This study represents a work of practical narrative theology which originates in the notable prominence of an ancient form of catechesis in a modern document, the General Directory for Catechesis (GDC), issued in 1997 by the Sacred Congregation for the Clergy in the Vatican. The GDC first mentions narratio explicitly in number 39 in the form of an imperative: "Catechesis, for its part, transmits the words and deeds of Revelation; it is obliged to proclaim and narrate them and, at the same time, to make clear the profound mysteries that they contain." It is under the weight of that obligation that this study came to be. Narratio, or the narration of salvation history, which was a standard part of the catechesis of the Church of the fourth and fifth centuries gave way to the exigencies of a changing Church in which the catechetical focus turned from adults, who needed a Judeo-Christian worldview to replace a Greco-Roman one, to children who had grown up in communities shaped by a Christian vision. This doctoral thesis proceeds by, first, surveying Roman Catholic magisterial teaching immediately preceding the issuance of the GDC to trace the roots of this apparent innovation within an institution which is otherwise noted for its conservatism. After establishing the context and character of the GDCs call for revival of narratio, this thesis examines the historical setting, rhetorical structure, and function of narratio in Augustine of Hippo's De catechizandis rudibus, and then its scriptural precursors in the two Testaments in order to discover how this narration functioned in the Jewish and Christian communities which practiced haggadic and anamnetic recitals of God's saving works as a means to the formation and maintenance of communal identity. This study seeks to establish that a positive response to the GDC's call is as much warranted by the evidence provided in the biblical and post-biblical Jewish and Christian practice of ritual/covenantal remembrance as by the Catholic magisterial imperative in the GDC. In this, it may aid to inform and direct such a positive response to the GDC for the revival of the catechetical narratio. / Christian Spirituality, Church History and Missiology / D. Th. (Church History)

This study represents a work of practical narrative theology which originates in the notable prominence of an ancient form of catechesis in a modern document, the General Directory for Catechesis (GDC), issued in 1997 by the Sacred Congregation for the Clergy in the Vatican. The GDC first mentions narratio explicitly in number 39 in the form of an imperative: "Catechesis, for its part, transmits the words and deeds of Revelation; it is obliged to proclaim and narrate them and, at the same time, to make clear the profound mysteries that they contain." It is under the weight of that obligation that this study came to be. Narratio, or the narration of salvation history, which was a standard part of the catechesis of the Church of the fourth and fifth centuries gave way to the exigencies of a changing Church in which the catechetical focus turned from adults, who needed a Judeo-Christian worldview to replace a Greco-Roman one, to children who had grown up in communities shaped by a Christian vision. This doctoral thesis proceeds by, first, surveying Roman Catholic magisterial teaching immediately preceding the issuance of the GDC to trace the roots of this apparent innovation within an institution which is otherwise noted for its conservatism. After establishing the context and character of the GDCs call for revival of narratio, this thesis examines the historical setting, rhetorical structure, and function of narratio in Augustine of Hippo's De catechizandis rudibus, and then its scriptural precursors in the two Testaments in order to discover how this narration functioned in the Jewish and Christian communities which practiced haggadic and anamnetic recitals of God's saving works as a means to the formation and maintenance of communal identity. This study seeks to establish that a positive response to the GDC's call is as much warranted by the evidence provided in the biblical and post-biblical Jewish and Christian practice of ritual/covenantal remembrance as by the Catholic magisterial imperative in the GDC. In this, it may aid to inform and direct such a positive response to the GDC for the revival of the catechetical narratio. / Christian Spirituality, Church History and Missiology / D. Th. (Church History)

Cette étude souhaite contribuer à une meilleure connaissance et compréhension de l’idée de simplicité divine, qui signifie l’absence en Dieu de toute composition. Pièce centrale de la pensée théologique médiévale, elle fut redécouverte il y a 35 ans par des philosophes de tendance analytique, qui en contestèrent la cohérence. Elle est depuis lors l’objet d’un débat philosophique fourni, mais le détour par l’histoire de la philosophie est nécessaire pour dégager le réseau de concepts, d’arguments et de problèmes qui lui donne sens. Après avoir étudié la première élaboration de cette idée dans les textes antiques et patristiques, puis son traitement par Pierre Lombard à la veille du IVe concile de Latran de 1215, qui intègre pour la première fois la simplicité divine dans une profession de foi authentique du magistère, nous nous concentrons sur les œuvres de Bonaventure de Bagnoregio et de Thomas d’Aquin, qui accordent à cet attribut divin un rôle fondateur dans leur étude du mystère de Dieu. L’idée de simplicité divine s’y trouve sans cesse prise dans la dialectique de la ressemblance et de la dissemblance entre Créateur et créature. Tandis que Thomas associe de façon unilatérale la simplicité absolue à la transcendance de l’incréé, Bonaventure propose également des similitudes créées de la simplicité divine qui en favorisent l’intuition. Loin d’apparaître comme incohérente, l’idée de simplicité divine est un outil puissant pour ouvrir notre intelligence à un plan de réalité supérieur, certes mystérieux, mais néanmoins lumineux. / This study seeks to contribute to a better understanding and comprehension of the idea of divine simplicity, which means the absence in God of any composition. Cornerstone of medieval theological thinking, divine simplicity was rediscovered 35 years ago by philosophers of analytical leanings, who challenged its coherence. It has since formed the subject of abundant philosophical debate, however, the detour via the history of philosophy is necessary in order to draw out the network of concepts, arguments and issues, from where divine simplicity derives its meaning. After the study of the first development of this idea in ancient and patristic texts, and its treatment by Peter Lombard on the eve of the 4th Council of Lateran in 1215, which integrates for the first time divine simplicity in a genuin profession of faith of the magisterium, we shall focus on the works of Bonaventure of Bagnoregio and Thomas Aquinas, who grant this divine attribute a founding role in the study of the mystery of God. The idea of divine simplicity keeps being comprised in the dialectics of similarity and dissimilarity between Creator and creature. While Aquinas associates in an unilateral way absolute simplicity and transcendence of the uncreated, Bonaventure offers also created resemblances of divine simplicity which favour its intuition. Far from appearing incoherent, the idea of divine simplicity is a powerful means to open our minds to a level of superior reality, indeed mysterious, but nevertheless radiant.

My primary argument in this thesis is that creation theologies significantly influenced early developments in the doctrine of the Trinity, especially in Augustine of Hippo’s theology. Thus this is a work of historical theology, but I conclude with proposals for how Augustine’s theologies of creation and the Trinity can be read fruitfully with modern theology. I critically analyse developments in trinitarian theologies in light of ideas that were held about creation. These include the doctrine of creation ‘out of nothing’ and ideas about other creative acts (e.g., forming or fashioning things). Irenaeus and other early theologians posited roles for God (the Father), the Word / Son, the Spirit, or Wisdom in creative acts without working out formal views on economic trinitarian acts. During the fourth century trinitarian controversies, creation ‘out of nothing’ and ideas about ‘modes of origin’ influenced thinking on consubstantiality and relations within the Trinity. Basil of Caesarea and others also presented ideas about trinitarian acts of creation and the Trinity in hexaemeral works. I will argue that in Augustine’s views of trinitarian acts of creation, he attributes roles to God (the Father), the Word / Son, and the Spirit. In his mature theology, he attributes the giving of formless existence, differentiated existence, and perfected existence to the three Persons respectively, while depicting shared roles. He also attributes to the Spirit the giving of the capability of ‘dynamic abiding’ to creatures, which gives them agency in continuing their existence. Augustine’s theologies of creation and the Trinity were significantly influenced by his exegesis of Gen. 1, John 1. 1-3, Wisdom, and other scriptures, and his ideas resonate with the hexaemeral works of Basil and Philo of Alexandria. I argue that scholars should examine these sources and Augustine’s own hexaemeral commentaries to gain a deeper understanding of his trinitarian theology.