Bread and Puppet Theater's use of performing objects offers an aperture to contemplate complex assemblages that blur lines between the human and the nonhuman. Drawing upon cultural studies, feminist materialism, circus studies, and puppetry studies, I consider both the bread and the puppets as they intersect with various assemblages and fields of interpretation. These configurations demonstrate how the objects embody (non)human, material, and conceptual aspects. Because of this ability to exist within the meshes of binaries, performing objects are well suited to challenge and expose other binaries and hierarchies through three categories of analysis — movement, difference, and intra-action — based on Karan Barad's work on matter. In addition to the theoretical framework, I conducted ethnographic interviews and rely on my own experience as an apprentice at Bread and Puppet in 2004, considering myself as co-constitutive actant within the scope of analysis. I examine the way the theater uses sourdough bread and puppets as performing objects to create meaning, express ideology, apply tension within constructs of power, and demonstrate a model for co-dependent living between humans and objects / Doctor of Philosophy / Objects, despite their connections to daily life, which includes times of celebration and insurgency, remain overlooked as political actants. Bread and Puppet Theater, through performances, protests, and everyday living, places bread and puppetry as central to home and public live for puppeteers and performers. This dissertation asserts that bread and puppetry at Bread and Puppet Theater exemplify a co-creative relationship between people and things. This partnership creates tension in places of power, literal locations and within modes of thinking; simplifies and makes more accessible ideological messages; and evokes solidarity through performance. By considering bread in relation to Bread and Puppet Theater, we can see how bread becomes a fulcrum balancing between those with the most wealth and those with the least. Bread, as a symbol, is used to articulate demands. Its presence alone at protests suggests a list of demands regarding redistribution of wealth, fair wages, and food. As a symbol that touches the lives of all, it becomes an object that can evoke solidarity as a symbol but also as a product that is consumed and shared. Puppetry is exemplary of shared creation between people and objects. The rod puppets used at Bread and Puppet are especially suited to blurring demarcations between these two actants. Embodying this in-between space allows puppets to interrogate and blur other sets of binaries — the sacred and the profane, the religious and the secular, rich and the poor, state power and people, war and peace, and so on. This liminal, blurred space primes puppetry to challenge structures of power during political performances and protests. Ultimately this project considers how objects become central to political action and how, if thoughtfully mobilized, could operate as counter actants within times of turmoil.

What can be assumed to be a general understanding of personal identity, is that it is constituted by a fixed and unchanging core of every self-conscious being that remains the same over time. This view could be traced to the notion that a perfect copy of you would not be you since you constitute the original and not the copy. But maybe it's not that simple, maybe a copy of you can also be you, while existing as your "original"?In this essay I will explore a functionalist argument as well as a self-constructed thought experiment that challenges the traditional view of personal identity as a fixed and unchanging core, inextricably linked to a single body. This exploration will lead to the idea of "metasurvival". Metasurvival is understood as the possibility that a person can survive through another person. The idea of metasurvival thus challenges the dichotomy between life and death. / Vad som kan antas vara en allmän uppfattning om personlig identitet, är att den utgörs av en fast och oföränderlig kärna i varje självmedveten varelse som förblir densamma över tid. Denna uppfattning skulle kunna härledas till föreställningen att en perfekt kopia av dig inte skulle vara dig, eftersom du utgör originalet och inte kopian. Men kanske är det inte så enkelt, kanske kan en kopia av dig också vara dig, samtidigt som du existerar som ditt ”original”?I denna uppsats kommer jag att utforska ett funktionalistiskt argument, samt ett eget konstruerat tankeexperiment som ifrågasätter den traditionella synen på personlig identitet som en fast och oföränderlig kärna, oupplösligt knuten till en enskild kropp. Denna utforskning kommer att leda fram till idéen om ”metaöverlevnad”. Med metaöverlevnad förstås möjligheten att en person kan överleva genom en annan person. Idéen om metaöverlevnad utmanar därmed dikotomin mellan liv och död.

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This dissertation focuses on lay Catholic ministry to Puerto Ricans in Philadelphia when Frank Rizzo was mayor. Gramsci’s concept of “organic intellectuals” is employed to explain the praxis of the Philadelphia Young Lords, an organization formed in a Puerto Rican neighborhood during the confrontational politics of the 1970s. The dissertation advances previous scholarship on the Young Lords by offering reasons to consider these youthful leaders as lay Catholic advocates of social justice in Philadelphia and describes the role of faith convictions as they pursued social justice in the style of the biblical prophetic burden. Through interviews and textual analysis, the dissertation traces the evolution of lay volunteerism before the Second Vatican Council as foundational to the Young Lords’ application of liberation theology. The Young Lords in Philadelphia also followed the Puerto Rican Nationalist Party’s definition of the people’s multiracial identity and the Nationalists’ defense of Catholic principles. Their experiences are inserted into the general history of Philadelphia, a city which Quakers had founded as a cluster of urban villages, producing a distinctive pattern of ethnic enclaves of Philadelphia’s row house neighborhoods. The city’s Catholicism had structured parish life upon the civic culture, and initially extended this model to its Puerto Rican ministry. However, racial polarization at a time of municipal crisis under Rizzo invited new pastoral strategies towards civil right and the Vietnam War. Despite the Young Lords’ reliance on Marxist principles and the confrontational politics of the Black Panthers, local Catholic clergy supported many of their efforts. The dissertation explores the symbolic capital gained by the Young Lords which made them into a vanguard organization in the city’s fields of political and pastoral interaction. / Religion

This dissertation explores the life and works of eighteenth-century labouring-class poet Mary Leapor. Leapor’s ability to use everyday objects to write poetry that speaks to important social and cultural transformations of the period is one of the most remarkable and interesting aspects of her poetry, and it sets her apart from other labouring-class writers. Therefore, while this dissertation situates Leapor as a female laborer who writes poetry about the labour she performs, it is more interested in how she uses her poetry about the labour she performs—and particularly how she offers her own version of “thing theory”—in order to speak to a number of problems of which labour is just one. By spotlighting the complex role of objects in Leapor’s poetry, this dissertation shows how she uses those objects to articulate new conceptions of the labouring body’s relationship to authorship and authority, claim authorship as a form of useful labour, and legitimize her own gendered and class-inflected authority as a subject in literary and intellectual discourse. While acknowledging the context of material history, I focus on the ways Leapor uses particular things to rethink the possibilities of labouring-class life, identity, literary expression, and what it might have meant for her to imagine a new kind of human subjectivity that is itself inseparable from the concept of labour. Moreover, Leapor’s work shows that she identifies labouring individuals as part of a community whose experience is heavily organized socially around labour but argues that their lived experience has provided them with a particular identity and perspective. Ultimately, this dissertation works to decenter our own moment in the history of ideas by showing how Leapor was theorizing about forms of situated knowledge over two hundred years before it entered academic discourse in the 20th century through feminist theories of embodied ways of knowing. Leapor’s poetry is not just an object that should be studied through a theoretical lens; it should be understood as a theory of situated knowledge transmitting ideas from its own materially embedded position. Leapor’s poetry lives on as a labouring thing—changing, growing, and theorizing as living humans do—inviting its readers to contemplate the complex components of being an embodied thinker. / Thesis / Doctor of Philosophy (PhD) / This dissertation focuses on the life and works of Mary Leapor (1722-1746) and builds upon recent interest in the cultural work of particular literary forms by examining the emergence of the labouring-class writer and the rise of a new poetic mode, the labour poem. Existing scholarship has begun to explore the many ways these texts represent class-based and gendered oppression, hardship, and work, and how these writers were able to combine several literary traditions to speak out against adverse conditions. By emphasising the material history of inanimate objects and nonhuman animals found within labouring-class writing, my project seeks to demonstrate how Leapor and other labouring-class writers used their poetry about the labours they performed in order to speak to something more than labour, such as what it means to be a subject in a world that is circumscribed by things like status, class and gender.

French text / Si nous pouvons constater, d’une part, que l’univers carcéral occupe une place très importante dans les textes de Tahar Ben Jelloun, nous ne pouvons cependant ignorer, de l’autre, les efforts des personnages de la diégèse ben jellounienne pour trouver une libération quelconque. De ce fait, la libération constitue l’objet de notre étude par excellence. Nous avons choisi cinq textes de l’écrivain marocain : Moha le fou Moha le sage (1978), L’enfant de sable (1985), La nuit sacrée (1987), Cette aveuglante absence de lumière (2001) et Amours sorcières (2003). Après un survol rapide de l’incarcération sous ses différentes formes, allant des plus concrètes aux plus abstraites, nous étudions les paradigmes les plus communs vers lesquels l’homme maghrébin moderne se tourne dans le but de se libérer des carcans qui l’entravent et nous en relevons tour à tour les limitations ou lacunes. Ainsi, nous remettons en question le modèle matérialiste qui échoue pour ce qui de la libération de l’individu en raison de ses excès. Puis, nous étudions le modèle psychologique mettant l’accent sur ses limites dans la mesure où il comprend un mouvement vertical vers le bas. Or, sans un mouvement vers le haut, aucune libération n’est possible. Très particulière à la société maghrébine est la praxis islamique moderne qui, loin de libérer l’individu, ne fait que l’étouffer davantage. Ensuite, nous soulevons des questions au sujet de la sorcellerie et des dangers qu’elle comprend. Loin d’être un élément libérateur, elle constitue un piège. Nous arrivons éventuellement à la seule clé capable d’apporter la libération intérieure au Maghrébin : la métaphysique et, dans le contexte de la civilisation arabo-islamique, il s’agit de l’ésotérisme islamique ou le soufisme. Ce mémoire requiert une approche très scientifique telle que l’exige la nature même de notre problématique. Nous avons opté pour une approche métaphysique pour conduire notre étude à bon port. / If we cannot deny the fact that the realm of incarceration holds an important place in the texts of Tahar Ben Jelloun, we also have to acknowledge the endeavours of the characters to find liberation in some way or another. Therefore, above all else, liberation constitutes the object of our study. We have chosen five texts of the Moroccan author: Moha le fou Moha le sage (1978), L’enfant de sable (1985), La nuit sacrée (1987), Cette aveuglante absence de lumière (2001) and Amours sorcières (2003). After a quick glance at the different forms of incarceration, starting from the most tangible and moving to the most abstract ones, we study the most common paradigms to which the Moroccan turns to in order to free himself from the shackles that imprison him and we study simultaneously their shortcomings. Hence, we call into question the materialistic model that fails in liberating the individual on account of its excesses. Then, we study the psychological model laying emphasis on its limitations in that it comprises a vertical downward movement while no liberation is possible without an upward movement. Quite specific of the Moroccan society is the modern Islamic praxis that, in lieu of freeing the individual, only stifles him more. Afterwards, we raise questions concerning sorcery and dangers that it represents. Far from being a liberating agent, it constitutes a trap. Ultimately we come to the only key capable of bringing internal liberation to the Moroccan: metaphysics and, in the arabo-islamic context, it is Islamic esotericism or Sufism. This thesis requires a most scientific approach as demands the very nature of our problematic. We have thus chosen a metaphysical approach that best suits our study. / Classics and World Languages / M.A. (French)