Made available in DSpace on 2014-12-17T14:20:33Z (GMT). No. of bitstreams: 1 RicardoBCC_TESE.pdf: 9530805 bytes, checksum: cafac361e9cced03a96b45a5ee338f2f (MD5) Previous issue date: 2014-06-02 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The present work analyses and discusses the sociability in the culture of contemporary cities focusing on the theme of fear and violence in the daily life of squares in the city of Jo?o Pessoa-PB. We analyse the relations between places in town and make correlations of history and setting of neighborhoods with the process of urban growth, including recent interventions of public authorities in their public spaces. We observed in this dynamics social attitudes and actions that range from a desired peaceful coexistence to social exclusion. Thus, we discuss, based upon the imaginary vision, that the squares exist as a locus of equality, citizenship and political, and, also, as a space for everyone, despite the existence of symbolic forces working towards segregation and privatization, ruled in fear and violence. We aimed to investigate the different symbolic logics from the issue of fear and violence that allows the exclusion and the inclusion of groups and individuals in the quotidian use of public spaces of contemporary cities. We believe that the social action is demarcated by violence ant its corollary, the social fear, and operates based on the logic of a relational game always confrontational but experienced in different forms according to the social segment or group under study. We used a qualitative and quantitative methodology relating data and statistical analysis with categories created for the understanding of subjective factors. Our analyses combined ethnographic elements, periodics research and images of the city and its spaces, with the contribution of a survey that allowed comparisions of five squares of neighborhood based on the daily life under investigation. Our proposal was to deepen the investigations related to the public space of contemporary cities, expanding the look on Jo?o Pessoa and its cultural dynamics with an analysis of discourses, images, the collective imaginary and the social appropriation of the spaces based on fear and violence. The research accomplished in different areas and the analysis of images and speeches published in newspapers reports, books, advertising etc. allowed the approach of differentiated patterns of sociability in the same urban process. The neighborhoods in study are indeed spatially and economically distanced and the process of creation and construction of squares occurred in very different ways in the respective location. We defend the thesis that neighborhood community squares provide reinvigorated spaces and public spheres in the urban process and in the dynamics of sociability in the cities. These squares are also social spaces par excellence for the perception of the logic of individualism and segregation so marked by fear and violence in contemporary cities / O presente trabalho analisa e discute o processo de sociabilidade na cultura das cidades contempor?neas, tendo como foco o tema do medo e da viol?ncia no cotidiano das pra?as da cidade de Jo?o Pessoa PB. Analisamos as rela??es entre os lugares na cidade e relacionamos a hist?ria e a configura??o dos bairros com o processo de crescimento urbano, al?m das interven??es recentes do poder p?blico em seus espa?os. Percebemos nessa din?mica, atitudes e a??es sociais que variam do conv?vio pac?fico e desejado ? exclus?o social. Discutimos, assim, a partir do imagin?rio de que as pra?as existem enquanto um l?cus de igualdade, de cidadania e pol?tica, e como um espa?o de todos, apesar de existirem for?as simb?licas que atuam no sentido da segrega??o e da privatiza??o do espa?o pautadas no medo e na viol?ncia. Tivemos como objetivo investigar estas diferentes l?gicas, que permitem a exclus?o e a inclus?o de grupos e indiv?duos no uso cotidiano dos espa?os p?blicos das cidades contempor?neas. Acreditamos que a a??o social ? balizada pela viol?ncia e seu corol?rio o medo social, e opera a partir de uma l?gica de um jogo relacional sempre conflituoso, por?m vivenciado de diferentes formas a partir do segmento ou grupo social que se estuda. Trabalhamos com uma metodologia qualitativa e quantitativa em nossa pesquisa, relacionando os dados e an?lises estat?sticas com as categorias criadas para a compreens?o dos fatores subjetivos. Realizamos uma an?lise que combinou elementos etnogr?ficos, pesquisas em peri?dicos, jornais impressos, e eletr?nicos, fotografias e imagens da cidade e de seus espa?os, e que teve como aporte um survey, que permitiu a compara??o entre cinco pra?as de bairro da cidade. Nossa proposta foi de aprofundar as investiga??es em rela??o ao espa?o p?blico das cidades contempor?neas, ampliando o olhar sobre Jo?o Pessoa e sua din?mica cultural, a partir da an?lise dos discursos, das imagens, do imagin?rio coletivo, e da apropria??o social dos espa?os da cidade sob a ?tica do medo e da viol?ncia. A pesquisa permitiu que abord?ssemos padr?es de sociabilidade diferenciados, a partir de um mesmo processo urbano, j? que al?m do recorte e resgate da mem?ria hist?rica, os bairros e as pra?as est?o distanciados espacial e economicamente, como tamb?m o processo de gesta??o do espa?o e da constru??o destas pra?as ocorreu de modo bem distinto nos respectivos locais. Defendemos a tese de que os procesos s?cio-espaciais e culturais relacionados ?s pra?as de bairro em curso nas cidades brasileiras, e em espec?fico nas cidades m?dias e capitais nordestinas, como Jo?o Pessoa PB, possuem enorme import?ncia na compreens?o dos mecanismos sociais de exclus?o e integra??o na sociabilidade cotidiana. Isso se d? atrav?s de seus efeitos sobre a estrutura??o social, sobre os mecanismos de produ??o/reprodu??o de desigualdades nos espa?os p?blicos das cidades contempor?neas e sobre as rela??es de intera??o social e sociabilidade entre os grupos, ajuntamentos e classes sociais nestes espa?os sob influencia do medo e da viol?ncia urbana

This work aimed to survey the Treze de Julho quarter, by the study of the urban usage and its setup, so to understand if we have, in Aracaju a Neighborhood configured by a gentrification policy of residential kind. In the past the Treze de Julho Neighborhood was a popular seaside beach. In that space, the aracajuanos lived experiences of encounters with fishermen, in a pace set by the nature. In the romantic beach, where fishermen, metallurgists lived and, alternately, the summerer vacationists seeking some rest of the urban centre incipient unrest. It was, therefore, a place for entertainment and communitarian sociabilities, which was broken by the passage of the privileged social stratum from downtown and surroundings areas to the coastal south zone. The urban growth and its modernity icons, represented by an at any cost progress, that couldn‟t keep the bath beach and, besides, banished most of the old residents. Today, instead of the beach we see the mangrove, serving as a filter to the urban wastes. In parallel, in order to hide the environment degradation a Sidewalk was built, and in front of it we have the luxurious buildings of the Beira Mar Avenue. To fully understand the consequences of the transformations to the residents and the construction of new types of sociabilities in the Neighborhood, direct observations was made, delimiting three distinct areas, each one presenting distinct characteristics. The first zone is still formed by the remaining old residents. The second one was configured by the residents of the luxurious buildings and the elegant stores. And in the third one there are the ways of usage provided by the Viana de Assis Sidewalk, which distorts the linearity of that urban space, that was projected to be a redoubt for the elite of the Neighborhood. Being so, in the Neighborhood, was established a social-spatial segregation interlacing as one more dynamics in the diversified uses of the Viana de Assis Sidewalk. It was observed that the image of a Neighborhood delimited by rigid borders, it can be dissolved into the flowed zone of the mangrove spill. There, the agents can stroll and offer a distinct noise for the noble Neighborhood. / O trabalho teve por objetivo o mapeamento do Bairro Treze de Julho mediante o estudo dos usos do espaço urbano e a sua configuração física, para entendermos se temos, em Aracaju, um Bairro configurado por uma política de enobrecimento gentrification de tipo residencial. No passado, o Bairro Treze de Julho foi uma praia balneária popular. Nesse espaço, os aracajuanos vivenciavam experiências de encontro com pescadores, num ritmo de tempo marcado pela natureza. Na romântica Praia residiam pescadores, metalúrgicos e, alternadamente, os veranistas para descansarem da incipiente agitação do Centro urbano. Era, portanto, um lugar de divertimento e sociabilidades comunitárias, e foi rompido com a passagem das camadas privilegiadas do Centro e imediações para a zona sul litorânea. O crescimento urbano com os seus ícones de modernidade, representados por um progresso a qualquer custo , não conseguiu sustentar a Praia de banho e, além disso, expulsou a maioria dos antigos moradores. E, hoje, em seu lugar vemos o mangue, servindo de filtro dos dejetos urbanos. Paralelamente, foi construído um Calçadão para esconder a degradação ambiental, e defronte do mesmo temos os luxuosos prédios da Av. Beira Mar. Para conseguirmos compreender as conseqüências dessas transformações para os moradores e a construção dos novos tipos de sociabilidades do Bairro, fizemos observações diretas, delimitando três áreas, as quais se conformam distintamente. A primeira zona é, ainda, constituída pelos reminiscentes dos antigos moradores. A segunda foi configurada pelos moradores dos luxuosos prédios e as elegantes galerias. E, a terceira são os usos proporcionados pelo Calçadão Viana de Assis, que distorce a linearidade daquele espaço urbano projetado para ser um reduto da elite do Bairro. Sendo assim, no Bairro, foi constituído um entrelaçamento de segregação socioespacial mais uma dinâmica de usos diversificados permitidos pelo Calçadão Viana de Assis. Observamos que a imagem de um Bairro delimitado por fronteiras rígidas, pode ser dissolvida na zona fluida de entorno do mangue. Ali, os agentes podem deambular e fornecer um ruído distinto ao nobre Bairro.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation analyses the changing of the public space a long the centuries, having as empiric referring too historic center São Cristóvão town, in Sergipe. This town has politics, historic, archeologic and patrimony important. It appeared in 1590 and it has performed as politics seat of the province until 1855, São Cristóvão was recognized officially since 1938 as monument town of Sergipe Stat. Exempt of the revitalization process, that other historic centers had, this town maintain elements characterized its landscape a long its history. This work landscape a long its history. This work shows as day by day of the social actors, with practice and symbolic disputes, act in sense of the public space formation permitting, then, a multiplicity of its uses, possibiliting the creation territory delimitating at the landscape. / Esta dissertação analisa as transformações do espaço público ocorridas ao longo dos séculos, tendo como referente empírico o centro histórico da cidade de São Cristóvão, em Sergipe. Essa cidade possui relevância política, histórica, arqueológica e patrimonial. Surgida em 1590 e tendo atuado como sede política da província até o ano de 1855, São Cristóvão foi reconhecida oficialmente desde o ano de 1938 como cidade-monumento do Estado de Sergipe. Isento dos processos de revitalização, que permearam outros centros históricos, essa cidade conserva elementos que caracterizaram a sua paisagem ao longo de sua história. Este trabalho demonstra como o cotidiano dos atores sociais, a partir de disputas práticas e simbólicas, atuam no sentido da formação de espaços públicos, permitindo, dessa forma, uma multiplicidade de seus usos, possibilitando a criação de delimitações territoriais na paisagem urbana.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-03-15T14:30:33Z No. of bitstreams: 1 francieneaparecidadasilveira.pdf: 674331 bytes, checksum: da0ec195b9ab0ea03156295146c39b59 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-03-19T17:47:28Z (GMT) No. of bitstreams: 1 francieneaparecidadasilveira.pdf: 674331 bytes, checksum: da0ec195b9ab0ea03156295146c39b59 (MD5) / Made available in DSpace on 2018-03-19T17:47:28Z (GMT). No. of bitstreams: 1 francieneaparecidadasilveira.pdf: 674331 bytes, checksum: da0ec195b9ab0ea03156295146c39b59 (MD5) Previous issue date: 2014 / PROQUALI (UFJF) / Com o desenvolvimento tecnológico, a ampliação dos mercados e a industrialização, a relação capital-trabalho sofreu alterações, gerando riquezas para uma parcela privilegiada da sociedade ocidental contemporânea, os empresários. Nessa fase, inaugurou-se a produção capitalista, focada no emprego da máquina (que permitiu um enorme crescimento da produção com custos baixos) e controlada pela classe burguesa, além da ampliação dos mercados formais. Principalmente a partir do ano de 1980, na sociedade ocidental contemporânea, a lógica do mercado ganha prestígio, e se apresenta como solução bem sucedida para os empresários ampliarem seus negócios. Ao mesmo tempo em que a lógica econômica possibilita a ampliação do mercado e dos lucros, cada vez mais ela invade a vida social, ou seja, as esferas não mercadológicas. As mudanças ocorridas na sociedade contemporânea para atender a implantação da atual forma de capitalismo provocaram a reconfiguração das formas de sociabilidades à imagem das relações de mercado. A forma das relações sociais passa a ser predominante, uma forma de reserva onde o indivíduo é suficiente em si mesmo, não conhece o vizinho, não há envolvimento social. Para Dayrell (2011), a sociabilidade é uma dimensão central da condição juvenil. Os grupos são essenciais para os jovens. Isso porque é nos grupos que os jovens conversam, trocam ideias, paqueram e desabafam sobre os fatos acontecidos. Um espaço onde os jovens estudantes permanecem por um bom tempo é no contexto universitário, sendo assim, esse espaço se constitui num local de formação e de encontro dos grupos de amigos, além de ser um espaço permanente de construção social. Com base nesse contexto, o objetivo desse trabalho é compreender as configurações de sociabilidade dos jovens estudantes inseridos no programa de Assistência Estudantil da Universidade Federal de Juiz de Fora (UFJF). O interesse em estudar as formas de sociabilidades entre os jovens do Programa de Assistência Estudantil surgiu a partir de minha atuação como pedagoga na Coordenação de Assuntos Estudantis (CAE) da UFJF. Inserida na equipe de profissionais responsáveis pela execução da política de Assistência Estudantil, a atividade me possibilitou problematizar o modo como acontecem, no contexto institucional, as sociabilidades entre os jovens universitários participantes desse programa. A relevância desse estudo está em compreender como os jovens constroem as suas formas de se relacionar e viver em sociedade, e enfrentam suas dificuldades a partir das relações sociais estabelecidas, já que estas formas influenciam o seu modo de estar e atuar na sociedade. / With technological development, expansion of markets and industrialization, the capital-labor ratio unchanged, generating wealth for a privileged fraction of contemporary Western society, entrepreneurs. In this phase, inaugurated the capitalist production, focused on the use of the machine (which enabled an enormous increase in production with low costs) and controlled by the bourgeois class, as well as expansion of formal markets. Mainly from the year 1980, in contemporary Western society, the logic of the market gains prestige, and introduces himself as successful solution for business owners grow their businesses. While the economic logic enables market expansion and profits increasingly invades her social life, ie, the beads do not marketing. The changes in contemporary society to meet the deployment of the current form of capitalism led to the reconfiguration of the forms of sociability in the image of market relations. The form of social relations becomes predominant, a booking form where the individual is enough in itself, does not know the neighbor, no social involvement. To Dayrell (2011), sociability is a core dimension of juvenile condition. The groups are essential for young people. This is because the groups that young people talk, exchange ideas, flirt and vent about the events that took place. A space where young students stay for a long time is in the university context, so this space is a place of training and encounter groups of friends, besides being a permanent space for social construction. Based on this context, the aim of this study is to understand the settings of sociability of young students entered into the Student Assistance Program, Federal University of Juiz de Fora (UFJF). The interest in studying the forms of sociability among young Student Assistance Program grew out of my work as an educator in the Department of Student Affairs (CAE) UFJF. Inserted into the team of professionals responsible for implementing the Student Assistance Policy, the activity enabled me to question the way they happen in the institutional context, sociability among university students participating in this program. The relevance this study is to understand how young people construct their ways of relating and living in society, and face their difficulties from the established social relations, since these forms influence their way of being and acting in society.

Après plusieurs décennies de désertification, certaines campagnes bénéficient aujourd’hui d’un réinvestissement croissant par des populations urbaines. Aussi, la restructuration des sociétés rurales interroge. Le paysage social change, transformant ainsi le rural en un monde social avant tout. Le village fait-il encore sens pour ses habitants ? La thématique de ce travail s’intéresse alors à l’évolution et à la transformation relationnelle de l’espace rural français, avec un intérêt tout particulier pour les communes de moins de 500 habitants et leur identité communale singulière. Le village de Gigouzac dans le Lot, 239 habitants, est mon terrain d’étude depuis plus de 10 ans. Ce choix n’est pas sans raisons et sans conséquences puisque j’habite mon terrain et mon objet d’étude, familialement, personnellement, et scientifiquement.La propriété essentielle de cette recherche est son caractère longitudinal, impliquant une mise à distance et une observation constante et participante. Ces différentes postures « du dedans » mêlent la sociologie et l’audiovisuel à une approche psychosociale. Le concept d’identité doit être défini en le signifiant. Cette thèse tente de saisir l’identité communale. Afin d’observer les effets que peut avoir l’arrivée de nouveaux habitants de culture urbaine sur cette identité, j’ai choisi de la considérer du point de vue de la psychologie sociale et de la dynamique de ses représentations. Les différentes méthodes de recueil de données employées, tour à tour quantitatives, comparatives, qualitatives, et audiovisuelles, montrent les permanences et les dynamiques de la ruralité. Le village évolue, se modernise, se réinvente, mais reste un territoire pertinent et cohérent, une réponse à l’individualisme grandissant de la société moderne. / After several decades of desertification, some countryside areas benefit today from an increasing reinvestment by urban populations. The restructuration of rural societies is also questioning. The social landscape is changing, turning above all the rural into a social world. Does the village make still sense for its inhabitants ? The field of this research deals with evolution and the relational transformation of the French rural space, with a special emphasis on townships (in the north-american sense) of less than 500 inhabitants and their singular identity. The village of Gigouzac (Lot), of 239 inhabitants, is my fieldwork since more than 10 years. This choice is not without reasons and without consequences, as I live my fieldwork and my research topic, personally, with my family, and scientifically.The essential property of this research lies in its longitudinal character, implying a distance to take as well as constant and participating observation. These various « in situ » postures are combining sociology and audiovisual techniques with a psychosocial approach. The concept of identity have to be defined by its meaning. This Ph-D thesis is trying to understand the township identity. In order to observe the effects the new inhabitants of urban culture could have on the township identity, I choiced to consider it under an angle of social psychology and its representation dynamics. The different methods used in the data collection, being quantitative, comparative, qualitative and audiovisual, show the permanencies and the dynamics of the rurality. The village is evolving, is modernizing, is reinventing itself, but it remains a pertinent and a coherent territory, a reply to the increasing individualism of the modern society.

Made available in DSpace on 2016-04-29T14:16:17Z (GMT). No. of bitstreams: 1 Rodrigo Aparecido Diniz.pdf: 6163404 bytes, checksum: 8a473f57add4062c052a91e47eba6ca7 (MD5) Previous issue date: 2012-10-24 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This present study analyzes the mediations in the urban territory through the sociabilities constructions by the subjects, taking as it references the districts of Perus and Anhanguera, in São Paulo City. This research journey were traced by the contribution of the oral history methodology, as the privilege source to approach the subjects dialogue that make and remake lives experiences in their territories, day by day. In this way, we present the three women trajectories. They are communities leaders in the territory of Perus and Anhanguera, whose lives mediated by the pursuit of social protection, as well as centralize their stories in social spaces in these territories, making sociabilities and territories that bring specifics facts of the fight as a continuous process of lives reproduction in the São Paulo s peripheral region. So, the research s narratives not only engender specific analyzes of the studied reality, but perform fruitful dialogue with the theoretical parts that support this dissertationa / O presente trabalho analisa as mediações do território urbano na construção de sociabilidades dos sujeitos, tomando por referência os distritos de Perus e Anhanguera da cidade de São Paulo. Os caminhos desta pesquisa foram trilhados com o aporte da metodologia da história oral, como fonte privilegiada para tecer a interlocução com os sujeitos que constroem e reconstroem cotidianamente experiências na trama de seus territórios de vida. Neste sentido, apresentamos a trajetória de três mulheres, que são lideres comunitárias em Perus e Anhanguera, que tem suas vidas mediadas pela busca de proteção social, bem como, centralizam suas histórias nos espaços sociais destes territórios, construindo sociabilidades e territorialidades específicas que trazem a marca da luta como processo contínuo de reprodução da vida nas periferias da cidade. Com isso, as narrativas de pesquisa engendram não somente análises específicas da realidade estudada, mas realizam profícuos diálogos com os aportes teóricos que sustentam essa dissertação

Cette recherche porte sur la vie ordinaire des Marseillais et Marseillaises pendant et juste après la peste de 1720-1722. Nous proposons un état des gestes, des lieux, des attitudes et des situations qui se transforment ou se modifient durant l’épidémie et lors de la reconstruction immédiate de la société marseillaise à la suite du passage du fléau. Les institutions, les groupes et les dimensions individuelles multiples sont examinés pour privilégier la perception qu’en ont les acteurs. La problématique au centre de cette thèse n’est donc pas seulement de documenter l’épidémie de 1720 ou les attitudes des contemporains face à la mort, mais également la façon dont les hommes vivent en « temps de peste ». Cette expression recouvre les années au cours desquelles furent instituées des mesures de gestion spécifiques de la ville et de ses populations. Nous tentons ainsi de nous éloigner d’une conception spectaculaire de l’évènement, sans toutefois renier son côté extraordinaire. Si la peste reste un temps d’exception, c’est la vision ordinaire et quotidienne de cet épisode marseillais qui est privilégiée. Le premier grand champ de cette thèse propose une réflexion autour du pouvoir urbain et identifie les principaux outils dont il dispose pour instaurer un ordre dans la ville. Une police spécifique est en effet créée pour gérer au quotidien la catastrophe. La seconde partie étudie les répercussions des mesures de contrôle policier dans l’espace urbain et en particulier grâce à la mise en place d’un réseau d’hôpitaux pour circonscrire et soigner la peste. Nous menons une réflexion sur la construction de différents lieux clos en temps d’épidémie (hôpitaux, lazarets, prisons), et au sens que ceux-ci pouvaient avoir dans une ville affligée de contagion. Enfin, le dernier grand champ de cette thèse propose une étude basée essentiellement à partir des procédures jugées par le Tribunal de police pendant la période, en privilégiant une approche micro-historique et tente de ramener l’ordinaire des relations sociales notamment populaires pendant la contagion. / This research explores the ordinary lives of the inhabitants of Marseille during and immediately following the plague of 1720-1722. It examines the behaviors, places, attitudes, and situations that were transformed or modified during the epidemic and during the post-epidemic reconstruction period of Marseille’s society. Institutional, group, and multiple individual dimensions are examined to document the related perceptions held by stakeholders. The central focus of this thesis is therefore not only to describe the epidemic of 1720 or the contemporary attitudes of the time related to death, but also how people live during a “time of plague”. The period examined here covers the years during which specific management measures were put in place for the city and its people. We attempt to distance ourselves from a spectacular conception of the event, without ever denying its extraordinary aspect. Although the plague period was an exceptional time, this research privileges an ordinary and daily-life vision of this episode in Marseille’s history. The first part of this thesis reflects upon urban power and the main tools used to establish order in the city. A special police group was created to manage the disaster on a daily basis. The second part examines the impact of police control measures in the urban area and in particular through the creation of a network of hospitals to contain and treat plague victims. A reflection is also conducted on the construction of different places of confinement during the time of the epidemic (hospitals, lazarets, prisons), and the meaning that they had in an infected city. Finally, the last part of this thesis studies the judgments of the Police Court during the period, favoring a micro-historical approach focused on the ordinary social relations particularly popular during this period of contagion.

Esta tese tem como objetivo investigar a modificação dos códigos de civilidade, das formas de agir e consumir em uma cidade em transformação. Entendendo a cidade de São Paulo durante a década de 1920 como um espaço privilegiado para observação da modernidade como experiência física e mental (BERMAN, 2007), utilizou-se da mídia impressa, em especial das crônicas intituladas Coisas da Cidade, publicadas no jornal O Estado de S. Paulo, como documentos importantes para perceber a promoção de novos hábitos burgueses e padrões higiênicos para os locais de sociabilidades no espaço urbano, notadamente os destinados ao comer e ao beber, transformados em lugares de lazer e entretenimento. Para pinçar tais práticas intenta-se caminhar pela História do Cotidiano (CERTEAU, 2008). A descoberta da autoria das crônicas, assinadas por P., foi efetivada através de um trabalho de investigação aos moldes do que propõe Carlo Guinzburg com os paradigmas indiciários (1989). Plínio Barreto - o autor - caminhava, observava e atuava sobre a cidade, e pode ser entendido como um flâneur (BENJAMIN, 1994) e como um intelectual-mediador (GOMES; HANSEN,2016). Assim, mediou a relação do público leitor, promovendo debates com os poderes públicos, prestadores de serviços e cidadãos, fazendo do seu espaço no jornal um meio de promoção e divulgação das formas de se portar na cidade que se anunciava como metrópole. / This thesis is focused on investigating the modifications in civility codes, way of behaviour and consumption, in a city in transformation. Understanding the city of Sao Paulo during the 1920s as a privileged space to follow modernity as a physical and mental experience (BERMAN, 2007), printed media, in special the chronicles named Coisas da Cidade, published in the Newspaper O Estado de S. Paulo, were used as importante documents to conceive the promotion of new bourgeois habits ad hygiene patterns for social urban venues, the ones noticeably used for eating and drinking, transformed into places for entertainment and leisure. In order to pinpoint the practices, the intente lies in walking through everyday history (CERTEAU, 2008). The Discovery of the chrolicless author, signed as P., was done through investigating models that indicate Carlo Guinzburg with indicial paradigms (1989). Plínio Barreto the author walked, observed and acted about the city, and may be understood as a flâneur (BENJAMIN, 1994) and as a intellectual-mediator (GOMES; HANSEN). Thus mediated the relationship between the reader audience, promoting debates with political powers, service providers and citizens, making his space in the newspaper a way to promote ways of behaviour in the city that called itself a matropolis.

Les ensembles à vent existent dans toute l’Europe. Ils sont un trait de culture partagé. La miseà jour d’une sub-culture fanfaristique s’effectue à partir des comparaisons, migrations,circulations, étudiées à travers les ensembles à vent et par emboîtement d’échelles. A partird’exemples représentatifs, pris à hauteur d’Hommes, l’existence d’un modèle européen de lafanfare, dans son fonctionnement, son image, son rôle… est mis au jour. Pluriels, les ensemblesà vent ne sont pas des copies parfaites, mais de nombreux points communs permettent demodéliser cette pratique socioculturelle.Même si pour beaucoup au second XXe siècle, le mouvement orphéonique relève du passé,notre étude des ensembles à vent débute dans les années 1940 avec la Seconde Guerre Mondialepuis la Libération, et s’achève dans les années 1980 marquées par un tournant social, politiqueet culturel. Plus que sur le déclin, la fanfare est, au cours de la période, en mutation. Inventé auXIXe siècle, l’ensemble à vent répond à une triple définition. Il s’agit tout d’abord d’unensemble d’instruments à vent (cuivres et bois) et de percussions joués par des musiciensamateurs. La fanfare est également un orchestre de plein air. Enfin, c’est une musique qui «marche », qui défile pour animer la cité.La nature même de cette pratique musicale collective, effectuée par des musiciens nonprofessionnels, inclut une dimension sociale capitale. Autour de cette pratique récréative, seforme un groupe avec ses sociabilités, qui le cimentent. Les ensembles à vent répondent aussià une demande sociale multiple et notamment un rôle d’éducation populaire.L’ensemble à vent apparaît comme un modèle transnational qui possède une réelle identité.Inclassable, il n’appartient ni à la culture populaire, ni à la culture savante. La catégorisationentre une culture dominée et une culture dominante doit être remise en cause au profit d’uneautonomisation des normes de valeurs et de l’abolition des hiérarchies. Le fonctionnement, toutcomme les appropriations qu’il subit et qu’il réalise, plaident en faveur d’une autonomisationdes ensembles à vent. Ils sont une pratique et un genre autonome et reconnaissable dans toutel’Europe. / Wind ensembles exist all over Europe. They are a shared cultural feature. The exposure of aband sub-culture is established from comparisons, migrations, circulations, through windensembles, and interlocking at various levels. Drawing from representative examples, on aperspective centered on Man, the existence of a European standard for brass-bands, in itsoperation, image, role is brought forward. In their varied nature, wind ensembles are not perfectduplicates, but many common features make a modelling of such a sociocultural practicepossible.Even though, for many, in the second half of the twentieth century, brass-band culture was athing of the past, our study of wind ensembles begins in the 1940s with the Second World War,then the Liberation, and ends in the 1980s with its social, political and cultural turning point.Rather than being declining, brass bands were, over the period, evolving sharply. Invented inthe nineteenth century, the wind ensemble meets three different definitions. It is first anensemble of wind instruments (brass and woodwind) and percussions played by amateurmusicians. Brass-bands is also an outdoor orchestra. Finally, it is a “marching” music, one thatparades to animate the city.The very nature of this collective music-making, carried out by non-professional musiciansincludes a major social dimension. Around this recreational activity, a group gathers, and iscemented by its sociabilities. Wind ensembles also respond to a multiple social demand, inparticular a role in popular education.The wind ensemble appears as a transnational model with a full identity. Unclassifiable, itbelongs neither to popular culture, nor to high brow culture. The categorization betweendominated and dominant culture should be called into question. Empowering standards as wellas abolishing hierarchies must be promoted instead. Its functioning as well as the ownerships itis subjected to and it achieves, advocates for an empowerment of wind ensembles. They are anautonomous and recognizable practice throughout Europe.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho busca analisar a prática do oferecimento de dedicatórias impressas em um Brasil que acabava de se tornar impressor. As dedicatórias, representativas das práticas de homenagem e das relações de mecenato, são símbolo das relações políticas apoiadas na hierarquia vigente, e das trocas efetuadas na busca por poder e influência. Em uma época onde viver da própria pena constituía um desafio, era necessário utilizar-se das convenções para adquirir patrocínio e proteção, e o oferecimento público de lealdade e submissão através das páginas dos livros abria possibilidades de inclusão na sociedade de corte e de aquisição das benesses reais. A abertura da Impressão Régia contribuiu como nenhuma outra medida para o despertar da vida cultural da nova corte, atuando na circulação de escritos, de idéias, e de relações de sociabilidade. Nesse ambiente, a necessidade de conquistar as boas graças do soberano para obter prestígio fez com que as primeiras publicações do início do oitocentos já contassem com páginas destinadas às dedicatórias, cujo tom laudatório visava a convencer sobre o merecimento de mercês e favores. Muitas das obras publicadas Impressão Régia no período foram explicitamente dedicadas a alguma figura social ou política importante, e um número expressivo dirigiu-se ao soberano D. João. Muitos letrados alcançaram uma trajetória bem sucedida, outros não conquistaram sucesso; mas a utilização dos elogios impressos ao longo da carreira literária de muitos permite observar que a prática atravessou o oceano com a Família Real, e perdurou ao longo do oitocentos no Brasil. / The present work seeks to analyze the offering of printed dedications in a Brazil that just begun to print. These dedications, representative of reverence and patronage, are symbols of politics relations based on the effective hierarchy, and of the exchanges seeking power and influence. In a time when live of its own quill was a challenge, it was necessary to make use of the conventions to acquire sponsorship and protection, and the public offer of loyalty and submission through the pages of the books was opening means of inclusion in the court society of and of acquisition of the royal emoluments. The opening of the Royal Impression contributed like no another measure to the awakening of the cultural life of the new court, acting in the circulation of written, of ideas, and of relations of sociability. In this environment, the necessity of conquering the good graces of the sovereign to obtain prestige implicated that the first publications of the beginning of the 19th century disposed already of pages been intended for the dedications, whose laudatory tone it was aiming to convince on the merit of indults and favors. A great deal of the works published by the Royal Impression in the period were explicitly dedicated to some important social or politics figures, and an expressive number went to a sovereign D. John. Many scholars achieved a quite succeeded trajectory, others did not conquer success; but the use of the praises printed along the literary trajectory of many people allows to notice that the practice crossed the ocean with the Real Family, and it lasted a long time along eight hundred in Brazil.