Notre recherche consiste à comprendre quels sont les effets des jeux vidéo de simulation d’animaux virtuels sur les conceptions du vivant, en particulier sur la distinction entre ce qui est vivant et ce qui ne l’est pas. Pour ce faire, il s’agit d’identifier les différences conceptuelles entre les populations de joueurs et de non-joueurs aux jeux vidéo de simulation d’animaux virtuels. Tout d'abord, nous avons fait une enquête exploratoire identifiant les pratiques vidéo ludiques des enfants. Cette enquête a permis de sélectionner les deux jeux les plus utilisés par les enfants de cet âge : Talking TOM et POU. Notre étude porte plus particulièrement sur ces deux jeux. Un questionnaire a été diffusé au Liban et en France pour étudier la façon dont les joueurs et les non-joueurs à ces deux jeux conçoivent le vivant. Au total 916 enfants âgés de 9 à 12 ans ont rempli ce questionnaire. Au Liban, le questionnaire a été suivi de 21 entretiens avec des élèves. Les questionnaires ont été traités statistiquement afin de faire émerger les différences et les similitudes entre les populations de joueurs et de non-joueurs en France et au Liban. Les entretiens ont été analysés par une analyse thématique de contenu suivie par une analyse lexicale et ont permis une exploitation plus qualitative des résultats. Les résultats montrent que les entretiens et les questionnaires convergent fortement vers l’hypothèse d’une influence des jeux sur la construction de la notion de vie chez les joueurs des deux pays. En effet, au Liban et en France les utilisateurs de TOM et POU ont des conceptions significativement plus anthropomorphiques, animistes et anthropocentriques que ceux qui n’y jouent pas. / Our research is to understand the effects of video games simulating virtual animals on the concepts of life, especially the distinction between what is alive and what is not. To do this, it is a question of identifying the conceptual differences between the populations of players and non-players in virtual animal simulation video games. First, we did an exploratory survey identifying children's playful video practices. This survey allowed selecting the two most used games by children of this age: Talking TOM and POU. Our study focuses on these two games. A questionnaire has been distributed in Lebanon and France to study how players and non-players in TOM and / or POU design the living. A total of 916 children aged 9 to 12 completed this questionnaire. In Lebanon, 21 interviews with students followed the questionnaire. The questionnaires were statistically analyzed to reveal the differences and similarities between the populations of players and non-players in France and Lebanon. The interviews had been analyzed by a thematic analysis of content followed by a lexical analysis and allowed a qualitative exploitation of the results. The results show that interviews and questionnaires strongly converge on the hypothesis of an influence of games on the construction of the notion of life among players of both countries. Indeed, in Lebanon and France users of TOM and POU have significantly more anthropomorphic, animistic and anthropocentric conceptions than those who do not play it.

Název diplomové práce: Mysl a vědomí u zvířat Vedoucí práce: prof. Karel Thein, Ph.D. Vypracovala: Bc. Klaudie Richterová Abstrakt v anglickém jazyce This thesis examines the issue of cognition, mind, and consciousness of living beings other than humans. What complicates the whole issue is the essential inwardness of the conscious experience. We objectivize this inwardness per our aim to know, and thus deprive it of its essence. Thereby, very often, we lose sight of what we want to examine. This problem is related to the theme of speech as a form of communication that plays an ambivalent role here. Speech in the sense of articulated form of communication can easily become a barrier that separates human beings from other living creatures; the so-called less articulated forms of communication may, on the other hand, be an opportunity to overcome this barrier. Part of the thesis thus offers a critical reflection on the scientific research whose focus is on animal abilities, but which forgets to take into account the human element contained in the apparently scientific method. The final part of the thesis deals with modern research of a canine abilities and offers a reflection on the influence of the domestication process on what we call intelligence.

Fantasy literature has a long history of including a wide array of non-human characters, each more fantastical than the other. But can these characters also be used to question anthropocentric beliefs or are their portrayal just a way to reinforce those ideas? Because fantasy literature, especially earlier examples in the fantasy canon, tend to include a lot of allusions to religion in general and Christianity in particular, is the question more complex than it first might seem. This thesis therefore aims to examine the portrayal of non-human characters in the works of one of the last 25 years most bestselling fantasy authors, Philip Pullman. It’s a well-known fact that Pullman isn’t a fan of organized religion, which sometimes is very noticeable in his trilogy His Dark Materials (1995-2000). The trilogy includes several kinds of non-human characters and one of the most central aims of the thesis is to examine how these portrayals relate to the undermining or reproduction of anthropocentric ideas. Because Pullmans alternative theology is so central to the trilogy’s narrative, it will also play a part in my examination. / Denna uppsats är en undersökning av de icke-mänskliga karaktärer som figurerar i Philip Pullmans fantasytrilogi His Dark Materials (1995–2000). Litteratur inom fantasygenren har en lång historia av att inkludera en stor mängd av icke-mänskliga karaktärer, den ena mer fantastisk än den andra. Kan dessa karaktärer användas för att problematisera den antropocentrism som genomsyrar det västerländska samhället eller är deras gestaltande endast exempel på hur dessa föreställningar reproduceras? Eftersom fantasy, speciellt äldre exempel, ofta har allusioner till religion i allmänhet och kristendom i synnerhet, är frågan mer komplex än den först verkar. Pullman är känd för sin kritik av organiserad religion och i His Dark Materials skriver han fram en alternativ teologi. Denna uppsats undersöker således inte bara gestaltningen av de icke-mänskliga karaktärerna och hur de relaterar till eventuell problematisering och/eller återskapande av antropocentriska normer, utan också den roll Pullmans teologi spelar i relation till detta. I slutändan är också förhoppningen att denna uppsats kan visa hur litteratur, och framför allt den som faller inom fantasygenren, kan vara ett verktyg för att diskutera och problematisera antropocentriska föreställningar.

Une mise en contexte présente l’évolution de la prise de décision du créateur dans des environnements où la technologie est sans cesse plus impliquée et autonome. Un survol des techniques génératives, de ses origines en musique jusqu’aux arts numériques, est présenté. Trois œuvres réalisées dans le cadre de ce projet de recherche-création sont ensuite analysées. Les outils et les techniques utilisés pour la réalisation de ces projets à dominante générative sont expliqués et commentés. Verklärter Rohr fait l’objet d’une analyse plus poussée sur l’aspect comprovisationnel de mon travail. Le développement de mon langage audiovisuel tel qu’il se rapporte au concept de synchrèse sera aussi examiné. L’analyse de Machine In The Shell, sert de terrain d’investigation pour expliciter des stratégies de spatialisation et de techniques d’écriture. L’analyse de Gu(I)t(A)rs développe sur l’utilisation de diverses technologies dont le Leap Motion, la synthèse par modélisation physique et l’intelligence artificielle. / Questions related to the evolution of creative decision-making are discussed, in relation to technology that is becoming more and more involved. An overview of generative techniques, from its origins in music to contemporary digital arts, is then presented. Then, three works produced as part of this research-creation project are analyzed. The different tools and techniques I used in making these works are explained and commented. Verklärter Rohr is the subject of a more in-depth analysis. The comprovisational angle of my work, as well as the development of my audiovisual language as it relates to the concept of synchresis will be discussed. An analysis of Machine In The Shell explain the strategies of spatialization and writing techniques I used. The analysis of Gu(I)t(A)rs expands on the use of various technologies including Leap Motion, physical modeling synthesis and artificial intelligence.

I denna studie undersöktes regionala policydokument utifrån ett fokus på hållbar utveckling och förhållandet mellan hög tillväxt och förbättrad miljö. Det empiriska material utgjordes av Region Skånes tre regionala utvecklingsprogram, vilka behandlar hur myndigheten såg på regionens utveckling åren 1999–2004, 2004–2009 och 2009–2016. Studiens mål var att studera den diskursiva omdefinieringsprocessen av begreppet hållbar utveckling, genom att analysera hur detta relateras till och används i programmen. Metoden som användes var kritisk diskursanalys. Studien syftade till att synliggöra programmens diskursiva sammanhang och utveckla en förståelse för vilka synsätt och föreställningar som kan ses ligga till grund för dokumentens innehåll och utformning.Studien kom fram till att det fanns ingen tydlig förståelse kring hållbar utveckling i programmen utan det förekom yttringar av både starka och svaga hållbarhetsdiskurser. Resonemang kring ekologisk modernisering är dominerande, baserade på föreställningar om att miljöproblem kan lösas utan några stora samhällsförändringar. Denna diskurs presenterar attraktiva lösningar på eventuella motsättningar mellan hög tillväxt och förbättrad miljö, vilket möjliggör policydokument med visionära målbilder tillsammans med breda lösningar där målkonflikter och eventuella avvägningar inte belyses nämnvärt.Studiens teoretiska ramverk och metoden kritisk diskursanalys gav möjlighet att lyfta fram och belysa hur ekologisk moderniseringsdiskursen inkorporerar resonemang från tillväxtkritiska hållbarhetsdiskurser samtidigt som den marginaliserar och tar udden av dem. På så vis kan studien bidra till en vidare diskussion om olika sätt att förhålla sig till hållbar utveckling och konsekvenser av den ekologiska moderniseringens diskursiva dominans. / This study investigates regional policy documents with a focus on sustainable development and the relationship between high economic growth and an improved environment. The study’s empirical material is based on Region Skåne’s three regional development programs which put forward how the authority viewed development in the region for the years 1999–2004, 2004– 2009 and 2009–2016. The objective was to study the discursive process of redefining the concept of sustainable development by analysing how it is referred to and used in the programs. The method utilised was critical discourse analysis. The study aimed towards exposing the2programs’ discursive context and developing an understanding of the viewpoints underlying the documents’ contents.The study concluded that there was no clear understanding around sustainable development in the programs and there were statements of both strong and weak sustainable development discourse. Goal conflicts and eventually trade-offs were not particularly highlighted. Ecological modernisation was the dominating discourse as per the reasoning that environmental problems can be solved without any major societal changes. This discourse presents attractive solutions to potential conflicts which enables the policy document to provide visionary goals along with broad solutions. The study’s theoretical framework and the method critical discursive analysis allowed for the bringing forward and highlighting of how ecological modernisation incorporates reasonings from sustainable discourses critical of economic growth, at the same time marginalising and neutralising them. As a result, this study can contribute to the discussion of different ways of achieving sustainable development and the consequence of the domination of ecological modernisation discourse.

As spatial properties that systems theoretically have, Socio-Ecological Systems are characterized by dynamism and mobility, therefore, are subject to changes in the space they occupy in the biosphere. In land ecosystems, these changes are understood as processes of evolution over time, or the result of extreme natural events, or transformation of the natural space induced by human activities. These spatial changes produce effects on the land surface and groundwater of ecosystems colonized or penetrated by elements, individuals or populations belonging to other ecosystems. These are the so-called Transitional Spaces between ecosystems. Throughout the continuous geographical space, these spatial transitions affect human and not human ecosystems in different ways. Given their ambiguous characteristics and their indefinite temporal location between urban, rural or natural spaces, transition spaces deserve to be investigated in order to know their properties and functions within the cartography that represents complex socio-ecological systems. The research is conducted from a particular perspective of Political Ecology. For this I proceed to develop an epistemological exercise on the political ecology syntagma in order to approach its concept and object of study as a hybrid discipline between social sciences and natural sciences. Interdisciplinarity as a practice, a dialectic vision regarding anthropocentrism, environmental perception as a method for an ontology of human ecology, The ecosystem as a unit of spatial analysis. These would be some of the characteristics of my ecological-political perspective. But what does transitional space mean for political ecology and what does it add to its theory? The question led me to seek the integral concept of ecosystem and to support myself in the General Systems Theory to analyze the notions of boundary and external environment as part of the classic concept of system. At that point, the notion of transitional spaces emerges implicit when recognizing the dynamic spatiality of other existing systems. v Since the research is not linear but interdisciplinary and convergent, a brief anthology of geographic and socio-spatial political thought is presented in order to connect the issue of transitional spaces with the point of view of the social sciences. Various socio-geographical, deterministic, anthropocentric, Darwinian, Marxist, modernist theories give an overview of the issues related to space and nature. With the emergence of the spatial turn, new concerns for political sociology, geography and environmental sciences are explained by the phenomenon of urban growth at the global level. In the same way, I introduce the topic of ecological spaces, specifically the concept of Ecotone, the space of transition between diverse natural ecosystems. The use of the notion of ecotone is based precisely on the perspective of the concept of political ecology developed previously. This, in turn, will allow me to introduce the FLACAM methodology into the research, which among its components has the virtue of identifying and analyzing the spatial phenomenon of physical and social Interfaces, that is, spaces of transition within human ecosystems. Several graphics and charts show the potential properties and functions of different kind of existing interfaces and ecotones. My proposal converges in using these concepts as planning tools for transitional spaces identified as Rurban Regions and metropolitan areas. A final reflection on the need for spatial research on global urban expansion and the theoretical and pragmatic advantages of the concept of intermediate cities closes the main body of the investigation.

(English) By the time the liberals triumphantly proclaimed the end of history, some environmentalists started to mobilize the public against western modernity by proclaiming the end of nature. For many people, the environmentalist agenda meant a new ideology that could exceed the classical ones; many, on the other hand, understood environmentalism as radically anti-ideological. In this thesis, I'll focus on the relationship between nature and society that lies in the core of both, environmental thought and modern emancipatory projects. I'll try to expose the inherent contradictions that the environmental discourse inherited from liberalism and Marxism.

This essay applies human-animal studies in relation to the Swedish author Kerstin Ekman's books Guds barmhärtighet (1999), Sista Rompan (2002) and Skraplotter (2003) together called Vargskinnstrilogin. Kerstin Ekman's authorship is characterized by a coexistence between human, nature and animals where the stories entangle them into a dense complexity. As a reader, one is constantly reminded of this coexistence through Ekman's narrative approach as her stories contain many contact zones between humans and animals, which creates space for problematizing this entangled coexist from a posthumanistic perspective. The animals in the stories are at different distances to the human being based on their characteristics of being regarded as wild, domesticated or ferral. Based on these three categories, the wolf as a representative of the wild animals is analyzed in a theoretical context focusing on the function of different power structures within the anthropocentric paradigm. Ferral conditions are analyzed on the basis of, among other things, Gilles Deleuze and Félix Guattari's theories of animal-becomings, escape lines and rhizom where the dog mainly exists when it is embodied in close interaction with humans in Ekman's stories. The domesticated animals are analyzed on the basis of the tension between rural and urban, where the progress of the civil society are rapidly changing during the 20th century which creates changed relations between people and agricultural animals.

In this thesis the idea of relationship-centered design is proposed based on a speculative design project which is grounded in an understanding of post-anthropocentrism. To facilitate post-anthropocentric human-artifact relationships, that don’t favor living actors over non-living actor, objects may appear to have a life-like agency based on needs and therefore must be empathized with which can be achieved through object characters. Through the discussion of materiality, object behaviors, and object characters, the philosophy of object-oriented ontology and the social-theory of actor-network theory are connected to concepts from interaction design and reveal that materiality, object characters, and object behaviors “meet” in the interaction of humans and artifacts. The phenomenological approach of the Research through Design methodology has shown how the applied methods, that were focussed on the perceived experience of the designer, helped to identify possible correlations of materiality, object behavior and object characters that might affect the human-artifact relationship. Further, the research identified possible implications of post-anthropocentric design, which suggests, that further investigation of how post-anthropocentrism as an approach to design might influence aspects as understandings of equality, consent, and consumption behavior which eventually might have an influence on socio-political structures.

[pt] Esta pesquisa investiga de que modo saberes das artes, das humanidades e das ciências da Terra têm sido mobilizados por experimentos estéticos, sobretudo cênicos e performativos, empenhados em abordar os desafios existenciais trazidos à tona pelo Antropoceno — aqui interpretado como consequência direta de um projeto de modernidade antropocêntrico e capitalístico. A pesquisa investiga, portanto, propostas críticas e criativas que fazem da cena uma contra-cena, isto é: experiências que se apresentam como contraposições radicais às premissas ideológicas que fundamentam a modernidade e que engendram o Antropoceno. Trata-se de respostas estéticas que se empenham, sobretudo, em deslocar o humano das ilusórias posições de centralidade, soberania, onipotência, autossuficiência e de independência em relação à trama da vida. Na etapa final do trabalho, as noções de polifonia, de simpoiesis e de composições interespecíficas são investigadas enquanto dispositivos reflexivos e formais capazes de estruturar propostas performativas que, em forma-conteúdo, em dramaturgia e em encenação, se instauram enquanto contra-cenas ao Antropoceno e ao antropocentrismo. A partir de obras como Stifter s dinge, do encenador Heiner Goebbels, podemos vislumbrar formas de experiência cênica em que o humano deixa de estar representado enquanto protagonista único, soberano e indispensável da cena da vida — tanto da Terra como, também, do Teatro. / [en] This dissertation investigates how knowledges from arts, humanities and Earth sciences have been mobilized by aesthetic experiments, especially scenic and performative, engaged in approaching the existential challenges brought up by the Anthropocene — here interpreted as a direct consequence of an anthropocentric and capitalistic modernity project. The dissertation investigates, therefore, critical and creative proposals that make the scene a counter-scene, that is: experiences that present themselves as radical counterpositions to the ideological premises that underlie modernity and that engender the Anthropocene. These are aesthetic responses that strive, above all, to displace the human from the illusory positions of centrality, sovereignty, omnipotence, self-sufficiency, and independence in relation to the fabric of life. In the final stage of the work, the notions of polyphony, sympoiesis and interspecific compositions are investigated as reflective and formal devices capable of structuring performative proposals that, in form-content, dramaturgy, and staging, establish themselves as counter-scenes to the Anthropocene and anthropocentrism. From works like Stifter s dinge, by Heiner Goebbels, we can glimpse forms of scenic experience in which the human ceases to be represented as the only and indispensable protagonist of the scene of life — of the Earth as well as of Theater.