PEREIRA, Linconly Jesus Alencar. A umbanda em Fortaleza: análise dos significados presentes nos pontos cantados e riscados nos rituais religiosos. 2012. 143 f. Dissertação (Mestrado em Educação) – Universidade Federal do Ceará. Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza-CE, 2012. / Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-07-05T14:37:55Z No. of bitstreams: 1 2012_Dis_LJAPereira.pdf: 3749642 bytes, checksum: e0ce169258c5ffb1bbb6aacd0435c2d4 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-18T14:49:52Z (GMT) No. of bitstreams: 1 2012_Dis_LJAPereira.pdf: 3749642 bytes, checksum: e0ce169258c5ffb1bbb6aacd0435c2d4 (MD5) / Made available in DSpace on 2012-07-18T14:49:52Z (GMT). No. of bitstreams: 1 2012_Dis_LJAPereira.pdf: 3749642 bytes, checksum: e0ce169258c5ffb1bbb6aacd0435c2d4 (MD5) Previous issue date: 2012 / This talks about the analyse of the meaning in sings points in religion celebrations of Umbanda from Fortaleza. It has as goal to understand how the relation between learning/teaching happens, as how to investigate the changing from macumba to Umbanda in Fortaleza reality, trying to understand the magic universe of Umbanda religion and african cosmology in this religion the reserarch is about quality, using afrodescendent method as an instsument to collect information an interview and abservation of the Umbanda religioners.It was made in two fases, bethween 2010 and 2011 years.Seven fathers and mothers “de santo” was interviewed, as other peaple who participate of Umbanda.This study presents the construction, describing the peaple profile this work keys. The religion is flexed in Ceará and specially in Fortaleza, analysing documents tahen from “O Povo” newspaper.This religion tries to win the prejudice from society.The pratices like Yemanjá’s party, where I was participating, helped me to do a research of Umbanda nowadays. / Esta dissertação trata da análise dos significados presentes nos pontos cantados e riscados nos rituais religiosos da Umbanda de Fortaleza. Tem como objetivos compreender de que forma se dá a relação ensino/aprendizagem e a interpretação dos significados presentes nos pontos cantados e riscados, assim como investigar a transição da Macumba para a Umbanda na realidade fortalezense, na busca do entendimento do universo mítico religioso umbandista, bem como as estratégias de percepção e esclarecimento da cosmologia africana presente nessa religião. A pesquisa é de cunho qualitativo, mediante o uso da metodologia afrodescendente e uma perspectiva etnográfica, tendo como instrumentos de coleta de dados a entrevista semiestruturada e a observação participante. A pesquisa se dividiu em duas fases entre os anos de 2010 e 2011, em que sete pais e mães-de-santo foram entrevistados, assim como outros sujeitos que faziam parte desse universo umbandista. O estudo apresenta a construção dos aspectos metodológicos da pesquisa, descrevendo profundamente a aproximação com o campo, as metodologias de pesquisa utilizadas, assim como a construção do perfil biográfico dos sacerdotes e sacerdotisas, interlocutores-chave deste trabalho. Os elementos que denotaram a consolidação das religiões de matriz africana no Estado do Ceará também foram analisados na busca de entender como se deu a consolidação da Umbanda na cidade de Fortaleza, a partir das fontes documentais primárias encontradas no jornal O Povo, na tentativa de perceber como essa religião traçou e traça estratégias de sobrevivência, resistência e enfrentamento as ações silenciadoras da sociedade cearense. As práticas como a festa de Yemanjá, que tive a oportunidade de acompanhar por todo o tempo da pesquisa, ajudaram a traçar o panorama da Umbanda nos dias atuais, a partir da perspectiva dos sacerdotes e sacerdotisas, aproximando-me dos significados presentes nos pontos cantados e riscados. Através dessas visões, busquei perceber como a relação ensino/aprendizagem dos pontos cantados e riscados acontece na atualidade, sua interpretação e como estão situados nos diversos rituais religiosos encontrados na Umbanda cearense.

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Au Yémen, et spécialement à Sanaa et dans les régions avoisinantes, la zaffah est à la fois une cérémonie collective et un rite de passage, dont l'organisation marque la célébration et la reconnaissance par la communauté du changement de statut de l'un de ses membres (mariage, mise au monde d'un enfant, obtention d'un diplôme...). Animée et interprétée par des spécialistes, la zaffah maintient dans la mémoire du groupe un répertoire de poésies chantées, dont la forme et le contenu véhiculent des traditions très anciennes, tout en s'adaptant aux mutations sociales et culturelles les plus récentes. / In Yemen, and especially in Sanaa and in the neighbouring regions, zaffah is both a collective ceremony and a rite of passage. Its organization marks the celebration and the recognition by the community of a change of status (marriage, birth, graduation…) of one of its members. Led and interpreted by specialists, zaffah maintains in the memory of the group a repertory of sung poetry, whose shape and contents transmit very old traditions, while adapting to the most recent social and cultural transformations.

<p>This project examines the events from 1866 to 1871 in Korea between the United States and Joseon, with a specific focus on the 1866 <i>General Sherman</i> Incident and the United States Expedition to Korea in 1871. The project also examines the present memory of those events in the United States and North and South Korea. This project shows that contemporary American reactions to the events in Korea from 1866 to 1871 were numerous and ambivalent in what the American role should be in Korea. In the present, American memory of 1866 to 1871 has largely been monopolized by the American military, with the greater American collective memory largely forgetting this period. </p> <p>In the Koreas, collective memory of the five-year crisis (1866 to 1871) is divided along ideological lines. In North Korea, the victories that Korea achieved against the United States are used as stories to reinforce the North Korean line on the United States, as well as reinforcing the legitimacy of the Kim family. In South Korea, the narrative focuses on the corruption of Joseon and the Daewongun and the triumph of a “modernizing” Korean state against anti-western hardliners, and is more diverse in how the narrative is told, ranging from newspapers to K-Dramas, leading to a more complicated collective memory in the South. </p> <p>This Thesis shows that understanding the impact that the first state-to-state encounters had on the American-Korean relationship not only at the time but also in the present, is key to analyzing the complicated history of the Korean-American relationship writ large.</p>

This thesis concentrates on literary works written by writers belonging to the resident Korean minority in Japan (zainichi Koreans). Through the use of postcolonial methodology, this work attempts to monitor the development and changes in the complex concept of "identity" in works written between the 1960s and 2010. The thesis is divided into two major parts. The first, theoretical part, explains the birth of the minority, the conflicts that influenced it and the changes it went through during its history. Postcolonial methodology is also explained, with focus put on the parts that are relevant to Japan. The second, practical part of the thesis, shortly explains the history of zainichi literature and then concentrates on five important postwar resident Korean writers - Ri Kaisei, Kin Kakuei, Yi Yang-ji, Kaneshiro Kazuki and Yu Miri. It analyzes between one and four works by each author and attempts to identify changes in the perception of "identity". It also takes into account female characters and the way they are portrayed by the authors and also the language the book is written in, focusing on whether the author chooses to incorporate the Korean language into the text.