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The Unlikely Road to Success: The Life and Career of Watercolorist William Leighton LeitchHageman, Carolyn A. January 2013 (has links)
No description available.
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Dealing with the Digital: Literary Media, Mediated Narratives, and Sketchy PoliticsLeopold, Amanda A. 26 July 2017 (has links)
No description available.
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Discourses in Disanthro StudiesSeeds, Matthew L. 15 December 2017 (has links)
No description available.
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Fueling Petroculture: Contemporary Art from the Arabian GulfAljared, Rawya 06 June 2018 (has links)
No description available.
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The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>MacGilvray, Brian 08 February 2017 (has links)
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Teacher Belief Research in Art Education: Analyzing a Church of Christ Christian College Art Educator Beliefs and their Influence on TeachingGrubbs, Jeffrey Bryan 01 November 2010 (has links)
No description available.
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The “I” of the Text: A Psychoanalytic Theory Perspective on Students’ Television Criticism Writing, Subjectivity, and Critical Consciousness in Visual Culture Art EducationDaiello, Vittoria S. 10 January 2011 (has links)
No description available.
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Making Space: Language, Painting, PoemWhearty, Lauren Ann 02 September 2011 (has links)
No description available.
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The Body in PrintCameron, Erin Marie 28 August 2012 (has links)
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Writing white on black : modernism as discursive paradigm in South African writing on modern Black artVan Robbroeck, Lize 03 1900 (has links)
Thesis (PhD (Visual Arts))--University of Stellenbosch, 2006. / In this thesis I deconstruct key concepts, terminologies, and rhetorical conventions employed in white South
African writing on modern black art. I trace the genealogy of the dominant discursive practices of the
apartheid era to the cultural discourses of the colonial era, which in turn had their origins in the
Enlightenment. This genealogical tracing aims to demonstrate that South African art writing of the 20th
century partook of a tradition of Western writing that was primarily intent upon producing the Western
subject as a rational Enlightenment agent via the debased objectification of the colonial Other. In the
process of the deconstruction, I identify the most significant discursive shifts that occurred from the 1930’s,
when the first publications emerged, to the 1990’s, when South Africa’s new political dispensation opened
up a different cultural landscape.
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