This phenomenological case study examines the journey of one female with multiple disabilities and how she achieved success in school against difficult odds. It relies on an overview of the disability movement, related legislation from the 1960s to present, and compares the theoretical models of disability. This framework of historical, political, medical, social, and ableist approaches to disability sets the stage for the study which relies on extensive open-ended interviews, a document review, audio recording of an Individual Education Program (IEP) meeting, and a researcher journal to elucidate the role of ableism in education. Data sources for the research included interviews with the student, her family, and her teacher/tutor, as well as a review of her individualized education plans and medical notes. A research journal that draws on the author's 15 years of experience as her interpreter and as a family friend was also used. The research begins with an examination of the disability rights movement which has led to disabled people moving into mainstream society. An explanation of how the effect of ableism in schools impacts students with disabilities is provided. The relevant legislative acts and policies in education are reviewed to explain how they were established to assist students with disabilities to become financially and socially independent after graduation from high school. Finally, this dissertation will introduce ways educators can effectively end an ableist attitude toward students with disabilities in order to assist students with disabilities obtain greater opportunities after graduation from high school. / Ed. D.

Yes / There’s much to unpack regarding the legacy of Indiana Jones and the rest of the archaeological adventure genre, particularly regarding the way these stories perpetuate colonialist and Orientalist thought. But popular culture has also presented a view of archaeology steeped in toxic masculinity, a view that bolsters both sexism and ableism within the discipline.

This thesis analyzes the concept of ”funktionalitet” (the dis/ability divide), normality and vulnerability in the Swedish Law on Support and Service to Certain Disabled People (Lagen om stöd och service till vissa funktionshindrade – LSS). LSS is the main rights law for people with disabilities and was groundbreaking when it came, but has since its legislation not been developed any further. Recent debate has shown that the law is not implemented according to its intentions. Through the use of discourse analysis and the theoretical perspectives ableism, intersectionality and vulnerability this thesis investigates the understanding of ”funktionalitet” in the legislation and the official government inquiry (SOU 1991:46) that submitted a proposal for the law in 1991. The main conclusions of the analysis point toward a conception of ”funktionalitet” as both depending on the power structure of ableism and as a diversity in humanity. The position as a person with disability is portrayed as a special (or pathogenic) vulnerability in order to claim special rights. Moreover the thesis briefly discusses how the position as a person with disabilities is denied other identificatory categories such as a person with a gender identity, sexuality and/or being a parent. These are topics for further research.

The magical fictional setting of the Harry Potter novels is not one separated from our own. It features the same nations and the same history as the real world. Its society is parallel to ours due to similar traditions and hierarchies, such as heteronormativity, ageism, racism, and fascism. Some of these are clearly problematised in the novels, others are not. While issues of racism and blood status are clearly at the forefront of the story of Harry Potter, there are layers to the conflict which reveal that there is more to the discriminatory dilemma than the issue of blood purity. This essay aims to investigate how teachers can use J.K. Rowling’s Harry Potter series to lead a discussion about othering and discrimination, focusing on the issue of ableism in particular. The goal when studying processes of othering in Harry Potter is not necessarily for the reader to identify with the protagonists. Instead, textual silences will be interpreted to investigate whether the othering of people like the readers themselves, an othering the reader partakes in when empathising with the protagonists, can be compared to ableism in the real world, and how teachers can use Harry Potter as means to introduce the idea of able-bodiedness as a social construct. By applying crip theory to the text, it can be stated that the division between the protagonist and his non-magical Other is based on ableist ideologies, which result in a positioning of the non-magical as disabled in the magical society. This position is maintained by naturalising the link between impairment and character flaws.

The purpose of this paper has been to highlight how discourses on disability are portrayed in two different applications for additional funding for students with special educational needs (SEN) of hearing impairment, and two regarding neuropsychiatry. The paper studies a total of 328 applications for additional funding and chosen four of these for a further in depth analysis. The aim of the paper has been to highlight and pinpoint how the four different applications, describes different discourses and perspectives on disability from a perspective of ableism and audism. This ergo in turn creates different fields of transferred discourses from each individual application. The paper has also analyzed what discourses results in granted additional funding from the two municipalities. The paper has used an applied method of Sara Ahmed’s perspective on discourse analysis (2012) and Sara Ahmed’s Queer phenomenology (2006) as a theoretical framework. The purpose of this has been to distinguish use of governmentality and documentality, in order to highlight discourses on ableism and audism. The conclusions drawn from this paper are that the categorical perspective dominates applications regarding neuropsychiatry while the compensatory perspective dominates applications regarding hearing impairment. This in turn points to that the Swedish state should take control of assessing applications for SEN needs from the municipalities. This would possibly lead to increased equivalence and allocation of resources regarding decisions on additional funding for SEN needs. The results show that ableism, audism, governmentality and documentality are predominant discourses in the written applications for additional funding, which works to construct and whole fully connect the SEN need to being the identity of the student.

abstract: The purpose of this study was to trouble existing conceptions of disability that ground music education literature and practice. I sought plausible insights into how disability is experienced in, through, and/or around music by participants who are disabled persons/persons with disabilities (DP/PwD). Insights gained might allow readers to complexify and trouble taken-for-granted assumptions about disability. Questions included: (a) How do participants experience disability in, through, and around music? (b) What plausible insights related to disability can be gained by attending to participants’ experiences of disability in, through, and around music? (c) What plausible insights related to inclusion can be gained by attending to participants’ experiences of disability in, through, and around music? The inquiry approach was grounded in Buberian relational ontology, phenomenology, interactional theories of disability, and narrative. Seven DP/PwD participated in this study: (a) Erica, a 14-year-old diagnosed with a developmental disability of unknown etiology; (b) Duke, a drummer diagnosed with Williams syndrome; (c) Birdie, an abstract visual artist with epilepsy who used music to inform her art; (d) Daren, a b-boy/breakdancer diagnosed with Tourette syndrome, (e) Sienna, a legally blind social work college student who played banjo in a music therapy-based bluegrass band and participated in musical theatre; (f) Ice Queen, an undergraduate flute player recently diagnosed with Attention deficit/hyperactivity disorder (ADHD); and (g) Culann, an adult counselor and music listener with ADHD and mood disorders. Data generation included conversational interviews, observations, artmaking, and serendipitous data. Data co-generated with participants were crafted into narratives of their lifeworlds, including description of their experiences with disability in, through, and around music and in other aspects of their lives. An envisioned conversation among all participants demonstrates the shifts and complexities in the meanings of disability and unpacks different ways participants describe and understand disability and the myriad roles that music plays in their lifeworlds. The final chapter of the study offers discussions and suggestions regarding thinking about and approaching disability (i.e., interactional theories, intersectionality, and identity), inclusion (i.e., belonging, suggestions by participants, and anti-ableist pedagogy), and research/writing. / Dissertation/Thesis / Doctoral Dissertation Music Education 2019

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The United States’ response to the COVID-19 pandemic of 2020 has been shaped by the country’s pre-existing narratives around disability. The master narrative of disability presents disability as a static condition that inherently lowers a person’s quality of life. This creates bias in physicians dealing with disabled patients, since under the master narrative’s logic disability is a negative trait that must be eradicated or cured. This troubling view has wider ramifications during a global pandemic as well. The COVID-19 pandemic has reshaped everybody’s relationship with time, bringing even nondisabled people closer to the experience of disability. However, the federal government and many state governments adhered as closely as possible to able-bodied conceptions of time. This has hindered the United States’ pandemic response by misprioritizing “reopening the economy” even at the expense of people’s lives. This creates a cycle, because this mismanaged response has led the country into even greater uncertainty about the pandemic, which moves everybody even closer to disabled conceptions of time. Had the master narrative not been so powerful, perhaps the United States could have responded more effectively to the COVID-19 pandemic. / Urban Bioethics

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