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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Disfunção sexual masculina: compreensão psicanalítica

Kern, Cristina Adriana Rodrigues 10 1900 (has links)
Submitted by William Justo Figueiro (williamjf) on 2015-07-10T23:11:55Z No. of bitstreams: 1 46b.pdf: 606817 bytes, checksum: 2f58d08ceb4cd061f9bc2aeddb86dccd (MD5) / Made available in DSpace on 2015-07-10T23:11:55Z (GMT). No. of bitstreams: 1 46b.pdf: 606817 bytes, checksum: 2f58d08ceb4cd061f9bc2aeddb86dccd (MD5) Previous issue date: 2010-10 / Nenhuma / Esta Dissertação de Mestrado em Psicologia Clínica focalizou o estudo de caso de pacientes que manifestavam impotência sexual. Com base nas contribuições do referencial psicanalítico, mais especificamente, das teorizações de Bleichmar acerca da constituição do psiquismo e da constituição sexual masculina, foi desenvolvida uma pesquisa de delineamento qualitativo-exploratório. Dois estudos de casos de pacientes com disfunção erétil foram realizados, a partir dos relatos das sessões de psicoterapia. Os dados foram analisados por meio do Estudo de Caso em Psicanálise, identificando-se aspectos significativos da constelação familiar. Estes aspectos permitiram apontar a importância dos efeitos do processo de constituição do aparelho psíquico e constituição sexual masculina sobre as manifestações da sexualidade genital (adulta), bem como demonstrar a importância da escuta para reorganizar além da vida sexual, a potência diante da vida. / This Master's thesis in clinical psychology focused on the case study of patients who showed sexual impotence. Based on the contributions of psychoanalysis, more specifically, the theories of Bleichmar about the constitution of the psyche and of male sex, a study of exploratory qualitative research was designed. We investigated two case studies of patients with erectile dysfunction based on the reports of sessions of psychotherapy. Data were analyzed using the Case Study in Psychoanalysis. We identified significant aspects of family constellation that led to the conclusion about the importance of the effects of the constitution of the psychic apparatus and male sexual constitution on the manifestations of genital sexuality (adult). And also demonstrated the importance of listening to rearrange, beyond the sex life, the power to life.
12

“Affected Indifference, or Momentary Shame” : Gothic Awareness in Northanger Abbey and Mexican Gothic / “Affected Indifference, or Momentary Shame” : Gothic Awareness in Northanger Abbey and Mexican Gothic

Johansson, Andrea January 2023 (has links)
Feminist scholars have focused on the Gothic as a medium for expressing the horrors of female experience in a patriarchal society. This study examines Gothic awareness in Jane Austen’s Northanger Abbey and Silvia Moreno-Garcia’s Mexican Gothic.The first part of the study focuses on Gothic awareness in relation to female sexuality and the threat of sexual violence from a feminist and psychoanalytic point of view.The second part of the analysis focuses on Gothic awareness in relation to domestic entrapment from a feminist point of view. In the third and final part of the study, Gothic awareness is analysed in relation to class and ethnicity from a Marxist and a postcolonial perspective. It is concluded that in Northanger Abbey, Catherine's lack of Gothic awareness stops her from becoming a victim, but also stops her from recognising the Gothic dangers surrounding her, whereas in Mexican Gothic, Noemí’s growing Gothic awareness enables her to take action against the Gothic dangers she faces. In both works, Gothic genre conventions are appropriated in order to convey the dangers faced by women in the worlds of the novels, but also subverted in order to show that women are more than passive victims.
13

La Búsqueda de la Identidad Femenina en las Novelas de Dos Autoras Mexicanas

Shrefler, Carmen Lara 05 1900 (has links)
The novel is one means by which writers can provide examples of the possibilities for women in patriarchal societies to seek greater independence. Sabina Berman (1955- ) and Silvia Molina (1946- ) are modern day Mexican novelists whose writings support the betterment of the female condition in this Latin American society. This study focuses on these two authors and describes and analyzes several of their female protagonists who can be characterized as being in search of their self-identity and self-realization. The novels of interest are La Bobe (2006) and La Mujer que Buceó Dentro del Corazón del Mundo (2010) by Sabina Berman and La Mañana Debe Seguir Gris (1977) and El Amor Que Me Juraste (1998) by Silvia Molina. The theoretical framework used to analyze these novels is based on The Second Sex by Simone de Beauvoir and on the writings of the Mexican author Rosario Castellanos. These novels provide examples of how women can challenge patriarchal social norms in order to seek their identity as an individual and their self-realization. However, to do this, women must be willing to accept the risks and costs that may accompany this self-searching. By seeking identity women can satisfy their longings and desires, but at the same time this may also produce undesired results. Nevertheless, these novels show that women have the ability to seek their personal identity if they take the initiative to do so.
14

Židovská paměť a identita v současné italské literatuře / The Jewish Memory and Identity in Italian Contemporary Literature

Grigeľová, Eva January 2016 (has links)
The object of our diploma thesis was Jewish memory and identity in contemporary Italian literature. The work is divided into two parts. The first theoretical part in its historical introduction which deals with the Shoah in Europe. This will be a brief introduction to the european situation. The work continues by introducing more specific roots of anti-Semitism in Italy, its continuation until 1945 and describes the situation after 1945. In the next chapter, we will reflect about the relationship between memory and literature. What are the processes discussed and what is the relationship of memory and the Shoah. After that, we will also mention the complexity of Jewish identity and on her way how it is perceived. The next chapter will present medallions of individual authors whose works will be devoted to the practical part. The second practical part is divided into two main chapters. The first is devoted to the search for identity in three works by Alessandro Piperno- Con le peggiori Intenzion Elena Loewenthal- Lo strappo nell'anima and Silvia Ballestra- La seconda Dora. The second main chapter is devoted to tendencies that prevail in the individual authors - forgetting vs. remembering. The chapter is divided into two subsections that address specific perspective 2nd and 3rd generation. Separately...
15

Kommunikativa porträtt : En visuell kulturstudie om hur det symboliska bruket i fyra svenska drottningporträtt har förändrats från 1600-tal till nutid

Söderström, Helene January 2022 (has links)
For many centuries, humans have used portraits as a tool to understand our surroundings, a way to anchor what has happened. The portrait acts as a mirror of the changes in society, and the message of the portrait changes according to the conditions of society. But the basic purpose of the portrait remains the same, to tell something about the person portrayed and a way of documenting it for posterity. The purpose of this study is to examine of the symbolic use in four Swedish queen portraits between 1654 and 2020. It examines how Queen Hedvig Eleonora, Queen Lovisa Ulrika, Queen Victoria and Queen Silvia are represented in official portraits to enhance their credibility by using visual symbols in relation to their roles as Swedish queens. Through biographical research and semiotic image analysis, the four portraits of the study are examined in relation to their society. The material is then studied with the support of a theoretical perspective focusing on the social context and visual culture. The study shows that a certain symbolism is timeless, the symbolism that is based on human genetic understandings of social relations. Other symbolism, however, is more time-specific, that which is based on contemporary cultural norms. However, it is not possible to see any real progress in the function of the four portraits. They can rather be seen as snapshots representing the time of their production. What has changed, however, is the medium and semiotics. The way the portraits are produced according to the chosen audience and which visual symbols are used for which message. However, this is not a linear development either, but a constant process of change that today is going faster and faster thanks to today’s society. The study also shows that the selected four portraits reflect their own society and have adapted to their respective target audience, as the portrait loses its point if the viewer does not understand the message. It does not matter how much the queens try to influence their surroundings with their portraits if the viewer does not understand the intention. A portrait does not live its own life, but lives thanks to the viewer.
16

Por uma psicologia social brasileira: Sílvia Tatiana Maurer Lane

Silva, Celia Maria Marcondes Ferraz 14 August 2012 (has links)
Made available in DSpace on 2016-04-29T13:30:59Z (GMT). No. of bitstreams: 1 Celia Maria Marcondes Ferraz Silva.pdf: 899850 bytes, checksum: 8bf9aec6a377cbb7b8ce5bddb05ec61c (MD5) Previous issue date: 2012-08-14 / The subject for the present project is to contribute for the history of the Social Psychology in Brazil showing that Silvia Tatiana Maurer Lane (1933-2006) has an important contribution for the theoretical propositions concerning the Brazilian social psychology that was adopted for other social psychologists, professors and social scientists. To work as a professor has a key influence for Silvia s thoughts and ideas. She has often been criticism of the psychology with American influence, as well as in relation to the classic methods of teaching in Brazil. The PUC-SP institution where she works for forty years provides her a freedom and an open environment that enhance her way. In order to study Silvia s publications and live had been used personal documents, books, interviews and biographies made by other authors. The personal documents found in the Núcleo de Estudos em História da Psicologia-NEHPSI give us an important contribution for our conclusions and show her strong image as a professor and scientist in Brazil and abroad. The analysis of Silvia s productions demonstrates a strong relationship among the socio historic environment and her ideas over the course of lifetime work. In order to analyze Silvia s thoughts and ideas has a key importance a non-edit text named My way wrote before her death with the intention to prepare a book with a collection of writings published or not, which ones was difficult to achieve. This text allows us to understand the structure given by her to her own thoughts. We discovered that the language psychology, the theoretical bases for a Brazilian social psychology, the community psychology, the studies concerning the process to become a group and the emotional mediation, represents subjects that have been present throughout the course of her life s generating researches, texts, courses and presentations. Time pass and new views and considerations have been added to these themes. The work was not finished before her death living space for other texts and studies in future / Nosso propósito ao elaborar esta tese é contribuir com o estudo da Psicologia Social no Brasil, mostrando que Silvia Tatiana Maurer Lane (1933-2006) teve importância relevante na formulação das bases teóricas de uma Psicologia Social Brasileira, adotada por psicólogos sociais, professores e pesquisadores. A atividade docente foi fundamental para a formação do pensamento da intelectual respeitada, tendo se desenvolvido por meio de uma postura crítica, permanente, à psicologia social de influência americana e aos métodos tradicionais de ensino. A PUC de São Paulo, instituição na qual trabalhou durante quarenta anos, proporcionou à Silvia um ambiente de liberdade intelectual que favoreceu o seu trajeto. Escolhemos para estudar a autora um caminho ainda não trilhado por outros pesquisadores que falaram a respeito da ilustre professora, conduzindo a nossa pesquisa, em especial, a partir dos documentos pessoais encontrados no acervo deixado na PUC de São Paulo sob a guarda do Núcleo de Estudos em História da Psicologia-NEHPSI, além de livros, entrevistas e biografias escritas por outros autores. A análise do percurso de Silvia nos mostrou conexões importantes entre o seu trabalho e o contexto sócio-histórico e revelaram o prestígio da professora no Brasil e no exterior. Para o estudo das ideias, tomamos por base um texto ainda não publicado, denominado: Caminhos percorridos , escrito pouco tempo antes da sua morte e cuja finalidade era preparar uma coletânea dos seus textos, publicados ou não, mas de difícil acesso. A leitura nos permitiu entender a estrutura dada por ela ao seu próprio pensamento. Constamos que a psicologia da linguagem, as bases teóricas para formulação de uma psicologia social brasileira, a psicologia comunitária, o processo grupal e a mediação emocional são temas que estão presentes ao longo de toda a obra, gerando pesquisas, textos, cursos e apresentações, recebendo ao longo do tempo, novos olhares e releituras que fizeram avançar a compreensão dos temas. A obra não se encerra com a sua morte, deixando espaço para novos estudos e textos a serem produzidos
17

Diadem och identitet : En studie kring identiteter i kejsarinnan Josephines pärl- och kamédiadem / Diadem and Identity : A Study on Identities in Empress Josephine's Pearl and Cameo Diadem

af Klinteberg, Kristina January 2020 (has links)
This paper, on the identities shown in one of the cameos in Empress Josephine’s pearl and cameo diadem, has first of all focused on the mythological characters, and thereafter raised the question if these are to be seen as an allegory for people from the time. The process of identi-fication has followed the three levels in Panofsky’s method for analysing art, where the first and second levels consist of already known material from the Bernadotte Library, Royal Palace in Stockholm and the jeweller house of Chaumet (former Nitot et Fils) in Paris.                      To decipher both the mythological individuals and the possible allegories, that is the third level, the iconology itself, the thoughts and methods of  Göran Hermerén on the rise and fall of allegories along with Leora Auslander’s solutions using visuals comparisons, when no written material is available, have provided the academic framework for the study.                                When comparing the cameo with pieces of art from the time, the subject fits the description of the Roman mythology’s love goddess Venus and her son Cupid, the lovechild fathered by Mars. Moving on to allegories, well-known material shows that Emperor Napoleon was keen to be portrayed as the god of war Mars and Empress Josephine as Venus.  A portrait of special interest to the study, a rather private painting by Parent from 1807, which is probably still unknown to most people, shows how Josephine is depicted with a recently deceased grandchild, a young boy how was also the nephew of Napoleon’s, a close relative to them both, and in the line of  succession to the throne, while Napoleon still was Emperor. This picture has an expression which is close to the one of Venus and Cupid, and it is also made to look like a cameo. These portraits were known at the time when Napoleon gave the diadem to Josephine in 1809.                                                       Among portraits from the Napoleonic era, there has earlier only been one known painting, even if in two examples, where the diadem is shown. It is a miniature of Empress Josephine, a work from her final period at Malmaison, 1814. However, another miniature picturing the daughter Hortense in the very same piece of jewellery, from 1812, has now become known. In both these examples, the depicted cameo has a hight measuring only millimetres, why a discussion on the execution and the rendering has to be done with restraint. But in the daughter´s portrait there is a certain attempt to show the outlines of the central cameo that differs from the later painting of the Empress. This may be an indication of how much more important it was for the daughter to relay the picture of her mother and the memory of her son, in 1812, than it was for Josephine in 1814, after the divorce, probably after the fall of Napoleon too, when she was no longer his Venus, and there was no longer a throne for any of her grandsons to inherit.         Therefore, in short, the chosen methods give the answer that the mythology depicted is a scene of Venus and her son Cupid, and the allegorical interpretation of Venus is the Empress herself. The child in shape of Cupid here, may well be read as one of her daughter’s sons, at the time a much longed-for heir to the throne of Napoleon I.
18

Sílvia Tatiane Maurer Lane: dissertações e teses orientadas no Programa de Estudos Pós-graduados em Psicologia Social na PUC SP - uma contribuição aos estudos sobre a psicologia social no Brasil

Sousa, Esther Alves de 06 June 2008 (has links)
Made available in DSpace on 2016-04-29T13:31:56Z (GMT). No. of bitstreams: 1 Esther Alves de Sousa.pdf: 1082518 bytes, checksum: 06f4b8846c46c6b39047823cfa844db7 (MD5) Previous issue date: 2008-06-06 / This manuscript is a historical study of Sílvia Lane s production in Social Psychology, focusing on her role of advisor for both master and doctoral students. To accomplish this study I chose to work with dissertations and theses she mentored and guided while she was in the Post Graduate Social Psychology Program at the Catholic University of São Paulo (PUCSP). The study worked not only with these dissertations and theses, but also with the topics presented, as well as the bibliography that was used. In order to show the value she attributed to her students research which was significant to her line of research her academic and scientific production is presented. The study also identified the authors used in the dissertations and theses during her period in the Program and highlighted the authors most referred to. Marx was present throughout, directly or indirectly, which proves that Lane was faithful to her line of research which she diffused in the area of Social Psychology. The same can be said for the presence of Vigotski and Leontiev, who founded their reflections and established the fundamental categories for the human psyche which she and all those she advised worked with. Findings indicate that Sílvia Lane was the author most referred to by her advisees, substantiating their research and providing subsidies for their reflections. Lane advised 33 dissertations and 30 theses in Social Psychology, based on different theoretical categories related to several areas of social life, which reveal the breath of her production and coherence with a critical theoretical perspective of a socially committed psychological practice / Este trabalho realiza um estudo histórico sobre a produção de Silvia Lane, em Psicologia Social, enfocando seu papel como orientadora de mestrado e doutorado. Para a realização deste estudo optou-se por trabalhar com as dissertações e teses por ela orientadas ao longo de sua trajetória no Programa de Estudos Pós-graduados em Psicologia Social da PUC de São Paulo. São tratadas as dissertações e teses orientadas, os assuntos abordados em cada uma delas e a bibliografia utilizada. É apresentada também sua produção acadêmica e científica, no intuito de mostrar a importância que Lane atribuía às pesquisas desenvolvidas por seus alunos, como produção significativa para sua linha de pesquisa. Foram identificados os autores utilizados nas dissertações e teses ao longo de todo o período e destacados os autores mais referenciados. Percebeu-se que Marx se faz presente o tempo todo, direta ou indiretamente, o que comprova que Lane foi sempre fiel à linha que difundiu na Psicologia Social, assim como à presença de Vigotski e Leontiev, que fundamentaram suas reflexões e forneceram as categorias fundamentais do psiquismo humano com as quais ela e seus orientandos trabalharam.. Destaca-se que Silvia Lane foi a autora mais referenciada por seus orientandos, fundamentando suas pesquisas e fornecendo subsídios para suas reflexões. Sílvia Lane orientou 33 dissertações e 30 Teses em Psicologia Social, baseadas em diferentes categorias teóricas e relacionadas a vários campos da vida social, o que mostra a amplitude de sua produção e a coerência com uma perspectiva teórica crítica de uma prática psicológica socialmente comprometida
19

Actualizing Sonic, Visual, and Physical Territories of Hope:An Examination of Practices of Autonomy in Andean Urban Spaces (2003-2020)

Shipley, Caroline Rebecca Edella January 2020 (has links)
No description available.
20

Ett diadem och dess ikonografi : En studie av kejsarinnan Josephines pärl- och kamédiadem i porträtt mellan 1812 och 2010 / A Diadem and its Iconography : A Study of Empress Josephine’s Pearl and Cameo Diadem in Portraits between 1812 and 2010

af Klinteberg, Kristina January 2021 (has links)
The main purpose of this study of a pearl and cameo diadem, given by Napoleon to his first wife Josephine in 1809, is to follow its representation in portraiture from Paris in 1812 to Stockholm in 2010, and explore how the iconography develops during these 200 years. From the earlier years, the diadem is found only in miniatures, then after coming to the new royal family in Sweden, the Bernadottes, it is given a role of an heirloom representing history and families in grand paintings, arriving to the present well-known wedding hairpiece, covered by modern media, where the diadem is more of a crown than the open, forehead-covering piece of fashion jewellery it was during the Napoleonic era in France. The portraits from 1812, 1814, 1836, 1837, 1877, 1976, 2000/2003 and 2010 also portray a development of the female role model of its time. Just like the hair piece attains an iconography which comprises not only the highest dress codes but also a possibility of status transformation for the people involved in ceremony, the role of the country’s First Lady is about to change into a higher, more egalitarian position of present days.

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