Magister Artium - MA / Bettina Wyngaard se misdaadfiksie-trilogie, bestaande uit die romans Vuilspel (2013), Slaafs (2016) en Jagter (2019) het ’n vernuwende uitwerking in die Afrikaanse literatuur gehad. Dit kan hoofsaaklik teruggevoer word na die skrywer se gebruik van ’n (swart) lesbiese protagonis. Wyngaard is ook die eerste swart Afrikaanse vroue-outeur wat haar tot hierdie genre gewend het. Haar misdaadtrilogie toon ’n sentrale bemoeienis met die vroulike subjek se ondergeskikte posisie as deurgaans onderdruk weens verskeie identiteitsaspekte (waaronder ras, gender, klas, seksualiteit, kultuur en nasionaliteit tel). Die simbiotiese verhouding tussen identiteit en mag is dus ’n prominente tematiek in die trilogie. Hierdie bemiddeling tussen identiteit en mag toon raakpunte met die interseksionaliteitsteorie soos voorgestel deur Kimberlé Crenshaw (1989). Sy voer aan dat subjekte onderdruk word deur die tussenspel van identiteitsmerkers en sisteme van onderdrukking wat inherent is daaraan. In hierdie verhandeling word die representasie van die vroulike subjek in Wyngaard se misdaadtrilogie uit ’n interseksionele invalshoek in oënskou geneem. Vanweë die gebruik van literatuur as subjek van analise in hierdie verhandeling, word swart feministiese denkskole oor die letterkunde ingereken as ontledingsinstrumente om Wyngaard se trilogie binne die ruim trajek van swart feministiese fiksie te posisioneer. Terselfdertyd word Wyngaard se subjektiwiteit as swart vroue-outeur krities bekyk omdat sy deur middel van haar tekste verantwoordelik is vir beeldskepping en voorstellings van vroulike subjekte. Aangesien Wyngaard se fiksie dikwels identiteitsaspekte ondervang wat verband hou met haar eie subjektiewe identiteit, sal die wyse bekyk word waarop selfdefiniëring en selfaktualisering in haar trilogie tot stand gebring word.Soos reeds genoem, het Wyngaard grense in die Afrikaanse letterkunde versit deur haar tot misdaadfiksie as genre te wend. As deel van populêre fiksie, staan misdaadfiksie tradisioneel bekend as ’n behoudende genre met ’n resepmatige onderbou wat, só beskou, nie gebruik word om progressiewe argumente in te voer nie. Hierdie aspek van die genre staan dus oënskynlik in kontras met die feministiese aard van Wyngaard se misdaadfiksie-trilogie. In hierdie verhandeling word gevolglik ook die funksionaliteit van genre en die impak daarvan op die beeldskepping van die vroulike subjek bekyk. Maniere waarop Wyngaard gevestigde genrekonvensies oorskry in ’n poging om feministiese benaderings te berde te bring, word in die besonder bestudeer. / South Africa

The study intends to investigate the manifestation of power and patriarchy among Armenian marriage and household traditions and customs which have their role in the process of marginalising women. The construal how the marriage traditions and customs define gender roles and trigger gender inequality in Armenian context is discussed. Culture and society and traditions have an enormous impact on defining gender roles in Armenia. Armenians throughout history have been strongly influenced by cultural messages concerning gender roles and family influence. People both at subconscious or conscious level, take in the cultural perceptions. While the country is going through globalisation processes and becoming more and more exposed to foreign influences, conventional gender stereotypes, and patriarchal systems are still deeply rooted and prevalent in all spheres of social life, and the institution of marriage is one of the most striking among them. The research will illustrate how the culture, through institution of marriage, shapes compound power relations which lead to inequality and marginalisation of Armenian women in domestic sphere. Institution of marriage itself, all over the world, historically has been deeply rooted in patriarchal values, customs and traditions. Despite the fact that nowadays,...

Farming women have between the year 1950 and the present time had to fight hard to participate in the farming sector in Sweden to the same extent as men. There are old, gendered biases towards women who labour on farms by people both on and outside the farms. Farm labour has been considered a “man’s work” and women were better suited to perform household labour. However, women have been recognised as proper farmers and official owners in recent years. The thesis examines the changes over time for Swedish farming women regarding their economic activities, institutional changes, and social changes that have had an impact on them. The thesis highlights factors that hinder gender equality and empowerment on farms. It also highlights elements that empower women to further establish themselves in farming. Both statistical data which brings concreteness to the research and interviews with farming women which brings a narrative has been included in the research. The findings have been analysed with the reproductive labour theory and the concept of patriarchy.

The ever-growing digital takeover of society fosters new platforms for opinion formation, transforming the traditional way of interacting and practising activism. However, while online activism has been successful in western parts of the world, its importance has not been as widely acknowledged in places such as Central Asia in relation to feminism. Consequently, this study aims to draw attention to the online activism on feminism within the context of Tajikistan and, through attitudes expressed on Instagram, examine the present-day obstacles that women face. Coloured by patriarchal values and limited space for feminism, Tajikistan provides an interesting case for studying the former and situation of activism on gender equality in general. This study was carried out through the qualitative content approach where 38 Instagram posts containing various aspects of women and gender, were analysed through the lens of patriarchy and women's empowerment. The findings revealed attitudes condemning patriarchal norms and calling for greater gender equality and empowerment of women. Said implied a distressing situation for women in Tajikistan, suggesting very few transformative steps, while the prevalence of online activism insinuated, minor, but significant steps for the feminist struggle in Tajikistan.

Visual aesthetics play a vital role in today’s Western society. We built up a society where physical appearance represents high values in our everyday life. Not only the way we consume things and engage with the internet have a connection to how we see and place ourselves in society but the way the system works and treats us. Under the word “system” I refer to the intertwined connection of patriarchy and capitalism. With this project, I explore this connection as well as how the system influences social norms, body aesthetics and acceptance. More specifically, I take shaving and myself as an example and examine the question of “Why do women shave?”. The representation of women in our current society shapes our idea and opinion on shaving therefore I work with questions such as: How are social norms created and how do they influence us? What are the ways to challenge and break these norms, if it is possible at all? How can our capacity for developing autonomy remain while being influenced by the system? My practice investigates these questions comprehensively and addresses the importance of discussions and the understanding of the roots of our behavior as well as how we as individuals contribute to the influence of society and the system.

This essay argues that the patriarchy is pervasive throughout George Orwell’s novella Animal Farm. By providing examples of narrative events and character actions, the essay aims to make evident the ways in which the patriarchy is represented throughout the novella. The concept of patriarchy is defined, and characters and events that take place within the narrative of Animal Farm are analyzed through the lens of traditional gender roles and toxic masculinity. Both male and female characters are included to present the ways in which society in Animal Farm is patriarchal and the essay argues that the presence of the patriarchy pervades the narrative. The presence of patriarchal structures can be seen throughout the narrative, including characters, character’s actions and how events are portrayed. To conclude, discussing the novella from a feminist theoretical perspective is good for understanding the work in a way that is different from most other analyses in academia and this essay argues that the patriarchy indeed is present throughout the narrative of Animal Farm.

The purpose of this study, which adapts a critical feminist perspective, has been to examine the views of men convicted of sexual offenses on the issues of masculinity, sex and the male norm. The study was based on a qualitative approach - seven interviews were conducted with men who were incarcerated for sexual offenses. The interviews focused on each man’s life story and explored their perspective on the male norm and the resulting impact on them in social, relational and sexual contexts. The theoretical framework consisted of four concepts; Millett and Walby’s concept of patriarchy, the concepts of sex and gender, Connells concept of hegemonic masculinity, and Butlers concept of the heterosexual matrix. Using these concepts, the content of each interview was interpreted using qualitative content analysis. The results show that men hold positions of power in heterosexual interaction, and gender roles dictate women to be emotional and caring whilst men should be mentally strong and provide financially for the family. Men are expected to live up to a certain manly standard, which rarely correspond with the man they want to be. The results also show that the participating men in the study places responsibility for their crime away from themselves, with each man reducing the severity of both their crime and the concept of rape.

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What exactly is the status quo of women in Africa? Women’s selfhood has been systematically subordinated or outright denied by law, customary practices, and cultural stereotypes. Scholars like Judith Bennet suggest that religious practices and colonial rule subjugate African women. Patriarchal ideologies guide the society’s discrimination against women and this has influenced the status of women, especially married women and the way they respond in times of affliction. Authors like Chimamanda Adichie and Mariama Ba in their fictional novels The Purple Hibiscus and So Long a Letter focus on capturing the struggles and conditions of women in the Western African society. Through their protagonists, they explore various issues such as patriarchy and the influence of religion on the lives African women. This thesis aims to examine the notion of a single story and how and why African women accept or oppose the patriarchal status quo.

Are experiences with migration affecting culturally specific gendered practices, roles, attitudes, and ideologies of Mexican women and men? Which experiences reinforce patriarchy? Which experiences transform patriarchy? This thesis proposes that Mexican immigrant women will subscribe to and enact different gendered behaviors depending upon their perception of gendered gains. Various factors, such as time of arrival, previous experiences with negative machismos, and workforce participation affect how they construct gendered identities. The context where bargaining occurs-whether itwas the home, the community, or the workplace - inform women of what strategies they need implement in order to negotiate with patriarchy. This study employs two models, Deniz Kandiyoti's concept of the patriarchal bargain and Sylvya Walby' s theoretical position of patriarchy fomenting unique gender inequalities within different contexts, to process the different ways Mexican immigrant women perceive and perform gender. The author analyzed data collected from participant observation activities, focus groups, and interviews with women of Mexican descent living in new immigrant destinations. Mexican immigrant women's narratives of negotiations and transformations with male partners indicated equal adherence of traditional and nontraditional gendered behaviors in order to build satisfactory patriarchal bargains. In addition, data suggested that identity formation was the outcome of migratory influences; it also indicated that progressive ideas about gender were salient before migrating to the U.S .. Findings also suggested that reassured masculine identities, due to the stable work options open to Mexican immigrant males in this area, became a factor in the emergence and adherence of distinct gendered attitudes, beliefs, and perceptions by women in this study.