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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 131 to 133 of 133 (0.045 seconds)Spelling suggestions: "subject:"antisemitism"" "subject:"antissemitism""
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Etre juif à Lyon de l'avant-guerre à la libération / Being a Jew in Lyon : from the pre-war years to the LiberationAltar, Sylvie 05 October 2016 (has links)
Le cadre global des persécutions juives en France, les mécanismes de la Shoah sont largement connus. Sur 330 000 Juifs qui vivaient France en 1940, 80 000 ont été victimes des persécutions d’État et des déportations. En deçà de cette histoire nationale, André Kaspi s’étonne en 1991 que des centres aussi importants que Lyon, Toulouse, Grenoble n’aient pas fait l’objet d’étude attentive et scientifique (Les Juifs pendant l’Occupation, Édition du Seuil, 1991, 150 p.). Les travaux locaux ont comblé ce manque depuis. Mais le déroulement sur le terrain au quotidien, au « ras des individus », mérite encore de faire l’objet de nouvelles investigations, sans perdre de vue la diversité des situations que l’on soit de part et d’autre de la ligne de démarcation. Lyon, en zone libre jusqu’en novembre 1942, n’est pas à considérer comme Paris occupée dès juin 1940. Dans cette étude nous n’avons eu de cesse de nous interroger sur ce qui fait les spécificités de Lyon. Globalement le sort des Juifs dans la capitale des Gaules a été proche de leurs coreligionnaires de la zone sud. Toutefois, écrire l’histoire des Juifs à Lyon de l’avant-guerre à la Libération, revient à s’intéresser à des itinéraires de vie et de survie dans une ville dont certaines caractéristiques lui sont propres. L’histoire des Juifs à Lyon de l’avant-guerre à la Libération, en plus de parler de la Shoah dans la cité rhodanienne, cherche à raconter les ondes de choc d’une Europe en guerre sur les individus pour comprendre ce qui leur arrive. C’est en étant plus attentifs au tissu de la vie quotidienne, dans sa diversité individuelle que nous nous proposons dans cette étude de restituer la dimension humaine d’un monde qui a été au bord du gouffre. / The global framework of the Jew's persecutions in France as well as the mechanisms of the Shoah are widely known. 80 000 Jews out of the 330 000 who were living in France in 1940 have been the victims of state persecutions and deportations. On this side of this national history, Andre Kaspi was surprised in 1991 at seeing that cities as populated as Lyon, Toulouse or Grenoble had not been given an active and scientific consideration (Les Juifs pendant l'Occupation, Édition du seuil, 1991, 150 p.). Local research have since then enabled to address this lack. However, the daily course of operations, as close as possible to each individual, still deserves to be submitted to new investigations, without losing sight of the diversity of situations on both sides of the line of demarcation. The city of Lyon, which was within the unoccupied zone until November 1942, is not to be compared with the city of Paris which had been occupied from June 1940.In this essay, we kept wondering about the causes related to the specificities of the city of Lyon. On the whole, the fate of the Jews in the capital of the Gauls was almost the same as for their co-religionists in the south zone. Nevertheless, writing about the history of the Jews in Lyon from the pre-war years to the Liberation comes down to taking an interest in different journeys though life and survival within a city which has its own features.Besides tackling the Shoah in the Rhone city of Lyon, the history of the Jews in Lyon from the pre-war years to the Liberation, also aims at telling about the shock waves experienced by individuals in a Europe in war and perceiving what was happening to them. By paying more attention to the fabric of daily life seen in its individual diversity, we thereby intend to reconstruct the human dimension of a world which was once on the brink of the abyss.
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Tödlicher Hass: Antisemitismus und Judenverfolgung in Dresden 1933–1945Schmeitzner, Mike 31 July 2019 (has links)
No description available.
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'More than America': some New Zealand responses to American culture in the mid-twentieth century.Whitcher, Gary Frederick January 2011 (has links)
This thesis focuses on a transformational but disregarded period in New Zealand’s twentieth century history, the era from the arrival of the Marines in 1942 to the arrival of Rock Around the Clock in 1956. It examines one of the chief agents in this metamorphosis: the impact of American culture. During this era the crucial conduits of that culture were movies, music and comics. The aims of my thesis are threefold: to explore how New Zealanders responded to this cultural trinity, determine the key features of their reactions and assess their significance.
The perceived modernity and alterity of Hollywood movies, musical genres such as swing, and the content and presentation of American comics and ‘pulps’, became the sources of heated debate during the midcentury. Many New Zealanders admired what they perceived as the exuberance, variety and style of such American media. They also applauded the willingness of the cultural triptych to appropriate visual, textual and musical forms and styles without respect for the traditional classifications of cultural merit. Such perceived standards were based on the privileged judgements of cultural arbiters drawn from members of New Zealand’s educational and civic elites. Key figures within these elites insisted that American culture was ‘low’, inferior and commodified, threatening the dominance of a sacrosanct, traditional ‘high’culture. Many of them also maintained that these American cultural imports endangered both the traditionally British nature of our cultural heritage, and New Zealand’s distinctively ‘British’ identity.
Many of these complaints enfolded deeper objections to American movies, music and literary forms exemplified by comics and pulps. Significant intellectual and civic figures portrayed these cultural modes as pernicious and malignant, because they were allegedly the product of malignant African-American, Jewish and capitalist sources, which threatened to poison the cultural and social values of New Zealanders, especially the young. In order to justify such attitudes, these influential cultural guardians portrayed the general public as an essentially immature, susceptible, unthinking and puritanical mass. Accordingly, this public, supposedly ignorant of the dangers posed by American culture, required the intervention and protection of members of this elite.
Responses to these potent expressions of American culture provide focal points which both illuminate and reflect wider social, political and ideological controversies within midcentury New Zealand. Not only were these reactions part of a process of comprehension and negotiation of new aesthetic styles and media modes. They also represent an arena of public and intellectual contention whose significance has been neglected or under-valued. New Zealanders’ attitudes towards the new cinematic, literary and musical elements of American culture occurred within a rich and revealing socio-political and ideological context. When we comment on that culture we reveal significant features of our own national and cultural selves.
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