Since Donald Trump got elected as president of the United States in november 2016 there has been uncertainties concerning which foreign policy Trump intends to implement. Trump has been accused of being a populist and has himself been clear with his patriotic and nationalistic interests. The study has focused on the classical IR theory, realism and the trade policy theory protectionism. The analysis is based upon two speeches held by Trump in which he makes foreign policy statements. The first of the two speeches was held to the UN and the second upon the situation in the northern Syria. The two speeches got analyzed using ideal types based on offensive realism, defensive realism and protectionism. In summary president Donald Trump shows tendencies of implementing offensive neorealism to his foreign policy, he is also using protectionism to control Americas trade policy.

Critical interpretations of the work of Mario Giacomelli often disagree as to whether he should be classified within the style of Italian neorealism. This thesis argues that Giacomelli's photography strikes a balance between realism and abstraction that is best explained as neorealist. Neorealist films such as Rome, Open City (1945) and Bicycle Thieves (1948) sought to capture the social realities of postwar Italy. The realism in these films is complicated however, subjecting postwar social actuality to the artistic initiative of the director. I seek to identify the filmic qualities in Giacomelli's work to clarify a connection to neorealism. Though Giacomelli physically manipulated his images, these manipulations give his images the appearance of a film. To reveal Giacomelli's connection to neorealism, I will investigate the cinematic qualities of mise-en-scene, montage and narrative. This thesis will argue that Giacomelli's photography stems from a cinematic approach that was first developed in neorealism.

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This essay is about the European union freetrade treaty negations with Mercosur. I have in this essay used a qualitative content analysis, to study from the EU perspective the reasons to why, the EU and Mercosur suspended the free trade treaty negations 2004, and after several years resumed the negotiations again in 2010. The purpose of this study is to gain a deeper understanding from the EU perspective of why free trade negotiations were suspended and then resumed. In order to achieve a deeper understanding of this event, I have applied neorealism and neoliberalism on the explicit statements and the implied actions, as these theories may provide different explanatory power of implied causes of negotiations. I have come to the conclusion that the theoretical perspectives can indeed explain explicit statements and implicit actions for suspended and resumed negotiations with Mercosur. The implicit reasons for suspended negotiations are among others that the EU has an egoist thinking concerning a free trade treaty. The EU wish to gain more benefits then Mecosur with a free trade treaty, which lead to Mercosur wanted to suspend the negotiations. Another implicit reason is that the EU was thinking entirely on how much that were going to gain in relation mercosur, because of this kind of thinking, the EU probably realized that they were going to loose on a treaty. The implicit reasons for resumed negotiations are among others are that the EU genuinely wants to collaborate with Mercosur as much as they can with the purpose to gain together as much as possible. Other implicit reason is mutual dependence, which means that the EU needs Mercosur and vice versa to strengthen the global economy, and to give job opportunities and growth on both sides. Another implicit reason to resume the negotiations again is that the EU has grown stronger as an economic block, because of this, the EU has greater advantage of their demands with Mercosur. Further more, this essay surely point out that the EU has a lot of difficulties to come up with an agreement with Mercosur. But hopefully the EU can in the nearest future reach a free trade treaty with Mercosur.

While the themes of garbage and refuse pervade many of the most important works of Italian cinema from the era of Neorealism to the present, thus far no scholarly attempts have been made to examine the commonalities germane to their portrayal and their relationship to larger questions of Italian cultural trends. The present study explores how filmmakers' depiction of the residual is synecdochic of an artistic vision that endeavors to capture reality at its most unprepared and, subsequently, comes to represent the increasing complexity of the mimetic undertaking in an Italian society thrust rapidly into the late stages of capitalism. / Romance Languages and Literatures

This dissertation analyses the phenomenon of regionalism around the Baltic and the Black Sea since the end of the Cold War with a comparative approach and by applying an extended neorealist theory that includes geopolitics and historical legacy. The main focus is regional organizations, the Council of the Baltic Sea States (CBSS) and the Black Sea Economic Cooperation (BSEC), which defines the geographical and political borders of the Baltic and the Black Sea region. These regional organizations are treated as international regimes. The three main varibales taken into consideration in this study are the distribution of power among the big states, the geographical location and the historical legacy that directly and indirectly affect the relations among the states in each region. These variables are consistently applied to the following  four sector analysed in this study: hard security, energy, economic development, and environment. While the last three sectors are areas of cooperation within the CBSS and the BSEC, hard security is not. Its inclusion in this study is because of the fact that it strongly affects the power relations among the states in the two regions and that it is strictly linked to the other three sectors. Although the CBSS and the BSEC have established ad hoc Working Groups with the aim to make cooperation working effectively, regional states cooperate to the extent that it brings relative gains according to the neorealist theory. The analysis shows that the two regimes created around the Balti and the Black Sea are ineffective despite the fact that the CBSS has managed to create stronger cooperative links among its members compared to the BSEC.

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This study has analysed Sweden's security policy strategy and decision to send military supportto Ukraine in light of the Russian invasion of 2022. By applying a combination of discourseanalysis (WPR) and neorealism, the study has explored the political motivations behind thesedecisions, under both the Andersson and Kristersson administrations. The results show aconsistent line in Sweden's security policy since 2014, where support for Ukraine is seen as animportant contribution to maintaining international law and supporting democracy. The studycritically examines the balance between moral obligations and strategic interests that guideSweden's support for Ukraine, and discusses the implications of this support for Sweden'snational defence capability and long-term financial sustainability. Furthermore, it assesses thebroader impacts of these decisions on the rule-based international order and Sweden's positionwithin it. The findings suggest that Sweden's actions represent a significant reorientation in itssecurity policy, aiming to strengthen both national and European security through solidarityand international cooperation. This reflects a pragmatic approach to the anarchic internationalsystem, where supporting Ukraine not only aligns with Sweden's moral values but also servesstrategic security interests.

As a component of the overall policy to defeat global terrorism and prevent attacks against the U.S., the Bush and Obama administrations have turned to unmanned aerial vehicles (UAVs), or drones. From 2004 to 2014, Pakistan has seen the largest volume of U.S. drone strikes targeting radical groups such as al Qaeda and the Taliban, a trend that is likely to continue for the foreseeable future. On the surface, using drones to eliminate terrorists while avoiding an official armed conflict aligns with the theory of neo- or structural realism developed by Kenneth Waltz. And yet although 9/11 served as the impetus for the U.S. to refocus attention on ameliorating the threat of terrorism and to initiate far-reaching measures to protect homeland security, there remains intense debate over whether or not the U.S. is actually more secure than it was prior to 9/11. While structural realism is still relevant to the current international system, the effects of drone strikes in Pakistan may set the U.S. on a path toward increasingly destabilizing situations that could lead to heightened insecurity and ultimately a change in power in the international system. The existing literature suggests that drone strikes in Pakistan are (1) leading to revenge-driven counter attacks, (2) intensifying radical anti-Americanism and creating more potential terrorists, (3) damaging the U.S. relationship with nuclear-armed Pakistan, (4) destabilizing the regions where drone attacks are launched, and (5) undermining American 'soft power.' The culmination of these five trends has the potential to disrupt the current balance of power in a way that is not in America's national interest. The unique security dilemma presented by the asymmetrical threat of terrorism and the asymmetrical response of drone strikes necessitates the continued evolution of neorealism as an IR theory. / Master of Arts

Uppsatsen beskriver den moderna iranska filmens utveckling med utgångspunkt från några betydande iranska filmer i det iranska samhället. Syftet är att belysa vilka neorealistiska drag som präglar den iranska filmen under olika tidsperioder och vilket inflytande den italienska neorealismen har haft på den iranska filmen från 1960-talet fram till idag. Tre iranska filmer analyseras ur ett neorealistiskt perspektiv samt med utgångspunkt i narrationsteori. Utvecklingen av den digitala tekniken under 2000-talets första decennier lyfts fram som en viktig faktor för unga filmare i dagens Iran liksom betydelsen av iranska filmregissörers internationella framgångar. Resultatet av undersökningen visar att de neorealistiska dragen i iransk film inte är lika framträdande idag som de har varit en gång i tiden. Iransk film har utvecklats i likhet med filmen i övriga världen och har kommit långt från den tid då neorealistisk film spelade en viktig roll i landet.