Made available in DSpace on 2016-08-10T11:07:03Z (GMT). No. of bitstreams: 1 RITA DE CASSIA LEMOS AMOURY.pdf: 1013801 bytes, checksum: 3e2f30267c3c90a3cde742dd664b3ed3 (MD5) Previous issue date: 2011-03-16 / This study is an analysis of the poetry construction of the author Joao Cabral de Melo Neto O cão sem plumas (The Dog Without Feathers) from the description of space, man and river poetic, there is also as corpus the poem Morte e vida severina (Death Life Severina). Em O rio seek searching to reflect on the images of water and the aesthetics of space according to the propositions of Gaston Bachelard d on the themes of the discourse of pain, distress, pessimism and death. And the book Morte e Vida Severina analysis from the study of genres: lyric, narrative and dramatic, plus a counterpoint to the polyphony of genres .This work is authoritative by the poetics of this author, the way of handling images, metaphors, or how he deals with all this semantic expression, however, with the figures of language, rhythm, wordplay The poetic course of his speech. And with this thread realize the poetic essence of the Wild and Sertanejo (backcountry) in the works analyzed. Implying also that hard, dry and painful reality of the backcountry also refers us to the way of production of poet João Cabral, to reveal the essence of the backcountry while describing his own manner of poetic construction. / Este trabalho constituiu uma análise da construção da poesia do autor João Cabral de Melo Neto em O cão sem plumas a partir da descrição do espaço, do homem e do rio poético, tendo ainda como corpus os poemas O rio e Morte e vida severina. Em O rio buscamos refletir sobre as imagens da água e da estética do espaço, segundo as proposições de Gaston Bachelard sobre os temas do discurso da dor, da angústia, do pessimismo e da morte. Morte e vida severina foi analisado a partir do estudo dos gêneros: lírico, narrativo e dramático, acrescido, no último capítulo de um contraponto em relação à polifonia de gêneros. Esta obra é abalizada pela poética desse autor, pela maneira de manusear as imagens, as metáforas, ou seja, a forma como ele lida com toda essa semântica da expressão, isto é, com as figuras de linguagem, o ritmo, os jogos de palavras, o percurso poético do discurso. E, com esse fio poético, percebemos a essência do Sertão e do Sertanejo nas obras analisadas. Inferindo, ainda, que essa realidade dura, seca e sofrida do sertanejo remete-nos também à maneira de produção do poeta João Cabral, que ao revelar a essência desse sertanejo, ao mesmo tempo, descreve a sua própria maneira da construção poética.

O que é o atributo? Qual é a relação entre atributo e Deus? O atributo é essência de Deus? O intelecto humano pode alcançar a essência de Deus? De que maneira infinitos atributos realmente diversos constituem a essência divina? Deus pode ser dito ao mesmo tempo uno e diverso? Para responder a estas questões, investigaremos não só os conceitos de Deus, de atributo, de essência, de unidade e diversidade presentes na Ética de Espinosa, mas também examinaremos a maneira como o filósofo holandês dialoga, a partir de tais conceitos, com a tradição escolástica, de modo especial, com Tomás de Aquino. / Quest lattribut? Quelle est la relation entre lattribut et Dieu? Lattribut est lessence de Dieu? Lintellect humain peut saisir lessence de Dieu? De quelle manière infinits attributs réellement divers constituent lessence divine? Dieu peut être dit au même temps un e divers? Pour répondre à ces questions, nous investiguerons non seulement les concepts de Dieu, dattribut, dessence, dunité e de diversité dans lÉthique de Spinoza, mais aussi nous examinerons la manière comme le philosophe hollandais dialogue, à partir de tels concepts, avec la tradition scolastique, en particulier, avec Thomas dAquin.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-08-17T12:45:28Z No. of bitstreams: 1 Maurício Topal de Moraes.pdf: 1070279 bytes, checksum: b00443b3e02f017231f21fe5298919ec (MD5) / Made available in DSpace on 2017-08-17T12:45:28Z (GMT). No. of bitstreams: 1 Maurício Topal de Moraes.pdf: 1070279 bytes, checksum: b00443b3e02f017231f21fe5298919ec (MD5) Previous issue date: 2017-08-11 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This research proposes the abstract subjective production of artistic action as intrinsic to the technical arrangements of social production. The investigation is based on the conception of abstract subjective production, as shown by Deleuze and Guattari, as well as on the understanding of technical arrangements – museums, schools, industries – as parts of the social machine, inspired by the concept of technical machine, of the same authors. The object of study is the abstract subjective essence of art, as a process of abstraction typical of artistic machines. Artistic production necessarily involves an abstract subjective essence, beyond determinate objective representations. Artistic machines are productive arrangements from which abstraction techniques exceed the limits of symbolic systems toward praxis based on decoded flows contingent to the socius. These machines operate as functional parts to the capitalist economy by supporting its productive performance – for instance, scientific machines –, but also concern the formation of arrangements that overcome the regulatory injunctions of this system / Esta pesquisa propõe a produção abstrata subjetiva da ação artística como intrínseca aos agenciamentos técnicos da produção social. A investigação parte da concepção da essência abstrata subjetiva da produção, apresentada por Deleuze e Guattari, assim como da compreensão de agenciamentos técnicos – museus, escolas, indústrias, por exemplo – como peças da máquina social, inspirada no conceito de máquina técnica, dos mesmos autores. O objeto do estudo é a essência abstrata subjetiva da arte, como processo de abstração característico das máquinas artísticas. A produção artística necessariamente manifesta uma essência abstrata subjetiva, para além das representações objetivas determinadas. As máquinas artísticas seriam agenciamentos produtivos cujas técnicas de abstração extrapolam os limites de sistemas simbólicos em direção à práxis estabelecida nos fluxos descodificados contingentes do socius. Estas máquinas operam como peças funcionais à economia capitalista ao favorecer o desempenho produtivo – por exemplo, as máquinas científicas –, mas também dizem respeito à formação de agenciamentos que superam as injunções reguladoras deste sistema

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-01-11T13:59:59Z No. of bitstreams: 2 Dissertação - Rafael Carneiro Rocha - 2016.pdf: 1465045 bytes, checksum: 6a80b5f0b8f8aaa16c8024ffa1d3fe68 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-01-11T14:00:30Z (GMT) No. of bitstreams: 2 Dissertação - Rafael Carneiro Rocha - 2016.pdf: 1465045 bytes, checksum: 6a80b5f0b8f8aaa16c8024ffa1d3fe68 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-01-11T14:00:30Z (GMT). No. of bitstreams: 2 Dissertação - Rafael Carneiro Rocha - 2016.pdf: 1465045 bytes, checksum: 6a80b5f0b8f8aaa16c8024ffa1d3fe68 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-12-05 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The book Endliches und Ewiges Sein (Finite and Eternal Being), by Edith Stein, has in its own subtitle the exposition of its purpose:“Versuch eines Aufstiegs zum Sinn des Seins” (which can be translated as “An Attempt at an Ascent to the meaning of being”). Although the author's starting point for her inquiry about the sense of being is phenomenological, from the fact of the being of the ego - after all, as she herself asserts, her mother tongue is philosophically the language of Husserl - the way of the certainty of the ego (which she calls “augustinian”) occurs in the context of her work together with the way that she calls “aristotelian”, which proceeds from what is intrusive to us [Aufdrängenden] by first, namely, the world of the sensibly perceived things. Despite the apparent antagonism, the author argues that the Augustinian and the Aristotelian ways must complement each other. The philosophical project of Edith Stein, as the author herself emphasizes at the beginning of Potenz und Akt (Potency and Act), should be considered an “ontology” or a science of being, because if we do not understand what is being, we do not understand anything. On the other hand, the transcendental perspective recommends itself as an initial approach because it proposes a consideration of the origin of the meaning of all being, describing the structures of consciousness in which an by which the transcendent world is constructed from immanence. This means that without the transcendental perspective, the ontology remains inexplicable and its constitutive problems are all neglected. However, Edith Stein gives a certain preeminence to the augustinian way, which starts from the life of the ego [Ichleben]. Such preeminence s due to the fact that it is in the realm of the life of the ego that reality itself gains meaning as reality. In this way, the essentialites occupy an eminent position, because just them carry with themselves the possibility of being fully intelligible, thus transmiting intelligibility and meaning to the objects of reality. The book Endliches und Ewiges Sein (Finite and Eternal Being), by Edith Stein, has in its own subtitle the exposition of its purpose:“Versuch eines Aufstiegs zum Sinn des Seins” (which can be translated as “An Attempt at an Ascent to the meaning of being”). Although the author's starting point for her inquiry about the sense of being is phenomenological, from the fact of the being of the ego - after all, as she herself asserts, her mother tongue is philosophically the language of Husserl - the way of the certainty of the ego (which she calls “augustinian”) occurs in the context of her work together with the way that she calls “aristotelian”, which proceeds from what is intrusive to us [Aufdrängenden] by first, namely, the world of the sensibly perceived things. Despite the apparent antagonism, the author argues that the Augustinian and the Aristotelian ways must complement each other. The philosophical project of Edith Stein, as the author herself emphasizes at the beginning of Potenz und Akt (Potency and Act), should be considered an “ontology” or a science of being, because if we do not understand what is being, we do not understand anything. On the other hand, the transcendental perspective recommends itself as an initial approach because it proposes a consideration of the origin of the meaning of all being, describing the structures of consciousness in which an by which the transcendent world is constructed from immanence. This means that without the transcendental perspective, the ontology remains inexplicable and its constitutive problems are all neglected. However, Edith Stein gives a certain preeminence to the augustinian way, which starts from the life of the ego [Ichleben]. Such preeminence s due to the fact that it is in the realm of the life of the ego that reality itself gains meaning as reality. In this way, the essentialites occupy an eminent position, because just them carry with themselves the possibility of being fully intelligible, thus transmiting intelligibility and meaning to the objects of reality. / O livro Endliches und Ewiges Sein (Ser finito e Ser Eterno), de Edith Stein, tem no próprio subtítulo a exposição de seu propósito: “Versuch eines Aufstiegs zum Sinn des Seins” (que pode ser traduzido como “uma tentativa de ascensão ao sentido do ser”). Embora o ponto de partida da autora para a sua investigação sobre o sentido do ser se dê fenomenologicamente, a partir do fato do ser do eu – afinal, conforme ela mesma afirma, filosoficamente a sua língua materna é a linguagem de Husserl e dos pensadores da fenomenologia – a via da certeza do eu (que ela chama de “agostiniana”) se dá, no contexto de sua obra, em conjunto com a via que ela denomina de “aristotélica”, que procede daquilo que nos é intrusivo [Aufdrängenden] por primeiro, a saber, o mundo das coisas sensivelmente percebidas. Apesar do aparente antagonismo, a autora defende que as vias agostiniana e aristotélica devem ser complementares. O projeto filosófico de Edith Stein, como a própria autora enfatiza no início de Potência e ato, deve ser considerado, enquanto procedimento investigativo, como uma “ontologia”, ou uma ciência do ser, porque se não compreendemos o que é ser, não compreendemos nada Por outro lado, a perspectiva transcendental recomenda a si mesma como uma abordagem inicial, porque ela se propõe a uma consideração acerca da origem do sentido de todo ser, descrevendo as “estruturas de consciência em que e pela qual o mundo transcendente é construído a partir da imanência”. Isso quer dizer que sem a perspectiva transcendental, a ontologia permanece inexplicável e seus problemas constitutivos são todos eles negligenciados. Porém, Edith Stein concede uma certa preeminência à via agostiniana, que parte da “vida do eu” [Ichleben]. Tal preeminência se deve ao fato de que é no domínio da vida do eu que a própria realidade ganha sentido enquanto realidade. Dessa maneira, as essencialidades ocupam posição eminente, porque são apenas elas que carregam consigo mesmas a possibilidade de serem plenamente inteligíveis, transmitindo assim inteligibilidade e sentido aos objetos da realidade.

Made available in DSpace on 2016-03-15T19:43:32Z (GMT). No. of bitstreams: 1 Fabricio Pereira Korasi.pdf: 3871429 bytes, checksum: 9b77f6c80f01c34b7fe12b08cf83b56c (MD5) Previous issue date: 2009-08-12 / Fundo Mackenzie de Pesquisa / This work aims to draw a line of thought on the art Sumie, about how it was created, its links with the extreme Tao, with the spirituality and as an artist is to release his arm, added to their spiritual energy, and create a art, apparently so simple and at the same time, complex. Besides the vision of the Art Sumie and their connection with so, a brief history of China since the ancient period until the beginning of the republic. In another time addressed how to make a painting, how and what materials are used and why of them. Another point that was addressed is the Westernization that Art Sumie suffered even after you have had a Japanese influence, changing their original settings, such as the insertion of Chinese monochrome color to work. It described a brief sampling of how this art came to Brazil with its major artists and how it is presented today. / Este trabalho tem como objetivo traçar uma linha de pensamento sobre a arte Sumie, sobre como ela foi criada, suas ligações extremas com o Tao, com a espiritualidade e como um artista faz para soltar seu braço, somado a sua energia espiritual, e criar uma arte, aparentemente, tão simples e, ao mesmo tempo, complexa. Além da visão sobre a Arte Sumie e sua ligação com o Tao, uma breve história da China, desde a Antiguidade até o início do período da república. Foi abordado o modo de fazer uma pintura, como e quais materiais são utilizados e o porquê deles. Outro ponto que foi abordado é a ocidentalização que a Arte Sumie sofreu mesmo depois de já ter tido uma influência japonesa, alterando suas configurações originais, como no caso da inserção de cor aos trabalhos monocromáticos chineses. Foi descrita uma breve amostragem de como essa arte chegou ao Brasil, com seus principais artistas e de que forma é apresentada hoje.

Les régions métropolitaines canadiennes n'échappent pas à l'étalement urbain et plusieurs facteurs récurrents existent dans la littérature scientifique afin d'expliquer ce phénomène. L'un de ces facteurs est la diminution du coût de transport, une diminution reflétée par l'omniprésence de l'automobile. Dans l'optique où le prix de l'essence augmenterait substantiellement, forçant ainsi les agents économiques à changer leur comportement envers les transports urbains, l'un des objectifs de notre étude est de déterminer si une éventuelle hausse du prix de l'essence pourra ralentir l'étalement urbain. À l'aide de données de 12 régions métropolitaines canadiennes échelonnées sur 20 ans, notre analyse de régression de panel révèle qu'une augmentation de 10 % du prix de l'essence: 1) hausserait la proportion de la population d'une région métropolitaine vivant dans la ville centrale de 1,76 %; (2) diminuerait de 6,78 % la proportion de logements à faible densité et (3) diminuerait de 0,15 km la distance médiane de navettage. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Étalement urbain, prix de l'essence, régions métropolitaines canadiennes.

Certain contemporary philosophers (e.g. Dainton, 2008; Strawson, 1999; Foster, 2008) have thought that the first-person, qualitative aspect of conscious experience should be taken seriously when it comes to our thinking about personal identity through time. These philosophers have thus argued that experiential continuity is essential to a person’s ability to persist identically through time. This is what I will call ‘the phenomenological theory’. In this thesis I describe the phenomenological theory and then discuss three problems that have plagued the history of this theory: the bridge problem, the token problem, and the ontological problem. I will argue that a recent version of the phenomenological theory proposed by Barry Dainton and Timothy Bayne (2005) provides satisfactory answers to two of these problems, but not the third. I will conclude this thesis by proposing a superior version of the phenomenological theory—one that can handle all three problems.

This essay takes the three models from Allison and Zelikow book Essence of decision and applies them on the Swedish defense system. After the cold war the Swedish defense system had to undergo changes to be a more modern defense and be able to defend Sweden against threats. To also be able to cooperate with other countries in peacekeeping operations the Swedish defense had to be reorganized. The solution was to change direction from a defense system that was organized for invasion to instead be a movable defense ready for any challenge in Sweden or abroad. This reorganization will be analyzed according to the three different models.

<p>This essay takes the three models from Allison and Zelikow book Essence of decision and applies them on the Swedish defense system. After the cold war the Swedish defense system had to undergo changes to be a more modern defense and be able to defend Sweden against threats. To also be able to cooperate with other countries in peacekeeping operations the Swedish defense had to be reorganized. The solution was to change direction from a defense system that was organized for invasion to instead be a movable defense ready for any challenge in Sweden or abroad. This reorganization will be analyzed according to the three different models.</p>

Tyrimo objektas - tarpkultūrinės kompetencijos ugdymo ypatybės magistrantūros studijose.Tyrimo tikslas - atskleisti tarpkultūrinės kompetencijos struktūrą, sudedamuosius elementus bei ugdymo ir vertinimo strategijų, metodų ir formų veiksmingumą ugdant magistrantų tarpkultūrinę kompetenciją.Teorinėje disertacijos dalyje analizuojama tarpkultūrinės kompetencijos samprata, struktūra, jos ugdymas skirtingų teorinių ir metodologinių paradigmų kontekste, sąryšis su kitomis kompetencijomis ir skėtiškumo sampratos formavimosi prielaidos. Analizuojama socializacijos ir savaiminio ugdymo reikšmė ugdant magistrantų tarpkultūrinę kompetenciją aukštojoje mokykloje. Identifikuojamos tarpkultūrinės kompetencijos (bendrosios ir profesinės) ugdymo ir vertinimo strategijos bei metodai aukštajame moksle. Empirinėje dalyje, atlikus kiekybinį ir kokybinį tyrimą trijose Lietuvos aukštojo mokslo institucijose, atskleista socialinių mokslų magistrantūros programose studijuojančių magistrantų tarpkultūrinės kompetencijos patirtis ir atskleistos bendrosios bei profesinės tarpkultūrinės kompetencijos ugdymo galimybės monokultūrinėje (institucinėje) ir realioje tarpkultūrinėje aplinkoje. Tyrimo rezultatai atskleidė, kad tarpkultūrinė kompetencija ugdosi anapus formaliojo ugdymo srities, t.y. jos ugdymuisi taip pat turi įtakos asmens individuali ir institucinė patirtis bei kitos edukacinės aplinkos ir formos (už universiteto ribų, bendruomenėse, įmonėse, socialiniuose tinkluose ir pan.). / Object of the Research – peculiarities of educating intercultural competences in Master’s degree studies. Aim of the Research is to reveal the structure, elements of intercultural competence as well as efficiency of strategies, methods and forms for education and evaluation within the process of educating intercultural competence of Master’s degree students. Theoretical part of the Dissertation analyses the conception, structure of intercultural competence and educating it within the context of different theoretical as well as methodological paradigms, their links with other competences and preconditions for the formation of an “umbrella” concept. Importance of socialisation and self-education in the process of educating intercultural competences of Master’s degree students in institutions of higher education is analysed, intercultural competences (general and professional) as well as strategies and methods for education and evaluation in institutions of higher education are identified. Empirical part reveals the experience of intercultural competence of students in Master’s degree study programmes in Social Sciences from three Lithuanian institutions of higher education on the basis of the performed qualitative and quantitative research; possibilities for the development of their general and professional intercultural competences in mono-cultural (institutional) and real environments are revealed. Results of the Research indicate that the intercultural competence is educated... [to full text]