Järnvägens militära betydelse som ett operativt logistiskt system undersöks systematiskt i denna uppsats utifrån Kress logistikteorier. I centrum står Atlantakampanjen 1864, under det amerikanska inbördeskriget. Under Atlantakampanjen ägnade befälhavaren, generalmajor William T. Sherman, järnvägarna omfattande uppmärksamhet, såväl skyddet av egna kommunikationslinjer, som möjligheterna att dra fördel av motståndarens sårbarhet kopplat till kommunikationslinjer och försörjning. Sherman kombinerade sin vision om totalt krig med den framväxande teknologin inom logistiken under industrialiseringen. Hans operationer bidrog till att det strategiska målet, att förstöra resurser som försörjde rebellarméerna, uppnåddes. Närvaron av en mäktig unionsarmé djupt i hjärtat av sydstaterna, fick även en psykologisk effekt på befolkningen och på rebellerna. Tiotusentals slavar slutade arbeta vilket ytterligare skadade konfederationens sköra ekonomi. Resultatet visar på att järnväg som operativt logistiksystem spelade en mycket viktig roll för Atlantakampanjen och i förlängningen utgången av kriget och att järnvägen fortsatt har en betydelse för militära operationer.

A terrain analysis of the Shiloh Battlefield is presented in conjunction with a meteorological assessment of the conditions prevalent during the battle. The intent of the analysis was to ascertain the effect that conditions might have played upon the strategic and tactical actions prior to, and during the Battle of Shiloh, 1862. The significance of this study was to determine the influence of meteorological and geographical factors upon the two armies. Values for temperature and precipitation were estimated using the PDSI and data from NOAA. According to the model it was a very wet year. Weather and geography clearly played a role in how and when the Battle of Shiloh was fought. Due to the high number of casualties, however, the Battle of Shiloh would change how warfare would be conducted in the United States.

No description available.

This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways that reaffirm their independence and power that have been shrouded in a history told and controlled by men. With herself as her model, she altered aspects of the images, using the technique of caricature for humor as well as critique. Sherman subverts the idealization of the Renaissance portraits of women by exaggerating features and eliminating aspects of the original portraits to reassert the women’s individuality.

In the wake of the misbegotten US invasion of Iraq in 2003, we have to acknowledge that there are critical flaws in how our intelligence community (the CIA and its “sister-agencies”) produces knowledge. Instead of arguing that the intelligence community acted in bad faith, or that the mistaken pre-war intelligence was a “perfect storm” of bad luck, as others have, this dissertation argues that the intelligence community’s rhetorical culture led it into fatally flawed epistemological practices, demonstrated most dramatically in the mistaken pre-invasion allegations of Iraqi weapons of mass destruction programs. Chapter one explains the problematic assumptions behind the question of whether or not the intelligence community overtly politicized its pre-war intelligence estimates. In chapter two, the intelligence community’s theories of language are explored. Chapter three addresses how the intelligence community teaches and practices writing. The intelligence community’s inflexible commitment to writing in a “clear” prose style proves problematic when that clarity belies the uncertainty of its estimates. The fourth and final chapter addresses issues of disciplinarity in the intelligence community, explores the possibility of a rhetorical theory of intelligence, and offers conclusions. / text

The Native American characters in Love Medicine and The Absolutely True Diary of a Part-Time Indian experience prejudice from other Native Americans and suffer from internalized norms and values. This study examines whether or not the prejudice the fictional characters in Love Medicine and The Absolutely True Diary of a Part-Time Indianexperience and express as Native Americans unite them as a community or not. It also investigateshow they view white society andif the Native American characters have prejudice against the members of their own tribal community. The analysis is partially based on postcolonial theory and focuses on terms such as internalisation, acculturation and prejudice. The thesis found that the communitiesare united on the premises that they conform to the Native American norms but any deviation from these norms has the potential to divide them.

This thesis presents a set of measurements of spin asymmetries from the heavy atoms krypton and rubidium. These investigations allow examination of the spin orbit interaction for electron scattering from the target atoms. These measurements utilise spin polarized electrons in a crossed beam experiment to measure the Sherman function from krypton and the A2 parameter from the 52P state of rubidium. The measurements utilise a new spin polarized electron energy spectrometer which is designed to operate in the 20-200 eV range. The apparatus consists of a standard gallium arsenide polarized electron source, a 180 degrees hemispherical electron analyser to detect scattered electrons and a Mott detector to measure electron polarization. A series of measurements of the elastic Sherman function were performed on krypton at incident electron energies of 20, 50, 60, 65, 100, 150 and 200 eV. Scattered electrons are measured over an angular range of 30-130 degrees. These measurements are compared with calculations of the Sherman function which are obtained by solution of the Dirac-Fock equations. These calculations include potentials to account for dynamic polarization and loss of flux into inelastic channels. At the energies 50, 60 and 65 eV, experimental agreement with theory is seen to be extremely dependent on the theoretical model used. Measurement of the A2 parameter from the combined 52P1/2,3/2 state of rubidium are performed at an incident energy of 20 eV. The scattered electrons are measured over an angular range of 30-110 degrees. This measurement represents the first such measurement of this parameter for rubidium. Agreement with preliminary calculations performed using the R-matrix technique are good and are expected to improve with further theoretical development.

Abstract In this Research paper and through my Studio practice, I search for what binds me and separates me from my children. I investigate abjection theories through Julia Kristeva and Georges Bataille and focus on a particular form I call the maternal abject. This occurs at the time an infant separates from its mother, acquires language and maps its own body. I am proposing that the mapping of the body is the point at which an individual perceives social structures and learns about prohibitions and taboos, hence the abject. I also investigate the relationship between the maternal abject and the artistic process through the writings of Kristeva. Abjection is illustrated through the works of Mona Hatoum, Fiona Hall, Hieronymus Bosch, and Paul Quinn. The maternal abject is illustrated through the works of Mary Kelly, Cindy Sherman, Frida Kahlo, Louise Bourgeois. A possible reading of the maternal abject is given through the works of Gregory Crewdson, Joel-Peter Witkin and Francis Bacon. The studio work is in two parts. The first part is a series of layered photomedia images. The layers consist of a naked female body, which has been merged with Renaissance like Madonna and Child images. Texture, such as stones and spikes, is embedded to signify the fragility and strength of the body. Children are also present and are merged with the adult female body. All images are cradled in a darkened atmosphere in order to draw the viewer inside the images. The second part is a bassinet, which has been drilled and pierced by thousands of pearl-headed steel pins. This piece signifies the dichotomy of the motherhood experience, which on the one hand is rewarding and fulfilling and on the other an abject and isolating experience of no apparent economic value. The two parts interact so that the bassinet piece with its threatening exterior acts as an aggressor towards the photomedia images.

Abstract In this Research paper and through my Studio practice, I search for what binds me and separates me from my children. I investigate abjection theories through Julia Kristeva and Georges Bataille and focus on a particular form I call the maternal abject. This occurs at the time an infant separates from its mother, acquires language and maps its own body. I am proposing that the mapping of the body is the point at which an individual perceives social structures and learns about prohibitions and taboos, hence the abject. I also investigate the relationship between the maternal abject and the artistic process through the writings of Kristeva. Abjection is illustrated through the works of Mona Hatoum, Fiona Hall, Hieronymus Bosch, and Paul Quinn. The maternal abject is illustrated through the works of Mary Kelly, Cindy Sherman, Frida Kahlo, Louise Bourgeois. A possible reading of the maternal abject is given through the works of Gregory Crewdson, Joel-Peter Witkin and Francis Bacon. The studio work is in two parts. The first part is a series of layered photomedia images. The layers consist of a naked female body, which has been merged with Renaissance like Madonna and Child images. Texture, such as stones and spikes, is embedded to signify the fragility and strength of the body. Children are also present and are merged with the adult female body. All images are cradled in a darkened atmosphere in order to draw the viewer inside the images. The second part is a bassinet, which has been drilled and pierced by thousands of pearl-headed steel pins. This piece signifies the dichotomy of the motherhood experience, which on the one hand is rewarding and fulfilling and on the other an abject and isolating experience of no apparent economic value. The two parts interact so that the bassinet piece with its threatening exterior acts as an aggressor towards the photomedia images.

Thesis (Ph.D.)--University of Nebraska-Lincoln, 2009. / Title from title screen (site viewed February 25, 2010). PDF text: iv, 132 p. ; 6 Mb. UMI publication number: AAT 3386563. Includes bibliographical references. Also available in microfilm and microfiche formats.