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1	Práva výrobců zvukových a zvukově obrazových záznamů / Rights of producers of audio and audiovisual recordings Pipková, Markéta January 2014 (has links) Resume The thesis is focused mainly on the rights of phonogram and audiovisual fixation producers. Choosing this topic came as a result of my own personal interest in music, as well as the constantly active public debate regarding the protection of rights of the producers in relation to the expantion of internet and related transmission of digital data. Part one is followed by establishing main terms, specifically the phonograms and their producers, and audiovisual fixations and their producers. The history of copyright protection and related rights is discussed in the third part. Despite the long history of intelectual property protection, copyright and related rights were not included into the Czech legal system until 1953. The historical excursion into copyright and related rights leads to exploration of the rights of phonograms and audiovisual fixations producers, especially in the light of how easy their worldwide distribution in today`s world is. Copyright is based on the quasidual concept of personal and property rights. Producers of phonograms or audiovisual fixations are granted solely property rights. The last two chapters are devoted to the explanation of individual rights and their potential civil or public protection under the valid Czech legal system.
2	Den moderna vinylen : En studie av unga vuxnas relation till vinylskivor som lyssningsformat / The Modern Vinyl : the relation between young adults and vinyl as a listening format Persson, Hampus January 2016 (has links) Denna uppsats diskuterar fyra unga vuxnas, i Växjö, relation till vinylskivor som format för musiklyssning. Genom den kvalitativa intervjumetoden görs ett försök att beskriva hur informanterna motiverar användandet av vinylskivor, vilka egenskaper som de tillskriver skivorna och hur det förhåller sig gentemot digital musiklyssning. Materialet har analyserats med hjälp av teorier kring retrologier (skapandet av sätt att se tillbaka), affordance (vinylskivans polyvokala egenskaper) och rekontextualiseringsprocesser (vilka egenskaper tillskrivs formatet i en modern kontext). Studien visar på vinylskivans förmåga att frambringa en särskild känsla hos informanterna och hur detta skapas utifrån flertalet olika dimensioner, så som skivans fysikalitet, visuella egenskaper och inbjudan till ett aktivt lyssnande. phonogram vinyl vinyl discs listening format media music listening music listening retro digital music young adults interviews recontextualisation fonogram vinyl vinylskivor lyssningsformat medie musiklyssning musik lyssning retro digital musik unga vuxna kvalitativa intervjuer rekontextualisering
3	Práva výrobců zvukového a zvukově obrazového záznamu / Rights of producers of audio and audiovisual recordings Hašek, Ivan January 2011 (has links) The subject of my thesis is The Rights of Producers of Phonograms (Sound Recordings) and Films. I have chosen this topic because of my fondness for music and for media that carry such recordings. The Rights of Producers are denominated as rights related (to Copyright) because of the absence of creativity and individuality. The term neighbouring rights is exactly equivalent. In the first chapter I provide reader with basic terms and a concept of continental copyright law as well as a comparison with common law copyright system. These two law systems are essentially important to comprehend the rights of producers in general and to have basic overview on their role in global society and economy. Both authors' rights and related rights are copyrights in the sense of common law. The second chapter analyses international law on this subject. I describe the relationship between czech national law and international law. Although the majority of international agreements is phrased generally, mentioned agreements have impact on legislations of contracting parties. They form a part of czech law since their ratification and publication in Collection of Laws. The important agreements on the subject are Rome Convention, Geneva Convention, TRIPS Agreement and WIPO Performances and Phonograms Treaty. In addition, I...
4	Fonograma e direito de propriedade: a nova tutela jurídica de bens imateriais transmissíveis pela Internet. Nilo, Marcelo Timbó January 2011 (has links) Submitted by Edileide Reis (leyde-landy@hotmail.com) on 2013-04-16T19:17:28Z No. of bitstreams: 1 Marcelo Timbo.pdf: 15486487 bytes, checksum: e8e767ea3bc95f49cb7900efe801c7b5 (MD5) / Approved for entry into archive by Rodrigo Meirelles(rodrigomei@ufba.br) on 2013-05-09T17:23:31Z (GMT) No. of bitstreams: 1 Marcelo Timbo.pdf: 15486487 bytes, checksum: e8e767ea3bc95f49cb7900efe801c7b5 (MD5) / Made available in DSpace on 2013-05-09T17:23:31Z (GMT). No. of bitstreams: 1 Marcelo Timbo.pdf: 15486487 bytes, checksum: e8e767ea3bc95f49cb7900efe801c7b5 (MD5) Previous issue date: 2011 / O presente estudo tem por objetivo demonstrar que a tutela jurídica dos direitos autorais não pode ser mais conferida em forma de direito de propriedade. A qualificação desta espécie de direitos intelectuais como direito de propriedade surgiu da necessidade histórica de dar outro nome aos antigos privilégios e persistiu graças à ambivalência da noção de propriedade. Entretanto, quase nenhuma regra específica da propriedade lhes é aplicável. Os direitos autorais não são suscetíveis de apropriação exclusiva, porque não possuem a característica da raridade. A escassez artificialmente conferida por lei tornou-se insustentável na Era Digital, especialmente em relação aos bens transmissíveis pela internet. Hodiernamente, os fonogramas prescindem de serem fixados em forma de átomos para serem reproduzidos e distribuídos, pois, em simples forma de bits, passaram a circular livremente, sem perda de qualidade e com um custo ínfimo. De fato, os direitos autorais e suas expressões patrimoniais devem ser tutelados como direitos não dominiais, pois, na prática, o direito de propriedade envolve abstenções impostas aos não-proprietários, que são incompatíveis com a abundância dos bens artísticos intelectuais. O paradigma emergente chama a atenção para o fato de que é o valor de uso das obras que deve recompensar a chama criativa dos autores, pois o valor de troca praticamente não existe mais. / Salvador Intangible property Fonograma Propriedade imaterial Propriedade Tutela jurídica dos direitos autorais Privilégio Bens imateriais Ciências Sociais Aplicadas Property Copyright Privilege Intangible property Phonogram Use value
5	Recherches sur le système de représentations symboliques de l’art néolithique aux textes des pyramides- Origines et formation des éléments de la religion solaire de l’Egypte antique / Research on the symbolic representations system in Egypt from Neolithic art to the pyramid texts.- Origin and formation of solar religion elements in pharaonic Egypt Sweydan, Francois 28 February 2011 (has links) Dès les premières dynasties, le pictogramme fut dans l’écriture le prolongement des représentations figuratives naturalistes, logogrammes dans les palettes funéraires décorées protodynastiques. Ce constat nous porte à les mettre en correspondance avec l’art pariétal du néolithique nubien, le prédynastique égyptien, et celui des aires culturelles périphériques. La reconsidération des pétroglyphes en tant que symboles et idéogrammes, c’est-à-dire des mythogrammes autant que des logogrammes-phonogrammes polysémiques permet de dégager un système structurel de représentations symboliques universel dans la vallée du Nil. Essentiellement funéraire, il est organisé autour d’une nouvelle lecture en relation aux mythes fondateurs de l’Œil d’Horus/solaire, s’exprime dans des rites primitifs de revivification, de renaissance, néolithiques et prédynastiques, explicités ensuite durant les premières dynasties sur des tablettes, des sceaux-cylindres votifs, et l’onction du mort avec les sept huiles canoniques et, enfin, dans les Textes des Pyramides. Contrairement à l’idée commune d’opposition des notions de Nature-Culture, il est question de les conjuguer, de réconcilier la dualité non binaire et de voir, par exemple, les fonctions héliotrope et/ou héliophore des animaux du bestiaire soudanien, avec Sokar le faucon funéraire, les garants bienveillants des métamorphoses et de renaissance du soleil/des défunts, par ailleurs, félidés, canidés, antilopes…, investis du numineux des divinités tutélaires. À la lueur d’une nouvelle lecture du mythe “osirien” primitif de métamorphose, nous reconsidérons les conceptions sur le sacrifice animal sur des bases d’anthropologie religieuse. Loin d’une maîtrise et soumission de la nature, et d’un diffusionnisme, l’interculturalité de la pensée mythique archaïque première dans la vallée nubiano-égyptienne et des régions périphériques multiethniques implique, vis-à-vis du monde naturel et des forces spirituelles numineuses, la transculturalité des conceptions solaires et le partage pluriculturel, transhistorique des croyances résurrectionnelles polycycliques. Ainsi, les pétroglyphes d’animaux, les scènes de chasse animale, les représentations de barques, de sandales, etc., sont de nature funéraire votive, apotropaïque. / Since the beginning of the first dynasties, the pictogram in writing was the extension of naturalistic figurative representations, logograms in the decorated funerary protodynastic palettes. This statement carry us to link them with the parietal art of Neolithic Nubia, the egyptian Predynastic, and peripheral cultural areas. We have reconsidered the petroglyphs as polysemic symbols and ideograms, i.e. mythograms as well polysemic logograms-phonograms, allowing us to draw up a structural system of symbolic representations, universal in the Nile valley. Basically funerary, the system is organised around a new reading in connection with the founding of the ‘Eye of Horus’/solar myths, and express itself in primitive Neolithic and Predynastic rites of revivification, rebirth, more explicit afterwards during the first dynasties on labels, votive cylinder-seals, and anointing the deads with the seven holy canonical oils, finally in the Pyramid Texts. Contrary to the common idea which opposite the Nature-Culture notions, there is some question to combine them, to reconcile the non-binary duality and to see, for example, the heliotrope functions and/or heliophore animals of the sub-Saharan bestiary, with Sokar the funerary hawk, the benevolent guarantors for the rebirth and metamorphosis of the sun/deads; otherwise felids, canids, antelopes…, invested by the numinous of the protecting divinities. In consequence of a new reading of the primitive ‘osirian’ myth of metamorphosis, we have reconsidered the conceptions about animal sacrifice on the basis of religious anthropology. Far from bringing under control and submission of nature, and diffusionnism, the intercultural (cross-cultural) of the first archaic mythic thought in the multi-ethnic nubian-egyptian valley and associated neighbouring areas involves, towards the natural world and the numinous spiritual strengths, the cross-cultural of solar conceptions and multicultural, trans-historic sharing of the polycyclic resurrectional believes. Thus, the animal petroglyphs, cynegetic scenes, boats and sandals representations, etc., are of funerary votive, apotropaic nature. Art pariétal Barques funéraires Correspondance symbolique (syncrétisme) Culture Cynégétique Dualisme Héliotrope Huiles canoniques Interculturel Logogramme Mafdet Matit Métamorphose Multiethnicité Mythe de l’Œil d’Horus Mythe solaire Mythogramme Mythopoésie Nature Néolithique Osiris Ouroboros Palette funéraire Phonogramme Pictogramme Pluriculturalisme Polycycles Prédynastique Remembrement Renaissance Rite funéraire Sacrifice animal Sandale Satis Sceau-cylindre Sokar Symbole Tablette Textes des Pyramides Théophagie Transculturel Transfiguration Animal sacrifice Canonical oils Cross-cultural Culture Cylinder-seal Cynegetic Dualism Eye of Horus myth Funerary boats Funerary palette Funerary rite Heliotrope Label Logogram Mafdet Matit Metamorphosis Multi-ethnic Multicultural Mythogram Mythopoetic Nature Neolithic Osiris Ouroboros Parietal art Phonogram Pictogram Polycyclic Predynastic Pyramid Texts Rebirth Rememberment Sandal Satis Sokar Solar myth Symbol Symbolic correspondence (syncretism) Theophagy Transfiguration

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