Made available in DSpace on 2014-06-11T19:26:21Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-05-20Bitstream added on 2014-06-13T19:54:35Z : No. of bitstreams: 1 lima_ccr_me_fran.pdf: 1385718 bytes, checksum: 43bd0b708861182d6d621af1c8cc5897 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Propõe-se, nesta pesquisa, refletir sobre a formação do pensamento brasileiro no período que antecede ao denominado Romantismo, destacando a “participação”, durante o momento de passagem da colônia para país independente, da literatura de viagem no processo de formação da identidade nacional. Através da leitura de alguns periódicos que circularam no Rio de Janeiro no início do século XIX, mais precisamente entre a chegada da corte (1808) e o lançamento da revista Nitheroy (1836), pretende-se demonstrar como a formação da cultura escrita nacional esteve intimamente ligada à ideia que os europeus tinham dos trópicos. Para tanto, a proposta é mapear em tais periódicos as menções aos viajantes estrangeiros e ao conteúdo de suas narrativas, de modo a conhecer o que a intelectualidade carioca dos primeiros decênios dos oitocentos pensava das imagens do Brasil e dos brasileiros vinculadas nestes escritos / The objective of this work is to study the construction of the brazilian thought in the period that is right before the Romantism age, highlighting the participation of the type of literature known as 'travel literature' in the process of construction of the national identity when Brazil was being transformed from a colony into an independent country. Based on journals that were on circulation in the beginning of the 19th century, precisely in the period between the Court arrives in the country (1808) and the release of the magazine Nitheroy (1836), and conceiving them as the stands of the construction of the country identity, we aim to show how the formation of the national literature was attached to the idea that european people had about the tropical lands. For that matter, the purpose is to map in this periodics the messages for the foreign travellers and the content of this narratives, such as references, quotes and comments in order to indicate the books that the intelectuals from Rio de Janeiro read in the first decades of the 18th century

Made available in DSpace on 2014-06-11T19:32:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-08-12Bitstream added on 2014-06-13T19:43:02Z : No. of bitstreams: 1 silva_caf_dr_fran.pdf: 2864460 bytes, checksum: e48f0d4c1003ed36bfc860d268c377a4 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Em 10 de maio de 1808, no Rio de Janeiro, foi revogada a proibição para a instalação e funcionamento de tipografias no Brasil. Surgiram, nesse momento, uma gama variada de escritos e escritores nacionais que formaram, em pouco tempo, uma “literatura nacional” – na concepção mais abrangente do século XIX. Dos prelos da primeira tipografia brasileira, a Impressão Régia, veio à luz uma série muito variada de publicações, que incluíam ofícios, editais, romances, jornais, livros sobre avanços técnicos e científicos, entre tantas outras. A criação dessa tipografia, obra do governo joanino que estava instalado no Rio de Janeiro, não foi um ato isolado, mas fazia parte de um plano que almejava transformar e civilizar o Brasil. A elite intelectual local também aderiu ao plano civilizatório. Após o retorno do monarca para Portugal e a Independência do país, esse projeto foi intensificado. Ferramenta importante destas ações com objetivos civilizatórios foram as revistas de época, que anunciavam, quase sem exceções, em suas introduções, que seu objetivo era o de levar e espalhar a luz entre os homens livres do país. Essas publicações foram importantes na formulação de um discurso acerca do Brasil, do brasileiro e de sua literatura que gradativamente foi sendo absorvido pela sociedade. O presente tem por objetivo compreender as nuances e os contornos do projeto civilizatório para o Brasil veiculado pela imprensa periódica “cultural”, produzida no Rio de Janeiro na primeira metade do século XIX, e o papel que a ciência e a técnica ocuparam nesse projeto, tendo em vista que a ciência e a técnica eram sinônimos e extremamente valorizadas no continente Europeu (parâmetro de civilização). Em resumo, pretendemos compreender qual o lugar destas tópicas no pensamento brasileiro oitocentista e sua relação com as práticas sociais / On May 10, 1808, in Rio de Janeiro, was revoked the prohibition for the installation and functioning of the press in Brazil. Emerged at that time, a range of national writers and writings that formed in a short time, a national literature. Since then a varied gamma appeared of national publications that dealt with diverse subjects. The creation of this printing, the work of D. João that government, was not an isolated act, but was part of a plan which sought to convert and civilize Brazil. The intellectuals have also acceded to the plan of civilization. After returning to Portugal of the monarch and the Independence of the country, this project was intensified. Important tool civilizing goals with these actions were the magazines. Most of periodicals, in its introductions, said that its objective one was to take and to spread the illustration between the free men of the country. These publications were important in formulating a discourse about Brazil, the Brazilian and his literature was gradually being absorbed by society. This aims to understand the variety and perimeter of the civilizing project for Brazil reported in the press, produced in Rio de Janeiro in the first half of the nineteenth century and the position that science and technology had in this project. In short, we want to understand what place these topics in nineteenth-century Brazilian thought and its relation to social practices / El 10 de mayo de 1808, en Río de Janeiro, fue derogada la prohibición de la instalación y funcionamiento de las imprentas en Brasil. Surgió en ese momento, una serie de escritores nacionales y los escritos que se formaron en poco tiempo, se quedó conocida como una literatura nacional - en la perspectiva más amplia del siglo XIX. De las máquinas de imprimir por primera vez en Brasil, la Imprenta Real, salió a la luz una serie de publicaciones variadas, que incluyen cartas, avisos, novelas, periódicos, libros que demostraban los avances técnicos y científicos, entre muchos otros. La creación de esta publicación, quedó a cargo del gobierno de D. Joao VI, que se instaló en Río de Janeiro, lo que no fue un acto aislado, sino parte de un plan que pretendía convertir y civilizar a Brasil. La élite intelectual local también adhirió al plan de la civilización. Con el regreso del monarca a Portugal y después de la independencia del país en septiembre del año 1822, este proyecto se intensificó. Sin embargo, como herramienta importante de esta civilización estuvieron algunas acciones, se publicaron revistas de la época, anunciando que casi sin excepción, en su introducción, su objetivo era llevar y divulgar la luz entre los hombres libres del país. Estas publicaciones fueron importantes en la formulación de un discurso sobre Brasil, el brasileño y su literatura fue siendo gradualmente absorbida por la sociedad. Además, la tesis doctoral tiene por objetivo comprender los matices y los contornos del proyecto civilizador de Brasil, que fuera publicada por la prensa periódica cultural, producida en Río de Janeiro en la primera mitad del siglo XIX y el papel que la ciencia y la tecnología tenía en este proyecto, observando que la ciencia y la tecnología eran sinónimos y de alto valor en el continente europeo (parámetro de la civilización)

Orientador: Jean Marcel Carvalho França / Banca: Karen Macknow Lisboa / Banca: Denise Aparecida Soares de Moura / Resumo: Propõe-se, nesta pesquisa, refletir sobre a formação do pensamento brasileiro no período que antecede ao denominado Romantismo, destacando a "participação", durante o momento de passagem da colônia para país independente, da literatura de viagem no processo de formação da identidade nacional. Através da leitura de alguns periódicos que circularam no Rio de Janeiro no início do século XIX, mais precisamente entre a chegada da corte (1808) e o lançamento da revista Nitheroy (1836), pretende-se demonstrar como a formação da cultura escrita nacional esteve intimamente ligada à ideia que os europeus tinham dos trópicos. Para tanto, a proposta é mapear em tais periódicos as menções aos viajantes estrangeiros e ao conteúdo de suas narrativas, de modo a conhecer o que a intelectualidade carioca dos primeiros decênios dos oitocentos pensava das imagens do Brasil e dos brasileiros vinculadas nestes escritos / Abstract: The objective of this work is to study the construction of the brazilian thought in the period that is right before the Romantism age, highlighting the participation of the type of literature known as 'travel literature' in the process of construction of the national identity when Brazil was being transformed from a colony into an independent country. Based on journals that were on circulation in the beginning of the 19th century, precisely in the period between the Court arrives in the country (1808) and the release of the magazine "Nitheroy" (1836), and conceiving them as the stands of the construction of the country identity, we aim to show how the formation of the national literature was attached to the idea that european people had about the tropical lands. For that matter, the purpose is to map in this periodics the messages for the foreign travellers and the content of this narratives, such as references, quotes and comments in order to indicate the books that the intelectuals from Rio de Janeiro read in the first decades of the 18th century / Mestre

Orientador: Jean Marcel Carvalho França / Banca: Dominichi Miranda de Sá / Banca: Luiz Roberto Velloso Cairo / Banca: Márcia Regina Capelari Naxara / Banco: Ricardo Alexandre Ferreira / Resumo: Em 10 de maio de 1808, no Rio de Janeiro, foi revogada a proibição para a instalação e funcionamento de tipografias no Brasil. Surgiram, nesse momento, uma gama variada de escritos e escritores nacionais que formaram, em pouco tempo, uma "literatura nacional" - na concepção mais abrangente do século XIX. Dos prelos da primeira tipografia brasileira, a Impressão Régia, veio à luz uma série muito variada de publicações, que incluíam ofícios, editais, romances, jornais, livros sobre avanços técnicos e científicos, entre tantas outras. A criação dessa tipografia, obra do governo joanino que estava instalado no Rio de Janeiro, não foi um ato isolado, mas fazia parte de um plano que almejava transformar e civilizar o Brasil. A elite intelectual local também aderiu ao plano civilizatório. Após o retorno do monarca para Portugal e a Independência do país, esse projeto foi intensificado. Ferramenta importante destas ações com objetivos civilizatórios foram as revistas de época, que anunciavam, quase sem exceções, em suas introduções, que seu objetivo era o de levar e espalhar a luz entre os homens livres do país. Essas publicações foram importantes na formulação de um discurso acerca do Brasil, do brasileiro e de sua literatura que gradativamente foi sendo absorvido pela sociedade. O presente tem por objetivo compreender as nuances e os contornos do projeto civilizatório para o Brasil veiculado pela imprensa periódica "cultural", produzida no Rio de Janeiro na primeira metade do século XIX, e o papel que a ciência e a técnica ocuparam nesse projeto, tendo em vista que a ciência e a técnica eram sinônimos e extremamente valorizadas no continente Europeu (parâmetro de civilização). Em resumo, pretendemos compreender qual o lugar destas tópicas no pensamento brasileiro oitocentista e sua relação com as práticas sociais / Abstract: On May 10, 1808, in Rio de Janeiro, was revoked the prohibition for the installation and functioning of the press in Brazil. Emerged at that time, a range of national writers and writings that formed in a short time, a "national literature". Since then a varied gamma appeared of national publications that dealt with diverse subjects. The creation of this printing, the work of D. João that government, was not an isolated act, but was part of a plan which sought to convert and civilize Brazil. The intellectuals have also acceded to the plan of civilization. After returning to Portugal of the monarch and the Independence of the country, this project was intensified. Important tool civilizing goals with these actions were the magazines. Most of periodicals, in its introductions, said that its objective one was to take and to spread the illustration between the free men of the country. These publications were important in formulating a discourse about Brazil, the Brazilian and his literature was gradually being absorbed by society. This aims to understand the variety and perimeter of the civilizing project for Brazil reported in the press, produced in Rio de Janeiro in the first half of the nineteenth century and the position that science and technology had in this project. In short, we want to understand what place these topics in nineteenth-century Brazilian thought and its relation to social practices / Resumen: El 10 de mayo de 1808, en Río de Janeiro, fue derogada la prohibición de la instalación y funcionamiento de las imprentas en Brasil. Surgió en ese momento, una serie de escritores nacionales y los escritos que se formaron en poco tiempo, se quedó conocida como una literatura "nacional" - en la perspectiva más amplia del siglo XIX. De las máquinas de imprimir por primera vez en Brasil, la Imprenta Real, salió a la luz una serie de publicaciones variadas, que incluyen cartas, avisos, novelas, periódicos, libros que demostraban los avances técnicos y científicos, entre muchos otros. La creación de esta publicación, quedó a cargo del gobierno de D. Joao VI, que se instaló en Río de Janeiro, lo que no fue un acto aislado, sino parte de un plan que pretendía convertir y civilizar a Brasil. La élite intelectual local también adhirió al plan de la civilización. Con el regreso del monarca a Portugal y después de la independencia del país en septiembre del año 1822, este proyecto se intensificó. Sin embargo, como herramienta importante de esta civilización estuvieron algunas acciones, se publicaron revistas de la época, anunciando que casi sin excepción, en su introducción, su objetivo era llevar y divulgar la luz entre los hombres libres del país. Estas publicaciones fueron importantes en la formulación de un discurso sobre Brasil, el brasileño y su literatura fue siendo gradualmente absorbida por la sociedad. Además, la tesis doctoral tiene por objetivo comprender los matices y los contornos del proyecto civilizador de Brasil, que fuera publicada por la prensa periódica "cultural", producida en Río de Janeiro en la primera mitad del siglo XIX y el papel que la ciencia y la tecnología tenía en este proyecto, observando que la ciencia y la tecnología eran sinónimos y de alto valor en el continente europeo (parámetro de la civilización) / Doutor

Esta dissertação propõe-se a estudar os exempla de visões proféticas no Orto do Esposo, obra anônima portuguesa do século XIV. Para isso, articulamos a doutrina retórica clássica do exemplum (sobretudo a aristotélica, mas também a da Retórica a Herênio), à teoria teológica da visio (particularmente a de matriz agostiniana). Procuramos mostrar como as muitas características peculiares das visões, tomadas como matéria de elaboração narrativa, servem às finalidades doutrinárias do exemplum, dogmáticas e morais igualmente. Inicialmente, estudamos as visões proféticas em seu aspecto figurativo, entendendo que as imagens contempladas pelos visionários em suas visões, sobretudo nos sonhos e nos êxtases, podem ser encaradas como verdadeiros exempla divinos, na medida em que sua interpretação, objeto de revelação sobrenatural, é comparável à enunciação abstrata do pensamento que um exemplum propriamente dito procura iluminar. Depois, voltando-nos para as demais características tópicas da visão, mostramos como elas contribuem para a produção do sentido nas narrativas em que aparecem, e relacionamo-las, sempre que possível, ao contexto doutrinário pertinente. / This dissertation seeks to study the exempla containing prophetic visions in the Orto do Esposo, a portuguese anonymous literary work from the 14th centrury. To this end, we use in combination the classical rhetorical doctrine of the exemplum (mostly that of Aristotle, but also the Rhetorica ad Herennium) and the theological theory of the visio (particularly the Augustinian tradition). We intend to demonstrate how the many peculiar features of the visions, considered as material of literary elaboration, become useful to the doctrinary purpose of the exempla, concerning dogmatics and morals as well. Firstly we study the figurative character of prophetic visions, admitting that images seen by the visionaries in their visions, mostly in dreams and extasies, can be truly considered divine exempla, since their interpretation, the object of supernatural revelation, is analogous to the abstract formulation of a thought wich the exemplum proper seeks to illustrate. Secondly, we turn to the other topical features of the vision, and show how they contribute to the construction of meaning in the stories in wich they appear, relating them, whenever possible, to the relevant doctrinary context.

Les confins méridionaux et orientaux de la Champagne, correspondant approximativement à la Haute-Marne actuelle, ont été touchés de plein fouet par la guerre de Trente Ans, en raison de leur position frontalière avec deux redoutables ennemis, la Franche-Comté et la Lorraine. La guerre ouverte entre la France et les Habsbourg en 1635 ne s’est d’ailleurs pas interrompue en 1648, aux traités de Westphalie, mais s’est prolongée jusqu’en 1659-1660 contre l’Espagne et le duc Charles IV de Lorraine.Après vingt-cinq années de conflit, on peut s’interroger sur le degré de destruction subi par le Bassigny et la Montagne langroise. Le célèbre Journal du curé d’Hortes Clément Macheret, qui narre les désastres survenus pendant cette période, demeure pour l’historien un témoignage incontournable, mais il subsiste de nombreuses autres sources archivées qui permettent d’approfondir l’enquête. Le règne personnel de Louis XIV, qui s’étend de 1661 à 1715, correspond à la phase de reconstruction de la Champagne méridionale. Plusieurs questions demeuraient à ce jour sans réponse : - Quelle a été l’ampleur des dévastations et des pertes démographiques suite à la guerre de Trente Ans ? - Quel a été le rythme du relèvement après 1660, et à partir de quelles ressources humaines et économiques ? - Comment s’est opérée la reconstruction matérielle de la région ? Il s’agit de comprendre quels facteurs ont favorisé, ou au contraire freiné, le redressement champenois durant cette période. La comparaison avec d’autres provinces dévastées au cours de cet interminable conflit, comme la Lorraine, l’Alsace ou la Franche-Comté, peut également être éclairante. Peu étudiée par les historiens de la Champagne, cette récupération laborieuse de la seconde moitié du XVIIe siècle a pourtant, à bien des égards, enfanté le bel essor démographique et économique du siècle des Lumières. / Champagne’s southern and eastern borders, approximately within today’s Haute-Marne, were severely hit by the Thirty Years’War, due mainly to their frontier position with two fearsome foes, Franche-Comté and Lorraine. The open war between France and the Habsburgs in 1635 didn’t however come to an end in 1648, after the Peace of Westphalia, but dragged on until 1659-60 against Spaniards and Charles IV, Duke of Lorraine. Following a twenty-five-year old conflict, the point at issue is to what extent Bassigny and the Plateau de Langres were destroyed. Historians can rely on the famous Journal by the parish priest of Hortes Clément Macheret relating that period’s disasters, but many other archives can lead on to further research. Louis XIV’s personal reign (1661-1715) spans the reconstruction period of southern Champagne. Several questions still remain unanswered today : - How important were the devastations and demographic losses caused by the Thirty Years’War ?- How fast was the recovery after 1660, and from what human and economic resources ? - How did people manage to rebuild their region ? The question at stake is to understand what factors have favoured or, on the contrary slowed down the reconstruction of Champagne during that period. The comparison with other damaged provinces, such as Lorraine, Alsace or Franche-Comté throughout that endless conflict, may be also helpful. Although it hasn’t been much studied by the historians of Champagne, this difficult recovery during the second half of the 17th century has, in many ways, given birth to the fine demographic and economic surge of the Enlightenment.

A travers quelles modalités la peinture d’histoire se transforme-t-elle sous le règne de Louis XIV ? La peinture d’histoire connaît une évolution durant la période qui couvre la seconde partie du règne de Louis XIV. Ce changement résulte à la fois de modifications liées à l’évolution des commandes royales et à celle du cadre académique lui-même, ainsi qu’aux mutations du contexte de création en dehors de l’Académie royale qui renouvelle la manière d’appréhender et de concevoir la peinture d’histoire. A partir de l’étude et de l’analyse de la production des peintres reçus comme peintres d’histoire à l’Académie royale de peinture et de sculpture entre 1673 et 1694, cette thèse reconsidère les critères d’évolution du genre historique en peinture au tournant du XVIIe siècle. Sont d’abord étudiées la formation des artistes et la définition de la peinture d’Histoire au temps de cette formation (I). Puis vient l’analyse de la production de ces peintres pour l’Académie royale et pour le roi après leur agrément au sein de l’institution royale (II). Parallèlement, et pour mieux définir les caractéristiques de la peinture d’histoire de cette période, l’étude de la production pour les particuliers et les institutions religieuses, soit en dehors de l’Académie royale, viendra remettre en cause la vision historiographique selon laquelle cette peinture émane d’une crise et éclairer ses nouvelles voies de transformation, en particulier à travers l’hybridation des genres (III). / Through which terms History painting is changing under the reign of Louis XIV? History painting evolves during the period which covers the second part of the reign of Louis XIV. This change is due to modifications dependent on the evolution of the Royal commissions and of the Academic framework itself, as well as the transformation of the context of creation apart from the Royal Academy which renews the way of apprehending and conceiving the History painting. From the study and analysis of the works of History painters members of the Royal Academy of Painting and Sculpture between 1673 and 1694, this thesis reconsiders the criteria of evolution of historical style in painting at the turn of the XVIIe Century. To begin with, the artists’ training and the definition of History painting at that time shall be discussed (I). Then we shall analyze the production of these painters for the Royal Academy and for the King after their approval within the Royal institution (II). Furthermore, in order to define better the History painting characteristics at this time, the study of the works for private individuals and religious institutions (i.e. apart from the Royal Academy) will question the historiographic vision which claims that History painting comes from a crisis; it will also clarify its new ways of transformation, in particular through the hybridization of styles (III).

This study illustrates the link between foreign policy, public diplomacy and the media, with reference to the South African Government’s refusal in 2009 and 2011 to issue visas to the Dalai Lama. The research question is: How do the South African media frame foreign policy and how do administrators react to this actuality? As there seems to be a void in South African international political communications, this is where this study purports to contribute. The aim is to investigate how the media frames foreign policy, specifically regarding the case study. Therefore, the media, human rights and foreign policies, and the diplomatic practices of the South African government are studied. The objective is not necessarily to prove or disprove the causal effect of media and public opinion on foreign policy but rather to illustrate the interaction between these elements in the case of the South African government’s denial of visas to the Dalai Lama. / Political Sciences / M.A. (International Politics)

Seventeenth century French society was a time in which the arts flourished and were used to create an eminence of power and absolutism. The gardens of Vaux-le-Vicomte were commissioned by Nicolas Fouquet and designed by André Le Nôtre. The gardens created a political and social space through the characteristics of design and standards of order which together conveyed power and absolutism. Louis XIV, newly crowned king, recognized at Vaux the perfect vehicle for the portrayal of power. French theater at the same time was gaining popularity and establishing itself as a great art form. Similar to the gardens at Vaux which illustrated beauty and power through order and careful design, the theater also was subject to specific guidelines of order and design. Powerful men such as Cardinal Richelieu helped to establish the early acceptance and development of theater at this time. Principles set forth for the theater were followed in order to create the perfect theatrical illusion onstage. Standards such as those set forth by Scudéry, d'Aubignac and the Academy were closely followed while plays such as Pierre Corneille's Le Cid were criticized for their lack of adherence to the rules. Trends and elements of formal gardens aligned with similar trends in French theater to reflect the power of the king. This power was doubly manifested through the garden setting and the theatrical performances which took place within them. The festivities of The Pleasures of the Enchanted Isle presented numerous plays by Molière such as Les Fâcheux and Tartuffe. These works demonstrated the power of the king while the week-long festivities created a space in which real and the desire for reality combined.

Esta tesis doctoral surge a partir del hecho de que, aunque los estudios hispánicos son muy conocidos hoy en Grecia, la literatura catalana medieval no resulta particularmente reconocible, lo cual sorprende si tenemos en cuenta, por un lado, la presencia de los catalanes en Grecia y las relaciones culturales en el siglo XIV, y por otro, el alto nivel de la producción literaria en aquella lengua. Aquí presentamos traducida al griego la considerada principal obra medieval en catalán, Lo somni (1399) de Bernat Metge, diálogo que atrae con particularidad al entorno helenístico por tratarse de un importante representante de la tradición del Humanismo mediterráneo y por suponer la introducción del movimiento humanista en la península Ibérica. Acompañan a esta traducción, en primer lugar, un estudio histórico-literario y una investigación detallada de las fuentes, y a continuación, unas notas aclaratorias y unos apéndices para facilitar su uso.