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African women as moral agents : the moral implications of the status and role of women in their communitiesLebaka-Ketshabile, Libuseng Sophy 11 1900 (has links)
Traditional ethical views have tended to define moral agency
from the patriarchal perspective. Seen and defined from this
perspective, it has been maintained that women are not
transmitters or teachers of good morals, let alone makers of
sound moral judgments. This biased stance on women and moral
agency is not only prevalent in Western traditional ethical
approaches. It is also found in the thinking and practice of
contemporary African society.
Contrary to traditional ethical views on moral agency, both Western and African, this work argues that African women are
good moral agents. They have always demonstrated moral
responsibility through participation in the overall life of
their society. To ensure maximum participation of all African
women in society, the dissertation suggests that a process of
conscientization for a liberative culture should become a priority for African society. / Philosophy, Practical and Systematic Theology / M. Th. (Theological Ethics)
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African women as moral agents : the moral implications of the status and role of women in their communitiesLebaka-Ketshabile, Libuseng Sophy 11 1900 (has links)
Traditional ethical views have tended to define moral agency
from the patriarchal perspective. Seen and defined from this
perspective, it has been maintained that women are not
transmitters or teachers of good morals, let alone makers of
sound moral judgments. This biased stance on women and moral
agency is not only prevalent in Western traditional ethical
approaches. It is also found in the thinking and practice of
contemporary African society.
Contrary to traditional ethical views on moral agency, both Western and African, this work argues that African women are
good moral agents. They have always demonstrated moral
responsibility through participation in the overall life of
their society. To ensure maximum participation of all African
women in society, the dissertation suggests that a process of
conscientization for a liberative culture should become a priority for African society. / Philosophy, Practical and Systematic Theology / M. Th. (Theological Ethics)
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Narrating gender and danger in selected Zimbabwe woman's writing on HIV and AIDSChitando, Anna 09 1900 (has links)
This thesis investigates how selected Zimbabwean female writers narrate HIV and AIDS. It argues that, generally, the prevailing images of women in Zimbabwean society and literature are incapacitating. Male authors have been portraying women in disempowering ways as loose, dangerous, weak and dependent on men. This unjust portrayal of women has been worsened by the prevalence of HIV and AIDS. Women have been depicted as vectors in the spread of HIV, thus perpetuating sexist ideologies. Presuming that women authors can do better in their depiction of female characters, this research investigates whether female authors differ in their representation of female characters in contexts of HIV and AIDS. The works critiqued are Virginia Phiri’s Desperate (2002), Sharai Mukonoweshuro’s Days of Silence (2000), Valerie Tagwira’s The Uncertainty of Hope (2006), Tendayi Westerhof’s Unlucky in Love (2005) and Lutanga Shaba’s Secrets of a Woman’s Soul (2006). The study further explores the extent to which Zimbabwe female authors sanction, conform, undermine, assess critically or do away with unconstructive images of women in contexts of HIV and AIDS. This study emphasized the possibility of literature to offer a platform for the liberation of women, or a counter- platform for reactionary politics. Predicated on the notion of gender and danger, the study questions whether female authors perpetuate the stereotypes of women’s roles as destructive, or whether some view ‘dangerous’ images of women in literature as liberating. Overall, this thesis argued that contrary to the postulation of female authors being similar in their understanding and depiction of the concept of gender and danger, they are not. It is at this juncture that this study breaks new ground by utilizing the concept of agency to show how different female writers interpret and narrate gender and danger in contexts of HIV and AIDS. This study applies the notion of agency as a means of evaluating the extent to which women employ nonconformist acts in order to undercut patriarchy and other oppressive socially constructed ideologies. / English Studies / (D. Litt et Phil. ( English Studies))
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The portrayal of women in Xitsonga literature with special reference to South African novels, poems and proverbsMachaba, Rirhandzu Lillian 09 1900 (has links)
The new dawn that brought about democracy in South Africa in 1994 and the social and political experiences have since changed the expectations of women’s roles in society. Literature is the important part of this experience because it mirrors and interprets the experience from the point of view of those who write about it. This study, therefore, attempts to examine the image of women in Xitsonga literature, to investigate whether there is a link in the expected cultural roles of Vatsonga women and their roles as characters in Xitsonga literature; and whether there is a shift in the way women characters are portrayed to represent the current social and political reality.
The study employs African feminist literary criticism as a tool in critically analysing the various literary genres. It also adopts purposive sampling of Xitsonga novels, poetry and proverbs that have women characters in them and analyse how these women characters have been portrayed. The naming of female characters is examined in relation to their roles in the texts and the titles of the texts are also investigated and critically analysed to establish whether they portray any gender stereotypes. The themes of the selected texts are also examined to establish if there is any gender biasness. Both male and female-authored texts have been investigated to explore whether male authors depict women differently from their female counterparts.
The study concludes that there is gender-biasness in the manner in which women characters are depicted that do not reflect the current political and social order, however, some women authors, unlike their male counterparts do not reflect gender-biasness in their depiction of female characters. / African Languages / D. Litt. et Phil. (African Languages)
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Narrating gender and danger in selected Zimbabwe woman's writing on HIV and AIDSChitando, Anna 09 1900 (has links)
This thesis investigates how selected Zimbabwean female writers narrate HIV and AIDS. It argues that, generally, the prevailing images of women in Zimbabwean society and literature are incapacitating. Male authors have been portraying women in disempowering ways as loose, dangerous, weak and dependent on men. This unjust portrayal of women has been worsened by the prevalence of HIV and AIDS. Women have been depicted as vectors in the spread of HIV, thus perpetuating sexist ideologies. Presuming that women authors can do better in their depiction of female characters, this research investigates whether female authors differ in their representation of female characters in contexts of HIV and AIDS. The works critiqued are Virginia Phiri’s Desperate (2002), Sharai Mukonoweshuro’s Days of Silence (2000), Valerie Tagwira’s The Uncertainty of Hope (2006), Tendayi Westerhof’s Unlucky in Love (2005) and Lutanga Shaba’s Secrets of a Woman’s Soul (2006). The study further explores the extent to which Zimbabwe female authors sanction, conform, undermine, assess critically or do away with unconstructive images of women in contexts of HIV and AIDS. This study emphasized the possibility of literature to offer a platform for the liberation of women, or a counter- platform for reactionary politics. Predicated on the notion of gender and danger, the study questions whether female authors perpetuate the stereotypes of women’s roles as destructive, or whether some view ‘dangerous’ images of women in literature as liberating. Overall, this thesis argued that contrary to the postulation of female authors being similar in their understanding and depiction of the concept of gender and danger, they are not. It is at this juncture that this study breaks new ground by utilizing the concept of agency to show how different female writers interpret and narrate gender and danger in contexts of HIV and AIDS. This study applies the notion of agency as a means of evaluating the extent to which women employ nonconformist acts in order to undercut patriarchy and other oppressive socially constructed ideologies. / English Studies / (D. Litt et Phil. ( English Studies))
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The portrayal of women in Xitsonga literature with special reference to South African novels, poems and proverbsMachaba, Rirhandzu Lillian 09 1900 (has links)
The new dawn that brought about democracy in South Africa in 1994 and the social and political experiences have since changed the expectations of women’s roles in society. Literature is the important part of this experience because it mirrors and interprets the experience from the point of view of those who write about it. This study, therefore, attempts to examine the image of women in Xitsonga literature, to investigate whether there is a link in the expected cultural roles of Vatsonga women and their roles as characters in Xitsonga literature; and whether there is a shift in the way women characters are portrayed to represent the current social and political reality.
The study employs African feminist literary criticism as a tool in critically analysing the various literary genres. It also adopts purposive sampling of Xitsonga novels, poetry and proverbs that have women characters in them and analyse how these women characters have been portrayed. The naming of female characters is examined in relation to their roles in the texts and the titles of the texts are also investigated and critically analysed to establish whether they portray any gender stereotypes. The themes of the selected texts are also examined to establish if there is any gender biasness. Both male and female-authored texts have been investigated to explore whether male authors depict women differently from their female counterparts.
The study concludes that there is gender-biasness in the manner in which women characters are depicted that do not reflect the current political and social order, however, some women authors, unlike their male counterparts do not reflect gender-biasness in their depiction of female characters. / African Languages / D. Litt. et Phil. (African Languages)
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結構性宰制:反反色情到反分級 / Structural domination: from anti-antipornography to anti-censorship黃頌竹 Unknown Date (has links)
言論分級的辦法,特別是與性有關的言論分級,往往持著「保護未成年人」的立場落實於政策中。將這種對未成年人的言論限制手段,透過個人道德的論述,建構成一個對於未成年人之人格及人身安全的保護措施。然而在這個巧妙的論述之下,卻掩蓋不住底下騷動不已的權力角逐。
回顧二十世紀八○年代的反色情女性主義論述,麥金儂直接指出「色情」的問題從來就不只是一個道德問題,而是關於政治、關於權力、關於社會結構的問題。事實是,種種對於未成年人可以接觸的資訊、言論施加之限制,也從來都不只是道德問題,而是(如女性主義者尖銳而正確的見解指出的)一個關於政治、權力、結構的問題。言論不只是意見,言論是具有能動性(agency)的。麥金儂表示言論對於社會現實的建構有著莫大的影響力,藍騰更使用奧斯汀的行動(performativity)理論來說明言論的能力。而巴特勒儘管在結論上反對反色情女性主義推動言論管制,卻也是基於肯定言論的行動力,對於言論管制往往剝奪傷害性言論的受害者在言說場域裡能夠自我賦權的機會,更透過公權力對此類言論與歧視結構的肯認,而有強化這個受害者結構的危機。
我將從巴特勒對言論管制手段的批判,以及對於如何透過言說關係的再利用,來試圖顛覆既有的權力關係。現有的所謂「保護」未成年人之言論限制政策,其實一方面是鞏固成年人對未成年人之權力關係,另一方面也是將未成年人的教育視為成年人彼此爭奪權力的場域。我將論證言論的管制策略不僅無法達到「保護」的效果,更是對未成年人之主體性建立的直接傷害:如果言論有建構社會結構,以及建構主體在社會結構中的位置之能力,剝奪這項能力,就是在剝奪未成年人透過性言論與現實世界進行交互辯證的能力,並剝奪其建立以及發展自我主體性之重要工具。
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