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Historisk dräkt i scenkonst : Om plaggens levandegörande och om relationen mellan det historiskt trovärdiga och det historiskt korrektaLundell Hydén, Artur January 2024 (has links)
A reflection on how and why historical dress is used in the performing arts, methods for approaching historical dress and their opportunities and challenges, with regards to aspects such as historical fidelity and historical authenticity. Exploring the concept of "period costume" and its potential. Based on my graduation project, where I worked as a costume designer for Länsteatern på Gotlands production of Maratondansen (2024, original title They Shoot Horses, Don't They?), a narrative that takes place in 1935.
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Skådespelare, kostymer och kontrakt : en bortglömde del av teater- och kostymhistorienCarlberg, Marianne January 2016 (has links)
The purpose of this study - Actors, costumes and agreements - is to highlight an almost forgotten part of the history of theatre costume and theatre history. During at least two hundred years actors in Sweden were expected to contribute to the performance by their costumes. The study is divided into three parts: agreements, memoirs and conversation. Nine agreements between theatres and actors from 1778 to 1971 will be analyzed with focus on costumes. What do they express about the period, fashion and repertoire, audience? The theatres demand of the actors could be very detailed and shifting. Three memoire books and conversation with seven actors represent the actors view. Questions arise about actors poor economy, theatre culture and gender. The study will also show periods with connection between fashion and theatre costume.
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"Evig liten tjej" : Kostymdesignyrkets genuskodning: En kritisk diskursanalys / "Perpetual little girl" : Gender coding of the costume design-profession: A critical discourse analysisS. Thil, Yonna January 2023 (has links)
“Perpetual little girl” – Gender coding of the costume design-profession: A critical discourse analysis is a bachelor’s thesis in Performance Studies written by Yonna S. Thil in the spring of 2023 at Stockholm University. This study focuses on the gendering of the costume design-profession, as well as the gendering of theatre professions in general and attempts to answer the question “How does female gender coding affect the professional role of the costume designer?”. Fashion history and theatre history is used to map out the ways in which the costume designer is at a point of intersection between fashion, a highly feminized phenomenon, and theatre, a system which has excluded women from the practice for thousands of years. Statistics from Stockholm University of the Arts and interviews with both male and female costume designers working in theatre and film in Sweden tell the story of how the feminization of their profession affect the practice. The study includes comparisons with male coded professions in the theatre system, questions of the wage gap between male and female coded professions as well as discussions of the artistic genius and charismatic authority.
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