Zwischen 1630 und 1650 vollzog sich ein Wandel in Athanasius Kirchers Vermittlung des musikalischen Wissens: Musik konzipierte er im Zusammenhang der Universalwissenschaft immer mehr als Zeichen des Weltbildes im Kontext einer christlich-neuplatonischen Pansemiose. Die Studie arbeitet dies am Beispiel der 'Institutiones mathematicae' (ca. 1630), der 'Mathematica curiosa' (ca. 1640) und der 'Musurgia universalis' (1650) heraus. Besonderes Augenmerk gilt Kirchers Umgang mit seinen Quellen, insbesondere Nikolaus von Kues, Robert Fludd und der Tradition der Philosophia perennis. / Between 1630 and 1650, a change in Athanasius Kircher''s way to communicate the knowledge of music took place: Within the context of universal science, he conceptualised music increasingly as a symbol for his world view and its Christian-Neoplatonic pansemiosis. This study discusses these issues based on Kircher''s 'Institutiones mathematicae' (c1630), 'Mathematica curiosa' (c1640), and 'Musurgia universalis' (1650). Special emphasis lies on Kircher''s use of his sources, particularly Nicholas of Cusa, Robert Fludd, and the tradition of Perennial philosophy.

Zwischen 1630 und 1650 vollzog sich ein Wandel in Athanasius Kirchers Vermittlung des musikalischen Wissens: Musik konzipierte er im Zusammenhang der Universalwissenschaft immer mehr als Zeichen des Weltbildes im Kontext einer christlich-neuplatonischen Pansemiose. Die Studie arbeitet dies am Beispiel der 'Institutiones mathematicae' (ca. 1630), der 'Mathematica curiosa' (ca. 1640) und der 'Musurgia universalis' (1650) heraus. Besonderes Augenmerk gilt Kirchers Umgang mit seinen Quellen, insbesondere Nikolaus von Kues, Robert Fludd und der Tradition der Philosophia perennis. / Between 1630 and 1650, a change in Athanasius Kircher''s way to communicate the knowledge of music took place: Within the context of universal science, he conceptualised music increasingly as a symbol for his world view and its Christian-Neoplatonic pansemiosis. This study discusses these issues based on Kircher''s 'Institutiones mathematicae' (c1630), 'Mathematica curiosa' (c1640), and 'Musurgia universalis' (1650). Special emphasis lies on Kircher''s use of his sources, particularly Nicholas of Cusa, Robert Fludd, and the tradition of Perennial philosophy.

Michael Servetus (1508 - 1553) and Emanuel Swedenborg (1688 - 1772) are both considered heretics. They share many concepts about the nature of God, especially their rejection of orthodox Nicene and Chalcedonian theology. This thesis explores their respective theologies relating to the Trinity and Christology, with speculation of what sources they may have had in common. While attention is paid to Ignatius, Irenaeus and Tertullian, particular attention is paid to Tertullian, whose work Adversus Praxean lays the foundation of Servetus' ideas and has much in common with Swedenborg's theology. In light of their similarity to Tertullian, the question is asked if Servetus and Swedenborg would have been called heretics prior to Nicaea. / Christian Spirituality, Church History and Missiology / D.Th. (Church History)

Submitted by Sandra Pereira (srpereira@ufrrj.br) on 2016-10-18T10:49:20Z No. of bitstreams: 1 2016 - Jorge Gabriel Rodrigues de Oliveira.pdf: 1803407 bytes, checksum: 14d3e313e5d9cd8d6206d683acccc3ca (MD5) / Made available in DSpace on 2016-10-18T10:49:20Z (GMT). No. of bitstreams: 1 2016 - Jorge Gabriel Rodrigues de Oliveira.pdf: 1803407 bytes, checksum: 14d3e313e5d9cd8d6206d683acccc3ca (MD5) Previous issue date: 2016-04-20 / This research aims to demonstrate the process of developing a martyr stereotype for the hermit Copts monks, through which we believe we can analyze the hagiographic representation drawn to these religious, from textual traces found in primary sources Vita Antonii (357) and Vita Pauli (374-379), written, respectively, by Athanasius of Alexandria (296-373) and Jerome of Stridon (347-420), about the desert monks Anthony the Great (251- 356) and Paul of Thebes (228-330). We understand that the martyrdom of the content is present in this stereotype monastic hermit Copt, introduced by the authors of the sources, this will allow us greater strength in proving our hypothesis about the development of a patristic representation, which aimed to raise the monks as the authentic successors of the martyrs and establishes guidelines and patristic models defined for these religious and those who followed them. / Nesta pesquisa pretende-se demonstrar o processo de elabora??o de um estere?tipo de m?rtir para os monges eremitas coptas, atrav?s do qual acreditamos ser poss?vel analisar a representa??o hagiogr?fica elaborada para esses religiosos, a partir de vest?gios textuais encontrados nas fontes prim?rias Vita Antonii (357) e Vita Pauli (374-379), de autoria, respectivamente, de Atan?sio de Alexandria (296-373) e Jer?nimo de Estrid?o (347-420), acerca dos monges Ant?o do deserto (251-356) e Paulo de Tebas (228-330). Entendemos que se o conte?do do mart?rio estiver presente neste estere?tipo mon?stico erem?tico copta, introduzido pelos autores das fontes, isto nos permitir? maior solidez na comprova??o de nossa hip?tese acerca da elabora??o de uma representa??o patr?stica, que visava al?ar os monges como os aut?nticos sucessores dos m?rtires, al?m de estabelecer diretrizes e modelos patr?sticos definidos para esses religiosos e aqueles que os seguiam.

Michael Servetus (1508 - 1553) and Emanuel Swedenborg (1688 - 1772) are both considered heretics. They share many concepts about the nature of God, especially their rejection of orthodox Nicene and Chalcedonian theology. This thesis explores their respective theologies relating to the Trinity and Christology, with speculation of what sources they may have had in common. While attention is paid to Ignatius, Irenaeus and Tertullian, particular attention is paid to Tertullian, whose work Adversus Praxean lays the foundation of Servetus' ideas and has much in common with Swedenborg's theology. In light of their similarity to Tertullian, the question is asked if Servetus and Swedenborg would have been called heretics prior to Nicaea. / Christian Spirituality, Church History and Missiology / D.Th. (Church History)

Genom en innehållslig idéanalys av Gustaf Auléns bok ‘Den kristna försoningstanken’ och Agne Nordlanders bok ‘Korsets mysterium’ med C. Baxter Krugers teologiska ståndpunkt i hans bok ‘Jesus and the Undoing of Adam’ som den vetenskapliga utgångspunkten för min analys ger jag mig i kast med ett tidlöst ämne som ställer mig i en mångtusenårig tradition. Jag hoppas kunna göra en teologisk analys och bedömning av vad litteraturvalet har att säga om begreppet Guds vrede och därigenom ge exempel på hur försoningslära kan förankras i patristisk teologi. / Through a thematic analysis of Gustaf Aulén's book 'Den kristna försoningstanken' and Agne Nordlander's book 'Korsets mysterium', using C. Baxter Kruger's theological standpoint in his book 'Jesus and the Undoing of Adam' as the scholarly foundation for my analysis, I delve into a timeless subject that places me within a tradition spanning millennia. I aim to conduct a theological analysis and assessment of what the choice of literature has to say about the concept of ‘the wrath of God’, thereby providing examples of how atonement theology can be anchored in patristic theology.

Die vorliegende Arbeit beschäftigt sich mit dem westlichen Verständnis von chinesischer Schrift. Im westlichen Diskurs herrscht eine Auffassung vor, der zufolge die chinesischen Schriftzeichen eine „fast naturalistische Darstellung“ von Dingen seien, die unabhängig von der gesprochenen Sprache im Sinne „eines visuellen Objekts“ funktionieren soll. Dabei wird die Tatsache, dass auch sie wie alle anderen Schriftsysteme zur Wiedergabe der gesprochenen Wörter verwendet werden und dadurch funktionieren, ausgeblendet. Die Vorstellung der sprachunabhängigen chinesischen Schrift wirkt darüber hinaus auch auf die Kulturtheorien ein, die auf der Schrift basierend die chinesische bzw. asiatische Kultur zu charakterisieren und sie mit der europäischen zu vergleichen versuchen. Dabei ist zu beobachten, dass die angenommene sprachunabhängige Bildhaftigkeit oder Konkretheit der chinesischen Schrift zwar einerseits Grund für eine Aufwertung ist, wobei das aus ihr resultierende Denkmodell als ein alternatives des westlichen Denkens aufgefasst wird, dass aber letztendlich aus derselben Auffassung auch das negative Urteil entspringt, mit jener visuellen Konkretheit gehe ein ‚geringer Abstand zu den Gegenständen‘ einher und daraus folge eine Unfähigkeit zum abstrakten Denken bei dem, der sich dieser Schrift bediene. Die Frage, die vorliegende Arbeit durchzieht, lautet daher: Woher stammt dieser ‚Mythos‘ der chinesischen Schrift, der wiederum zurückwirkt auf das westliche Ostasienbild? Und warum bewahrt er sich so hartnäckig im westlichen Denken, dass seine Nachwirkung bis in aktuelle Theorien zu beobachten ist? Wie ist die ambivalente Einschätzung chinesischer bzw. ostasiatischer Kultur in ihnen zu verstehen, die aus derselben ideographischen Auffassung chinesischer Schrift stammt? Durch eine kritische Auseinandersetzung mit der Rezeptionsgeschichte der chinesischen Schrift unter Berücksichtigung des abendländischen China-, bzw. Ostasienbilds wird versucht, darauf zu antworten. / This dissertation deals with the Western views of Chinese characters. In Western discourses the Chinese written language has generally been viewed as a naturalistic representation of things, close to visual images (pictographs) or as a means of conveying ideas (ideographs), unrelated to spoken language. The fact that they reproduce spoken language like all other writing systems has been underexplored. Under this assumption, cultural theories have defined Chinese or Asian cultures as essentially distinct from European cultures. However, the language-independency and concreteness of Chinese script provides reason for revaluation of those views that consider the Chinese (or Asian) ways of thinking as an alternative to Western thought: that which ultimately arises from the negative judgments that those with visual concreteness are farther detached from objects, and are, therefore, unable to exercise abstract thinking. Through a critical analysis of the history of discourses of Chinese writings, this work address the following questions: Whence comes the ‘myth ''of the Chinese character, which, in turn, reinforces the Western views of Asia: why it remains so persistent in Western views as observed in contemporary cultural theories; how the ambivalent appreciation of Chinese or East Asian-culture resulted from the same ideographic view of the Chinese written language.

Michael Servetus (1508 - 1553) and Emanuel Swedenborg (1688 - 1772) are both considered heretics. They share many concepts about the nature of God, especially their rejection orthodox Nicene and Chalcedonian theology. This thesis explores their respective theologies relating to the Trinity and Christology, with speculation of what sources they may have had in common. While attention is paid to Ignatius, Irenaeus and Tertullian, particular attention is paid to Tertullian, whose work Adversus Praxean lays the foundation of Servetus' ideas and has much in common with Swedenborg's theology. In light of their similarity to Tertullian, the question is asked if Servetus and Swedenborg would have been called heretics prior to Nicaea. / Christian Spirituality, Church History and Missiology / D.Th. (Church History)

This dissertation is presented in two parts. It first identifies the shape and content of an ancient system of Christian thought predicated on the theology of the cross of Jesus Christ, and proposes the marks typifying its theologians. Over against the ensuing hermeneutic it next finds the project of twentieth century Swiss theologian Karl Barth to exhibit many of the defining characteristics of this system, and Barth himself to be fairly deemed a modern theologian of the cross. He crucially recovers, reshapes and reasserts the classical theologia crucis as a modern theological instrument, one answering enlightened theology’s self-glorifying accommodation to modernity with the living Word of the cross. The crucicentric system itself is found to comprise two major theological dimensions, epistemological and soteriological. Each of these comprises dialectically corresponding aspects connected with false and true creaturely glory. The cruciform Word (or theology) speaking through this system likewise moves in two directions. It declares negatively that any attempt by the creature to circumvent the cross so as to know about God directly, or to condition God's electing decision, is necessarily the attempt to know and act as God alone may know and act - an attempt therefore on the glory of God. It declares positively that in the crucified Christ God formally discloses the knowledge of God, and determines the creature for God. This knowledge and election are appropriated to the creature as, drawn into the cruciform environment, its attempt to glorify itself is negated and Christ's exalted humanity received in exchange. Thence it is lifted to participate in Christ's mind and in his glory, a process guided by the Holy Spirit and completed eschatologically. The database for this research includes selected primary materials in the Apostle Paul, Athanasius, a group of medieval mystical theologians, the reformer Martin Luther - particularly here his Heidelberg Disputation, and Karl Barth. It also pays attention to the recent secondary literature peripherally or more concertedly connecting itself to the theology of the cross, of whatever period. In this literature numerous suggestions for the content of the theology of the cross exist, a major methodological task in the current research being to bring these together systematically. To the extent that the inner structure of the system carrying the cruciform Word has not previously been made explicit, and Barth's crucicentric status not finally determined, in moving towards these achievements this dissertation breaks fresh ground. In the process a new test by which to decide the crucicentric status of any theological project is developed, and a further and crucicentric way of reading Barth proposed. / This dissertation identifies the shape, content, and marks of the theology of the cross, an ancient and still extant epistemological and soteriological system of Christian thought. Applying the resulting hermeneutic it then shows this system to be present with renewed vitality and future significance in the modern project of seminal Swiss theologian Karl Barth (1886-1968).

This dissertation is presented in two parts. It first identifies the shape and content of an ancient system of Christian thought predicated on the theology of the cross of Jesus Christ, and proposes the marks typifying its theologians. Over against the ensuing hermeneutic it next finds the project of twentieth century Swiss theologian Karl Barth to exhibit many of the defining characteristics of this system, and Barth himself to be fairly deemed a modern theologian of the cross. He crucially recovers, reshapes and reasserts the classical theologia crucis as a modern theological instrument, one answering enlightened theology���s self-glorifying accommodation to modernity with the living Word of the cross. The crucicentric system itself is found to comprise two major theological dimensions, epistemological and soteriological. Each of these comprises dialectically corresponding aspects connected with false and true creaturely glory. The cruciform Word (or theology) speaking through this system likewise moves in two directions. It declares negatively that any attempt by the creature to circumvent the cross so as to know about God directly, or to condition God's electing decision, is necessarily the attempt to know and act as God alone may know and act - an attempt therefore on the glory of God. It declares positively that in the crucified Christ God formally discloses the knowledge of God, and determines the creature for God. This knowledge and election are appropriated to the creature as, drawn into the cruciform environment, its attempt to glorify itself is negated and Christ's exalted humanity received in exchange. Thence it is lifted to participate in Christ's mind and in his glory, a process guided by the Holy Spirit and completed eschatologically. The database for this research includes selected primary materials in the Apostle Paul, Athanasius, a group of medieval mystical theologians, the reformer Martin Luther - particularly here his Heidelberg Disputation, and Karl Barth. It also pays attention to the recent secondary literature peripherally or more concertedly connecting itself to the theology of the cross, of whatever period. In this literature numerous suggestions for the content of the theology of the cross exist, a major methodological task in the current research being to bring these together systematically. To the extent that the inner structure of the system carrying the cruciform Word has not previously been made explicit, and Barth's crucicentric status not finally determined, in moving towards these achievements this dissertation breaks fresh ground. In the process a new test by which to decide the crucicentric status of any theological project is developed, and a further and crucicentric way of reading Barth proposed.