Este trabalho tem como objetivo fazer um levantamento das traduções de obras de ficção em prosa de autores hispano-americanos publicadas no Brasil, tanto em coleções criadas com o fim específico de divulgar a literatura hispano-americana no país quanto em edições isoladas, fora de coleção. A análise principal está voltada para as coleções publicadas por diversas editoras brasileiras entre as décadas de 1960 e 1990, mas também serão analisadas algumas iniciativas editoriais anteriores e posteriores a estas décadas. Além do levantamento em si, o trabalho procura identificar o propósito editorial que norteou a tradução e publicação de autores hispano-americanos no Brasil, em cada momento histórico analisado, para tentar entender o que significou a circulação destas obras no sistema literário brasileiro. / The aim of this work is to do a survey of the prose fiction of Spanish-American authors translated to Portuguese and published in Brazil, not only in book collections or series created with the specif design of spreading the word about this kind of literature but also in individual editions. The core of the analysis is directed to some collections of Spanish-American Literature that were published in Brazil between the 1960's and the 1990's, although some other editorial efforts will also be analysed, both before and after this period of time. Beyond the survey itself, this work intends to identify the editorial purposes behind the translation and publication of books by Spanish- American authors in Brazil in each of the historical moments analyzed, in a attempt to understand the importance of the circulation of these books within the Brazilian literary system.

Orientador: Emilia Pietrafesa de Godoi / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-07T03:39:55Z (GMT). No. of bitstreams: 1 Rodrigues_CintyaMariaCosta_D.pdf: 9449224 bytes, checksum: b1031b5c3399c76afc1499e84364b3ab (MD5) Previous issue date: 2006 / Resumo: Este estudo debruça-se sobre uma vertente da literatura goiana, mais precisamente, sobre textos que trazem a referência do sudoeste de Goiás como espaço simbólico de reconhecida especificidade cultural, com o objetivo de compreender a construção desse espaço. As histórias dos lugares sudoestinos são o conteúdo principal da literatura local focalizada aqui. Essas histórias e essa literatura constituem, os campos privilegiados da construção desses lugares. Nelas se pode verificar a inscrição do "sentido do próprio" e ver atuar, por meio de processos específicos da construção dos textos, um conjunto de relações dos sujeitos envolvidos, os escritores locais, nos espaços definidos por suas trajetórias e escrituras. A apreensão dos modos de construção dos lugares privilegiou os escritores que, em razão dos seus textos e através deles, bem como das relações que mantêm com os lugares, envolveram-se em processos de construção de referências culturais definidoras de seus espaços de vida e história. A construção do sudoeste de Goiás - objeto que se firmou para este trabalho -dimensionou, desde o princípio, um entrelaçamento entre os sujeitos, os seus textos e os lugares, e jogou com a possibilidade de um caminho de investigação definido pelas relações entre essas três dimensões como o mais apropriado para o entendimento dessa construção. Os capítulos definidos são fragmentos, unidos pela idéia de um constante entrelaçamento, cujo palco principal é um lugar histórico e social. Os dois textos escolhidos foram interpretados de forma contrapontual, isto é, dentro de uma perspectiva comparativa que considera os elementos estéticos e de conteúdo que surgem como diferenças significativas, com conseqüências para a visão dos lugares que cada texto constrói. A leitura em contraponto aqui realizada abarca a sugestão de Said (1995) de uma abordagem interpretativa que as analisa em conjunto, tratando-as de forma a não polarizá-las, mas, a entrelaçá-las por meio da tentativa de construção de visões, de imagens de cultura, de história e de sociedade. A interpretação dessa obras considerou as relações das narrativas com a cultura. A propósito desse aspecto, é possível dizer que a produção textual incorporada à análise traz a marca do Jugar e expressa um passado. A literatura, ao mesmo tempo em que faz circular essa marca, que também está inscrita na trajetória dos escritores, veicula a sua continuidade / Abstract: This study is about the Goiânia literature, definite exact, about texts that bring reference of the south west of Goiás as a symbolic space of the recognizable specificity culture with the goal to understand the build of this space. These histories and the literature are the patent fields of this place building. In the histories it is possible to identify the registration of the "own meaning" and see to act, through the specific process of the texts elaborations a relation group of the envolved people, the local writers, in definite spaces through their trajectories and contract. The apprehension of the building way of this places privileged the writers that in reason of their texts and through them, as well as the relation they keep with the places, they envolved in process of the building of the culture references that are definied of their spaces of life and history. The building of the south west of Goiás- object that firmed for this job- conducted since the start, a mix among the people, their texts and the places and played with the possibility of an investigation way defined for the relations among those three dimensions as the most appropriate to the understanding of this building. The defined chapters are fragments, joined for the idea of a constant union, whose the main scenery is a history and a social place. The two choosen texts were interpreted the contraposition, besides, in a comparison and the contents that appears as significatives differences, as a consequence to the view of the places that each text build. The reading in comparision here realizied has the suggest of Said (1995), of an interpretative view that it analyzied together treating them the way of not making them all together, but mix them through the experiment of the building of views, the culture images, the history and the society. The interpretation of this texts considered the relation of the narration with the culture. In purpose of the aspects, it is possible that the textual production incorporated the analysis bring the brand of the place and express the past. The literature, at the same lime that moves this brand, that is also registrated in the writers trajectory, shows its continuation / Doutorado / Processos Sociais, Identidades e Representações do Mundo Rural / Doutor em Ciências Sociais

Orientador: Marcia Abreu / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-09T08:13:58Z (GMT). No. of bitstreams: 1 Pinheiro_AlexandraSantos_D.pdf: 63775066 bytes, checksum: 1ada91c1f9ce2f28198c6c390282b0dc (MD5) Previous issue date: 2007 / Resumo: A tese "Para além da amenidade - O Jornal das Famílias (1863-1878) e sua rede de produção" analisa a organização de um periódico que circulou durante dezesseis anos por várias províncias brasileiras e por, pelo menos, dois países estrangeiros, Portugal e França. A pesquisa consiste em investigar esse jornal, a começar pelo trabalho do editor Baptiste Louis Gamier e de seu cuidado com a material idade do que era produzido por sua empresa. Atém-se, também, à lista de redatores e colaboradores, que teve Machado de Assis como o mais assíduo na seção Romance e Novellas. A partir do estudo da trajetória dos demais colaboradores, recuperamos nomes de intelectuais esquecidos atualmente, mas que fizeram parte dos grandes debates literários da época, alguns dos quais ocorriam no próprio Jornal das Famílias. Ao analisar a produção literária divulgada no periódico, constatamos que ao principal público leitor do Jornal das Famílias, as mulheres, não foram oferecidas apenas leituras amenas, como destacam alguns pesquisadores. As leitoras foram inseridas em debates importantes para o século XIX, como a consolidação de uma literatura nacional e a condição do escritor brasileiro. A análise das narrativas mostra que a literatura brasileira não foi construída apenas pelos literatos hoje consagrados pela crítica, mas também por um grupo amplo de escritores preocupados com questões estéticas, políticas e sociais e que as manifestavam também no Jornal das Famílias / Abstract: The thesis "Beyond triviality - o Jornaldas Famílias [The Family Journal] and its production team" analyzes the organization of a magazine that circulated for sixteen years (1863-1878) in several Brazilian provinces (now states) and at least in two other countries, Portugal and France. The research aims at investigating the journal starting with publisher Baptiste Louis Garnier's work and his care with the materiality of his company's production. It also presents a list of writers and collaborators, including the most regular one, Machado de Assis, responsible for the section "Romance e Novellas" ["Novel and Short stories"]. By studying other collaborators' trajectories, we tried to recall some scholars who are forgotten nowadays, but who took part in the great literary discussions of the time, some of which taking place within the "FamilyJoumal" itself. When analyzing the literary production published in the magazine, we notice that, as some researchers point out, not only light readings were presented to women but, besides that, those women readers took part in some important discussions at the end of the nineteenth century, such as the consolidation of a national literature and the professionalization of the literary career. The analysis of the narratives shows that the Brazilian literature was conceived not only by the writers now recognized by the current critics, but by a large group of writers concerned with aesthetics, political and social issues and who made the "FamilyJournal" one of the most important means for cultural and literaryexpressions in Brazil / Doutorado / Literatura Brasileira / Doutor em Teoria e História Literária

O romance Terra Sonâmbula, do escritor moçambicano Mia Couto, foi publicado em 1992, ano em que chegava ao fim a guerra que durante dezesseis anos assolou Moçambique. O tempo da narrativa converge para o tempo da escrita, transformando o romance em narrativa alternativa à de cunho historiográfico. Os personagens que representam o povo são reabilitados das margens da história oficial e se tornam protagonistas da pequena história que Mia Couto se propõe a contar por meio do delineamento de certa ideia de africanidade, tradição e identidade nacional. Esta dissertação pretende, pois, analisar essa outra história de Moçambique que o autor escreve. Para tanto, perscruta nos interstícios do texto a relação com o contexto e seus silêncios desde a posição ocupada por Mia Couto na realidade moçambicana até a dinâmica da guerra e seu impacto sobre a população civil. Ao mesmo tempo, perscruta as mudanças e permanências do pós-guerra a fim de relacioná-las com a história a ser escrita em que residiria a esperança do romance. / The novel Sleepwalking Land by the Mozambican writer Mia Couto was published in 1992. In the same year, the war that raged Mozambique for sixteen years was coming to an end. The time of the narrative converges to the time of writing, turning the novel into an alternative narrative to historiography. The characters that represent the people are rehabilitated from the margins of official history. They become the actors of the little history, in which Mia Couto delineates certain idea of Africanness, tradition and national identity. Thus, this thesis intends to analyze the other history of Mozambique the author writes. For this, it searches in the interstices of the text the relationship with the context from the position occupied by Mia Couto in the Mozambican reality to the dynamics of war and its impact on the civilian population. At the same time, it searches the changes and continuities of postwar in order to correlate the history to be written (or the story to be told) on which it lays the hope of the novel.

No description available.

Thesis (PhD)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: This thesis puts the fiction of Zoë Wicomb and Chimamanda Ngozi Adichie into conversation with particular reference to three issues: authorship, history and gender. Apart from anything else, what Wicomb and Adichie have in common is an interest in the representation of marginalised or minority ethnic groups within the nation - the coloured people in the case of Wicomb, and the Igbo in the case of Adichie. Yet what both writers also have in common is that neither seems to advocate the reification of these ethnic groups in reformulations of nationalist discourse. The thesis argues that through their focus on various forms of marginality, both Wicomb and Adichie destabilise traditional notions of nation, authorship, history, gender identity, the boundary between domestic and public life, and the idea of “home”. The thesis focuses on four main topics, each of which is covered in a chapter: the question of authorial voice in relation to history; perspectives offered by women characters in relation to oppressive or traumatic historical moments; oppressive or traumatic histories intruding into the intimate domestic space; and the issue of transnational migration and its (un)homely effects. Employing concepts of metafiction and mise-en-abyme self-reflexivity, the study begins by considering the ways in which Wicomb’s David’s Story and Adichie’s Half of a Yellow Sun both reflect on the idea of authorship. Focusing on the ways in which each text draws the reader into witnessing authorship, the thesis argues that the two novels can be put into conversation as they both stage dilemmas about authorship in relation to those marginalised by national histories. Following on from this idea of marginalisation by nationalist histories, the thesis then proceeds to examine both writers’ foregrounding of women’s stories that are set in oppressive and/or violent historical times – under apartheid in the case of Wicomb’s You Can’t Get Lost in Cape Town, and during the Biafran war in the case of Adichie’s Half of a Yellow Sun. Utilising ideas about gender, history and literary history by Tiyambe Zeleza, Florence Stratton and Elleke Boehmer, the study analyses how, beginning with father-daughter relationships, Wicomb and Adichie wean their female characters from their fathers’ control so that they may begin telling their own stories that complicate and subvert the stories that their fathers represent. Drawing on Sigmund Freud’s theory of “the uncanny” and Homi Bhabha’s postcolonial reading of that theory, the study then turns to discuss the ways in which oppressive national histories become manifest in domestic spaces (that are usually marginalised in national histories), turning those spaces into unhomely homes, in Wicomb’s Playing in the Light and Adichie’s Purple Hibiscus. In both novels, purity (whether racial or religious) is cultivated in the family home, but this cultivation of purity, which is reflected symbolically in the kinds of gardens each family grows, evidently has “unhomely” effects that signal the return of the repressed, of that which is disavowed in discourses of purity. Since both Wicomb and Adichie are African-born women authors living abroad, and since the “unhomely” aspects of transnational existence are reflected upon in their fiction, the study finally considers the forms of marginality to the national posed by the migrant. Transnational migration is examined in Wicomb’s The One That Got Away and in Adichie’s The Thing Around Your Neck, placing stories from these two recently published sets of short stories into dialogue. / AFRIKAANSE OPSOMMING: Hierdie tesis plaas die fiksie van Zoë Wicomb en Chimamandi Ngozi Adichie in gesprek met mekaar, met verwysing na veral drie sake: outeurskap, geskiedenis en geslag (gender). Afgesien van ander kwessies het die fiksie van Wicomb en Adichie ‘n belangstelling in die fiktiewe voorstelling van gemarginaliseerde of minderheidsgroepe in die nasie in gemeen – die kleurlinggroep in die geval van Wicomb en die Igbo in die geval van Adichie. Nogtans beveel geeneen van hierdie twee skrywers ‘n reïfikasie van nasionalistiese diskoers aan nie. Die tesis voer aan dat, deur hulle fokus op verskeie vorme van marginaliteit, beide Wicomb en Adichie tradisionele konsepte van nasionalisme, skrywer-skap, geskiedenis, geslagsidentiteit, die grens tussen private en publieke lewe en die idee van ‘n eie tuiste destabiliseer. Die vier hoof-onderwerpe van die tesis is word elk in ‘n eie hoofstuk behandel: die kwessie van ‘n skrywerstem in verhouding tot die geskiedenis; perspektiewe wat belig word deur vrouekarakters in kontekste van onderdrukkende of traumatiese historiese momente; hoedat onderdrukkings- of traumatiese geskiedenisse die private sfeer binnedring; asook die kwessie van ‘n migrasie oor landsgrense en die ontheimingseffek hiervan. Deur die gebruik van metafisiese en mise-en-abyme selfrefleksie begin die studie deur te reflekteer op hoe Wicomb se David’s Story en Adichie se Half of a Yellow Sun [aangaande] die idee van outeurskap reflekteer. Deur te fokus op die wyses waarop beide tekste die leser betrek om skrywerskap waar te neem, voer die tesis aan dat die twee romans met mekaar in gesprek geplaas kan word, terwyl albei dilemmas van outeurskap met betrekking tot diegene wat in nasionale geskiedskrywing gemarginaliseer word, sentraal plaas. Volgende op hierdie kwessie gaan die tesis dan voort om albei skrywers se vooropstelling van vroue se verhale gesitueer in onderdrukkende of gewelddadige tye – onder apartheid in die geval van Wicomb se You Can’t Get Lost in Cape Town en gedurende die Biafraanse oorlog in Adichie se Half of a Yellow Sun – te ondersoek. Met behulp van idees aangaande gender, geskiedenis en literêre geskiedenis van Tiyambe Zeleza, Florence Stratton en Elleke Boehmer, analiseer die tesis hoedat, beginnende met vader-dogter verhoudings, Wicomb en Adichie hul vroulike karakters loswikkel van hul vaders se kontrole sodat hulle kan begin om hul eie verhale te vertel – stories wat die verhale van hul vaders kompliseer en ondermyn. Met behulp van Sigmund Freud se teorie van die onheimlike en Homi Bhabha se postkolonialistiese interpretasie van daardie idee, gaan die tesis dan voort deur maniere waarop onderdrukkende nasionale geskiedenisse in die tuis-ruimtes (wat gewoonlik deur nasionale geskiedskrywing gemarginaliseer word) manifesteer, met die onheimlike effek hiervan op die tuisruimte – beide in Wicomb se Playing in the Light en in Adichie se Purple Hibiscus – te ondersoek. In albei romans word reinheid ( van ras of geloof) in die familie-tuiste gekultiveer, maar hierdie nadruk op reinheid – simbolies gereflekteer in die tuine wat deur albei gesinne aangelê word – het wel onmiskenbare onheimlike gevolge wat die terugkeer van wat onderdruk is (in die naam van reinheid) aandui. Omdat beide Wicomb en Adichie vroue-skrywers is wat in Afrika gebore is maar oorsee lewe, en omdat die onheimlike aspekte van ‘n transnasionale lewensstyl in hul fiksie oorweeg word, beskryf die tesis die vorms van marginaliteit met betrekking tot die nasionale wat deur die migrant tot stand kom. Transnasionale migrasie word in Wicomb se The One that Got Away en Adichie se The Thing around your Neck oorweeg, wat die verhale uit hierdie twee versamelings in gesprek met mekaar plaas.

This thesis probes how recent experimental American "crisis fictions" from authors including Mark Z. Danielewski, Kathryn Davis, and Evan Dara reformulate transatlantic Romantic literary debates about technological and environmental change. Arguing that such texts extend previously theorised ties between Romanticism and postmodernism, it identifies enduring ties between late-postmodern accounts of crisis and those of Romantic predecessors. Responding to the upheavals of digital revolution and ecological risks, these texts, published between 1995 and 2012, inventively engage several linchpin constructs in transatlantic Romantic writing: chiefly, the imagined supersession of subjective and temporal boundaries; a sense that the natural and non-human world is of crucial importance; and a reliance on idioms of sublimity to suggest the unrepresentability of the aforementioned crises. Although numerous critics have traced similarities between Romantic and postmodern modes, this thesis considers those resonances as deeper questions of cultural and literary history. It proposes to more carefully historicise the Romantic intellectual heritage in late postmodernism, identifying intermediating moments that inform contemporary accounts of crisis. It unearths how late postmodern technocultural and environmentalist imaginaries were always already Romantic. Deeply informed by countercultural, mid-century American movements and ideas that themselves drew significantly from transatlantic Romanticism, contemporary figurations of upheaval, syncretically figured in mid-century publications such as the Whole Earth Catalog, are indebted to both Romantic and neo-Romantic heritages. This thesis additionally argues that the digital revolution and unprecedented environmental crisis act as pressures on postmodern literary practices from the mid-1990s onward. Digital speeding and a looming sense of ecological risk register as even earlier crises than the terrorist attacks of "9-11", requiring a recalibration of what the postmodern might mean and do. Crucially, in their preoccupation with embodied realities and environments, including natural ones, the contemporary narratives examined here diverge from the assumption that the natural world bears little importance in postmodern fields of representation. Finally, many recent literary experiments figure themselves as materially participating in the technological and medial systems they respond to; formal experimentation is, accordingly, another centre of interest. This research examines how select texts deploy formal strategies to "materially instantiate" Romantic ideas, to borrow Katherine Hayles's term. Although numerous critics have suggested that Romantic discourse permeates digital cultural imaginaries, existing scholarship devotes little attention to how formal experimentation intersects with narrative strategies.

The thesis analyzes the possibilities of application of the fictional worlds theory as a possible basis for a different literary-theoretical approach to the study of literary texts. Not being a mere literature research, the thesis inquires into issues which are necessarily connected with the fictional worlds theory and which have been so far rarely dealt with, if discussed at all. It contributes to the discussion on advantages and drawbacks of the mimetic approach and of the fiction theory, it analyzes the possible applicability of the fictional worlds theory in literary history, it attempts to determine the correlation between the Seymour Chatman's textual types and the fiction theory nomenclature, and last but not least the thesis deals with the possibilities of this theory in the fictional worlds of lyrical poetry. Powered by TCPDF (www.tcpdf.org)

Este trabalho procura ler o Naturalismo brasileiro como parte importante de um movimento internacional e analisa algumas das adequações estéticas, temáticas e de método pelo qual passou. Considera que, a partir do modelo de romance experimental proposto por Émile Zola, autores como Aluísio Azevedo, Júlio Ribeiro e Adolfo Caminha, entre outros, escreveram romances que transformaram em matéria literária o processo de modernização econômica conservadora do Brasil no final do século 19, construindo personagens e tramas que deixaram marcas mais profundas na literatura brasileira do que tradicionalmente é reconhecido. Romances como O cortiço, A carne e Bom-Crioulo tocaram em questões traumáticas para o país, como a escravidão e o controle da sexualidade dos indivíduos, numa sociedade que se aburguesava em vários sentidos, e significaram uma modernização nas letras e nas mentalidades do país. / This work attempts to read the Brazilian Naturalism as an important fact of this international movement and examines some of aesthetic, thematic and methodological adjustments it has been passed in Brazil. It considers that the model proposed by Emile Zola was adapted in Brazil by authors such as Aluisio Azevedo, Julio Ribeiro and Adolfo Caminha, among others. The novels written by these authors expressed the conservative economic modernization of Brazil in the late 19th century, building characters and plots that have left marks in the Brazilian literature that are deeper than is used to recognize. Novels like O cortiço, A carne e Bom-Crioulo touched on traumatic issues, such as slavery and sexuality of individuals, in a progressively bourgeois society, and meant an expressive modernization in Brazilian letters and mentalities.

<p>Предмет истраживања докторске дисертације јесте<br />фигура оца у историјској драми српског<br />предромантизма и романтизма. Намера<br />истраживања је да на основу обимног корпуса<br />драмских текстова изврши темељна анализа драма<br />у којима је идентификована фигура оца као и да се<br />пружи преглед ликова који се јављају у овој<br />улози. Истраживачки рад ће бити усмерен на<br />проучавање и допуну резултата досадашњих<br />анализа улоге мушких ликова. Успоставиће се<br />примерена типологија главних и епизодних ликова<br />који се у историјским драмама српског<br />предромантизма и романтизма појављују у<br />улози оца. Полазиште дисертације је историјска<br />драма и фигура оца као њен незаобилазни део.<br />Почетна претпоставка је да је психолошка<br />уверљивост наступа појединих јунака последица<br />породичних прилика, а не историјских догађаја.<br />Тежиште истраживачког рада је приказивање<br />јунака чија ауторитативна природа доводи до<br />сукоба, отуђења од породице и самоотуђења.<br />Докторска дисертација би требала подстаћи нека<br />нова питања и одговоре као и нова проучавања<br />историјске драме</p> / <p>Predmet istraživanja doktorske disertacije jeste<br />figura oca u istorijskoj drami srpskog<br />predromantizma i romantizma. Namera<br />istraživanja je da na osnovu obimnog korpusa<br />dramskih tekstova izvrši temeljna analiza drama<br />u kojima je identifikovana figura oca kao i da se<br />pruži pregled likova koji se javljaju u ovoj<br />ulozi. Istraživački rad će biti usmeren na<br />proučavanje i dopunu rezultata dosadašnjih<br />analiza uloge muških likova. Uspostaviće se<br />primerena tipologija glavnih i epizodnih likova<br />koji se u istorijskim dramama srpskog<br />predromantizma i romantizma pojavljuju u<br />ulozi oca. Polazište disertacije je istorijska<br />drama i figura oca kao njen nezaobilazni deo.<br />Početna pretpostavka je da je psihološka<br />uverljivost nastupa pojedinih junaka posledica<br />porodičnih prilika, a ne istorijskih događaja.<br />Težište istraživačkog rada je prikazivanje<br />junaka čija autoritativna priroda dovodi do<br />sukoba, otuđenja od porodice i samootuđenja.<br />Doktorska disertacija bi trebala podstaći neka<br />nova pitanja i odgovore kao i nova proučavanja<br />istorijske drame</p> / <p>The subject of the doctoral thesis research is the<br />figure of a father in the historical drama of<br />Serbian Preromanticism and Romanticism.<br />Based on the large corpus of drama texts, the<br />intention of this research is to do a thorough<br />analysis of dramas where the figure of a father<br />has been identified as well as to present a<br />review of characters appearing in this role. The<br />research work will be aimed on studying and<br />completing the results of the previous analysis<br />of male characters. An appropriate typology of<br />main and episodic characters which appeared in<br />historical dramas of Serbian Preromanticism<br />and Romanticism in the roles of a father,will be<br />established. A starting point of the thesis is the<br />historical drama and the figure of a father as its<br />unavoidable part. The initial assumption is that<br />the psychologically stringent appearance of<br />some heroes is the consequence of family<br />events and not of the historical ones.The centre<br />of the research work is a presentation of the<br />heroes whose authoritative nature leads to<br />conflict, alienation from the family and self<br />alienation, too. The doctoral thesis should<br />induce some new questions and answers as well<br />as a new studying of historical drama</p>