambilla (Pinacoteca di Brera, in Milan) and the Cary-Yale (Beinecke Library, in New Haven). The study of this corpus enables us to unravel the struggle for power between the Visconti and the Sforza, as well as the traditions of the literature and the triumphal processions of the time. Using an iconographic analysis, our goal is to identify the sociocultural context in which these decks were produced. This work's analysis also highlights questions about the attributions, the dating and the patronage of these luxury playing cards.