Programa de Pós-Graduação em História. Departamento de História, Instituto de Ciências Humanas e Sociais, Universidade Federal de Ouro Preto. / Submitted by Oliveira Flávia (flavia@sisbin.ufop.br) on 2015-10-13T19:47:59Z No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_SiUnusImperitet.pdf: 1924660 bytes, checksum: cba1ce0d587e8584a94fd19ce96623a9 (MD5) / Approved for entry into archive by Gracilene Carvalho (gracilene@sisbin.ufop.br) on 2015-10-26T13:03:12Z (GMT) No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_SiUnusImperitet.pdf: 1924660 bytes, checksum: cba1ce0d587e8584a94fd19ce96623a9 (MD5) / Made available in DSpace on 2015-10-26T13:03:12Z (GMT). No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_SiUnusImperitet.pdf: 1924660 bytes, checksum: cba1ce0d587e8584a94fd19ce96623a9 (MD5) Previous issue date: 2014 / Esta dissertação tem o objetivo de estudar o comportamento político dos senadores romanos no Principado por meio das obras de Cornélio Tácito, senador e historiador romano que escreveu entre 98 e 120 de nossa era. Tácito concentra em sua figura a experiência política partilhada pelos aristocratas no mundo público romano assim como a narrativa literária sobre a matéria política. Por meio de seus escritos, buscamos analisar a constituição retórica de sua narrativa e como esta liga-se diretamente à utilização dos exempla senatorias. Foi circunscrito nessa pesquisa o espaço público do Senado como o palco das atuações e dos comportamentos das personagens que analisamos. Sob essa ótica, buscamos investigar os conflitos interaristocráticos revelados na prática política senatorial, mitigando a polarização frequentemente contruída pela historiografia moderna entre o princeps e a aristocracia como foco de análise. Dessa maneira, ao destacarmos algumas personagens consideradas elucidativas para o nosso tema, buscamos apresentar uma tipologia em torno dos comportamentos dos senadores taciteanos. Com isso, apresentamos um quadro político complexo e heterogêneo em torno de seus representantes. Um panorama da vida pública de Roma sob o olhar de Tácito, que nos possibilita entrever um mundo romano arriscado, porém, necessário à formação e vivência aristocrática de Roma. ________________________________________________________________________________________ / ABSTRACT: This Dissertation aims to study the political behavior of Roman senators in the Principate through the Cornelius Tacitus’ works, Roman senator and historian who wrote between 98 and 120 of our era. Tacitus embodies himself the political experience shared by aristocrats in the Roman public world as well as the literary narrative on political matters. Through his writings, we analyze the rhetorical constitution of his narrative and how it is connected directly to the use of senatorial exempla. This study circumscribes the public space of the Senate as the stage of actions and behavior of the characters we analyze. We investigate the inter-aristocratic conflicts revealed in the senatorial political practice, mitigating the polarization often built by modern historiography between the princeps and aristocracy. Thus, by drafting some characters considered elucidative to our theme, we present a typology of different kinds of behavior adopted by senators as presented by Tacitus. Such analysis shows a complex and heterogeneous political framework around its representatives. This overview of public life in Rome through the Tacitus’ gaze allows us to glimpse a dangerous Roman political world in which skill and experience are necessary to survive.

Programa de Pós-Graduação em História. Departamento de História, Instituto de Ciências Humanas e Sociais, Universidade Federal de Ouro Preto. / Submitted by giuliana silveira (giulianagphoto@gmail.com) on 2016-04-26T19:51:19Z No. of bitstreams: 1 DISSERTAÇÃO_MaisFelizAugusto.pdf: 3052151 bytes, checksum: 008bcef7b538a4d22f03079c30e1c262 (MD5) / Approved for entry into archive by Gracilene Carvalho (gracilene@sisbin.ufop.br) on 2016-04-27T12:05:11Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO_MaisFelizAugusto.pdf: 3052151 bytes, checksum: 008bcef7b538a4d22f03079c30e1c262 (MD5) / Made available in DSpace on 2016-04-27T12:05:11Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO_MaisFelizAugusto.pdf: 3052151 bytes, checksum: 008bcef7b538a4d22f03079c30e1c262 (MD5) Previous issue date: 2015 / Lanna, João Victor. “Mais feliz que Augusto, melhor que Trajano” (Eutrópio, Breviário, VIII.5.3): a construção do ideal de Optimus Princeps em Tácito e Plínio, o Jovem. João Victor Lanna de Freitas. Dissertação (Mestrado) Universidade Federal de Ouro Preto. Instituto de Ciências Humanas e Sociais. Programa de Pós-Graduação em História. Mariana, 2015. A presente dissertação trata da idealização do Optimus Princeps sob o principado de Trajano através das obras de Tácito e Plínio, o Jovem. Entendemos que o principado trajanino foi marcado ideologicamente pela tentativa por parte desse governante em estabelecer uma postura equilibrada entre o poder do princeps e a posição social da ordem senatorial. Em nossa concepção a reprodução e aceitação da imagem de Trajano, por parte da aristocracia senatorial, apoiou-se em diversas ferramentas retóricas, responsáveis por indicar os valores morais pelos quais se orientava a sociedade romana daquela época. Diante de uma análise das obras de Tácito e Plínio, o Jovem, procuramos destacar duas dessas ferramentas, especificamente, ambas baseadas no caráter topologicamente exemplar da literatura romana: a contraposição com seu passado mais recente, ilustrada pela tirania de um Domiciano e a emulação do passado mais remoto, que tinha Augusto como modelo de virtude já estabelecido. ____________________________________________________________________________________________________________________ / ABSTRACT : This dissertation deals with the idealization of Optimus Princeps under the Trajan’s principate, through the works of Tacitus and Pliny the Younger. Understanding the principate as ideologically marked by the trying of this governor in established a equilibrated posture under the power of the princeps and the social position of the senatorial order. In our conception the reproduction and conception of the Trajan’s image for the senatorial aristocracy was supported in different rhetorical appliances, responsables to indicated the morals values of the roman society for this time guided himself. Before the study of Tacitus and Pliny the Younger works, we detach two of this appliances, specifically, both based in the topologically character of the roman literacy: the contraposition of the more recent past, illustrated by the tyranny of the Domitian and the emulation of the most remote past, that had Augustus with a virtue model already established.

Made available in DSpace on 2014-06-11T19:26:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-12-10Bitstream added on 2014-06-13T19:54:46Z : No. of bitstreams: 1 parra_ag_me_assis.pdf: 551220 bytes, checksum: 4ad521ad5d2daa3c90abf25dd651b38a (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / O objetivo deste trabalho é analisar alguns cultos presentes na cidade de Roma no primeiro século e início do segundo d.C. Identificar como e por quais ordens a religião era vivida em alguns cultos oriundos de outras partes do mundo mediterrâneo e que não estiveram diretamente ligados, pelo menos em princípio, à estrutura do Estado romano. A pesquisa tem como fonte O Satyricon de Petrônio e os Epigramas de Marcial, sendo o primeiro um provável membro da aristocracia romana e, o segundo, um cliens na Roma Antiga / The objective of this essay is to analyse some cults presents in the city of Rome at the first century and in the beginning of the second century a.C. and identify how and by whose orders religion was lived in some cults from others parts of the Mediterranean world and which weren’t directly related, at least in the beginning, to the Roman State structure. The research has Petronio´s ‘Satyricon’ and Marcial’s ‘The Epigrams’ as source, the first being a likely member from the Roman aristocracy and the latter, a cliens from the Ancient Rome

Resumo: esta dissertação tem por objetivo apresentar uma analise centrada na Itália ostrogótica do século VI a partir de uma compilação chancelar intitulada Variae, idealizada e organizada pelo funcionário romano Flávio Magno Aurélio Cassiodoro Senator (c. 485 - c. 590 d.C.) por volta de 540. Enquanto personagem de extração tradicional latina, Cassiodoro atuou como um importante funcionário civil sob a coroa dos ostrogodos entre 507 e c. 538: durante este período, assumiu os cargos de Questor, Cônsul, Magister Officiorum e Prefeito do Pretório e, ao final de sua carreira, reuniu uma parte de sua produção oficial e as publicou numa coleção (em 12 livros) pensada, organizada e disposta pelo próprio autor. Nos últimos anos da atuação administrativa de Cassiodoro, o então imperador em Constantinopla, Justiniano I, moveu uma campanha militar contra territórios do ocidente, com destaque para a região da Península Itálica. Este conflito trouxe instabilidade para o poder dos ostrogodos, que sofreu um forte abalo com a perda de Ravena, a capital política, para as forças do general Belisário, em 540. Com a tomada da cidade, seus habitantes mais destacados, entre eles Cassiodoro, são enviados para Constantinopla (nosso autor permaneceria no oriente até 554), e é neste ínterim que deve repousar o entendimento acerca das Variae. Tradicionalmente entendida como um documento que atesta ou uma propaganda ostrogótica ou um exercício estilístico no âmbito dos textos administrativos, tomamos aqui as Variae como parte de um projeto político-burocrático do autor, isto é, como um esforço retórico para legitimar sua atuação e, ao mesmo tempo, apresentar uma dimensão tradicional, política e estável para a máquina de gerência civil, tornando-a uma verdadeira representante do Império Romano sob qualquer tipo de vicissitude política. Para esta compreensão, investigamos essa compilação chancelar enquanto um documento geral e coeso, cuja leitura perpassa uma lógica estruturada pelo autor e guiada por uma ideia de "protagonismos retóricos", isto é, papéis discursivos atribuídos à elementos de recorrência, como o reinado dos ostrogodos ou o império do Oriente, de maneira a formar uma ideia particular, independente do caráter heterogêneo dos assuntos tratados nas cartas individualmente. Destarte, com este exercício exegético, chegamos à conclusão de que as Variae são, por parte de Cassiodoro, uma tentativa de elevar e apresentar a burocracia como a efetiva eternidade de Roma, capaz de atuar independentemente da situação política de seu momento, e por isso tal documento torna-se relevante no contexto de instabilidade em que foi publicado. Acreditamos, assim, propor uma compreensão tanto para os objetivos de Cassiodoro como para o funcionamento da administração, do passado e da tradição na Itália ostrogótica do século VI, de forma a contribuir, de maneira adequada, ao campo de estudos da Antiguidade Tardia.

Made available in DSpace on 2016-08-12T18:48:36Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-04-28. Added 1 bitstream(s) on 2016-08-12T18:50:50Z : No. of bitstreams: 1 000867763.pdf: 862922 bytes, checksum: 29eadf70fecd3159146737ca9bd7596c (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / A dissertação de mestrado ora apresentada promove uma leitura das sátiras 2, 4 e 2, 8 do poeta latino Horácio, a fim de observar de que maneira o gênero satírico, quando relacionado ao ambiente retórico do banquete, faz uso dos elementos gastronômicos para servir aos objetivos da sátira, quais sejam: promover um diálogo com as obras sérias que tratam do banquete como ambiente de convivência relacionado a elucubrações filosóficas inspiradas pelas musas; tratar de assuntos corriqueiros sob a forma hexamétrica, prefigurando uma oposição entre forma e conteúdo. Para tanto, os signos da mistura e da fartura - heterogeneidade e exagero, se assim se preferir - revelam-se como recursos para a construção de uma consciência de que a sátira tem a possibilidade de ser um texto pensado esteticamente e, ao mesmo tempo, cumprir sua determinação política

This dissertation proposes to study how the commission and design of minor palaces contribute to the understanding of architectural practice in early 16th century Italy. The particular nature of the small urban palace as a reduced and less expensive version of larger palaces and its recurrent nature in the practice of architects malte this type of building very important in illustrating the changes in the profession at that time. Minor palace commissions also show architects dealing with a growing private market for the exercise of the profession: in Rome, the architect's clients belong to a lesser nobility composed of merchants and professional men (doctors, lawyers, notaries, artists, diplomats, bureaucrats) mostly connected to the Papal civil service. Moreover, the planning of these buildings manifest the increasing specialization of the profession at that time, when expertise in Ancient Roman architecture and the mastering of new instruments of representation (orthogonal projection, perspective, sketches) were added to the usual technical and artistic skills required of an architect. The dissertation focus on how architects define a planning procedure to cope with the new set of circumstances related to the commission of a minor palace (budget, site, program, recurrence). The design of a palace comprised different functions arranged in horizontal sequence with a few vertical connections; therefore, drawings of plans were the central instrument of their design. The dissertation is primarily based on the study of original plans that illustrate the working methods of 16th century Italian architects. Three of them were chosen (Antonio da Sangallo the Younger, Baldassare Peruzzi and Andrea Palladio) based on their activity as designers of minor palaces and the existence of a substantial amount of plans for this kind of building by them. A second part of this work presents a general view of the working procedures employed by these three architects in commissions of minor palaces. Through the study of their drawings and planning procedures, this dissertation intends to illustrate the establishment of the modern sense of architectural practice in 16th century Italy as shown through the design of minor palaces.

This dissertation proposes to study how the commission and design of minor palaces contribute to the understanding of architectural practice in early 16th century Italy. The particular nature of the small urban palace as a reduced and less expensive version of larger palaces and its recurrent nature in the practice of architects malte this type of building very important in illustrating the changes in the profession at that time. Minor palace commissions also show architects dealing with a growing private market for the exercise of the profession: in Rome, the architect's clients belong to a lesser nobility composed of merchants and professional men (doctors, lawyers, notaries, artists, diplomats, bureaucrats) mostly connected to the Papal civil service. Moreover, the planning of these buildings manifest the increasing specialization of the profession at that time, when expertise in Ancient Roman architecture and the mastering of new instruments of representation (orthogonal projection, perspective, sketches) were added to the usual technical and artistic skills required of an architect. The dissertation focus on how architects define a planning procedure to cope with the new set of circumstances related to the commission of a minor palace (budget, site, program, recurrence). The design of a palace comprised different functions arranged in horizontal sequence with a few vertical connections; therefore, drawings of plans were the central instrument of their design. The dissertation is primarily based on the study of original plans that illustrate the working methods of 16th century Italian architects. Three of them were chosen (Antonio da Sangallo the Younger, Baldassare Peruzzi and Andrea Palladio) based on their activity as designers of minor palaces and the existence of a substantial amount of plans for this kind of building by them. A second part of this work presents a general view of the working procedures employed by these three architects in commissions of minor palaces. Through the study of their drawings and planning procedures, this dissertation intends to illustrate the establishment of the modern sense of architectural practice in 16th century Italy as shown through the design of minor palaces.

Orientador: Pedro Paulo Abreu / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T19:23:00Z (GMT). No. of bitstreams: 1 Garraffoni_RenataSenna_D.pdf: 3353006 bytes, checksum: 8d807aaa0e35ee076c8f73298728b8c1 (MD5) Previous issue date: 2004 / Doutorado

Orientador: Pedro Paulo Abreu Funari / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-25T03:43:17Z (GMT). No. of bitstreams: 1 Garraffoni_RenataSenna_M.pdf: 2903563 bytes, checksum: 35db33f395d056b28b252020b647ba8e (MD5) Previous issue date: 1999 / Resumo: Não informado. / Abstract: Not informed. / Mestrado / Mestre em História

The thesis explains the socioeconomic differences among the Roma through a historical exploration of the relations established between Roma and significant Others at local, regional, and central levels in different, overlapping spheres of power (state, politics, religion, informal economy). Through a historical-ethnographic analysis of difference and power struggles, the thesis seeks to bring the political aspects of Roma lives back into the discourses of empowerment which are highly depoliticized by both the state and transnational neo-liberal governance (World Bank, UNDP, EU etc.). It is largely an explanation of transformations undergone by two Roma groups in Romania who experienced utterly different living conditions (while some got ’poorer’, the others became more affluent) in the period from socialism to post-socialism. The qualitative analysis, based on 7-months of ethnographic fieldwork, overcomes the flaws of policy-oriented research based primarily on statistics. The latter is produced by state and transnational development actors and ignores qualitative differences between Roma groups, the context of Romanian and Eastern European transformations (e.g. clientelism, informal economy, neopatrimonial state) and constitutes ’identities’ (’the poor’, ’the marginal’, ’the vulnerable’) through which the Roma are governed and maintained in a subordinate position. These symbolic categories are used as part of a larger neoliberal problematization of governance called ’social integration’, which constitutes itself as a ’regime of truth’ and follows an economic rationality which reproduces the status quo and does not necessarily empower the Roma. In addition, these ’regimes of enunciations’ are adopted un-reflexively as objects of study in social science and Romani studies. Distancing itself from these academic and policy practices, my comparative historical ethnography of power relations and discursive practices among the Roma challenges and brings a reconsideration of the current mentality of governance as social integration. Furthermore, my thesis constitutes an important contribution to Romani studies by 1) challenging a unilateral perspective directed by political agendas, and 2) producing reflexivity in relation to the object of study. It indicates that the historical study of power struggles as “an ascending analysis of power” (Foucault 1980: 99) is more beneficial in terms of empowerment than the study of predefined themes of governance (e.g. poverty and marginalization). The Roma continuously negotiate their relations with the Others in interaction with an uncertain socioeconomic environment, and these struggles constitute mechanisms of transformation in their lives. My thesis thus reveals different interactions Roma have had within and across spheres of power struggle (economy, state, politics, religion), which suggest an explanation for the two Roma groups’ different living conditions. A ‘mobile’ or a ‘sedentary’ interaction with the socialism-to-postsocialism socioeconomic transformations provided opportunities or restrictions for the improvement of the Roma’s material living conditions. While a ‘mobile’ and trans-local approach was adopted by Caldarars, a ‘sedentary’, localized socioeconomic practice was experienced as a restriction by the Romanianized Gypsies. Although these ‘patterns’ largely correspond to the groups studied, there was a variation in terms of mobility and wealth within both. Nevertheless, the mobile-sedentary distinction is relevant as it shows different ways of governance. While a trans-local mobile approach with low levels of subjection to state governance worked as a form of self-governance, a local ‘navigation’ of limited field of possibilities restricted access to better living conditions and increased the subjection to state governance. My thesis also draws attention to possible sources of empowerment (Roma politics) which are blocked by particular transformations of state and politics (patronage politics and political patronage), or translated by the state into the language of ‘social integration’ (e.g. Pentecostalism as self-governance). To sum up, I consider that my thesis undertakes a re-evaluation of the existent problematization of social integration and constitutes a reflexive knowledge base for the support of genuine forms of empowerment among the Roma.