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Women in the sex industry struggle with emotional turmoil, drug and alcohol addiction, poverty, and spiritual disillusionment. Their lived experiences as stigmatized individuals engender feelings of powerlessness, which inhibits their attempts to leave the sex industry. This study illuminates how personal narratives develop throughout the process of shedding stigmatized identities and how mutual support functions as a tool in life transformation. Social identity theory and feminist standpoint theory are used as theoretical frameworks of this research, with each theory adding nuanced understanding to life transformations of female former sex workers. Results indicate that women in the sex industry share common narratives that reveal experiences of a "Living Hell", transitional language, and ultimate alignment with traditional norms. Implications of SIT and FST reveal the role of feminist organizations as possible patriarchal entities and adherence to stereotypical masculine ideology as an anchoring factor in continued sex work.

Thesis (MA)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: One of the characteristics of discourses about people who are marginalised such as sex workers, in many societies, is the way they are rendered through these very discourses as "Other‟ through, for example, forms of generalisation and homogenisation, attributions of immorality and infantilisation, which construct sex workers as bad or as helpless victims with little or no agency. In opposition to these discourses, my research is primarily concerned with advancing the voices of sex workers engaged in particular contemporary forms of sex work made possible by the access to the internet, and exploring with them how they construct and experience sex work: how they present and identify themselves. A qualitative, netnographic methodology influenced by grounded theory was employed, drawing extensively on semi-structured interviews with 15 independent escorts who advertise on a South African escorting website, referred to as Redlace.com. Content analysis of this website provided an additional source of data. The construction of the sex worker as someone who is simply controlled and exploited by others and who has no mind of her or his own, I found, was very much at odds with the manner through which the independent escorts in my study presented themselves. As I started conducting the interviews, I discovered that even the term "sex worker‟, which I had always understood as non-judgmental, was considered inappropriate and pejorative by most of the women in my study. In my discussion, I illustrate how, by soliciting clients via the internet, escorts are able to gain control over their working conditions allowing them to work independently and anonymously, which in turn renders them less publicly visible compared to other sex workers who solicit clients form the street. While I identify various continuities and discontinuities between independent escorting and other forms of sex work, the most profound and unanticipated difference was how some independent escorts whose independence and dissociation from organised forms of sex work in institutions such as brothels or escorts, placed them in a position where they were able to, and wanted to, present the "girlfriend experience‟. Herein the independent escorts performed and/or became like girlfriends offering sex, but sex mediated by "dating‟, and expressions of care and warmth symbolically associated with developing girlfriend/boyfriend relations.

This study explores the self-representations of cross-border migrant, female sex workers in Johannesburg and compares these representations to those created by public discourses around cross-border migration, sex work, and gender. With a focus on issues of agency, vulnerability, and power, the study questions the impact of prevalent representations of these women by others on their individual self-representations. The participatory approach of this study builds on previous participatory research projects with migrant sex workers in Johannesburg and employs creative writing as a methodology to generate narratives and thus adds to literature about alternative methodologies for reaching currently marginalised and under-researched groups. Organisations such as Sex Worker Education and Advocacy Taskforce (SWEAT) and Sisonke Sex Worker Movement have worked with sex workers to generate digital stories for advocacy; however, academic research employing storytelling as a methodology has not been done with migrant sex workers in South Africa. While existing evidence indicates that cross-border migrant, female sex workers are often marginalised by state and non-state actors professing to assist them, this study emphasizes the voices of the women themselves. Over the course of three months, I conducted creative writing workshops with five female Zimbabwean sex workers in Hillbrow, Johannesburg; the women generated stories in these workshops that became the basis for one-on-one unstructured interviews. I compared the self-representations that emerged from this process with the representations of migrant sex workers that I determined from a desk review of the websites of organisations that contribute to trafficking and sex work discourses in South Africa. With the Prevention and Combating of Trafficking in Persons Bill close to becoming law in South Africa and the prevalent assumption that systemic trafficking problems are related to the sex industry and irregular migration, developing a better understanding of migrants involved in sex work in South Africa is particularly important. Furthermore, a national focus on reducing and even preventing immigration—and the stigma attached to migrants—adds urgency to the elucidation of the lives of migrants. This study investigates how female Zimbabwean sex workers in Johannesburg—often positioned as vulnerable and sometimes misidentified as trafficked—see themselves in a country increasingly concerned with issues of (anti-)immigration and (anti-)trafficking. Furthermore, sex work is criminalized in South Africa and social mores attach stigma to prostitution. Contrary to assumptions that all sex workers are forced into the industry or foreign sex workers trafficked into the country, the participants in this study spoke of active choices in their lives—including choices about their livelihood and their movement—and describe their vulnerabilities and strengths. Perhaps the most striking similarity between participants was the women’s acknowledgement of the dangers they face and the decisions they make, weighing risks and gains. This recognition of agency ran through the six key themes that I generated through thematic analysis: Conflicting Representations of Sex Work, Stigma and Double Existence, Health and Safety, Importance of Independence, Morality of Remittances, and Mobility. Throughout the analysis, I argue that the participants in the study present themselves as aware of the dangers they face and calculating the risks. The participants responded enthusiastically to the creative writing methodology—through their stories, discussions, and interviews, they portrayed a complex, at times ambiguous, portrait of migrant sex workers in South Africa. While recognizing their double vulnerability—as illegally engaging in sex work and, often, illegally residing in South Africa, they also emphasized their strength and agency.

Made available in DSpace on 2016-04-28T20:38:36Z (GMT). No. of bitstreams: 1 Elaine Bortolanza.pdf: 29094458 bytes, checksum: c0cee69dfae559833c964a66709ac8da (MD5) Previous issue date: 2012-11-23 / The subject of this study is a moral web (where desire pulses for new arrangements and combinations) that consists of different elements mixed without order or criterion in a promiscuous way. In order to undo the sexuality device s knots, this study demonstrates that sexual desire is a dimension that cannot be reduced to the logic of representation. Rather it is beyond the identity politics and normative macropolitical games of the right. Desire battles insistently between: the individual and the collective; sex and the norm; bliss and love; and also I and the other . These battles form promiscuous zones. Therefore this study demonstrates two characters: the whores/prostitutes and the lovers. An empty and inconvenient sensation is experienced as we are in a zone of non-knowledge and non-recognition. This zone allows the expression of creative potential, mobilized exactly by the emptiness that occurs in the capitalist cultural regime. In the limits of the desire-sex-pleasure game zone, the concepts operate on the dynamics of affections, encounters and concrete experience. It is a game of sensations that desires sensitivity to tensions and paradoxes so that alternative ways for sexualities to vibrate can be reinvented. A fabulation concerning the metamorphosis of sexuality s minorities / A questão que se coloca na tese está entremeada na trama moral, em que o desejo pulsa por novos arranjos, combinações; trama feita de elementos diferentes, misturados sem ordem ou critério, ou seja, fabricados e constituídos de maneira promíscua. Para desemaranhar os nós do dispositivo da sexualidade, começo por mostrar que o desejo sexual é uma dimensão irredutível à lógica da representação, ao contrário, para além das políticas identitárias do jogo macropolítico do direito e da norma, o desejo batalha insistentemente neste entre: o individual e o coletivo, o sexo e a norma, o êxtase e o amor, o eu e o outro, constituindo o que chamarei de zona de promiscuidade para isso, trago duas figuras: as putas/prostitutas e os amantes. Experimenta-se uma sensação de desconforto e vazio por estarmos numa zona de não-conhecimento e não-reconhecimento, zona esta que permite a expressão de uma potência de criação, mobilizada exatamente por este vazio no regime do capitalismo cultural. Os conceitos operam na dinâmica dos afectos, nos encontros, na experiência concreta, nesta zona limite do jogo desejo-sexo-prazer um jogo de sensações cujo desejo é tornar sensíveis as tensões e os paradoxos, para que possamos reinventar outros modos de vibrar as sexualidades. Uma fabulação dos devires minoritários da sexualidade

The ways in which sex workers have been studied and represented historically, socio-politically and academically do not take into account their voices, subjective experiences and participation in the process. Women working in the sex industry are seldom heard and their needs are consistently defined and represented by others. This contributes to the stereotyping and stigmatization of sex workers, while academic research is consistently being done on sex workers instead of with them. This study uses the arts-based research method of photovoice with individuals working in the sex industry in Portland, Oregon to understand their needs and aspirations through their own artistic self-representation. Understanding sex workers’ needs from their own point of view provides the opportunity for collaborative knowledge creation of important issues in order to enhance social service design and delivery, and advocate for social change. Valuing sex workers’ aspirations supports the acknowledgement of individual strengths, skills, and visions. Drawing from techniques of interpretive phenomenological analysis methods, the themes that emerge to illustrate the participants’ needs and aspirations include: sustainability of the body; nourishment of the heart; fostering of the mind and soul; social justice and activism; dreams and desires; and self-empowerment and identity. The participants create meaning from their photographs through the use of self, performance, bodies, emotions, imagination, intellect, humor and story-telling. The role of intersectionality informs the sex workers’ diverse experiences and their unique ways of self-expression. The researcher uses collage as reflexivity to illustrate, contextualize and reflect her physical, emotional, and mental experiences throughout the study. The multiple art exhibits that ensue from this study allow for the artists’ visions and voices to travel to a broad audience beyond academia, in order to reach influential community advocates and challenge stigma and stereotypes. This arts-based study presents the richness and complexity of alternative forms of data, invites new levels of engagement that are both cognitive and emotional, and provides creative ways through which to explore and understand the experiences of sex workers.

Thesis (M.A.)--Florida State University, 2004. / Advisor: Dr. Jonathan Grant, Florida State University, College of Arts and Sciences, Dept. of History. Title and description from dissertation home page (viewed June 16, 2004). Includes bibliographical references.

This thesis investigates various representational modes and strategies in the Shanghai courtesan illustrations in Dianshizhai Pictorial. The aim of the study is to examine how Shanghai's early modern identity was imaged, imagined and contested through the courtesan figure. I argue that by establishing a new urban iconography, Dianshizhai Pictorial transformed the Shanghai courtesan from a traditional archetypical meiren to a universal image of the urban beauty. On the one hand, the modern city, previously an alien concept, was made familiar and acceptable through the image of the Shanghai courtesan. On the other hand, the ambivalence of the courtesan's new image mirrored a mixed feeling of fear, anxiety and disdain towards the emerging metropolis. The courtesan illustrations, hence, served as an important domain where different public understandings of the city were negotiated and expressed in pictorial terms.

No abstract available. / Thesis (LL.M.)-University of KwaZulu-Natal, Durban, 2012.

Thesis (Ph. D.)--University of Hawaii at Manoa, 2004. / Includes bibliographical references (leaves 174-184). / Also available by subscription via World Wide Web / xv,184 leaves, bound ill. 29 cm