Global ETD Search

131	Talk This Way: A Look at the Historical Conversation Between Hip-Hop and Christianity Swanson, Joshua 01 August 2020 (has links) Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation between Hip-Hop and Christianity that has been ongoing for decades. This thesis will show why that conversation is essential for the church and necessary for Hip-Hop artists to express themselves fully. This paper will show rap and Hip-Hop culture to be a complex institution with its own theology, history, and prophets – that uses its own voice to express how urban youth view not only their lives but also how God and the church are present in their lives. hip-hop christianity history theology Christiain rap african american African American Studies American Art and Architecture American Popular Culture American Studies Biblical Studies Christian Denominations and Sects Christianity Cultural History Ethnic Studies Ethnomusicology History of Christianity History of Religion Modern Art and Architecture New Religious Movements Other American Studies Other Arts and Humanities Other Music Practical Theology Public History Religious Education Social History Sociology of Culture Sociology of Religion United States History Urban Studies and Planning
132	SPEED AND RESOLUTION IN THE AGE OF TECHNOLOGICAL REPRODUCIBILITY TAYLOR, SHAWN 01 January 2015 (has links) The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, a YouTube clip from Jurassic park, and the super bowl halftime show. A search engines assistance with biographic memory helps our bodies survive new atmospheres and weigh the gravities that exist around the versions of an objects materiality. Communication has moved from our vocal chords, to swipes and taps of our thumbs on a screen that predicts the weather, accesses the hidden, invisible, and withdrawn information from the objects around us, and still ducks up what we are trying to say. This txt was written on a tablet returned to stock settings and embedded with content to mine the experience in which mediated technology creates, communicates and obscures new forms of language. Life in a new event horizon — a dimensional dualism that finds us competing for genetic and mimetic survival — we are now functioning as different types of humans. SCULPTURE FINE ARTS GRAND CANYON DIGITAL OBJECTS SEMIOTIC American Art and Architecture American Literature American Material Culture American Popular Culture Architectural Technology Art and Materials Conservation Art Practice Atmospheric Sciences Audio Arts and Acoustics Biotechnology Construction Engineering Contemporary Art Continental Philosophy Desert Ecology Entomology Environmental Design Environmental Monitoring Esthetics Evolution Fiction Fine Arts Graphic Design Historic Preservation and Conservation Integrative Biology Interactive Arts Interdisciplinary Arts and Media Landscape Architecture Modern Languages Modern Literature Natural Resources and Conservation Nonfiction Other Architecture Other Ecology and Evolutionary Biology Other English Language and Literature Other Environmental Sciences Reading and Language Theory and Criticism
133	Governing Gambling in the United States Garcia, Maria E 01 January 2010 (has links) The role risk taking has played in American history has helped shape current legislation concerning gambling. This thesis attempts to explain the discrepancies in legislation regarding distinct forms of gambling. While casinos are heavily regulated by state and federal laws, most statutes dealing with lotteries strive to regulate the activities of other parties instead of those of the lottery institutions. Incidentally, lotteries are the only form of gambling completely managed by the government. It can be inferred that the United States government is more concerned with people exploiting gambling than with the actual practice of wagering. In an effort to more fully understand the gambling debate, whether it should be allowed or banned, I examined different types of sources. Historical sources demonstrate how ingrained in American culture risk taking, the core of gambling, has been since the formation of this nation. Sources dealing with the economic implications of gambling were also studied. Additionally, sources dealings with the political and legal aspects of gambling were essential for this thesis. Legislature has tried to reconcile distinct problems associated with gambling, including corruption. For this reason sports gambling scandals and Mafia connections to gambling have also been examined. The American government has created much needed legislature to address different concerns relating to gambling. It is apparent that statutes will continue to be passed to help regulate the gambling industry. A possible consideration is the legalization of sports wagering to better regulate that sector of the industry. Gambling Sports wagering Economics Indian gaming Lotteries Casinos Las Vegas Kefauver Committee Indian Gambling Regulatory Act of 1988 boxing Horse racing Gambling scandals Mafia Federal Wire Act Illegal Money Transmitters Act of 1992 Model Anti-Gambling Act Bookmakers (Gambling) American Politics American Popular Culture Antitrust and Trade Regulation Constitutional Law Cultural History Cyberspace Law Entertainment and Sports Law Growth and Development Indian and Aboriginal Law Law and Economics Law and Society Legal Political History Politics State and Local Government Law United States History
134	'More than America': some New Zealand responses to American culture in the mid-twentieth century. Whitcher, Gary Frederick January 2011 (has links) This thesis focuses on a transformational but disregarded period in New Zealand’s twentieth century history, the era from the arrival of the Marines in 1942 to the arrival of Rock Around the Clock in 1956. It examines one of the chief agents in this metamorphosis: the impact of American culture. During this era the crucial conduits of that culture were movies, music and comics. The aims of my thesis are threefold: to explore how New Zealanders responded to this cultural trinity, determine the key features of their reactions and assess their significance. The perceived modernity and alterity of Hollywood movies, musical genres such as swing, and the content and presentation of American comics and ‘pulps’, became the sources of heated debate during the midcentury. Many New Zealanders admired what they perceived as the exuberance, variety and style of such American media. They also applauded the willingness of the cultural triptych to appropriate visual, textual and musical forms and styles without respect for the traditional classifications of cultural merit. Such perceived standards were based on the privileged judgements of cultural arbiters drawn from members of New Zealand’s educational and civic elites. Key figures within these elites insisted that American culture was ‘low’, inferior and commodified, threatening the dominance of a sacrosanct, traditional ‘high’culture. Many of them also maintained that these American cultural imports endangered both the traditionally British nature of our cultural heritage, and New Zealand’s distinctively ‘British’ identity. Many of these complaints enfolded deeper objections to American movies, music and literary forms exemplified by comics and pulps. Significant intellectual and civic figures portrayed these cultural modes as pernicious and malignant, because they were allegedly the product of malignant African-American, Jewish and capitalist sources, which threatened to poison the cultural and social values of New Zealanders, especially the young. In order to justify such attitudes, these influential cultural guardians portrayed the general public as an essentially immature, susceptible, unthinking and puritanical mass. Accordingly, this public, supposedly ignorant of the dangers posed by American culture, required the intervention and protection of members of this elite. Responses to these potent expressions of American culture provide focal points which both illuminate and reflect wider social, political and ideological controversies within midcentury New Zealand. Not only were these reactions part of a process of comprehension and negotiation of new aesthetic styles and media modes. They also represent an arena of public and intellectual contention whose significance has been neglected or under-valued. New Zealanders’ attitudes towards the new cinematic, literary and musical elements of American culture occurred within a rich and revealing socio-political and ideological context. When we comment on that culture we reveal significant features of our own national and cultural selves. American culture American popular culture Hollywood 1954 general election New Zealand Mazengarb committee 1954 Inter-Church Committee on Public Affairs Moral panics anti-semitism racism elitism Pierre Bourdieu Irene George James Ceaser George Forbes Gordon Coates Gordon Mirams W.J. Scott J.C. Beaglehole W.H. Oliver Bill Manhire Keith Sinclair Kendrick Smithyman Bill Pearson ‘Coal Flat’ Peter Fraser Walter Nash Sidney Holland Hilda Ross Elsie Locke W.H. Rhodes ‘Freedom’ newspaper ‘Truth’ newspaper James Belich recolonisation New Zealand newspaper editorial cartoons pulp magazines pulp fiction comics
135	THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958 Edmundson, Joshua R 01 June 2016 (has links) The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history. Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage in and encourage hateful and discriminatory practices against the LGBT community. Then, when the magazine was banned by the Post Office, the editors and staff took the federal government to court. As such, ONE, Incorporated v. Olesen became the first Supreme Court case in U.S. history that featured the taboo subject of homosexuality, and secured the 1st Amendment right to freedom of speech for the gay press. Thus, ONE magazine and its founders were an integral part of a small group of activists who established the foundations of the modern LGBT equality movement. POSTWAR AMERICA THE LAVENDER SCARE MATTACHINE SOCIETY GAY HISTORY QUEER HISTORY MCCARTHYISM American Politics American Popular Culture American Studies Arts and Humanities Civil Rights and Discrimination Contemporary Art Courts Cultural History Defense and Security Studies Diplomatic History Feminist, Gender, and Sexuality Studies First Amendment Gender and Sexuality History Inequality and Stratification Judges Law Law and Politics Law and Society Law Enforcement and Corrections Legal Legal History Legal Studies Legal Theory Legislation Military History Military, War, and Peace Museum Studies National Security Law Photography Policy History, Theory, and Methods Political History Political Science Politics and Social Change President/Executive Department Public Administration Public Affairs Public History Public Policy Sexuality and the Law Social and Behavioral Sciences Social Control, Law, Crime, and Deviance Social History Social Policy Social Psychology Social Psychology and Interaction Sociology of Culture Supreme Court of the United States United States History Visual Studies
136	Good Game Blake, Greyory 01 January 2018 (has links) This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say, all of these semiotic developments must be framed within the post-Internet sphere. platform capitalism surveillance video games social media the dromosphere Ziggy Advertising and Promotion Management American Film Studies American Literature American Material Culture American Popular Culture Art Practice Audio Arts and Acoustics Book and Paper Business Analytics Business and Corporate Communications Business Intelligence Contemporary Art Cultural History Digital Humanities Diplomatic History Ethics and Political Philosophy Fiction French and Francophone Literature French Linguistics Game Design Graphic Design Illustration Industrial and Product Design Interdisciplinary Arts and Media Labor History Management Information Systems Marketing Nonfiction Other American Studies Other Business Other Film and Media Studies Philosophy of Mind Photography Poetry Political History Public History Sculpture Social History Technology and Innovation Television Theory and Criticism Visual Studies

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