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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 91 to 100 of 119 (0.024 seconds)| 91 |
國立故宮博物院國際借展之個案研究孫鴻鈴, Sun, Horng-Ling Unknown Date (has links)
藝術博物館將其珍貴典藏進行跨國界的借展，已成為近年來無論國內外藝術博物館的年度盛事。然而，綜觀國內外相關文獻，多半集中在辦展經驗的陳述，較少剖析國際借展對藝術博物館本身任務所帶來的衝擊。而由於國際借展的跨國性質，並不僅是單純的藏品交流而已，事實上更廣泛牽涉到其它因素，有時因為借出入雙方的外交關係、認知差異、利益考量、法令限制及政治敏感等問題，而使展出前的交涉作業，經過多方的折衝協調，才圓滿達成任務。
有鑑於上述觀察，本研究乃嘗試結合藝術博物館國際借展的實務面與內涵面，期望以宏觀的角度，開拓更寬廣的研究視野。首先，探討國際借展的功能與角色，並瞭解影響國際借展的因素、國際間有關國際借展的發展現況，以及著名個案所衍生的議題；其次，歸納國際借展規畫與管理的原則，包括借展計畫、合約訂定、保險與司法扣押豁免的保障、借展品安全維護、包裝與運送、借展品處理與運用、經費與贊助事宜。在研究對象方面，採用文獻分析法、訪談法、個案研究法及歷史研究法，彙整國立故宮博物院歷年參與國際借展之緣起、籌備經過、作業情形及當中所發生的特殊事件，分析其政策、經營模式與效益。
最後，針對現今國內藝術博物館舉辦國際借展時所面臨的重要課題，提出八項建議：(一)修正國內相關法令與體制的缺失；(二) 解決區域性藝術資源分配不均之問題；(三) 真正落實國際間館際的交流；(四) 加強館藏文物的展示技術與教育內涵；(五) 塑造展覽評論的藝文空間；(六) 培養與訓練專業人才；(七) 設立國際藝術文化交流諮詢機構；(八) 提供借展品更完善的保障措施。
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Parque Anhembi: a produção de um centro de exposições em São Paulo (1963-1972) / Anhembi Park: the production of an exhibition center in São Paulo (1963-1972)Raíssa Pereira Cintra de Oliveira 10 June 2016 (has links)
Esta tese pretende investigar a produção da arquitetura no período entre as décadas de 1960-70. Adota como premissa inserir-se nas questões de cunho metodológico da história da arquitetura, partindo do entendimento de que a arquitetura é fruto da dialética entre a autonomia do projeto e o estado das forças produtivas em determinado momento histórico. As reflexões aqui propostas tentam articular múltiplas relações dentro do processo da produção da arquitetura - o que significa incluir desde a concepção, o desenho, o canteiro e até mesmo seu uso - corroborando para um entendimento mais amplo, aquém da própria disciplina da arquitetura. O Parque Anhembi, um centro de exposições ligado ao turismo de negócios em São Paulo, permite analisar três níveis de produção: a industrialização da estrutura metálica, a pré-fabricação do concreto e a adoção de novas tecnologias do concreto armado executado no canteiro, temas que podem caracterizar a \"pluralidade\" da produção do período pós-Brasilia, ou mesmo, explicitar a preocupação construtiva que intermediava muitas pranchetas naquele momento. A possibilidade que se abre na investigação do objeto tido como uma nova centralidade urbana e a analise de como seria possível abarcar o tema das práticas projetuais naquele momento em que se fortalecia uma relação importante entre urbanismo, arquitetura, engenharia e construção no meio da busca de uma nova produção. Busca que continha um discurso político e ideológico sobre o seu tempo suscitados principalmente pelas questões urbanas evidenciadas com máxima urgência. / This thesis intends to investigate the production of architecture in the Between the decades of 1960-70. It is a premise that it should be included in the Methodological approach in the history of architecture, starting from the understanding that architecture is Of the dialectic between the autonomy of the project and the state of the productive forces in Certain historical moment. The reflections proposed here attempt to articulate multiple Relationships within the architecture production process - which means including from the Design, design, and even use - corroborating Understanding, rather than the discipline of architecture itself. Anhembi Park, an exhibition center linked to tourism Business in São Paulo, allows us to analyze three levels of production: the industrialization of Structure, the pre-fabrication of concrete and the adoption of new Reinforced concrete executed in the bed, themes that can characterize the \"plurality\" Of the post-Brasilia period, or even to explain the constructive concern Which interwoven many boards at that moment. The possibility that opens in the Investigation of the object considered as a new urban centrality and the analysis of how It would be possible to embrace the theme of the design practices at that moment in which Strengthened an important relationship between urbanism, architecture, engineering and construction. In the middle of the search for a new production. It sought to contain a political discourse and Ideological issues about their time that have been raised mainly by urban Evidenced with maximum urgency.
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Palác hraběte Michny z Vacínova. Stavba a její kontexty / The Palace of the Count Michna of Vacínov. A Building and It's ContextsKadlec, Tadeáš January 2021 (has links)
(EN) The Prague's Lesser Town house of count Václav Michna of Vacínov (1611?-1667) pertains to be one of the biggest mysteries of the history of 17th-century architecture in Bohemia, the attention of a number of scholars notwithstanding. The grandiosity of the proposed plan, known in its entirety from a later copy, as well as the imposing design of the house's east front, distinguishing itself by a skilful use of the classical orders, indicate an employment of a designer of a rather surprising capacity and adroitness, given the time and place - Prague in the sixteen- thirties and sixteen-forties. The only incontestable clue, that suggests itself to a solver of this riddle, remains to be the date of the completion of the palace's stucco decoration (1644) and the name of its author, Domenico Galli (died 1675). The anonymity of the designing architect led the previous researchers to search for formal analogies in the Italian architectural production, quite without convincing results. The principal intention of this thesis, aside from an assessment of the previous findings and an attempt for a more accurate placement of the building in the context of Italian architecture, is rather to propose a reading of its meaning, based on a deeper knowledge of the patron's life, his interests, and representational...
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Česká nová vlna v rockové hudbě a politika přestavby 1986-1989 / Czech new wave rock music and the politics of Perestroika 1986-1989Andrs, Jiří January 2020 (has links)
The diploma thesis aims to capture and explain the changes in the milieu of nonconformist rock music in relation to the policy of Perestroika in Czechoslovakia during the years 1986- 89. The primary methodological framework is created by an interpretive trichotomy where each perspective includes various historiographical approaches (sociology of Ivo Možný, postmodern deconstruction of authoritarian discourse, so-called totality from below, etc.). The chapter dealing with the repression of rock music analyses the working methods of secret police (StB) in the 1980s while revealing the background of several typical cases (Pražský výběr, Visací zámek, Michael's Uncle). Next chapter explains the differing approaches of nonconformist rockers towards the cultural relief represented by the official festival "Rockfest". The last analytical chapter deals with perception of contemporary authorities. In conclusion it turns out that the relationship to the authoritarian horizons underwent the most fundamental transformation. The disintegration of those authoritarian horizons led to transformations inside the social field and contributed to the decline of the regime of state socialism.
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Ikonografický program výzdoby Strakova paláce na Malé Straně / Iconography of wall paintings in the Straka Palace at Malá Strana in PragueBartůšek, Michael January 2014 (has links)
Iconography of wall paintings in the Straka Palace at Malá Strana in Prague Abstract This thesis "Iconography of wall paintings in the Straka Palace at Malá Strana in Prague" deals with the interpretation of the iconographic program of the decoration of the Straka's of Nedabylice palace on Malá Strana. The work deals primarily with the wall paintings made by Swiss painter Johann Rudolf Bys, ordered by Count Jan Petr Straka of Nedabylice for his Prague residence. Particular attention is paid to the main hall of the palace, which concentrates the most valuable and the most complicated part of the iconography painted decorations. Allegorical and mythological scenes related to historical events and celebrate the Emperor Leopold I. as the victor over the Turks and Louis XIV. The work also describes and interprets the murals and stucco decorations in other salons representative storey of the palace. The interpretation of these paintings is filed under the historical and political context of the time and knowledge of personality of Jan Petr Straka, who was anticipated customer and Inventor of the iconographic program . A separate chapter is devoted to the building and the historical development of the palace until nowadays and also mentions Prague activity of the painter Johann Rudolf Bys. Keywords Petr Jan Straka...
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Newspaper framing of indicted U.S. athletes: Evaluating orientation, prominence and proximityStainbrook, Michael S. January 2012 (has links)
No description available.
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INTERPERSONAL INTERACTIONS IN THE NEW CIRCUSSINGERMAN, HEATHER DIANE 02 July 2004 (has links)
No description available.
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Les chasses des souverains en France (1804-1830) / Imperial and royal hunts in France (1804-1830)Vial, Charles-Eloi 17 October 2013 (has links)
Activité prisée des rois de France depuis l'époque médiévale, la chasse était devenue pour les derniers Bourbons plus une passion dévorante qu'une simple distraction. Louis XV et Louis XVI furent critiqués par l'opinion publique naissante, qui considérait que leurs chasses onéreuses les éloignaient du gouvernement. Après la chute de la monarchie, les chasses royales disparurent. Elles furent remises au goût du jour par Napoléon Ier, soucieux de s'approprier les apparences de la légitimité monarchique. Le maréchal Berthier fut ainsi nommé Grand veneur en 1804. Grâce à lui, Napoléon put faire de ses chasses un instrument politique puissant, une distraction de Cour prisée, le tout avec une économie substantielle de moyens. La Restauration, au lieu de revenir à l'organisation d'Ancien Régime, choisit de conserver l'équipage de chasse et l'administration mise en place pour Napoléon, qui fonctionnèrent jusqu'en 1830. Naquit ainsi le paradoxe d'une Restauration affichant, à la suite de l'Empire, la volonté de renouer avec la tradition monarchique, mais cela grâce à un équipage formé pour Napoléon. C'est cette continuité, humaine, budgétaire, mais aussi politique et symbolique qu'il convient d'étudier au travers des éléments constitutifs des chasses : une implantation autour de Paris permettant une circulation de la Cour autour de différentes résidences de chasse, une pratique régulière destinée à la distraction du souverain et de ses proches, des invitations de personnages politiquement importants, qui donnent à certains jours de chasse bien précis une résonance particulière. Autant d'aspects qui se retrouvent dans les sources : archives, journaux, mémoires, œuvres d'art. / Hunting had always been the privileged activity of kings since the mediaeval period, and for the later Bourbons it became a consuming passion. Indeed Louis XV and Louis XVI were to be criticized by a proto public opinion ; it was thought that hunts were expensive and that they distracted the rulers from the duties of government. The royal hunts disappeared with the fall of the monarchy. But Napoleon, with his desire to appropriate the outward show of monarchical legitimacy, brought it back. Marshal Berthier was appointed Grand veneur and given the task of organizing the imperial hunt in exactly the same way as it had been done under Louis XVI. Napoleon made the hunts a powerful political instrument and a Court indulgence whilst at the same time making considerable savings. The Restoration in fact chose not to revive Ancien Régime customs but preserved the Napoleonic hunting administration. This gave rise to the paradox of a Restoration attempting to reinvigorate monarchical traditions but using structures created by Napoleon. This is that strong continuity, human, budgetary, but also political and symbolic, inside a geographical field concentrated around Paris that made it possible for the Court to circulate around the different imperial hunting residences, to dedicate certain days to the hunts, and to invite some important political figures. All of these aspects are to be found in the sources : archives, newspapers, autobiographies, artworks.
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Historical methodology of Ancient Israel and the archive as historical a priori in the discourses of the Lachish reliefsKellner, Ronel 11 1900 (has links)
The archive as a site of ‘knowledge retrieval’* has long been the exemplary domain of astute historical inquiry. Following the recent ‘historic turn’* to address the politics of knowledge in the broader human and historical sciences, rather than its function as a site of ‘knowledge retrieval’*, I will reflect on the function of the archive as a site of ‘knowledge production’* in the writing of the histories of ancient Israel. Aligned within the conversations among historians and archivists and the new archival turn, the research will endeavour to offer a contribution to the debate on the topic of historical methodology of ancient Israel in the disciplines of Biblical Archaeology and History of ancient Israel. I will argue that an examination into the function of the archive as historical a priori in a study of the discourses on the Lachish reliefs in the disciplines discloses the practical and theoretical tenets that converge to construct knowledge on the Lachish reliefs and hence also knowledge on ancient Israel. The research will contend that a bounded formation of knowledge on the Lachish reliefs has evolved in the disciplines since the nineteenth century that is along the British imperial archival grain.
* Terminology from Stoler, A L 2002. Colonial Archives and the Arts of Governance: On the Content in the Form, in Hamilton C, Harris, V, Taylor, J, Pickover, M, Reid, G & Saleh, R (eds) 2002. Refiguring the Archive. Cape Town: David Philip, 83-102. / Biblical and Ancient Studies / MA (Biblical Archaeology) / 1 online resource (xii, 194 leaves) ; illustrations (some color), maps
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Le château ducal de Moulins (Allier) de Louis II de Bourbon à Anne de France : étude historique et archéologique d'une résidence princière (XIVe - XVIe siècle) / Ducal castle of Moulins (France, Allier) from Louis II de Bourbon to Anne de France : historical and archaelogical study of a princely residence (XIV-XVI century)Condello, Celia 08 April 2016 (has links)
Le château ducal de Moulins, s’il a subi diverses destructions, comporte aujourd’hui encore des éléments qui méritent d’être étudiés de près, afin de restituer son état initial. On connaît d’après les sources écrites au moins deux grandes campagnes de construction, la première fut amorcée par le troisième duc de Bourbon, Louis II, à la toute fin du XIVe siècle. La tour maîtresse « Mal-Coiffée » étant datée par dendrochronologie vers 1399/1400. Un second chantier d’agrandissement et de réaménagements débute après 1488, commandité cette fois par le duc de Bourbon Pierre de Beaujeu et son épouse Anne de France, sœur de Charles VIII. Cet agrandissement se terminera au tout début du XVIe siècle avec la construction d’un portique d’architecture renaissante, très précoce en France. Cette thèse mêle l’histoire et l’histoire de l’art mais part surtout d’une réflexion archéologique des bâtiments subsistants. C’est en cumulant et en confrontant ces diverses approches que l’étude a pu être la plus complète. / During his history, the ducal castle of Moulins has been subject to several destructions and improvements. Despite this, it still contains elements that should be studied carefully in order to restore its original state. From written sources, one knows at least two major buildings campaigns. First one was initiated by the third duke of Bourbon, Louis II, in the late fourteenth century. The remaining main tower, known as “Mal-Coiffée” ("Untidy Top"), has been dated by dendrochronology around 1399/1400. A second campaign of expansion and redevelopment begins after 1488, commissioned by the Duke of Bourbon, Pierre de Beaujeu and his wife Anne de France, Charles VIII’s sister. This expansion will be completed in the early sixteenth century with the construction of a renaissance architecture portico, very early in France. This thesis combines both History and art history, starting from an archaeological reflection of the remaining buildings. The aim of this work is to combine and compare these different approaches in order to obtain the most comprehensive and exhaustive study of this forgotten site which play a key role in History.
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