Este estudo busca examinar o teatro de Chico Buarque enquanto dramaturgia, tratar de sua concretização em espetáculo, expor a recepção crítica de cada texto e das montagens mais significativas, relacionar o conjunto da obra ao contexto histórico dos anos de 1968 a 1978 no Brasil. Acompanhando a trajetória do teatro de Chico Buarque, este trabalho traça um painel das difíceis relações entre os artistas, protagonistas de uma atividade que requer a liberdade como princípio e fim, e os homens da última ditadura militar da história brasileira, impositores da censura e praticantes da repressão oficial ou à margem da lei. A presente dissertação compõe-se por uma introdução ao tema, cinco ensaios relativos a cada uma das obras dramatúrgicas do autor e algumas considerações finais. / This study intends to examine the theater by Chico Buarque as playwriting, broach its realization as dramatic spectacle, expose the critic’s judgements on the author’s texts and their most important putting on a show, relate his plays with the historical context of the 1968 to 1978 decade in Brazil. Observing the trajectory of the theater by Chico Buarque, this work delineates a panel of the conflitive relationships between the artists − who are engaged in an activity that requires liberty as principle and purpose − and the men committed to inflict censure and execute the official or lawless repression during the last military dictatorship in Brazil. This dissertation is composed by an introduction to the theme, five essays concerning to each dramatic work by the author and some final considerations.

本論文主在以軍備管制、經濟互動、及歐洲安全三項指標評估自一九六九年尼克森政 府始，迄現任雷根政府上，美蘇兩國在和解政策下的關係發展。 第一章─「戰後美蘇冷戰之回顧」：除檢討冷戰的變數，並以三項指標說明蘇聯戰後 的擴張與美國的圍堵。 第二章─「和解的起源」：除剖析影響和解的國際、國內因素，並檢討美蘇外交決策 人對和解的意識認知。 第三章─「尼克森、福特政府和解的發展」：主以三項指標說明此階段美蘇和解的進 展。 第四章─「卡寺政府和解的衰退」：主以三項指標說明此階段美蘇和解的衰退。 第五章─「雷根政府和解的幻滅」：主以三項指標說明此階段美蘇和解的幻滅。 第六章─「和解演進的評估」：除檢討和解的正負功能，並以三項指標檢討三任政府 在和解政策上的成敗。

[pt] Discutir de forma crítica a produção e a recepção da música popular brasileira ao longo dos anos 70 é o objetivo central deste trabalho. De maneira oposta ao que ocorreu com a bossa nova, o tropicalismo e o rock dos anos 80, a reflexão sobre esse período de grande importância da nossa música parece ser dispersa e fragmentada, sem apresentar a consistência das análises sobre os movimentos citados. Essa consistência não se baseia numa interpretação homogênea dos casos. Pelo contrário, a diversidade de interpretações é o que confere a eles uma posição privilegiada no campo dos Estudos Culturais no Brasil. A proposta dessa dissertação é justamente se juntar a essa dispersa e fragmentada produção teórico- reflexiva sobre os anos 70 oferecendo mais uma voz, um olhar, um corpo escrito que de alguma forma possa interceder nos debates sobre a cultura brasileira e sua vitalidade naquele momento. Levando em consideração a especificidade de uma conjuntura política de autoritarismo e de violento cerceamento a liberdade de expressão e opinião, porém sem aceitar qualquer forma de leitura determinista sobre essa condição, minha proposta é discutir questões que tenham, de algum modo, afetado a classe artística, o público e a crítica desta década. / [en] The central objective of this work is to critically discuss the production and reception of Brazilian popular music during the seventies. Opposite to what happened to bossa nova, tropicalism and the 80s rock movement, the reflections about this period of great importance in our music seem to be disperse and fragmented, not presenting the consistency of the analyses of the aforementioned movements. This consistency is not based on an homogeneous interpretation of the cases, on the contrary, the diversity of interpretations is what confers to them a privileged position at the Cultural Studies field in Brazil. The exact proposal of this dissertation is to join this disperse and fragmented theoretical-reflexive production about the 70s presenting one more voice, an outlook, a written body that somehow may intercede in the debates on Brazilian culture and its vitality at that moment. My proposal is to discuss questions that somehow affected the artists, audiences and critics of this decade, taking in consideration the specificity of a political context of authoritarism and violent restrictions of freedom of speech and opinion, whilst not accepting any form of determinist reading of this condition.

A seguinte dissertação tem por objetivo apresentar um estudo a respeito do autor Domingos Pellegrini e sua poética no contexto da literatura dos anos de 1970 no Brasil. Parte dos propósitos da pesquisa é levantar e analisar os percursos de construção da linguagem, os recursos literários utilizados e os temas escolhidos pelo autor. Para isso, tem-se como objeto de trabalho o livro As sete pragas (1979) e, por meio da utilização da teoria literária baseada nos conceitos elaborados, principalmente, por Antonio Candido, com os quais se analisa os contos e novelas do livro, procura-se sistematizar a poética do autor e, ao mesmo tempo, apresentá-lo literariamente como um escritor da década de 1970. Além da introdução, a pesquisa está organizada em três capítulos orientados de acordo com os principais temas implicados na obra, revendo a organização do livro que dispõe as narrativas em uma divisão de gêneros literários, ou seja, três contos e três novelas. Este trabalho, no entanto, reorganiza as narrativas em dois novos conjuntos, em função dos seguintes temas: o primeiro, a respeito do feminino, como representação dos lugares e espaços sociais ocupados ou negados à mulher em As sete pragas; o segundo, sobre relações de poder configuradas por meio dos espaços ocupados pelo masculino no percurso das narrativas, que se reproduzem nos enredos e nas personagens como forma de representação simbólica do sistema capitalista subdesenvolvido, criando uma unidade com o primeiro capítulo; e por fim, o terceiro, sobre dois momentos da obra do autor, correspondendo às duas edições do livro mencionado (1979 e 2007), tendo como referência as entrevistas concedidas para esta dissertação, reproduzidas no anexo, bem como as alterações ocorridas na segunda edição. / The following essay aims to present a study about the author Domingos Pellegrini and his poetics in the context of the 1970s literature in Brazil. Part of the research purpose is to raise and analyze the language construction of his work, the literary devices used and themes chosen by the author. For this, the focus is on the book As sete pragas (1979) and, through the use of literary theory based on concepts elaborated mainly by Antonio Candido to help analyze the short stories and nouvelles in the book. It thereby seeks to systematize the poetics of the author and, at the same time, present him as a literary writer of the 1970s. Besides the introduction, the research is organized into three chapters corresponding to the main themes. The book is organized by a division of genres, three short stories and three nouvelles, and this work reorganizes these narratives into two groups based on these themes: the first is about the power configuration of the female character in As sete pragas; the second, on other power relations, configured through the space occupied by men in the course of the narratives as a symbolic representation of the late capitalist system in Brazil; and finally, the third presents a comment about two moments of the author\'s work (1979 and 2007), by making reference to the interview for this thesis, which is reproduced in the Annex.The following essay aims to present a study about the author Domingos Pellegrini and his poetics in the context of the 1970s literature in Brazil. Part of the research purpose is to raise and analyze the language construction of his work, the literary devices used and themes chosen by the author. For this, the focus is on the book As sete pragas (1979) and, through the use of literary theory based on concepts elaborated mainly by Antonio Candido to help analyze the short stories and nouvelles in the book. It thereby seeks to systematize the poetics of the author and, at the same time, present him as a literary writer of the 1970s. Besides the introduction, the research is organized into three chapters corresponding to the main themes. The book is organized by a division of genres, three short stories and three nouvelles, and this work reorganizes these narratives into two groups based on these themes: the first is about the power configuration of the female character in As sete pragas; the second, on other power relations, configured through the space occupied by men in the course of the narratives as a symbolic representation of the late capitalist system in Brazil; and finally, the third presents a comment about two moments of the author\'s work (1979 and 2007), by making reference to the interview for this thesis, which is reproduced in the Annex.

Submitted by Celso Magalhaes (celsomagalhaes@ufrrj.br) on 2018-08-30T13:09:13Z No. of bitstreams: 1 2010 - Eduardo ?ngelo da Silva.pdf: 47957661 bytes, checksum: 96713248474cd9ee81ea58efdcb3857a (MD5) / Made available in DSpace on 2018-08-30T13:09:13Z (GMT). No. of bitstreams: 1 2010 - Eduardo ?ngelo da Silva.pdf: 47957661 bytes, checksum: 96713248474cd9ee81ea58efdcb3857a (MD5) Previous issue date: 2010-09-10 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This work is an attempt to articulate the perspective of labor history and urban history as two complementary fields in social history. We have tried to observe how the dynamic Brazilian economy, in which the Companhia Sider?rgica Nacional (the most important steel mill in the country) has been an important protagonist, since its creation in the 1940?s, related to the ways in which this company engendered its labor force, in clash with workers mobilizations. The most important landmark in this trajectory, after the democratic years (1945-1964), is the fracture caused by the 1964 state coup in the relationship between workers and company. The changes in CSN social policies, as well as the transformations in the economic policies implemented by the new regime, would be subject to a confrontation between different interpretations formulated by distinct agents involved in this process. In our case study, Volta Redonda, we could identify as important actors involved in the social dynamics of those years ? for example, the military ? interpreted the impacts of the coup on the working class. In the other extreme of the process, we have examined the workers experience in the town, in decade of 1970?s, looking for the rearticulation of their identitary references, after those changes in the general context, that indicate the new fractures and amalgamations inside the class occurred from that moment on / Este trabalho ? uma tentativa de articula??o entre as propostas da hist?ria social do trabalho e uma hist?ria social urbana. Pretendeu-se observar como a din?mica econ?mica brasileira, da qual a Companhia Sider?rgica Nacional foi importante protagonista, desde sua cria??o nos anos 40, relacionou-se ? forma como essa ind?stria gestou sua for?a de trabalho, entrando em choque com a mobiliza??o dos trabalhadores. O marco mais importante desta trajet?ria por n?s observada ?, ap?s os anos democr?ticos (1945-1964), a fratura causada pelo Golpe de 1964 na rela??o estabelecida entre os trabalhadores e empresa. As mudan?as na pol?tica social da CSN, assim como as altera??es do modelo econ?mico vigente, se tornariam alvo de uma disputa entre diferentes interpreta??es formuladas por diferentes agentes envolvidos no processo. No caso estudado, em Volta Redonda, pudemos identificar como importantes atores envolvidos na din?mica social daqueles anos ? por exemplo, os militares ? interpretaram os impactos do Golpe sobre a classe trabalhadora. Na outra ponta da viv?ncia do processo, nos debru?amos sobre a experi?ncia dos trabalhadores da localidade, nos anos 70, buscando a rearticula??o de seus referenciais identit?rios, a partir de tal mudan?a, os quais ir?o indicar as novas fraturas e am?lgamas internos a classe, a partir de ent?o.

A seguinte dissertação tem por objetivo apresentar um estudo a respeito do autor Domingos Pellegrini e sua poética no contexto da literatura dos anos de 1970 no Brasil. Parte dos propósitos da pesquisa é levantar e analisar os percursos de construção da linguagem, os recursos literários utilizados e os temas escolhidos pelo autor. Para isso, tem-se como objeto de trabalho o livro As sete pragas (1979) e, por meio da utilização da teoria literária baseada nos conceitos elaborados, principalmente, por Antonio Candido, com os quais se analisa os contos e novelas do livro, procura-se sistematizar a poética do autor e, ao mesmo tempo, apresentá-lo literariamente como um escritor da década de 1970. Além da introdução, a pesquisa está organizada em três capítulos orientados de acordo com os principais temas implicados na obra, revendo a organização do livro que dispõe as narrativas em uma divisão de gêneros literários, ou seja, três contos e três novelas. Este trabalho, no entanto, reorganiza as narrativas em dois novos conjuntos, em função dos seguintes temas: o primeiro, a respeito do feminino, como representação dos lugares e espaços sociais ocupados ou negados à mulher em As sete pragas; o segundo, sobre relações de poder configuradas por meio dos espaços ocupados pelo masculino no percurso das narrativas, que se reproduzem nos enredos e nas personagens como forma de representação simbólica do sistema capitalista subdesenvolvido, criando uma unidade com o primeiro capítulo; e por fim, o terceiro, sobre dois momentos da obra do autor, correspondendo às duas edições do livro mencionado (1979 e 2007), tendo como referência as entrevistas concedidas para esta dissertação, reproduzidas no anexo, bem como as alterações ocorridas na segunda edição. / The following essay aims to present a study about the author Domingos Pellegrini and his poetics in the context of the 1970s literature in Brazil. Part of the research purpose is to raise and analyze the language construction of his work, the literary devices used and themes chosen by the author. For this, the focus is on the book As sete pragas (1979) and, through the use of literary theory based on concepts elaborated mainly by Antonio Candido to help analyze the short stories and nouvelles in the book. It thereby seeks to systematize the poetics of the author and, at the same time, present him as a literary writer of the 1970s. Besides the introduction, the research is organized into three chapters corresponding to the main themes. The book is organized by a division of genres, three short stories and three nouvelles, and this work reorganizes these narratives into two groups based on these themes: the first is about the power configuration of the female character in As sete pragas; the second, on other power relations, configured through the space occupied by men in the course of the narratives as a symbolic representation of the late capitalist system in Brazil; and finally, the third presents a comment about two moments of the author\'s work (1979 and 2007), by making reference to the interview for this thesis, which is reproduced in the Annex.The following essay aims to present a study about the author Domingos Pellegrini and his poetics in the context of the 1970s literature in Brazil. Part of the research purpose is to raise and analyze the language construction of his work, the literary devices used and themes chosen by the author. For this, the focus is on the book As sete pragas (1979) and, through the use of literary theory based on concepts elaborated mainly by Antonio Candido to help analyze the short stories and nouvelles in the book. It thereby seeks to systematize the poetics of the author and, at the same time, present him as a literary writer of the 1970s. Besides the introduction, the research is organized into three chapters corresponding to the main themes. The book is organized by a division of genres, three short stories and three nouvelles, and this work reorganizes these narratives into two groups based on these themes: the first is about the power configuration of the female character in As sete pragas; the second, on other power relations, configured through the space occupied by men in the course of the narratives as a symbolic representation of the late capitalist system in Brazil; and finally, the third presents a comment about two moments of the author\'s work (1979 and 2007), by making reference to the interview for this thesis, which is reproduced in the Annex.

Les années 1970, en Argentine, sont marquées, jusqu’au coup d’Etat de mars 1976, par une intense montée de la conflictualité sociale en général et de la conflictualité ouvrière en particulier. Cette situation, ouverte par le Cordobazo de mai 1969, taraude les bases du régime militaire de la Révolution argentine. En 1973, le retour du péronisme au pouvoir après dix-huit années de proscription ne permet pas de juguler cette poussée. Après la mort de Juan Domingo Perón, cette dernière se poursuit sous la présidence d’Isabel Perón. Elle débouche ainsi en juillet 1975 sur la première grève générale de l’histoire argentine tournée contre un gouvernement justicialiste : c’est le Rodrigazo. Parallèlement, au sein des secteurs les plus radicalisés du mouvement ouvrier, des structures de coordination et d’auto-organisation, les Coordinadoras, font leur apparition. Ce travail, qui englobe la période constitutionnelle allant de mai 1973 à mars 1976, se centre sur les tendances à la rupture entre la base ouvrière et populaire péroniste et « son » gouvernement. A la jonction de l’histoire sociale et de l’histoire du mouvement ouvrier, puisant dans la presse de l’époque, commerciale autant que militante, ainsi que dans l’histoire orale, cette étude se veut comme une contribution à un « cinquième récit » des années 1970 en Argentine. A la différence des quatre lectures historiographiques ou « récits » qui ont prévalu depuis 1976, (« récit des militaires », « théorie des deux démons », « récit du renouveau », « récit kirchnériste »), ce travail a pour objet d’analyser les conditions d’émergence de cette conflictualité sociale, ses différentes modalités d’expression, sa cristallisation à travers diverses formes d’organisation et d’auto-organisation, mais également la façon dont la gauche radicale des années 1970 intervient en son sein. / Until the coup of March 1976, the 1970s were characterised in Argentina by a dramatic increase of social conflict in general, and of worker conflict in particular. This situation, which was initiated by the Cordobazo of May 1969, goaded the military regime of the Argentinian Revolution. The return to power of the Peronists in 1973, after 18 years of proscription, could not stop the deepening conflict. It continued after Juan Domingo Perón’s death, and throughout Isabel Perón’s period in power. In 1975 it led to the first ever general strike in Argentinian history, which was orchestrated against a justicialist government: the Rodrigazo. Simultaneously, in the most radical sectors of the workers’ movement, coordination and self-organisation structures (the Coodinadoras) began to appear. This work covers the constitutional period from May 1973 to March 1976, and focuses on the widening rift between Perón and the workers and the population at large. It aims to contribute to a “fifth” reading of the 1970s in Argentina by positioning itself at the crossroads between social history and labour history, and basing itself on mainstream and militant press coverage of the time and oral history. Unlike the four historiographical readings which have predominated since 1976 (the “military reading”, the “two demons theory”, the “renewal reading”, and the “kirchnerist reading”) this work aims to analyses the conditions from which the social conflict emerged, the different ways in which it expressed itself, its crystallisation through various forms of organisation and self-organisation, and also the role played by the radical left in the process.

[pt] A trajetória intelectual de Antonio Carlos de Brito, o Cacaso, no contexto cultural brasileiro de 1967 a 1987, a partir de sua obra editada e de seus escritos inéditos. A relação do autor com as vanguardas poéticas, com a tradição modernista e com a poesia de seu tempo, enquanto poeta e crítico. Cacaso e seus pares geracionais. / [en] The intellectual career of Antonio Carlos Brito, a.k.a. Cacaso, in the Brazilian cultural context from 1967 to 1987, on the basis of his published works and unpublished writings. The author s relationship with the poetic avant-gardes, the Brazilian Modernist tradition and the poetry of his time, as poet and critic. Cacaso and his generational peers.

There is no historiography on Durban coloureds . This work is an attempt to change that . This dissertation is an urban study of a small coloured community in Greenwood Park (GWP) during the apartheid era - a study in which housing is used as a vehicle to examine this community's response to their changing economic and socio-political status from the 1950's to the 1970's. Because of the absence of historical data , this study relies heavily on the contributions of other social sciences . It also uses oral data to fill the many gaps in the story of this marginal group . Chapter 4 and 5 explores housing as a complex physical and social phenomenon. Chapter 6 explores the GWP community's response to their housing environment . In this chapter, the association between housing and socio-economic status is explored . From 1950 to the l 970's, housing became the single most defining entity which kept coloureds trapped in the vortex of privilege and oppression . / History / M. A. (History)

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