El objeto del presente informe es analizar la sentencia recaída en el Expediente N.º 01606-2018-PHC/TC en la cual el Tribunal Constitucional ordena la demolición total del muro perimetral construído por la Municipalidad de La Molina en el límite distrital con Villa María del Triunfo bajo la justificación de garantizar la seguridad en su distrito y cumplir con la obligación de protección asumida con la Superintendencia de Bienes Nacionales respecto de la afectación en uso de un terreno con la finalidad de ser empleado para la construcción e implementación del Parque Ecológico Recreativo de La Molina. Ello se debe a que, producto de la construcción del muro, los vecinos de Villa María del Triunfo vieron vulnerados sus derechos al libre tránsito y, de forma conexa, los derechos de igualdad y no discriminación. Ello debido a que el muro tenía una extensión de 4,5 kilómetros y solo contaba con un acceso para el cruce peatonal. En esa línea, y ante la vulneración de sus derechos, Carlos Francisco Hinostroza Rodríguez interpuso una demanda de hábeas corpus contra el alcalde de la Municipalidad de La Molina. En el informe, se revisarán tres ejes de la sentencia que no se abordaron idoneamente: el derecho al libre tránsito, el derecho a la seguridad, el derecho a la igualdad y no discriminación. Para ello, se revisará la Constitución Política del Perú, el Código Procesal Constitucional, sentencias del Tribunal Constitucional, doctrina nacional internacional y comparada. / The purpose of this report is to analyze the ruling issued in File No. 01606-2018- PHC/TC in which the Constitutional Court orders the total demolition of the perimeter wall built by the Municipality of La Molina on the district boundary with Villa María del Triunfo under the justification of guaranteeing security in its district and complying with the protection obligation assumed with the Superintendency of National Assets regarding the impact on the use of land with the purpose of being used for the construction and implementation of the Recreational Ecological Park from La Molina. This is because, as a result of the construction of the wall, the residents of Villa María del Triunfo saw their rights to free movement and, relatedly, their rights to equality and non-discrimination violated. This was because the wall had an extension of 4.5 kilometers and only had one access for the pedestrian crossing. Along these lines, and given the violation of his rights, Carlos Francisco Hinostroza Rodríguez filed a habeas corpus lawsuit against the mayor of the Municipality of La Molina. In the report, three axes of the ruling that were not adequately addressed will be reviewed: the right to free movement, the right to security, the right to equality and non-discrimination. For this purpose, the Political Constitution of Peru, the Constitutional Procedural Code, rulings of the Constitutional Court, international and national doctrine will be reviewed.

Cette thèse analyse comment la fiction espagnole contemporaine renoue avec la tradition de l’exemplarité littéraire, à travers l’étude d’un corpus de sept œuvres publiées au tournant du XXe (1998-2004). Elle tente de mettre en lumière l’évolution de la notion d’exemplarité dans une perspective diachronique mais aussi synchronique, à travers le prisme du paradigme de pensée contemporain centré sur la notion d’individu. Les nouvelles modalités de l’exemplarité au sein de la prose narrative actuelle sont appréhendées à partir de la réactivation de son support traditionnel — la figure du héros — mais aussi des possibilités nouvelles qu’offrent le questionnement des frontières génériques et l’ambiguïté du pacte de lecture. Dans un monde dépourvu de consensus idéologique, les auteurs du corpus forgent leur propre grille d’interprétation du réel et substituent des réponses éthiques particulières, mais toutefois crédibles et acceptables par le lecteur, à l’imposition de vérités globales et universelles. L’exemplarité, telle qu’elle est à l’œuvre dans le roman actuel, entraîne alors une nouvelle forme d’engagement caractérisée par l’énoncé d’une éthique consubstantielle à la création littéraire. / This thesis analyses how the contemporary Spanish fiction revives the tradition of literary exemplarity, through the study of seven novels published at the turn of the XXth and the XXIst centuries (1998-2004). This work tries to underline the evolution of the exemplarity notion in both diachronic and synchronic perspectives, and the study of the current analytical paradigm focused on the individual. The new forms of exemplarity in contemporary literature are considered through the reactivation of its traditional shape —the hero— but also with the new possibilities given by the questioning of boundaries between genre and the ambivalence of the reading pact. In a world devoid of ideological consensus, the authors of the corpus shape their own frames of understanding. Rather than a universal moral, they suggest subjective ethical answers that can be shared by the reader. The exemplarity, in its actual forms, produces new types of commitment that are based on an ethic inseparable from literary creation.

Cette thèse analyse comment la fiction espagnole contemporaine renoue avec la tradition de l'exemplarité littéraire, à travers l'étude d'un corpus de sept œuvres publiées au tournant du XXe (1998-2004). Elle tente de mettre en lumière l'évolution de la notion d'exemplarité dans une perspective diachronique mais aussi synchronique, à travers le prisme du paradigme de pensée contemporain centré sur la notion d'individu. Les nouvelles modalités de l'exemplarité au sein de la prose narrative actuelle sont appréhendées à partir de la réactivation de son support traditionnel -- la figure du héros -- mais aussi des possibilités nouvelles qu'offrent le questionnement des frontières génériques et l'ambiguïté du pacte de lecture. Dans un monde dépourvu de consensus idéologique, les auteurs du corpus forgent leur propre grille d'interprétation du réel et substituent des réponses éthiques particulières, mais toutefois crédibles et acceptables par le lecteur, à l'imposition de vérités globales et universelles. L'exemplarité, telle qu'elle est à l'œuvre dans le roman actuel, entraîne alors une nouvelle forme d'engagement caractérisée par l'énoncé d'une éthique consubstantielle à la création littéraire.

“Creating Community in Isolation: The History of Corpus Christi’s Molina Addition, 1954-1970” examines the history of the Molina Addition in Corpus Christi, Nueces County, Texas, and its serving district, the West Oso Independent School District, from 1954 to 1970. Specifically, this essay begins with an analysis of the elite-driven campaign to annex the blighted Molina Addition in September and October 1954. The city intended to raze the neighborhood and develop middle-class homes in place of the newly annexed neighborhood. Following the annexation of the Molina Addition, African American and ethnic Mexican residents initiated protracted struggles to desegregate and integrate schools that served their area, the West Oso Independent School District, as detailed in the chapter, “The West Oso School Board Revolution.” The chapter examines the electoral “revolution” in which Anglo rural elites were unseated from their positions on the school board and replaced by African American and ethnic Mexican Molina Addition residents. The third chapter, “Building Mo-Town, Texas,” focuses on residents’ struggle to install indoor plumbing, eliminate pit privies, construct paved roads, and introduce War on Poverty grants to rehabilitate the neighborhood. This chapter also offers a glimpse into the social life of Molina youth during the 1960s.

Among the diverse fabric of masculinities that prestigious authors such as Pedro Calderon de la Barca, Tirso de Molina and Agustin Moreto weave into their plots, fashion proves to be a common thread and a particularly useful tool. Thus, as I approach the idea of "Fashionable Masculinities" and investigate a few "macho" and/or not so "macho men" in Early Modern drama I hope to go beyond the traditional interpretations, stereotypes and icons often associated with men---in particular, Spanish men in Golden Age drama. This will be achieved by revisiting typical cases and compared through research and documentation of atypical representations of maleness that could be considered displacements and/or subversions of the social matrix. In effect, this study explores how the male ideal is shaped and judged both by the essence of his personality, as well as his physical appearance (i.e.: clothing, hairstyle, mannerisms, discourse and voice). As such, it becomes evident that masculinity is moulded, influenced, enhanced, exaggerated and even muted as it is subject to the whim of different fashions prevalent at a specific moment in time. Moreover, a multitude of social, cultural, racial and historical factors determine the always changing image of the so called "macho man". / Therefore, in order to explore distinct representations of masculinity I approach three different comedias by three different playwrights while comparing how the main character's masculinity fared in three very important spaces: physical, social and sexual. I focus my attention on Saber del mal y del bien by Calderon. Secondly, Don Gil de las calzas verdes by Tirso and explored El lindo don Diego by Moreto. Each one the these represents a different degree of palatable male identities given this particular social construct.

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La tuna universitaria es una expresión cultural muy popular en España, la cual ha sido adoptada hace más de medio siglo por nuestro entorno universitario, llegando a ser, en la actualidad, no solo parte importante de las actividades culturales del mismo, sino, también, a convertirse en agentes difusores de música de la región a la que pertenecen, obteniendo el reconocimiento de las mismas. El presente trabajo es un estudio, a partir de cinco importantes tunas, que muestra el proceso de apropiación del modelo de tuna español en nuestro país y como dichos grupos han logrado convertirse en parte de las tradiciones de su entorno universitario y regional. Se procedió a realizar una recopilación histórica de cada grupo en base a bibliografía y entrevistas a algunos de sus miembros, además del análisis y recopilación discográfica la cual nos servirá para enfocarnos en sus composiciones dentro del género más popular de las tunas, el pasacalle. Por último, espero que este trabajo aporte al entendimiento de la tradición de la tuna, y a su vez, brinde información acerca de la representatividad e importancia de estas como expresión cultural tradicional en gran parte de nuestro territorio.