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Action research, educational change and professional developmentHutchinson, W. B. D. January 1988 (has links)
No description available.
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Night FeverHain, James 09 July 2012 (has links)
No description available.
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KOOLYoung, Florence K 20 December 2018 (has links)
In this thesis paper, I will recount the creative and technical processes of making my graduate thesis film, KOOL. I will describe how the story was developed and written, then analyze the phases of pre-production, principle photography, and post production. I will then evaluate my leadership skills, and strengths and weaknesses as a film director.
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"Usch så de bråkar!" : Svenska tidningars reaktion på konfliken i Nordirland i början av 1970-talet / "Oh, How they fight!" : Swedish newspapers reaction to the Troubles in the early 1970'sJansson, Philip January 2023 (has links)
This essay will examine how two Swedish newspapers from two different political wings reported the Troubles in Northern Ireland (1968-1998) in the early 1970’s. There was a very specific line of thought present in the general discourse about political violence in Sweden during the 1970’s. The study found that the two newspapers had different approaches to both this Swedish line of thought and the Troubles itself. The social democratic newspaper Arbetet had a rather emotional tone in their articles about the conflict. In the moderate Borås Tidning the discourse was vastly different. The emotions present in Arbetet were missing and exchanged with an objective view of the conflict with a hardline neutrality embossing the articles. No sympathies for either side of the conflict was shown in any of the newspapers. Arbetet was however more passionate about the conflict while the interest for the conflict dwindled in Borås Tidning with smaller and smaller articles as a result.
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[en] LIVRO OU LEAVE ME: THE BABYLONIAN WRITINGS OF HÉLIO OITICICA (1971-1978) / [pt] LIVRO OU LIVRO-ME: OS ESCRITOS BABILÔNICOS DE HÉLIO OITICICA (1971-1978)FREDERICO OLIVEIRA COELHO 21 October 2008 (has links)
[pt] Entre 1971 e 1978 o artista plástico carioca Hélio
Oiticica
(1937-1980)
morou em Manhattan, Nova York. Batizada por Oiticica de
Babylon, é durante
sua estadia na cidade que ele investe grande parte de seu
trabalho em um novo
projeto: publicar uma série de textos escritos nesse
período, em um livro cujo
formato e conteúdo permaneceram em constante
transformação
ao longo dos
anos, sem atingir um resultado final. Batizado com alguns
nomes como
Newyorkaises e Conglomerado, o projeto de publicação
torna-
se o epicentro da
produção de Oiticica e, ao mesmo tempo, uma promessa não
realizada. A Tese
visa analisar a relação produtiva entre a obra de
Oiticica
e a escritura, além da
forte presença da literatura em seus trabalhos e
reflexões.
A análise dessa relação
percorrerá alguns espaços criativos desse escritor-
leitor,
como seu arquivo, seus
escritos pessoais, cartas, cadernos e fontes de leitura
por
ele utilizadas. Ao
apresentar e analisar documentos de pouca ou nenhuma
divulgação escritos por
Hélio Oiticica, a Tese pretende não só ampliar os debates
sobre arte e literatura
em geral como divulgar novas temáticas e possibilidades
de
pesquisa em relação
à sua obra. / [en] From 1971 to 1978, Hélio Oiticica (1937-1980), a native of
Rio de
Janeiro, lived in Manhattan. During his sojourn in New
York, a city he referred
to as Babylon, he put much of his effort into a new
project: that of publishing a
number of texts written in this period as a book whose
format and content would
constantly change throughout the years, never reaching a
final result. Variously
known as Newyorkaises and Conglomerado, the publication
project became both
the epicenter of Oiticica`s production and a promise that
never came to fruition.
This dissertation analyzes the relationship between
Oiticica`s art and his writings
and addresses the marked presence of literature in both his
works and his
reflections. The analysis of the relation between the two
takes into account
different manifestations of this writer/reader`s
creativity, such as his archive,
intimate writings, letters and notebooks, as well as his
reading. By presenting and
analyzing little-known or previously unpublished texts by
Oiticica, this
dissertation aims not only to broaden the scope of debates
on art and literature in
general but also to disseminate new themes and
possibilities of research into
Oiticica`s work.
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O Teatro de Chico Buarque / The theater of Chico BuarqueRabelo, Adriano de Paula 13 May 1999 (has links)
Este estudo busca examinar o teatro de Chico Buarque enquanto dramaturgia, tratar de sua concretização em espetáculo, expor a recepção crítica de cada texto e das montagens mais significativas, relacionar o conjunto da obra ao contexto histórico dos anos de 1968 a 1978 no Brasil. Acompanhando a trajetória do teatro de Chico Buarque, este trabalho traça um painel das difíceis relações entre os artistas, protagonistas de uma atividade que requer a liberdade como princípio e fim, e os homens da última ditadura militar da história brasileira, impositores da censura e praticantes da repressão oficial ou à margem da lei. A presente dissertação compõe-se por uma introdução ao tema, cinco ensaios relativos a cada uma das obras dramatúrgicas do autor e algumas considerações finais. / This study intends to examine the theater by Chico Buarque as playwriting, broach its realization as dramatic spectacle, expose the critics judgements on the authors texts and their most important putting on a show, relate his plays with the historical context of the 1968 to 1978 decade in Brazil. Observing the trajectory of the theater by Chico Buarque, this work delineates a panel of the conflitive relationships between the artists − who are engaged in an activity that requires liberty as principle and purpose − and the men committed to inflict censure and execute the official or lawless repression during the last military dictatorship in Brazil. This dissertation is composed by an introduction to the theme, five essays concerning to each dramatic work by the author and some final considerations.
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Memória da resistência à ditadura: uma análise do filme Batismo de Sangue / Memory of resistance to dictatorship an analysis to the film Batismo de SangueFeijó, Sara Carolina Duarte 02 March 2011 (has links)
O presente estudo pretende analisar de que forma o filme Batismo de Sangue (2006), do cineasta Helvécio Ratton, contribui para retomar e ampliar a memória sobre a oposição à ditadura militar desempenhada pelos frades dominicanos do convento de Perdizes, em São Paulo, nas décadas de 1960 e 1970. Nosso objetivo é explicar qual o papel dos chamados frades pregadores naquele período e como eles se envolveram com o líder comunista Carlos Marighella (1911-1969), criador da Ação Libertadora Nacional (ALN). Antes de proceder à análise do filme e discutir as condições em que foi produzido, dedicaremos alguns capítulos à descrição da história da Ordem dos Dominicanos, do embate entre as alas conservadora e progressista da Igreja Católica brasileira ao longo do século XX e à biografia de Carlos Marighella. A análise do filme Batismo de Sangue é o assunto da segunda parte deste estudo. / This work aims to examine how the Brazilian film Batismo de Sangue (2006), directed by Helvécio Ratton, contributes to resume and to expand the memory of the opposition to military dictatorship exercised by the Dominican Friars of the Perdizes Monastery, in Sao Paulo (Brazil) in the 60\'s and in the 70\'s. For that, the goal is to explain the role of the so-called friars preachers during this period, showing how they got involved with the Communist leader Carlos Marighella (1911-1969), founder of the Ação Libertadora Nacional (ALN). Before proceeding with the movie analysis and discussing the conditions under which it was produced, some chapters will be devoted to describing the history of the Order of Dominicans as well as the clash between the conservative and the progressive wings of the Brazilian Catholic Church during the twentieth century. There will also be the biography of Carlos Marighella. The analysis of the film Batismo de Sangue is the subject of the second part of this study.
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Memória da resistência à ditadura: uma análise do filme Batismo de Sangue / Memory of resistance to dictatorship an analysis to the film Batismo de SangueSara Carolina Duarte Feijó 02 March 2011 (has links)
O presente estudo pretende analisar de que forma o filme Batismo de Sangue (2006), do cineasta Helvécio Ratton, contribui para retomar e ampliar a memória sobre a oposição à ditadura militar desempenhada pelos frades dominicanos do convento de Perdizes, em São Paulo, nas décadas de 1960 e 1970. Nosso objetivo é explicar qual o papel dos chamados frades pregadores naquele período e como eles se envolveram com o líder comunista Carlos Marighella (1911-1969), criador da Ação Libertadora Nacional (ALN). Antes de proceder à análise do filme e discutir as condições em que foi produzido, dedicaremos alguns capítulos à descrição da história da Ordem dos Dominicanos, do embate entre as alas conservadora e progressista da Igreja Católica brasileira ao longo do século XX e à biografia de Carlos Marighella. A análise do filme Batismo de Sangue é o assunto da segunda parte deste estudo. / This work aims to examine how the Brazilian film Batismo de Sangue (2006), directed by Helvécio Ratton, contributes to resume and to expand the memory of the opposition to military dictatorship exercised by the Dominican Friars of the Perdizes Monastery, in Sao Paulo (Brazil) in the 60\'s and in the 70\'s. For that, the goal is to explain the role of the so-called friars preachers during this period, showing how they got involved with the Communist leader Carlos Marighella (1911-1969), founder of the Ação Libertadora Nacional (ALN). Before proceeding with the movie analysis and discussing the conditions under which it was produced, some chapters will be devoted to describing the history of the Order of Dominicans as well as the clash between the conservative and the progressive wings of the Brazilian Catholic Church during the twentieth century. There will also be the biography of Carlos Marighella. The analysis of the film Batismo de Sangue is the subject of the second part of this study.
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Det vetbara finns i hjärtat av det fördolda : En narratologisk udersökning av Ingeborg Bachmanns roman MalinaIsgren, Siri January 2010 (has links)
In this paper I study the Austrian author Ingeborg Bachmann’s novel Malina (1971) from the perspective of Gérard Genette’s narrative theory and his notions of tense, mood and voice. In dialogue with earlier research on Malina I reflect over the last scene in the novel, what really happens there and how it matters for the rest of the novel. I give an account of feminist theories with focus on the annihilation of the female voice, the memory as theatre and the folklore tale as flight. The result is a more distinct perception of Bachmann’s skill, closeness and awareness as a writer and her use of Malina as contribution to the feminist debate and as a tool to find a place in the patriarchal world of intellectual, postwar Vienna. / I min uppsats har jag undersökt hur Ingeborg Bachmanns roman Malina är uppbyggd ur ett berättartekniskt perspektiv med hjälp av Gérard Genettes begrepp tempus, modus och röst. I diskussion med tidigare forskning har jag reflekterat över vad det är som sker i romanens slutscen och vad det har för betydelse för resten av verket. Jag har redogjort för tidigare forskning som med feministisk grund studerar förintandet av den kvinnliga rösten, minnet som teater och sagan som flykt. Resultaten är en tydligare bild av Bachmanns tekniska skicklighet, täthet och medvetenhet som författare och hur hon dels använder Malina som ett inlägg i den feministiska debatten och dels använder den som ett verktyg för att själv kunna verka i det intellektuella, men patriarkala efterkrigstidens Wien.
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Blue army: paramilitary policing in VictoriaMcCulloch, Jude January 1998 (has links) (PDF)
This thesis focuses on the changes to law enforcement precipitated by the establishment of counter terrorist squads within State police forces during the late 1970's. It looks at the impact of Victoria's specialist counter terrorist squad, the Special Operations Group (SOG), on policing in Victoria and asks whether the group has led to the development of a more 'military based' approach to policing. The research demonstrates that the SOG has been the harbinger of more military styles of policing involving high levels of confrontation, more lethal weapons and a greater range of weapons and more frequent recourse to deadly force. The establishment of groups like the SOG has also undermined Australia's democratic traditions by blurring the boundaries between the police and military and weakening the safeguards which have in then past prevented military force being used against citizens. / The SOG has acted as a vanguard group within Victoria police, anticipating and leading progress towards a range of new military-style tactics and weapons. The SOG, although relatively small in number,, has had a marked influence on the tactics and operations of police throughout the force. The group was never contained to dealing with only terrorist incidents but instead used for a range of more traditional police duties. While terrorism has remained rare in Australia the SOG has nevertheless expanded in size and role. Because the SOG is considered elite and because the SOG are frequently temporarily seconded to other areas of policing, SOG members provide a role for other police and have the opportunity to introduce parliamentary tactics into an extended range of police duties. The parliamentary skills developed by the SOG have been passes on to ordinary police through training programs headed by former SOG officers. In addition, the group has effectively been used as a testing ground for new weapons. The structure of the Victoria Police Protective Security Group and the way public demonstrations and industrial disputes are viewed in police and security circles ensure that parliamentary counter terrorist tactics will be used to stifle dissent and protest. The move towards paramilitary policing is necessarily a move away from the police mandate to protect life, keep the peace and use only minimum force. / The interrogation of SOG and SOG tactics into everyday policing has occurred without any public debate or recognition of the important democratic traditions that have ensured that military force is not used against citizens except in the most extreme circumstances. Although the SOG is not formally part of the military it is nevertheless a significant parliamentary force virtually indistinguishable in terms of the weapons and levels of force at its disposal from the military proper.
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