No description available.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

No description available.

L'étude de l'esthétique de Richard Wagner est stimulée par la contradiction qui existe dans un sens entre l'option nationaliste et la volonté de créer une œuvre universelle. Par l'union de la musique et de la poésie, le compositeur a recréé un drame qui rappelle l'art hellénique. Par ce drame tragique, Wagner a donc voulu représenter le monde tel qu'il apparaît aux sens de tous les individus. Croyant que le monde est tombé dans une forme de décadence morale, il a estimé quel 'Art vrai pourrait agir comme rédempteur de l'humanité. C'est à ce moment que l'Allemand doit agir en tant que seul témoin d'un monde enharmonie avec lui-même. C'est par l'Amour du Beau naturel que les hommes vrais vaincront l'arbitraire et l'égoïsme du monde moderne.

Québec Université Laval, Bibliothèque 2012

No description available.

Call number: LD2668 .T4 1985 F56 / Master of Arts

This thesis is concerned with the psychoanalytical concept of narcissism, and the effect that texts written by narcissistic writers have upon their readers. I use Søren Kierkegaard as an example of a narcissistic writer who produced narcissistic texts. In order to follow through the logic of the thesis, it is necessary to explain first the Freudian idea of narcissism, and then narcissism as considered by one post-Freudian school called Object Relations theory. It is also necessary, second, to summarise a psychoanalytic model of what happens when we read any kind of text. The methodology of this thesis is usually called psychobiography, the systematic application of psychodynamic principles to the study of a life, and so, third, both the principles and some of the issues of this methodology are presented. Having established an operational definition of narcissism, the thesis looks first at Kierkegaard’s life, identifying a series of key events or stages that can be re-interpreted on the assumption that Kierkegaard was narcissistic. Three of his key texts are considered next - Fear and Trembling, Works of Love and The Sickness Unto Death. Each of these can be interpreted to show how his narcissism influenced his writing. Two substantial appendices are included. The first is a comment upon the relationship between God and psychoanalysis, presented primarily to introduce the ideas of Donald Winnicott. The second is on the concept of psychopathology, a difficult topic, since it is at once both heavily value laden, but is also persistent in any analysis of psychological difference. In conclusion I refer to several key Kierkegaardian themes, emphasising their narcissistic origins, and ask the reader to reflect upon their own responses to these issues, to consider how Kierkegaard’s narcissism influences their own emotions, and how these in turn affect any cognitive understanding of Søren Kierkegaard.

Ce mémoire est une étude du corpus kierkegaardien. Elle tente de saisir en quoi il déplace notre conception de la vérité ; et elle y montre comment ce corpus envisage le theologique dans sa dimension de communication littéraire. Cette étude se veut une interprétation de son discours, selon deux modalités énonciatives distinctes : la première étant une reprise de son projet de cours sur la communication, la seconde étant celle de la critique textuelle. Elle posera la question de la communication de la vérité comme une occasion de réfléchir la pratique théologique.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-03-21T12:12:00Z No. of bitstreams: 1 Ruth Faria da Costa Castanha.pdf: 816535 bytes, checksum: e9856926c070ecfd639a868ff3472fc5 (MD5) / Made available in DSpace on 2018-03-21T12:12:00Z (GMT). No. of bitstreams: 1 Ruth Faria da Costa Castanha.pdf: 816535 bytes, checksum: e9856926c070ecfd639a868ff3472fc5 (MD5) Previous issue date: 2018-02-21 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The present master’s dissertation is the result of the anguish caused by the Kierkegaardian thought regarding the law and reality of the legal world. The chosen subject speaks in a transversal way with several law trades, mainly with the law philosophy, in which the debate is centralized; easily gets through the Legal Sociology, Psychology and Religious Studies. However, with kindness, invites the Theology to take the floor and to speak side by side with the Law. The theme, from the point of view proposed, wasn’t much explored in the scientific field, that’s why stands out its importance on the comprehension of the anguish which bothers and moves that one that seeks for the correct interpretation of the law. For the sake of debate, we have appropriated of the anguish concept contained in the oeuvre from the Danish author Sören Kierkegaard of various legal aspects concerning what would be the law and its subject / A presente dissertação de mestrado é fruto da angústia causada pelo pensamento kierkegaardiano em face do direito e da realidade do mundo jurídico. O tema escolhido dialoga de maneira transversal com diversos ramos do direito, precipuamente, com a filosofia do direito, em que está centrado o debate; transcorre tranquilamente a Sociologia Jurídica, a Psicologia e as Ciências da Religião. Porém, com carinho, convida a Teologia a assumir a tribuna e discursar lado a lado com o Direito. A temática, sob a ótica ora proposta, foi pouco explorada no campo científico, por isto destaca-se a sua importância na compreensão da angustia que incomoda e move aquele que busca a justa interpretação da lei. Para o debate, nos apropriamos do conceito de angústia contido na obra do autor dinamarquês Sören Kierkegaard de diversas vertentes jurídicas a respeito do que seria o direito e de seu objeto