Global ETD Search

31	Crowns, wedding rings, and processions : continuity and change in representations of Scottish royal authority in state ceremony, c.1214-c.1603 Dean, Lucinda H. S. January 2013 (has links) This inter-disciplinary thesis addresses the long term continuity and change found in representations of Scottish royal authority through state ceremonial bridging the gap between medieval and early modern across four centuries. Royal ceremony in Scotland has received very haphazard research to date, with few attempts to draw comparisons that explore how these crucial moments for the representation of royal authority developed over the course of a number of centuries. Three key royal ceremonies – inaugurations/coronations, funerals and weddings (with consort coronations) – form the core of this study of the Scottish monarchy from c.1214 to c.1603, and were chosen due to their integral position in the reign of each monarch. The issues of succession and security of hereditary monarchy dictate that the ceremonies of death and accession are inescapably intertwined, and funerals and coronations have been studied in unison together for other European comparators. However, the frequency of minor accessions, early and violent deaths, absentee kingship and political upheaval in Scotland across the time period determined from an early stage that weddings – often the first occasion for Scottish monarchs to project their personal adult authority and the point at which Scotland had the widest European audience for their display – were essential to forming a rounded view of developments. By offering a detailed analysis of these ceremonial developments across time, this study will provide the framework from which further research into royal ceremony and its place as essential platform for the dissemination of royal power can be undertaken. The thesis focuses upon key questions to illuminate the developments of these ceremonies as both reflectors of a distinct Scottish royal identity and representative of their integration within a broader European language of ceremony. How did these ceremonies reflect the ideals of Scottish kingship? How were they shaped to function within the parameters of Scottish governance and traditions? How was the Scottish crown influenced by other monarchies and the papacy? How did it hope to be perceived by the wider European community and how was royal power exercised over its subjects in this transitional period of Scottish history? The focus upon Scotland’s visual forays on the international stage and varied relations with European actors has required a continual comparison with other European countries across this time period, with particular attention being paid to England, France, Ireland and the Low Countries. Within the context of a highly public and interactive era of display and posturing by great leaders across Europe, crucial points this thesis engages with include: what made the Scottish ceremonies unique? And how can this further our understanding of that which lay beneath such representations of royal authority? 941.102
32	Costume culture: a traveling exhibition system for the Costume Museum of Canada AYTAC, DENIZ OZGE 05 May 2014 (has links) The Costume Museum of Canada (CMC) is the first of its kind in Canada. It works as a comprehensive repository where Canadian clothing and textile artifacts are collected, preserved, and presented. Traveling exhibits are important to the CMC to present the collection to a wider audience; however, the CMC’s financial limitations restrict how they can support traveling exhibitions. This practicum project addresses the desire of the museum for a facility to stage traveling exhibits by the design of a Traveling Exhibition System (TES) for the CMC. The practicum explores the concepts of cultural communication, narratology and mise-en-scene. It will facilitate Canadian cultural education through the exhibition of CMC’s vast collection of costumes and related accessories in a cost effective and sustainable manner. TES will be an exhibit system that can be set up within existing buildings and spaces. The project offers the possibility for the CMC to generate revenue and to facilitate dissemination of Canadian fashion culture and history regionally and nationally. Interior Design Exhibition Design Dugald Costume Museum Costume Museum of Canada Cultural Mode of Communication Narratology Mise-en-scene Fashion Exhibition Manitoban Weddings Kit of parts Traveling Exhibitions Temporary exhibitions Exhibition furniture
33	An ethnographic study of communication and gender performance in a modern day Latino wedding Stanko, Olivia Corine 01 January 2012 (has links) This study examines how culture, gender roles, and economics intersect at a contemporary Mexican-American wedding. Prior studies have focused on one factor but did not examine how all three can affect a wedding. The bride in this study tries to negotiate challenges between her Mexican-American culture and her American culture. This research is an example of how culture is en grained in everything and how it plays out through a wedding. This ethnography was done through first hand observations and interviews. The purpose of this study was to examine communication in a contemporary Mexican-American wedding and communication issues found at the intersection of gender, ethnicity, and culture. The research also examined how participants supported or broke traditional gender roles along with consequences. Communication Social aspects Communication Cross-cultural aspects Latino Weddings Social and Behavioral Sciences
34	Genre and globalization : working title films, the British romantic comedy and the global film market Kerry, Lucyann Snyder January 2011 (has links) This thesis seeks to better understand the relationship of film genre to globalization through an examination of the use of the British romantic comedy and other related genres by the production company Working Title Films (WTF) from the 1900s through the 2000s. Because of the sudden and unexpected global success of British romantic comedies by Working Title Films such as Four Weddings and a Funeral and Notting Hill, the 1990s is a significant period for the study of the genre. In this examination the process of globalization is understood as one of complex connectivity postulated by John Tomlinson in Globalization and Culture as ‘the rapidly developing and ever-densening network of interconnections and interdependences that characterize modern social life’. This theory of globalization is used as a methodological framework to understand the complex network of global and local interconnections that has driven the development of Working Title Films over the past twenty five years to becoming one of the most important British production companies in the international film industry. Through a detailed analysis of the practices of development, production, distribution and exhibition by Working Title Films and the Hollywood dominated global film industry, this thesis seeks to understand the function of genre and genre films as cultural products, economic products and meaningful representations in the global market and to better understand Hollywood, mainstream film and cinema as social institution. The analysis in the following chapters serves as evidence to support the central argument of this thesis that the use of genre in the film industry’s production, distribution and exhibition processes of globalization was the critical area for Working Title Films to master in order to produce value as meaningful audience appeal and connectivity to global audiences for on-going economic success. 791.430941
35	A descriptive visual analysis of the survival of Tamil arranged marriage rituals and the impact of commercialism Kanni, Balasubramanian 02 1900 (has links) This research A Descriptive Visual Analysis of the Survival of Tamil Arranged Marriage Rituals and the Impact of Commercialism is a critical analysis of ritual performances as a key component of Tamil wedding ceremonies. These rituals are performed before, during, and after the wedding and are interrogated throughout in this dissertation. This research explored and attempted to identify the significance of ritual performances in Tamil people’s marriages of southern India. Through the documentation and unpacking of traditional Hindu wedding celebrations, this study examined how these ancient rituals have been influenced by the modern world. It explored how cultural beliefs are negatively impacted through the commercialisation of wedding ceremonies and how they justify the maintenance of ritual practice. Symbolic activities and ritual performances are studied and discussed throughout this study by observing various Tamil wedding ceremonies and conclusions are drawn through conversations with couples and parents who have participated in such events. The dissertation further explores the ways in which these rituals are ultimately reflected and represented in artistic practice, inspired by the works of various artists who engage with their mediums in a ritualistic manner. / Art History, Visual Arts and Musicology / M.VA (Art, History, Visual Arts and Musicology) Arranged marriage Community Hindu religion Parental support Performances Tamil Rituals Wedding day 306.810954 Weddings -- Economic aspects -- India Marriage in popular culture Arranged marriage -- India Marriage customs and rites -- India Hinduism -- Rituals India -- Religious life and customs
36	Designing a Strategy to Reduce Wedding Conflict for Engaged Christian Couples with Progressive Values Ridge, Hannah Elizabeth 01 May 2020 (has links) No description available. Social Psychology Sociology Religion Psychotherapy Individual and Family Studies Gender Studies Design Counseling Psychology Behavioral Psychology Biblical Studies experience design weddings marriage Western Europe North America christianity progressive feminism critical theory gender normativity
37	Muslims in Interfaith Marriages in the West: Gender, Globalization, and Pluralism / Muslims in Interfaith Marriages in the West Ali, Nida January 2017 (has links) As Muslims increasingly cross ethnic, religious, and social barriers within Western societies, the rate of interfaith marriages continues to rise. As a result, several issues are generated within the Muslim community globally. One of these issues focuses on the subjectivity of Muslim women marrying non-Muslim men since Islamic religious texts may be unclear and indirect regarding the issue. Additionally, Muslims in the West are increasingly exposed to individuals from diverse ethnic and religious backgrounds, which raises the probability of exogamy. Many Muslims residing in the West do not have issues with exogamy; it is mostly familial and societal expectations that exude stress when individuals intermarry within the Muslim community. Openness to intermarriage among Muslims in the West can be attributable to differences in faith and identity development of second-generation Muslims growing up in Western countries, which can lead to a differentiation of Muslim identity in comparison to their parents and extended family. Regardless of the taboo and stigma that exist with regard to intermarriage in Islam, Muslim interfaith marriages in the West arguably can be seen as microcosmic representations of positive pluralistic relations in contemporary times. Through discussions of data collected for this research, this thesis considers the issues and ideas mentioned above as it considers the experiences of Muslims in interfaith marriages in Western societies by considering notions of gender, globalization, and religious pluralism. / Thesis / Master of Arts (MA) intermarriage interfaith Islam pluralism globalization gender Ahl al-kitab social work sociology social sciences psychology religion marriage relationships children mixed weddings mixed marriage interfaith marriage Islam in the West Western societies gender roles postmodern muslimness generational differences Muslim-Hindu marriages
38	Getting married twice: the relationship between indigenous and Christian marriages among the Ndau of the Chimanimani area of Zimbabwe Dube, Elijah Elijah Ngoweni 06 1900 (has links) The thesis focuses on the Ndau people of Chimanimani, Zimbabwe. Contact with Westerners brought significant changes to their marriage practices. South Africa General Mission (SAGM) missionaries required Ndau people to conduct church (“white”) weddings for their marriages to be recognised by the church. This has caused a problem whereby Ndau Christians marry traditionally/customarily and yet still have to conduct church weddings. The church has not rethought its position on the necessity for having this duplication of marriages. The thesis sought to develop an in-depth understanding of Ndau people’s perceptions and experiences on the connection between and the necessity for both marriages in Chimanimani, Zimbabwe. Data regarding Ndau people’s understanding of marriage practices was collected using in-depth semi-structured and focus group interviews. Following a qualitative research design, the study used the phenomenological approach to collect data and postcolonialism as the research paradigm. Using these, twenty individual and five focus group interviews were conducted. Seven themes emerged from the data. These covered marriage practices of the Ndau, the most preferred way of marriage, various reasons for having church weddings, perceived relationship between the two marriages, different views on the sufficiency of traditional marriages, thoughts on the expenses of church weddings, and how participants married and reasons thereof. The findings showed that Ndau Christians conduct church weddings for several reasons. These are because they:  want to celebrate their marriages  desire God’s blessings when they convert to Christianity. It is regarded as God’s biblical requirement  understand it as a church requirement/rule  get church teaching that encourage church weddings  need recognition and acceptance in the church as well as general social recognition  associate Christianity with Westernisation vi  regard it as a deterrent to unfaithfulness and polygyny  regard church weddings as having wider official recognition than traditional marriages and  want associated material advantages. The conclusion states that there is neither a theological nor a biblical basis for requiring Ndau Christians to have church weddings. Using a postcolonial hybrid approach, the thesis suggests a merging of the two marriages into one ceremony. More recommendations were given and the church was challenged to be more responsive to its people’s struggles. / Religious Studies and Arabic / D. Litt. et Phil. (Religious Studies) Chimanimani Christian marriage Church weddings Ndau marriage Ndau people Ndau religion/Shona religion Roora or bridewealth South Africa General Mission Traditional marriages United Baptist Church Zimbabwe marriage laws 241.63096891
39	Mirrors And Vanities Salas, Leslie 01 January 2013 (has links) Mirrors and Vanities is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay. Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife’s miscarriage. A girl visits her fiancé in purgatory. A boy crosses a line and loses his best friend. Meanwhile, the nonfiction centers on self-discovery and gender roles associated with power struggles. A schizophrenic threatens to ruin my mother’s wedding. I rediscover my relationship with my father through food writing. Sword-work teaches me to fail and succeed at making martial art. The title work of the thesis is a collaged story highlighting the tribulations of a physicist fixated on recovering his lost love by manipulating the multiverse. The multi-modal format implicates the nebulosity of physics theories and how different aspects of the narrative can be presented in various formats to best suit the nature of the storytelling. Through the interactions of characters in mundane and extraordinary circumstances, the works in this thesis examine the consequences of choice, the contrast between reality and expectation, coming of age, and the Truth of narrative. Abortion aikido bildungsroman collage fiction collection comics experimentalism flash fiction flash nonfiction food writing fragmentation fragmented narrative graphic narrative henna illustration interpersonal relationships loss lyrical magical realism martial arts memoir mental illness mother daughter conflict multi modal multiverse theory non chronological narrative nonfiction parallel universes personal essay physics pregnancy realist reflection relativity repetition screenwriting secret keeping secrets sequential art sexuality sports writing storytelling trust truth unconventional structure unreliable narrator vanity weddings Creative Writing

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