Orientador: Roxana Guadalupe Herrera Alvarez / Banca: Cláudio Aquati / Banca: Pablo Simpson Kilzer Amorim / Banca: Antonio Roberto Esteves / Banca: Ana Cecilia Arias Olmos / Resumo: O presente trabalho pretende elaborar uma reflexão em torno de um conjunto de microrrelatos presente no livro Casa de Geishas da escritora argentina Ana María Shua. As cinquenta narrativas breves que fazem parte dessa reunião de microrrelatos expõem os segredos e as curiosidades de um inusitado prostíbulo do porto que abriga mulheres misteriosas especialistas em gerar os mais variados tipos de prazer. Essas narrativas permitem uma ponderação entre as suas personagens e as peculiaridades do próprio gênero em questão. Considerando essa premissa, o objetivo deste estudo é desenvolver uma reflexão sobre essas características representadas pelas gueixas de Shua para legitimar o microrrelato como um gênero literário independente de outros com os quais possui proximidade. As reflexões voltadas para a caracterização do microrrelato desenvolvidas por Lagmanovich (2006) e Andres-Suárez (2010) são utilizadas como embasamento teórico para este trabalho. Refletindo também sobre a relação entre leitor e texto literário, observa-se que o microrrelato, devido à elipse presente em sua composição, conta com a colaboração do leitor para a construção da trama narrativa, já que esta não se desenvolve inteiramente nas poucas linhas impressas no papel. Para versar sobre esse assunto, foi utilizado o trabalho de Eco (1986) que considera o processo de interação entre o leitor e obra literária. Valendo-se do uso de metáforas, ironia, humor, ambiguidade, entre outros recursos, Shua desenvolve a sua... / Abstract: This study aims to elaborate a reflection on a set of microrrelatos from the book Casa de Geishas by the Argentine writer Ana María Shua. The first fifty short narratives that are part of the reunion of microrrelatos expose the secrets and the curiosities of a usual port brothel that shelters mysterious experts women in generating the most varied types of pleasure. These narratives allow a balance between its characters and the peculiarities of the genre itself. Given the premise, this work proposes to develop an analysis about these characteristics represented by the gueishas of Shua in order to legitimize the microrrelato as a literary genre independent of others with which it has proximity. The reflections related to the characterization of the microrrelato developed by Lagmanovich (2006) e AndresSuárez (2010) are used as theoretical basis in this study. Reflecting on the relation between the reader and the literary text, it is considered that the microrrelato, due to the ellipsis present in its composition, needs the reader's collaboration to the construction of the narrative plot, since it does not develop itself entirely in the few lines printed in the paper. To discuss about it, it is used the ideas developed by Eco (1986), who considers the process of interaction between the reader and the literary work. Using metaphors, irony, humor, ambiguity and other resources, Shua develops her Casa de Gueixas to become House of Microrrelatos or Book of Microrrelatos / Doutor

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Les objectifs de cette étude de cas consistaient à identifier les barrières et les facteurs encourageant le recours aux soins prénatals dans la ville de Rosario en Argentine, ainsi qu'à dégager des orientations permettant d'optimiser l'utilisation des services. Les deux échantillons sont composés de nouvelles mères (n=11) et de dispensateurs (n=8) des services publics de santé municipaux de la ville de Rosario. La collecte a été réalisée à partir d'entrevues individuelles, à l'aide d'un guide d'entretien semi-ouvert. Les résultats de l'étude démontrent qu'il n'existe pas de barrières importantes à l'utilisation des services publics de santé prénatale dans la ville de Rosario. Les retards des premières consultations médicales ou l'absence de suivi seraient davantage en lien avec l'acceptation de la grossesse. Alors qu'il y a 15 ans la moitié des grossesses n'étaient pas suivies adéquatement, le corps médical estime que les femmes sur-utiliseraient maintenant les services de santé prénatale. Le déterminant le plus significatif de l'utilisation des soins prénatals est la conviction des femmes que le suivi de la grossesse est nécessaire pour le bien-être de leur fœtus. Les femmes qui ont eu un suivi de moins de 1 visite par mois ont manifesté de l'insatisfaction quant aux aspects médicaux et émotionnels des soins. Les femmes apprécient particulièrement la disponibilité de spécialités médicales et d'analyses (échographies), mais sont avant tout reconnaissantes d'avoir accès gratuitement aux soins. / The objectives of this case study were to identify factors that encourage women to consult healthcare services during pregnancy, as well as the barriers that prevent them from doing so. We also identify trends that could aid in formulating strategies to optimize prenatal care utilization in the city of Rosario in Argentina. We recruited 11 new-mothers and 8 healthcare workers in the public health sector of the municipality of Rosario. Data was collected based on partially open ended interviews. Results of the study show that there are no considerable barriers to public prenatal care utilization in Rosario. However, we did find a strong association between those women who delayed consultation regarding their pregnancy and those who had trouble accepting the fact that they were pregnant. The incidence of prenatal care utilization has increased dramatically from just fifteen years ago when only half of all pregnant women sought adequate prenatal care. As such, the medical community believes that women are now overusing the services. The most significant determinant of prenatal care utilization is the women's conviction that medical care during pregnancy is necessary for the well-being of their child. The women we studied are expecting at least one consultation per month during their pregnancy. Those who felt they did not have enough visits also expressed dissatisfaction with the medical and emotional aspects of their care. Although the women we talked to appreciated access to specialized medical care services and technologies, they were above all grateful for access to free healthcare.

Cette thèse analyse le processus de construction des parcours professionnels des jeunes à un moment clé : celui de la fin de la formation secondaire ou professionnelle. Nous cherchons à comprendre la manière dont les parcours professionnels des jeunes résidents à la Région Nord du Grand Buenos Aires en Argentine se construisent dans un contexte de transformations historiques profondes. Ces transformations se manifestent par un monde productif plus flexible, instable et précaire pour les nouvelles générations, par l’affaiblissement des principales institutions de la socialisation comme la famille et l’école et par des mutations des temporalités sociales et individuelles. L’objectif est atteint par la mise en place d’une recherche qualitative et longitudinale qui suit pendant deux ans les parcours professionnels d’un panel de jeunes hommes et femmes qui sortent au même moment, en 2006, des formations différenciées (secondaire et professionnelle dans des institutions du secteur public et privé). Nous abordons dans un premier temps la place des rapports à la vie professionnelle dans les parcours. Nous insistons ensuite sur la recherche des explications complémentaires qui dépassent la sphère professionnelle : les temporalités des jeunes apparaissent ainsi comme un autre facteur pertinent. Variables d’origine, pratiques, rapports symboliques et temporalités jouent un rôle différent selon la manière dont ils sont articulés entre eux. Nous soutenons enfin que c’est la manière dont les facteurs s’imbriquent entre eux (abordée ici sous la dénomination de « séquences professionnelles ») une clé de lecture fondamentale pour analyser la part de hétérogénéité, singularité et inégalité dans l’actuelle construction des parcours professionnels des jeunes. / This dissertation sets out to analyze the construction process of employment careers among youth who have finished high school. We seek to understand how youth in the northern suburbs of Buenos Aires, Argentina build their employment careers in a context of deep transformations. This transformations are characterized by a more flexible, unstable and precarious production and employment model, the weakening of important socializing institutions — the family and the school — as well as the emergence of new forms of social and individual usage of time. How are these careers influenced by the context they are inscribed in? What new theoretical elements can this case contribute to classical analyses of employment careers? The data was drawn from a two-year qualitative longitudinal study that followed 84 young women and men who graduated from differents types of educations of high school in 2006. For instance, an analysis of “work dispositions” among the panel revealed the weight of certain symbolic factors and their relations to labor practices. Furthermore, other factors such as “youth temporalities” highlight the importance of considering elements that are found beyond the sphere of employment. Finally, it is the way that these factors are intertwined that is most interesting, since it offers us the possibility of establishing causality. The concept of “employment sequence” allows us to follow the way these factors become enmeshed. We are then able to identify heterogeneity, singularity and inequality in the processes of differentiation of employment careers among youth.

Mon travail de recherche porte sur "L'écriture de Juan José Saer : la troisième rive du fleuve". Je propose d'étudier, chez cet auteur (Santa Fe 1937-Paris 2005), la question de l'espace régional comme la marque d'une réalité intangible. En parcourant le discours littéraire de plusieurs auteurs nés en Amérique latine au XXe siècle, j'analyse cet espace non seulement comme un territoire faits de passages divers et variés mais qui a également trait à la figuration d'un espace imaginaire et psychique (celui des personnages). Ainsi, en m'appuyant sur une bibliographie théorie littéraire et critique, j'ai exploré, dans l'oeuvre de Juan José Saer, différents aspects qui sont les suivants : 1. La fondation de la "zona" et de la "ciudad" (représentation du territoire de la fiction "zone" et "ville"). La construction et le développement d'une saga, de personnages et d'espaces littéraires. 2. Le lien avec la construction de territoires imaginaires chez d'autres auteurs (Onetti, Faulkner) et notamment avec la cité paranoïaque de Roberto Arlt. 3. La "mort de l'auteur" dans l'expérience radicale de l'écriture de Saer, par le biais de la métafiction. 4. Le croisement de l'Histoire et de l'histoire Fictionnelle. L'analyse de la violence dans son oeuvre narrative. 5. Le paysage de la zone en lien d'une part, avec l'espace naturel et mythique d'autre part, avec l'espace comme expérience vitale. 6. Les rapports avec les traditions littéraires modernes : Borges, Joyce, le Nouveau Roman, di Benedetto. / My thesis is about "Juan José Saer's writing : the third shore of the river". I propose taking advantage of a regional space as a material and symbolic reality. Running my eyes over the litarary discourse of several Latin American writers of the 20th century, I analyse it as a territory in which various passages relate a psychic and imaginary space. In consequence, in Juan José Saer's (Santa Fe 1937-Paris 2005) literary work, I explored, supported by a bibliography of literary theory and criticism produced over his work, the following aspects : 1. The foundation of the "zone" and the "city", representations of territories of fiction. The hatch of a saga and development of characters and places. 2. The relationship between the construction of imaginary territories from other writers (Onetti, Faulkner) and Roberto Arlt's rabid city. 3. The "death of the author" in the most radical narrative experience of Saer's writing. The intersection of Argentine history, fiction stories and analysis of the violence in his short stories and novels. 5. The landscape of the area related, on one hand with the natural and mythical space and on the other hand with personal experience. 6. Linkages with the modern literary traditions : Borges, Joyce, the Nouveau Roman and Antonio di Benedetto.

Cette thèse étudie la vie professionnelle et la production artistique d'un groupe de compositeurs d'origine argentine basés à Paris. C'est la ville avec la plupart d'entre eux à l'étranger. En outre, ils sont la première minorité de compositeurs étrangers vivant dans la capitale française.Ces compositeurs ont produit un corpus musical important, que nous estimons dans environ 1200 œuvres des genres les plus divers qui intègrent le domaine de la musique contemporaine. Depuis le XXIe siècle, une partie pertinente de ce corpus avait une circulation en Argentine et a promu un débat sur la délimitation du domaine de la musique locale contemporaine.Notre thèse visait à étudier les motivations qui ont amené 23 compositeurs à émigrer à Paris, les conditions d'insertion dans ce domaine et les tensions identitaires qui ont généré ce transit. Ensuite, nous analysons la production musicale la plus récente et la plus importante, ses conditions de réalisation et d'accueil en France et en Argentine. / The present thesis studies the professional life and the artistic production of a group of composers of Argentine origin, who are located in Paris, the city with the greatest number of them abroad. In addition, they are the first minority of foreign composers living in the French capital.These composers have produced an important musical work, which we estimate in about 1200 pieces of the most diverse genres that integrate the field of contemporary music. A relevant part of this corpus has been part regular concerts in Argentina, thus it promoted a debate on the delimitation of the field of contemporary local music.Our thesis aimed to study the motivations that led to 23 composers to emigrate to Paris, the conditions of insertion in that field and the identity tensions that generated this transit. Then we analyze the most recent and most significant musical production of them, its conditions of realization and reception in both France and Argentina. / La presente tesis estudia la vida profesional y la producción artística de un grupo de compositores de origen argentino que se encuentran radicados en París, la ciudad con mayor cantidad de ellos en el exterior. Además, son la primera minoría de compositores extranjeros viviendo en la capital de Francia. Estos compositores han producido una importante obra musical, que estimamos en alrededor de 1200 obras, de los géneros más diversos que integran el campo de la música contemporánea. En lo que va del presente siglo XXI una parte relevante de este corpus tuvo circulación en la Argentina y promovió un debate sobre la delimitación del campo de la música contemporánea local.Nuestra tesis se propuso estudiar las motivaciones que llevaron a 23 compositores a emigrar a París, las condiciones de inserción en dicho campo y las tensiones identitarias que generó este transitar. Luego analizamos la producción musical más reciente y la más significativa, sus condiciones de realización y recepción tanto en Francia como en la Argentina.

Texte remanié de: Thèse de doctorat--Sociologie--Paris--EHESS. / Bibliogr. p. 277-281. Glossaire.

Thesis (Ph. D.)--North Carolina State University, 2003. / Title from PDF t.p. (viewed on Aug. 21, 2004). Includes vita. Includes bibliographical references.

Texte remanié de: Akademisk avhandling för avläggande av filosofie doktorsexamen--Göteborgs universitet, 1996. / Résumé en espagnol. Bibliogr. p. 217-228, XVI-XVII.

My dissertation examines the role Russian literature translations played in the shaping of Argentine literature during the first three decades of the twentieth century. By examining the processes of selection, translation, retranslation, and adaptation of Russian works, it analyzes the ways in which translation participated in the redefinition of Argentina’s cultural and literary relations with Europe. Through comparative analysis of the originals and their translations, it traces how translation made Russian literature somber and tragic, and transformed its realism into a detailed copying of reality. It argues that such realism, which was imitated by the Leftist avant-garde group Boedo, that aimed to democratize literature, exposed the incongruence of any representation of reality, which helped the Florida group—the followers of the European avant-garde—to call for a different kind of realism, one that would expose the fiction of literature and reality. By examining the work of Macedonio Fernández, César Tiempo and Roberto Arlt, I trace how Florida’s parody of Boedo’s copying of Russian literary translations were crucial in the development of parody in Argentine literature, helped reinstate the parody and humor that had been overlooked by the translation, and paved the way for the Boom writers.