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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
771

The Unlikely Road to Success: The Life and Career of Watercolorist William Leighton Leitch

Hageman, Carolyn A. January 2013 (has links)
No description available.
772

Dealing with the Digital: Literary Media, Mediated Narratives, and Sketchy Politics

Leopold, Amanda A. 26 July 2017 (has links)
No description available.
773

Discourses in Disanthro Studies

Seeds, Matthew L. 15 December 2017 (has links)
No description available.
774

Fueling Petroculture: Contemporary Art from the Arabian Gulf

Aljared, Rawya 06 June 2018 (has links)
No description available.
775

The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>

MacGilvray, Brian 08 February 2017 (has links)
No description available.
776

Teacher Belief Research in Art Education: Analyzing a Church of Christ Christian College Art Educator Beliefs and their Influence on Teaching

Grubbs, Jeffrey Bryan 01 November 2010 (has links)
No description available.
777

The “I” of the Text: A Psychoanalytic Theory Perspective on Students’ Television Criticism Writing, Subjectivity, and Critical Consciousness in Visual Culture Art Education

Daiello, Vittoria S. 10 January 2011 (has links)
No description available.
778

Making Space: Language, Painting, Poem

Whearty, Lauren Ann 02 September 2011 (has links)
No description available.
779

The Body in Print

Cameron, Erin Marie 28 August 2012 (has links)
No description available.
780

Writing white on black : modernism as discursive paradigm in South African writing on modern Black art

Van Robbroeck, Lize 03 1900 (has links)
Thesis (PhD (Visual Arts))--University of Stellenbosch, 2006. / In this thesis I deconstruct key concepts, terminologies, and rhetorical conventions employed in white South African writing on modern black art. I trace the genealogy of the dominant discursive practices of the apartheid era to the cultural discourses of the colonial era, which in turn had their origins in the Enlightenment. This genealogical tracing aims to demonstrate that South African art writing of the 20th century partook of a tradition of Western writing that was primarily intent upon producing the Western subject as a rational Enlightenment agent via the debased objectification of the colonial Other. In the process of the deconstruction, I identify the most significant discursive shifts that occurred from the 1930’s, when the first publications emerged, to the 1990’s, when South Africa’s new political dispensation opened up a different cultural landscape.

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