In this study is written about distribution support for company RUDOLF JELÍNEK a.s. in Baltic states and in Russia.

The goal of the thesis was to evaluate the company RUDOLF JELÍNEK a.s.. This company is very successful now. It sticks at modernization of its factory and technologies but it put attention to expansion as well. It expands to the other countries of Europe but to America, too. Thesis was divided into two parts, theoretic and analytic. There were described the basic steps of the evaluation process and some methods in the theoretic part. Then all the process was applied in the analytic part of the thesis. The main result is the concrete value value of the company.

Orientador: Eusebio Lobo da Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-04T00:58:20Z (GMT). No. of bitstreams: 1 Tourinho_LigiaLosada_M.pdf: 414558 bytes, checksum: bf5cece53b4993791eb703fe94849dd6 (MD5) Previous issue date: 2004 / Resumo: Esta pesquisa apresenta um estudo sistemático sobre a construção da personagem nas Artes Cênicas, pelo prisma do movimento corporal, utilizando como principal suporte teórico e prático os estudos da Coreologia de Rudolf Von Laban e da Técnica de Stanislavski. Tomamos como base para a fundamentação teórica a idéia de o homem ser uma corporeidade, constituída pela Gestalt CORPO-MENTE-ESPÍRITO, presente nos estudos de Merleau-Ponty, nas consciências corporais e em todos aqueles que acreditam na indivisibilidade do ser humano. Levantamos a hipótese de que a relação de cada intérprete com seu corpo próprio interfere nas extensões de sua interpretação e da encenação em si. O desenvolvimento desta pesquisa se deu a partir da experimentação destes conceitos aplicados a dois tipos de propostas: um processo pedagógico de sistematização destas idéias e uma experimentação de construção de personagem, sob o ponto de vista do intérprete / Abstract: This research presents a study about the scenic construction of the character, based on body movement, and guided by the practical and theorical studies of Rudolf Von Laban choreology and Stanislavski tecnich. The foundation of this study was based on the idea of the man being an unit, as Gestalt BOBY-MIND-SPIRIT, which was present on Merleau-Ponty studies, in body consciousness and in the believe of the indivisibility of the human being. This project enquires the relation of each interpreter with his own body and how it interferes in the extension of his interpretation and in all the staging. The development of this research was based on these concepts, applied on two propositions: the pedagogic process of systematization of these ideas and the experimental on character construction, under the view of the performer / Mestrado / Artes / Mestre em Artes

Abschrift der Ausg. Wien, Pest, Leipzig, 1891

This thesis focuses primarily on the iconographic analysis of ten medals made by Antonio Abondio, a court medallist at the court of Emperor Maximilian II and his son Rudolf II. The introductory part of the thesis dedicated to the biography of Antonio Abondio is followed by a short outline of the development of art medals production in Italy and in Central Europe and of the factors which had an impact on Abondio's work. The core of my study is an actual analysis of some selected pieces made on commission for prominent individuals of the said period. A particular emphasis is put on the images found on the reverse side of the medals and on theirs paradigm detecting.

What we encounter in painting is not so much the authentically revealed self of the painter, but rather signs that insinuate that this absent self is somewhat present in it. /Isabelle Graw/ So, then what is a painting? Perhaps it is all about time, a certain amount of time in the constant murmuring stream of consciousness and the unconscious. A shape cut out of the amorphous. A recording of time spent in uncertainty, not knowing what is going to present itself. To bear the contradiction of in one hand allowing the permission of having an aim versus the absolute requirement of at some point let go of the model, the aim. And thus, submit to painting. In the glitch between distance and sensibility, an utterance, a pronouncement takes place. This text reflects a thinking process that revolves around painting as will and resistance, concepts regarding aesthetics, subjectivity and perception.

Diploma work contains the description of the personality of the painter Bartholomeus Spranger and his work in the Czech collections. The portrait painter Bartholomeus Spranger lived from the year of 1546 to the year of 1611. He was born in Antwerpen and afterwards he was travelling around the Europe. At first he was going to the France ( Paris and Lyon ) and then he was going to the Italy ( Parma, Milano and Roma ). In the year 1575 he is called up to the Vienna and afterwards in the year 1580 to the Prague. The object of this work is an analyse of production in Czech collections and evaluate of their authorship. Futher on then the object of this work is exploration the sources of Documentary and also a critical evaluation of the used literature.

Uppsatsen analyserar Rudolf Anderbergs (1892-1955) skrifter med avseende på vetenskapsuppfattning, människosyn, syn på psykets natur samt vad gäller intellektuella och vetenskapliga traditioner han förhåller sig till. Anderbergs liv och verksamhet samt hans skrifter, förstås i relation till såväl ett vetenskapshistoriskt som ett vidare kulturellt sammanhang. Anderbergs vetenskapsuppfattning placeras i ett positivistiskt och naturvetenskapligt inriktat sammanhang och kopplas samman med positivismens betydande vetenskapliga och kulturella inflytande i hans samtid, liksom med moderniteten och den svenska välfärdsstatens utveckling. Hans skrifter ses som uttryck för i första hand psykofysik, differentiell psykologi, samt intelligensundersökningar. Hans människouppfattning uppfattas naturalistiskt. Tron på naturvetenskap och tekniks kulturella och vetenskapliga betydelse ses som karaktäristiskt för hans skrifter, liksom med betoningen på psykologins betydelse för att lösa konkreta problem i arbetslivet samt i samhället i stort. Anderbergs skrifter ses i ljuset av den sociala ingenjörskonsten, liksom dess mål, människouppfattning, vetenskapsuppfattning och metoder. Hans skrifter kopplas i någon mån ihop med Nikolas Rose och begrepp som ”biopolitik” och ”biomakt”. En diskussion förs slutligen där Anderbergs vetenskapsuppfattning och människosyn, liksom dess konkreta kulturella uttryck i hans samtid, kritiskt diskuteras. Slutligen betonas samspelet mellan vetenskap, politik, sociala frågor och ”biomakt” i Sverige under första hälften av 1900-talet, som möjlig utgångspunkt för vidare studier. Keywords: Rudolf Anderberg, Psykologi,

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

This is a new (and for the first time complete) edition of a speech about Buddhism by Rudolf Otto from 1913. This speech is his first academic reflexion of his journey around the world and his most detailed explanation of his view on this religion. In the first part of his speech Otto compares Buddhism with Christianity and finds a lot of parallels. In the second part he defines differences between these two religions and proclaims – from a Christian perspective – Christianity as more valuable than Buddhism. The preface puts the speech into its context: Otto’s relationship to and his knowledge of Buddhism (1), the history of publication of this speech (2), Otto’s specific view on Buddhism in comparison to his contemporaries (3), the meaning of this speech in his oeuvre (4) and explanations about the edition (5). The editor has the opinion, that this speech is an important transition from Ottos philosophy of religion to his main work The Idea of the Holy. It further is a good example of what Otto means when speaking about the comparison of religions.