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341	Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba / Marta Traba or the written art : researches on the dialogues between literature, art criticism and plastic arts in Marta Traba’s work Crousier, Elsa 25 November 2016 (has links) Marta Traba (1923-1983), écrivaine et critique d’art argentino-colombienne, est principalement connue en Amérique latine pour ses écrits critiques, son engagement pour le développement de l’art moderne en Colombie, et plus largement pour sa « théorie de la résistance » qui prône dans les arts plastiques une défense des identités culturelles latino-américaines. Son œuvre littéraire, en revanche, est beaucoup moins connue. Or, elle est non seulement très riche, mais elle forme le pendant narratif à son œuvre critique, un ensemble de récits innervés, de manière plus ou moins profonde, des conceptions et de la culture trabiennes sur l’art. Il s’agit dès lors de reconsidérer ces deux pans de sa production écrite comme un tout cohérent, et de montrer les influences et les interactions entre sa critique d’art et sa littérature, mais également entre les arts plastiques qui forment sa culture artistique et ses écrits fictionnels. Il apparaît alors que Marta Traba conçoit et pratique son écriture critique comme une écriture « littérarisée » et, réciproquement et surtout, sa littérature comme une littérature « artialisée » : la valorisation constante du regard esthétique sur le monde et d’une sensorialité exacerbée dessine un idéal de contemplation tout au long de son œuvre littéraire ; les insertions continues d’une terminologie critique et de références aux œuvres d’art, sur un mode tantôt clairement didactique, tantôt subtilement ludique, invitent le lecteur à lire ses fictions et poèmes au prisme du sous-texte artistique qui enrichit leur sens ; enfin, le récit devient le lieu d’expérimentation des théories trabiennes de la « résistance », entre réaffirmation de la place de l’Amérique latine sur la carte de l’art mondial, mise à distance défensive des influences nord-américaines et réappropriation locale, par « transculturation », des modèles artistiques étrangers. L’étude de l’artialisation de la littérature trabienne est donc loin d’être l’analyse d’un simple procédé formel : elle dégage, nous semble-t-il, un véritable style trabien, miroir de l’écrivaine et de ses convictions. / Marta Traba (1923-1983), an Argentinian-Colombian writer and art critic, is most famous in Latin America for her critiques, her commitment to develop modern art in Colombia, and, more generally, for her “theory of resistance” which advocates the defence of the many cultural Latin-American identities in fine arts. Her literary work, however, is far less well-known. And yet, not only is it very rich, but it also constitutes the narrative counterpart to her critiques – a collection of tales innervated, to different degrees, with Traba’s notions on and knowledge of art. It is consequently about reconsidering these two sides of her written production as a consistent whole, and identifying the influences and interactions between her art critiques and her literary work, as well as between the fine arts which make up her artistic culture and her fictional writings.It then appears that Marta Traba devises and practices her critical writing “literarily” as she does, above all, her literary work “artistically”: the constant enhancement of the aesthetic eye on the world and of an intensified sensory experience shape an ideal of contemplation throughout her literary work; the continuous inserts of a critical terminology and of references to art works, sometimes in a clearly didactic mode, sometimes in a subtly playful manner, invite the reader to read her fiction stories and poems in the light of the artistic subtext which enriches their meaning; finally, the tale becomes the place where Traba’s theories of “resistance” are tested, at the crossroads of the re-affirmation of the place of Latin America on the map of international art, of the defensive distancing from North American influences, and of the local re-appropriation, by “transculturation”, of the foreign artistic models. The study of the artistic mutation of Traba’s literary work is therefore far from boiling down to the analysis of a mere formal process: from our point of view, it reveals an authentic style, Traba’s style, which is the mirror of the writer and her convictions. Marta Traba (1923-1983) Critique d’art Dialogues entre les arts Arts et politique Études culturelles latino-américaines Identités culturelles Résistances culturelles Dictatures du Cône sud Marta Traba (1923-1983) Latin American literature 20th century Latin American art history 20th century Art criticism Dialogues between arts Latin American cultural studies Arts and politics Cultural identities Cultural resistance Dictatorships in the Southern Cone
342	Is there a woman in the text? : a feminist exploration of Katherine Mansfield's search for authentic selves in a selection of short stories Cooper, Lucille 30 June 2008 (has links) Katherine Mansfield (1888-1923), British Modernist writer whose search for authentic selves in the lives of the characters in her short stories, is reflected in her innovative style of writing in which she examines the interior consciousness of their minds. Mansfield questions the inauthentic lives of the characters, revealing that the roles they play are socially imposed forcing them to hide their true selves behind masks. The stories which have been chosen for this study focus on women characters (and men also) who grapple with societal prescriptions for accepted actions, and are rendered mute as a result. The women characters include all age groups and social classes. Some are young and impressionable (The Tiredness of Rosabel, The Little Governess and The Garden Party), others are married and older (Bliss, Prelude and Frau Brechenmacher attends a wedding ), while there are also middle-aged women in Miss Brill and The Life of Ma Parker. / English Studies / M.A. (English) Suppressed anger and despair Masks Identification with women's experience Gender differences Mute Constricting prescriptions for actions Women isolated in society Innovative style of writing British modernism 823.912 Mansfield, Katherine, -- 1888-1923 Persona (Literature) Self in literature Identity (Psychology) in literature
343	Autobiography of an Exile: Analyzing the Reproduction of Subjugation Found in Sean O’Casey’s Dublin Trilogy Unknown Date (has links) Sean O’Casey’s Dublin Trilogy travels through the Irish revolutionary period and explores how this environment created a revolutionary Dublin where armed militants struggled to overthrow the authority and privileges of their British oppressors. Seeking to remove the colonial authority that had oppressed the Dublin population for so long, these revolutionaries fought, killed, and died in their quest for an independent Ireland. In this struggle, groups of armed men can be seen employing tactics that would only lead to the continued oppression of other sections of the Irish population. By connecting the Dublin Trilogy to his autobiographies, in which he highlights the importance of family as a supportive unit for the Dublin poor, I propose that O’Casey, in the Dublin Trilogy, warns that these ideological reproductions would eventually lead to the continued subjugation of Irish women and other members of the Irish population outside of the masculinist, militant identity supporting the Irish independence struggle. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection Irish Citizen Army. Ireland--History--Civil War, 1922-1923.
344	A sátira política em O Pirralho: Juó Bananére e o Hermismo - 1911 a 1915 Borges, Augusto Cesar Mauricio 13 August 2009 (has links) Made available in DSpace on 2016-04-27T19:32:33Z (GMT). No. of bitstreams: 1 Augusto Cesar Mauricio Borges.pdf: 978601 bytes, checksum: c7fb5b182d2c14d01b4de78468c6d96c (MD5) Previous issue date: 2009-08-13 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research studies the phenomenon of political satire in the city of São Paulo's Belle Époque, specifically the chronic character of the irreverent comedy Juó Bananére, pseudonym of Alexander R. M. Machado, on the then President of the Republic Marshal Hermes da Fonseca and bureaucracy that tied the body of political support. Our study indicated that part of the so-called small press played a significant role in the development and dissemination of the contents of humorous political critique in the First Republic. As part of this process, the political satire of Juó Bananére not only fulfilled its role of social entertainment, but also has a critical function of load positioning and policy intervention. Due the particular historical juncture, the main issue of our work talkect to materials published by the periodic watching the harmony of all these satires with the political-matters agenda of the seminary O Pirralho and the oligarchies of São Paulo in the São Paulo defeat in the elections of 1910. Looking at the political satire from the years 1911 to 1915, under the administration of Hermes da Fonseca, this work drag the relevant debating about history, city, politics and humor discussing the work of Alexander R. M. Machado at the seminary O Pirralho / Esta pesquisa estuda o fenômeno da sátira política na cidade de São Paulo da Belle Epoque, mais especificamente a crônica irreverente do personagem cômico Juó Bananére, pseudônimo de Alexandre R. M. Machado, sobre o então Presidente da República Marechal Hermes da Fonseca e a burocracia que compunha seu corpo político de sustentação. Nosso estudo indicou que parte da chamada pequena imprensa desempenhou um papel significativo no desenvolvimento e na divulgação do conteúdo humorístico da crítica política na Primeira República. Como parte integrante desse processo, a sátira política de Juó Bananére cumpriu não só seu papel de entretenimento social como também adquiriu uma função crítica carregada de posicionamento e intervenção política. Em virtude da conjuntura histórica específica, a problemática central de nosso trabalho dialogou com materiais publicados no periódico observando a consonância dessas sátiras com a agenda político-programática do semanário O Pirralho e das oligarquias de São Paulo no contexto da derrota paulista nas eleições de 1910. Analisando a sátira política entre os anos de 1911 a 1915, período em que vige a administração de Hermes da Fonseca, este trabalho levantou as discussões pertinentes sobre a relação História, Cidade, Política e Humor discutindo a obra de Alexandre R. M. Machado no semanário O Pirralho História de São Paulo História da imprensa Imprensa humorística Linguagem humorística Cultura urbana O Pirralho (Revista) Imprensa -- Brasil -- Historia Satira brasileira -- Historia e critica Sao Paulo (cidade) -- Historia São Paulo history Press history Humour press Humour language Urban culture CNPQ::CIENCIAS HUMANAS::HISTORIA
345	Discurso crítico e posicionamento lírico em Orides Fontela e Natália Correia Paschoa, Priscila Pereira [UNESP] 15 December 2006 (has links) (PDF) Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-12-15Bitstream added on 2014-06-13T18:55:31Z : No. of bitstreams: 1 paschoa_pp_me_sjrp.pdf: 457956 bytes, checksum: e659c49e6309082966acd4d51c4159d5 (MD5) / Esta dissertação apresenta confluências entre as poesias da brasileira Orides Fontela (1940-1998) e da portuguesa Natália Correia (1923-1993), a partir das diferenças de suas específicas linguagens, buscando analisar, no posicionamento lírico, um contraste referente à construção do ser como projeção de sentido do poema, sendo essa projeção entendida como sujeito poético. Se a obra de Orides, aproximando-se do fio condutor do trabalho de João Cabral pela impessoalidade, contenção, busca pela palavra exata e culto a um silêncio esfíngico, constrói um sujeito cognoscente como o resultado do olhar contemplativo da voz lírica, em seu ato de flagrar e registrar as coisas do mundo, transformando a apreensão em conhecimento analítico, a de Natália projeta como sujeito uma afirmação intensa do eu no discurso, em um olhar voltado para a gênese do indivíduo, promovendo, na consubstanciação narcisista da voz com a poeta, uma figura de linguagem necessária tanto para romper com a lógica (o absolutismo racionalista) e com o senso comum em relação a Deus quanto para defender o poeta, a poesia e a urgência de praticá-la valorizando-se o princípio da especificidade da arte, a memória literária em geral. Identificando, por um lado, a fragmentação e a aridez no estilo contido e esfíngico de Orides e, por outro, o enredamento e a força impulsiva de uma feiticeira no tom rebelde da linguagem de Natália, evita-se, desse modo, a tendência usual, em muitos dos estudos comparativos, de busca de analogias assentadas na semelhança. Não se constroem binarismos entre os poemas, mas articulações de modo mais aberto, favorecendo a capacidade de estabelecer relações e, assim, uma visão mais ampla da literatura, em uma aproximação intercontinental liberta das limitações dos estudos centrados em um único espaço. / This dissertation presents convergence between the poetry of the Brazilian author Orides Fontela (1940-1998) and the Portuguese author Natália Correia (1923- 1993). We seek to analyze from both their specific languages and their poetic positioning, the contrast concerning the construction of the subject as projection of meaning in the poem; this projection seen as poetic subject. The work of Orides has some similarities with the work of João Cabral due to its impersonal characteristics, self-restraint, quest for the proper word and reverence for a sphinx silence. It also creates a cognoscenti subject as consequence of the contemplative look of the poetic voice, a subject depicted while perceiving and registering the things of the world, changing his perception to analytical knowledge. On the other hand, Natália projects as subject an intense affirmation of the subject in the discourse, a look directed towards the genesis of the individual. Fostering, while gathering narcissist voice and poet, a figurative language required to break both with the logic (rational absolutism) and with what is generally accepted about God. Making use of this language, poet, poetry, literary memory in general, and the eagerness to write valuing the idea of purpose to art, are protected. We focused on one hand on the fragmentation and arid self-constrained sphinx style of Orides, and on the other hand on the entanglement and impulsive power of a witch written by Natália in a rebellious language, thus avoiding the search for analogies based on similarities, which is a common tendency in many comparative studies. It was not raised binary oppositions between the poems, but open articulations, favoring the capability to establish connections. Therefore, it was possible to have a clear vision of literature, and an intercontinental approach free from the limitations posed by studies centered in one space. Poetica Poesia brasileira - Sec. XX- Séc. XX Poesia portuguesa - Sec. XX- Séc. XX Comparative literature Poetic subject Brazilian poetry Portuguese poetry
346	Is there a woman in the text? : a feminist exploration of Katherine Mansfield's search for authentic selves in a selection of short stories Cooper, Lucille 30 June 2008 (has links) Katherine Mansfield (1888-1923), British Modernist writer whose search for authentic selves in the lives of the characters in her short stories, is reflected in her innovative style of writing in which she examines the interior consciousness of their minds. Mansfield questions the inauthentic lives of the characters, revealing that the roles they play are socially imposed forcing them to hide their true selves behind masks. The stories which have been chosen for this study focus on women characters (and men also) who grapple with societal prescriptions for accepted actions, and are rendered mute as a result. The women characters include all age groups and social classes. Some are young and impressionable (The Tiredness of Rosabel, The Little Governess and The Garden Party), others are married and older (Bliss, Prelude and Frau Brechenmacher attends a wedding ), while there are also middle-aged women in Miss Brill and The Life of Ma Parker. / English Studies / M.A. (English) Suppressed anger and despair Masks Identification with women's experience Gender differences Mute Constricting prescriptions for actions Women isolated in society Innovative style of writing British modernism 823.912 Mansfield, Katherine, -- 1888-1923 Persona (Literature) Self in literature Identity (Psychology) in literature
347	Proces d'alienation de l'intellectuel dans les romans sub-Saharaiens Francophones : Xala D'O. sembene, le pacte de Sang de P.N. Nkashama et L'Histoire du fou de M. Beti / Denouncing the alienation of the intellectual elite in sub-Saharan Francophone novels : Xala by O. Sembene, le Pacte de sang by P.N. Nkashamba, and L'Histoire du fou by M. Beti Ntita, Samuel Beya 05 1900 (has links) Text in French, with abstracts in French and English / Au lendemain des indépendances africaines, les écrivains tentent de dénoncer, sinon l’aliénation des intellectuels, du moins ce que le peuple désignait sous ce terme dans les excolonies françaises et belges. Le recours fréquent, dans la construction du récit, à la thématique de la faute de l’intellectuel se présente comme résultat d’un manquement au rôle qui lui revient. Pour mener à bien notre enquête, la théorie utilisée est l’Analyse de contenu thématique (A.C.T.) de Pierre Lannoy. Ce modèle aidera à cerner tout ce qui menace l’équilibre de l’édifice social. Cependant l’étude de l’aliénation des intellectuels a montré que l’émergence d’une crise semblable relève d’une série de causes complexes. Sa compréhension fait appel à de multiples champs scientifiques : sociologie, psychologie, économie, […] La seule solution est le compromis pour tous. C’est une vaine prétention que de vouloir établir ici un bilan exhaustif : l’étude de l’image de l’intellectuel ne peut qu’être évolutive. / In the aftermath of African independence, writers tried to denounce, if not the alienation of intellectuals, at least what people meant by this term in the former French and Belgian colonies. Frequent recourse to the theme of the fault of the intellectual in the construction of the narrative is presented as the result of a failure to fulfil the role that was assigned to him. To carry out our investigation, the theory used is Pierre Lannoy's Thematic Content Analysis (T.C.A.). This model will help to identify anything that threatens the balance of the social edifice. However, the study of the alienation of intellectuals has shown that the emergence of a similar crisis is due to a series of complex causes. Its understanding involves multiple scientific fields: sociology, psychology, economics, [...] The only solution is compromise for all. It is a vain claim to want to establish an exhaustive assessment here: the study of the image of the intellectual can only be evolutionary. / Classics and World Languages / D. Litt. et Phil. (French) Alienation Evolved Intellectual Negritude Colonization (set of) themes T.C.A. Xala Le pacte de sang L’histoire du fou O. Sembene P.N. Nkashama M. Beti Aliénation Eévolué Intellectuel Négritude Colonisation Thématique A.C.T. Xala Le pacte de sang L’histoire du fou O. Sembene P.N. Nkashama M. Beti 840.9896 Ousmane, Sembène, -- 1923-2007 Pius Ngandu Nkashama, -- 1946- Mongo Beti, -- 1932-2001 French fiction -- History and criticism
348	Ukraїnas självständighet 1917 i svensk press 1917–1918 / Ukraine’s independence 1917 in swedish press 1917–1918 Bergman, Leo January 2017 (has links) This dissertation is a quantitative study with elements of qualitative analysis. The purpose of this quantitative study was to investigate WHAT was written about Ukraine's independence 1917 in Swedish press 1917–1918. The qualitative part of the survey was intended to answer the question if the newspaper's political attitude influenced the news reports during the chosen period. The exact periodization was determined to be between March 1, 1917 and June 30, 1918. This periodization was chosen because of the March Revolution in 1917, which triggered independence declarations in a number of countries oppressed by Moscow, who now saw their chance of freedom. June 1918 became the end of the investigation because it was just when the peace agreement between Ukraine and the Soviet Union was signed. The source material has been chosen to represent a multitude of ideological orientations. It was liberal, moderate, conservative, liberal and left-wing orientations. The source material consisted of newspaper articles from the following newspapers: Dagens Nyheter, Aftonbladet, Göteborgs Aftonblad, Svenska Dagbladet, Dalpilen, Kalmar Tidning and Norrskensflamman. Quantitative methodology was used on the source material. This method consisted of a reviewing of newspaper articles in searching of news reports from Ukraine or articles which had something to do with the events in Ukraine. Every newspaper was searched day after day. The crawled material was presented in two chapters representing different periods. The first chapter of the results presented the results from 1917, and more precisely from March to December 1917. The second chapter presented the results from 1918, but also from December 1917, that is, the result from December 1917 through June 1918. The whole result was then discussed in a separate chapter where the qualitative analysis was also discussed. The result of the quantitative analysis showed that it has been written relatively sparcely about Ukraine's independence although the volume of articles increased from December 1917 and even more in 1918. Sometimes there were articles on the first page. But for the most part, the articles with Ukraine issues were placed among other foreign articles. It was also found in the survey that it was the first World War that drew attention to the newspapers, even though the events in Petrograd and then in Ukraine took more space. This survey also showed that what was written about Ukraine's independence was also what appears in the reference literature. The news reports reported how Ukraine proclaimed independence in March 1917 and later on proclaimed an independent republic in November 1917 when the Bolsheviks conducted their coup d'état in Petrograd. The newspapers also wrote how the Russian Communists sent a declaration of war to Ukraine in December 1917 and about the war that followed. The articles also tell us how negotiations on Ukraine Peace went on in Brest-Litovsk, and how they ended up with alliance between Germany and Ukraine with the campaign against the communists. It was told how the German army marched into Ukraine to free it from the bolsheviks. Until May 1918 there were battles between the German-Ukrainian Army and the Communists. In June 1918 the peace agreement was signed and this survey’s investigation ended. The survey showed that it was written about Ukraine's independence in all newspapers. Dagens Nyheter had the most news articles linked to the survey. Although the number of articles was not subject for analysis in this survey. The qualitative analysis was based on using Höjelid's theoretical concepts "positive sound" and "negative sound" on the quantitative analysis material. The qualitative analysis’ result showed that it was almost impossible to see the differences between the newspapers because the articles were traded between the newspapers, i.e. the content was copied straight away. It should be noted that not all content was the subject of copying between the newspapers. Copying occurred to a greater extent, but there were still original articles derived from the respective newspaper. Most of the articles were also direct telegrams that were communicated abroad to the newspaper's editors. A lot of these telegrammic articles were sent with a purpose to mislead society. These angled articles were published without further examination in Swedish press. There were articles from, for example, Dagens Nyheter whose editors noted the "strange Petrograd reports" and informed about it for the purpose of enlightening the public. However, as most newspapers were occupied with World War I, as was shown in the source material, the newspaper editorial office was less interested in other foreign events. Therefore, such angled articles could be found in Swedish press on a larger scale. / Denna avhandling är en kvantitativ studie med inslag av kvalitativ analys. Syftet med denna kvantitativa studien var att undersöka VAD som skrevs om Ukrajinas självständighet 1917 i svensk press 1917–1918. Den kvalitativa delen av undersökningen ämnade att besvara frågan om tidningens politiska hållningen påverkade nyhetsrapporteringen under den valda perioden. Den exakta periodiseringen fastställdes att vara mellan den 1 mars 1917 och den 30 juni 1918. Denna periodisering valdes på grund av marsrevolutionen 1917 som utlöste självständighets-förklaringar i en rad länder som var förtryckta av Moskovitien och som nu såg sin chans till frihet. Juni 1918 blev slutpunkten i undersökningen därför att det var just då som fredsavtalet mellan Ukrajina och Sovjet undertecknades. Källmaterialet har valts att representera en mångfald ideologiska inriktningar. Det var liberal, moderat, konservativ, frisinnad samt vänstersocial inriktningar. Källmaterialet bestod av tidningsartiklar från följande tidningar: Dagens Nyheter, Aftonbladet, Göteborgs Aftonblad, Svenska Dagbladet, Dalpilen, Kalmar tidning och Norrskensflamman. Det användes kvantitativ metod på källmaterialet som bestod i en genomsökning av tidningsartiklarna efter nyhetsrapporter från Ukrajina eller som hade något med händelserna i Ukrajina att göra. Varje tidning genomsöktes dag för dag. Det genomsökta materialet presenterades i två kapitel som representerade olika perioder. Det första resultatkapitlet presenterade resultatet från år 1917, och mer exakt från mars till december 1917. Det andra kapitlet presenterade resultatet från år 1918, men även från december 1917, det vill säga resultatet från och med december 1917 till och med juni 1918. Det hela resultatet diskuterades sedan i ett eget kapitel där även den kvalitativa analysen diskuterades. Resultatet från den kvantitativa analysen visade att det har skrivits relativt sparsmakat om Ukrajinas självständighet även om artikelmängden ökade från december 1917 och ännu mer under 1918. Ibland förekom det artiklar på första sidan. Men för det mesta placerades artiklarna med Ukrajina-frågor bland andra utlandsartiklar. Det framgick också i undersökningen att det var mest första världskriget som upptog tidningarnas uppmärksamhet, även om händelserna i Petrograd och sedan i Ukrajina tog allt mer plats allt eftersom. Denna undersökning visade också att det som skrevs om Ukrajinas självständighet var också det som förekommer i referenslitteraturen. Nyhetsrapporterna berättade hur Ukrajina utropat sin självständighet i mars 1917 tills landet proklamerat en oberoende republik i november 1917 när bolsjevikerna genomförde sin statskupp i Petrograd. Tidningarna skrev också hur de ryska kommunisterna skickade krigsförklaring till Ukrajina i december 1917 och om det kriget som följde efter det. Artiklarna berättar även om hur förhandlingarna för Ukrajinafreden gick till i Brest-Litovsk samt hur dessa avslutades med att Tyskland allierade sig med Ukrajina i kampen mot kommunisterna. Det berättades hur den tyska armén marscherade in i Ukrajina för att befria det från bolsjevikerna. Fram till maj 1918 pågick det strider mellan tysk-ukrajinska armén och kommunisterna. I juni 1918 undertecknades fredsavtalet och där slutade undersökningen. Undersökningen visade att det skrevs om Ukrajinas självständighet i samtliga tidningar. Dagens Nyheter hade flest nyhetsartiklar kopplade till undersökningen. Även om antalet artiklar ej var i syfte att analysera i denna undersökning. Den kvalitativa analysen gick ut på att använda Höjelids teoretiska begrepp ”positiv klang” och ”negativ klang” på den kvantitativa analysens resultatmaterial. Det kvalitativa resultatet visade att det var nästintill omöjligt att se skillnad mellan de olika tidningarna eftersom artiklarna traderades mellan tidningarna, det vill säga innehållet kopierades rakt av. Det bör påpekas att inte allt innehåll var ämne för kopiering mellan tidningarna. Kopieringen förekom i större utsträckning men det fanns ändå originella artiklar som härstammade från respektive tidning. De flesta av artiklarna var dessutom direkta telegram som kommunicerades i utlandet till tidningens redaktioner. En hel del av dessa telegraferade artiklar skickades med ett givet syfte att vilseleda samhällsopinionen. Dessa vinklade artiklar publicerades utan vidare granskning i svensk press. Det förekom artiklar från exempelvis Dagens Nyheter vars redaktion uppmärksammat de ”märkliga Petrogradrapporter” och informerat om det i möjligt syfte att upplysa allmänheten. Men eftersom de flesta tidningarna var upptagna med första världskriget, som det visades i källmaterialet, var tidningsredaktionerna mindre intresserade av andra utländska händelser. Därför kunde sådana vinklade artiklar förekomma i svensk press i en större omfattning. Ukraine Peace Ukraїna Ukraine independence 1917 1918 independence movement peace treaty invasion invasion war independence war freedom war freedom struggle Dagens Nyheter Svenska Dagbladet holodomor 1921 1923 Norrskensflamman Moskali Dalpilen Kalmar tidning Göteborgs Aftonblad Aftonbladet Kyiv Odesa Charkiv Dnipro Crimea revolution UNR Ukraine’s National Republic press swedish press press survey press study communism leninism Moksel genocide Petrograd coup d'état CHEKA nkvd Moskau GPU KGB lenin Red Army Soviet Soviet Union bolsheviks socialists Moscovia red terror communist terror SSU socialdemocrats red guardian red guard white guardian black guard Finland Sweden Finnish independence movement terrorist organization commission civil war invasion genocide proletarian bolshevik terror cadets moscovian threat russian threat muscovites Pultava Poltava Tauria Katerynoslaw Chernihiv Ottokar Czernin Weimar republic Deutsches Reich interim government national hero mensheviks maximalists minimalists provisional government Rada supremacy central powers Germany Deutschland German Empire Kaiser Wilhelm Treaty of Brest-Litovsk Belarus communist propaganda Mohilev peace negotiation Caucasus Cuban Don Ukrajina UkrajinaFreden Ukraїna Ukraina självständighet 1917 1918 självständighetsrörelse Tidningsuppsats presstudie pressundersökning tidningsstudie dagspress rikspress Dagens Nyheter Svenska Dagbladet Norrskensflamman Moskali Dalpilen Holodomor 1921 1923 Kalmar tidning Göteborgs Aftonblad Aftonbladet Kommunism Sovjet bolsjeviker Petrograd Krim Charkiv Odesa Dnipro Kyjiv Revolution Leninism statskupp TJEKA nkvd GPU KGB lenin invasionskrig invasion fredsavtal socialister kommunister röda armén röd terror kommunistisk terror SSU socialdemokrater rödgardister vitgardister svarta gardet Finland Sverige finska självständighetsrörelsen terrororganisation kommission inbördeskrig folkmord självständighetskrig proletär bolsjevikiska terrorismen kadetterna ryssar rysshotet Moskovitien Poltava Pultava Taurien Katerynoslaw Tjernihiv Czernin nationalhjälte mensjeviker maximalisterna minimalisterna interimregering provisorisk regering rada suprematien centralmakterna Tyskland Weimar republic Deutsches Reich Tyska riket Kaiser Wilhelm Treaty of Brest-Litovsk Belarus kommunistpropaganda Mohilev fredsförhandling Kaukasus Kuban Don History Historia

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