Memoria (licenciado en ciencias jurídicas y sociales) / No autorizada por el autor para ser publicada a texto completo / El desarrollo de la presente investigación consiste en describir un modelo de evaluación de la racionalidad de las teorías dogmáticas y luego realizar una aplicación práctica de éste, de modo de evaluar una discusión dogmática particular. Para desplegar este análisis de debe determinar una discusión dogmática particular, que en este caso será la punibilidad de la tentativa inidónea en el derecho penal alemán, de acuerdo a las teorías dogmáticas de Claus Roxin y Günther Jakobs. Y, a partir de este ámbito específico de discusión, se podrá analizar los presupuestos metodológicos y puntos de partida teóricos de cada una de las teorías dogmáticas generales de estos autores, de modo de evaluar su coherencia, consistencia y evolución, respecto a las teorías dogmáticas particulares desarrolladas en el ámbito de la discusión sobre la punibilidad de la tentativa inidónea. Esta investigación teórica se desarrollará de acuerdo al siguiente esquema: En primer lugar, se realizará una descripción de las teorías dogmáticas en general y del modelo de análisis que será planteado en este trabajo. A continuación, se describirá la discusión dogmática específica y las teorías en disputa que se analizarán. Una vez descrita la discusión se podrá investigar todos los presupuestos metodológicos y teóricos que suponen las soluciones dogmáticas directamente aplicables propuestas por los autores inmersos en la discusión. Finalmente, se realizará una evaluación de la racionalidad de la postulación y asunción de estas teorías en disputa.

Orientador: Edmundo Fernandes Dias / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-20T09:42:26Z (GMT). No. of bitstreams: 1 Cicone_ReinaldoBarros_M.pdf: 4982779 bytes, checksum: c86bd366aa640ee1454e24631a4cce39 (MD5) Previous issue date: 1995 / Resumo: Este trabalho trata da história do Partido dos Trabalhadores, principalmente no período de 1987 a 1994. Descreve as análises de conjuntura realizadas pelo PT em cada momento, a política de alianças definida e os programas de governo propostos para o país. Ao fazer isso recupera a história das disputas políticas no Brasil neste período, do ponto de vista do PT. Além disso, analisa o desenvolvimento dos conceitos de Partido, Estado, Hegemonia e Socialismo nas resoluções dos Encontros Nacionais, no período estudado. Para este análise utiliza-se dos conceitos teóricos do marxista italiano Antomio Gramsci, comparando-os com as resoluções partidárias. Demonstra a existência de uma significativa semelhança entre as resoluções partidárias e as idéias gramscianas sobre estas questões, mas também a I tendência de separação entre as resoluções aprovadas e as ações efetivamente praticadas pelo PT. Demonstra ainda o rebaixamento do programas e dos horizontes do PT, em seus quinze anos de existência. As tendências de separação entre teoria e prática, de rebaixamento de seu programa, de sua ação e de seus ideais vem distinguindo o PT das idéias gramscianas sobre o papel, o caráter, a vida e os objetivos de um partido socialista. / Abstract: This research discuss the history of the Brazilian W ork Party (Partido dos Trabalhadores) from 1987 to 1994. It describes the analysis of political situation done by PT in each time, the mIes to make alliances with others parties and the programs proposed to the country. Doing that it recover the history of the political disputes in this period, from the point ofview ofthe PT. Besides, it analyses the development of the concepts of Party, State, Hegemony and Socialism in the resolution of the National Meetings, in the studied period. To this analysis it takes the theoretical concepts ofthe Italian Marxist Antonio Gra,msci, comparing its with the partisan resolutions. It proves the existence of a significant similarity between the partisan resolution and the Gramsci' s ideas about these questions, but also the tendency of a I separation between the approved resolutions and the actions really done by PT. It proves also the reduction of the programs and of the ideaIs of PT, in his fifteen years of life. The tendency of separation between theory and the practice, of reduction of his program, of his practice and of this ideaIs have been distinguishing PT from the Gramsci's ideas about the paper, the characteristic, the life and the objective of a socialist party. / Mestrado / Mestre em Sociologia

Orientador: Michel Debrun / Dissertação (mestrado)-Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-07-13T20:31:48Z (GMT). No. of bitstreams: 1 Jesus_AntonioTavaresde_M.pdf: 12507480 bytes, checksum: f4d11be7ebcc917234426916845fe8c9 (MD5) Previous issue date: 1985 / Mestrado

Orientador : Michael McDonald Hall / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-18T17:50:56Z (GMT). No. of bitstreams: 1 Costa_Helioda_M.pdf: 7760285 bytes, checksum: 8d11130525e4f0e690ca4e0b026b70e3 (MD5) Previous issue date: 1993 / Resumo: Não informado / Abstract: Not informed / Mestrado / Mestre em História

Orientador : Wilson Cano / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia, Instituto de Filosofia eCiencias Humanas / Made available in DSpace on 2018-07-19T00:18:33Z (GMT). No. of bitstreams: 1 Aureliano_LianaMaria_D.pdf: 4511931 bytes, checksum: 46ec575a655b4ae0aca3f93b644686ff (MD5) Previous issue date: 1976 / Resumo: Não informado / Abstract: Not informed / Doutorado / Doutor em Economia

Orientador: Evelina Dagnino / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-19T20:18:56Z (GMT). No. of bitstreams: 1 Burgos_Raul_M.pdf: 15743792 bytes, checksum: 6d5381b40ac358779c3c184cb3ab6e2b (MD5) Previous issue date: 1994 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Ciência Política

No description available.

Albert Roussel, a contemporary of Ravel and Debussy, composed nine chamber works which include the flute. His general musical style as well as his use of the flute in these works is discussed in this lecture recital.

In his song cycle, Chansons madécasses (1926), a chamber work for voice, piano, flute, and cello, Maurice Ravel combines twentieth-century musical experimentation and exoticism with the late nineteenth-century style characteristics present in the vocal elements and instrumentation. Because early twentieth-century music appears to be closely connected to modern concerns, performers may tend to dismiss the style and technique of the early twentieth century as simply "old-fashioned" rather than examine and consider those elements as resources and valuable tools for interpreting and presenting authentic performances. The focus of this research includes a discussion of the historical, social, and textual implications of the music and poetry; a formal musical analysis of the work, including comparisons of an early twentieth-century, mid-century, and late twentieth-century recordings with regard to the use of vibrato and portamento in the voice, cello, and flute; and an examination of Chansons madécasses for elements of authentic Malagasy music and poetry. The paper also suggests methodologies for performance practice which reflect the results of these analyses. The beginnings of the rejection of traditional form - harmonic, rhythmic, and melodic structures - found in the early part of the century began to free composers and performers to explore musical presentations that gain their power not only from startling and unexpected elements of exoticism and interpretation but also from their romantic roots, which spurred the desire for a raw, even melodramatic, emotionalism. Ravel, without sacrificing the integrity of his native language, is able to blend his text with his accompaniment in a way that uses both the poem and the music to advance the "plot" and emotion of the narration, producing what might be described as a near perfect union of form and theme, structure and idea.

In considering Maurice Ravel's orchestration of Mussorgsky’s Pictures At An Exhibition, this paper will consider the work of Ravel from two aspects. First, it will deal with Ravel as a classical craftsman as evident in this orchestration. Second, it will explore this work and in two of his original works in which color is of main importance and some of his characteristics as a colorist. These considerations will follow a preliminary background of Mussorgsky’s piano score, and extant editions thereof.