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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 3 of 3 (0.068 seconds)Spelling suggestions: "subject:"pop sont"" "subject:"pop son""
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Gender norms expressed in love songs; a tribute to the third wave of feminism or the results of a male dominated industry? : A sociolinguistic study / Uttryck av genusnormer i kärlekslåtar: en hyllning till tredje vågens feminism eller resultatet av en mansdominerad bransch? : En sociolingvistisk studieEstlind, Maria January 2020 (has links)
No description available.
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Русская песня как учебный текст в иноязычной аудитории : магистерская диссертация / Russian song as an educational text in a foreign audienceГун, Ц., Gong, Z. January 2019 (has links)
Магистерская диссертация посвящена изучению лингводидактического потенциала русских эстрадных песен на занятиях РКИ. Песни о российских городах (Москве, Санкт-Петербурге, Екатеринбурге) описаны как потенциальный учебный текст. Теоретическая глава содержит описание основных теоретических лингводидактических принципов работы с песней на уроках РКИ. Магистрантом проведен лингвистический анализ собранного песенного материала, выделены элементы текста, которые могут быть значимы для уроков в иноязычной аудитории; разработана система упражнений для учебного курса «Песни о российских городах». / Master's thesis is devoted to the study of the linguistic and didactic potential of Russian pop songs in the classroom of the Russian as a foreign language. Songs about Russian cities (Moscow, St. Petersburg, Yekaterinburg) are described as a potential educational text. The theoretical Chapter describes the basic theoretical didactic principles of working with the song on the lessons of Russian as a foreign language. The master's student conducted a linguistic analysis of the collected song material, identified elements of the text that can be important for lessons in a foreign language audience; developed a system of exercises for the training course "Songs about Russian cities".
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WindowlickerRöthig, Sabine 11 May 2016 (has links)
In der Arbeit wird das Zusammentreffen der aus dem Club kommenden Electronic Dance Music (EDM) mit dem massenmedial konsolidierten Musikvideo untersucht. Diskutiert wird die These eines ästhetischen Paradigmenwechsels, der sich dadurch im Musikvideo vollzieht. Dieser beruht vor allem auf der musikalischen Figur des instrumentalen, modularen Tracks, die sich signifikant von der des Songs unterscheidet. Der originäre Zweck des Musikvideos, den Auftritt des Interpreten auf dem Monitor zu visualisieren, steht also mit dem Track zur Disposition oder wird gar obsolet; das erfordert neue Strategien der Bebilderung. Teil I und II der Arbeit verorten Musikvideo und EDM im wissenschaftlichen Diskurs und versammeln die jeweiligen ästhetischen Attribute. In Teil III wird anhand der Club Visuals die Beziehung von Tracks und Bildern erörtert, um darüber die veränderte Klang-Bild-Konstellation im Musikvideo durch EDM herzuleiten. In Teil IV werden die Erkenntnisse anhand der Fallstudie, dem Musikvideo „Windowlicker“ von Aphex Twin (Musik) und Chris Cunningham (Regie) aus dem Jahr 1999 ausgewertet und angewendet. Die Arbeit möchte die Dimension der ästhetischen Studien um das Musikvideo erweitern und verdeutlichen, wie sich das Musikvideo auch unter veränderten klanglichen Bedingungen als unentbehrlicher Bestandteil der Aufführung von Popmusik in der Monitorkultur erweist und als künstlerisches Genre unbedingt ernst zu nehmen ist, da sich in ihm zeitgenössische Avantgarden abbilden können. / This thesis explores the relationship between Electronic Dance Music (EDM) which originated in clubs, and the mass media consolidated music video. Focussing on how EDM influences the music video, an aesthetic paradigm shift on the latter is discussed. This change stemmed mainly from the structure of the instrumental, modular EDM track, which is significantly different from the structure of the song. Originally, the music video was intended as way of visualising the performance of the artist on the monitor; however, the advent of instrumental EDM tracks posed critical problems for this approach, and arguably renders it obsolete. New strategies of illustrations are required. Parts I and II of this thesis analyse music video and EDM through scientific discourses in an attempt to define their respective aesthetic attributes. In part III the relationship between tracks and images in club visuals is discussed in order to illustrate the singularity of this dialogue. In part IV, conclusions from the foregoing sections are evaluated and applied to a study of “Windowlicker” by British artist Aphex Twin, the video to which was directed by Chris Cunningham in 1999. The purpose of this thesis is to extend the aesthetic studies of the music video to clarify its status as an essential part of popular music in monitor culture. As an artistic genre it has to be taken seriously because it can display contemporary avant-gardes.
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