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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The Effects of Communication, Gender, and Sexism on Dating Initiations

Buscaglia, Alexandra Marie 01 July 2017 (has links)
The purpose of this study was to increase understanding of the initial screening process that occurs during dating interactions, and to measure the perceptions of different communication styles that individuals use during such interactions. A review of current literature focused on attractiveness of potential mates, ambivalent sexism theory, gender stereotypes, and communication theory. The present study examined how individuals view others’ approaches in initial dating interactions, and which of these approaches are most effective for increasing the target’s interest in spending time with the pursuer. A pilot study involving 45 undergraduate psychology students from Western Kentucky University was conducted to evaluate the validity of the Dating Initiation Questionnaire (DIQ), which was created for this study. In the final study, one hundred and fifty two undergraduate psychology students from Western Kentucky University completed measures of sexism, social desirability, and dating initiation preference. Results showed that both communication theory and ambivalent sexism theory were relevant in dating initiations. Consistent with previous communication research, assertive communication was rated as more effective than aggressive and passive communication in the initial interactions that occur in heterosexual dating initiations. This suggests it is best to use assertive communication as a first choice in dating interactions. Further analyses showed that females were more likely to rate assertive and passive initiations as more effective than aggressive dating initiations, while males were more likely than females to rate aggressive initiations as more effective than passive initiations, and to rate aggressive initiations as more effective than assertive initiations. Stronger ambivalent sexist beliefs were associated with higher ratings for aggressive dating initiations. Therefore, individuals who held negative attitudes toward non-traditional women and positive attitudes toward gender stereotypical women preferred aggressive dating initiations. Such individuals may approach others in an aggressive manner. One could argue that, to prevent such harassment, individuals should be educated about communication styles and gender equality. Future research should focus on applying such interventions to males and females, and on revising the intervention to suit individuals with sexist beliefs toward women and men.
2

Iscensättning av sjukdom : En performativ och bildsemiotisk studie av svenska konvalescentmotiv 1884­–1933 / The Staging of Sickness : A Performative and Visual Semiotic Study of Swedish Convalescence  Motifs from 1884–1933

Cserhalmi, Nora January 2021 (has links)
This thesis concerns six Swedish paintings depicting sick or convalescent individuals; Richard Bergh’s Konvalescent (unfinished, 1886), Flickan och Döden (1888), Eva Bonnier’s Magdalena (1887), Gustaf Magnusson’s Konvalescent (1933), Jenny Nyström’s Konvalescenten (1884), and Georg Pauli’s Vid sjukbädden (1885). The purpose of this study is to examine how sickness is portrayed and staged using performative theory and visual semiotics. The thesis takes into account that tuberculosis, being a widespread disease during the 18th and 19th Century, made it a topic of exploration in the contemporary art. With this as the framework the thesis examines whether or not it is possible to diagnose the depicted individuals. The results shows that sickness first and foremost is portrayed and staged in signs regarding the body: the face, the hands, and how the body is posed. Lastly, it is suggested that these artworks can be seen as cultural symbols of TB, since not being viable for a strictly medicinal diagnosis they are more the result of the contemporary need to examine TB and its effects on society and culture. The paintings becomes – such as a body is a vessel for a disease – vessels for the disease culturally speaking.

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