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This study investigated how the age of an environmental movement organisation and its degree of institutionalisation impacted the usage of threat-related framing and blame attribution in regards to environmental issues. Environmental discourse has lately developed a rhetoric that embraces urgency and severity, but how different types of environmental movement organisations have approached this, historically and today, has not been widely studied. A mixed-methods approach was therefore employed that thematically examined texts from the Swedish branch of Extinction Rebellion and The Swedish Society for Nature Conservation at several points in time. The analysis indicated that the degree of institutionalisation had an influence on the organisation’s blame attribution, whilst age did not. Furthermore, no conclusive implications followed the analysis of the organisation’s framings. The study concluded that the degree of institutionalisation is an important factor behind how environmental movement organisations choose their blame attribution. The study provided insights into how institutionalisation affects strategic choices of movement organisations, possibly providing a foundation for future research in the field.

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No description available.

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No description available.

No description available.

No description available.

Literary tales about the lives and vicissitudes of officials serving in the courts of powerful kings are attested throughout the writings of the ancient Near East. Such ‘court tales’ were a popular literary form during the Jewish Second Temple period (515 BCE-70 CE). With the discovery of the Dead Sea Scrolls, a collection of previously unknown ancient Jewish court tales was discovered, along with others preserved in their original languages. The discovery of these texts has expanded our corpus of extant Jewish court tales. Research on these texts has yet to be systematically integrated into broader analyses of the Jewish court tales. This dissertation addresses this desideratum and integrates the court tale evidence from the Dead Sea Scrolls into research on the already extant Jewish court tales, with a focus on the themes of punishment, exile, and restoration. Chapter One outlines the history of scholarship on the Jewish court tales. Chapter Two examines the literary themes and concerns of other ancient Near Eastern and Mediterranean court tale traditions. Chapters Three and Four analyze the themes of punishment, exile, and restoration within the Jewish court tales, and highlight their uniqueness to the Jewish tales. Chapter Five discusses the development and decline of the Jewish court tales. In doing this, I demonstrate that a major purpose of the Jewish adoption of the court tale tradition was to upend earlier convictions that exilic life was solely a form of punishment, with the purpose of demonstrating the benefits of exilic life and God’s sovereignty over foreign political actors. My examination of the court tales contributes to discussions about the origins of Jewish apocalyptic literature, with the court tales employing eschatological terminology to address the theme of restoration. / Thesis / Doctor of Philosophy (PhD)

This thesis is an attempt to reflect on my own creative process and put it in relation to  critical ideas and artworks that deals with themes of apocalypse, ecology and political theory. By doing this I hope to examine the role of apocalyptic narratives in our society today and see how my own film relates to these ideas. By putting my artistic process and film in relation to a theoretical framework I hope to discover new perspectives on aesthetics and how to tell an apocalyptic story in our day and age and how this relates to documentary filmmaking and digital culture.  To engage with a critical perspective on the ecological questions regarding my work I am taking help from thinkers such as the finish art historian and media professor Jussi Parikka and his ideas about geology of media where the earth crust itself can be considered a mediating force. I am also introducing the concept of buen vivir presented by the post-colonial theorist Rolando Vásques to critically examine the documentary process in Sápmi. Furthermore, I explore the religious idea of the holy fool who appears in the film from a societal perspective by turning to the media theorist Byung- Chul Han. I also make us of the theologian Ola Sigurdsons ideas about the transcendental power of comedy to understand the more comical sides of my filmmaking.  By putting these theoretical ideas against my practice I try to find an expanded understanding of the apocalyptic film genre and how the artistic process relates to healing and transformation in times of societal and existential crisis.