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She Inked! Women in American Tattoo CultureLong, Jessica X. January 2020 (has links)
No description available.
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The signaling function of artificial ornamentation in humans / Signalfunktion künstlicher Ornamente beim MenschenWohlrab, Silke 31 October 2007 (has links)
No description available.
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Metamorfos; Den mänskliga kroppen i transformation / Metamorphosis; The Human Body in TransformationMoreno, Alexandra January 2023 (has links)
Based on what body adornment has been throughout history, this project investigates what it might be in the future. The possibilities, forms and methods of body adornment has changed and will continue to change over time, along with our societal and environmental shifts as well as with developments in science and technology. Our bodies are increasingly perceived as malleable objects that we can modify, enhance and improve. I use speculation as a method to explore how the human body may develop and be modified in the future. I envision a world where we have become increasingly intertwined with technologies, where environmental changes and our lifestyle have affected our biology, and where our bodies have continued to be altered based on social norms. Through this project I have become some kind of contemporary Frankenstein scientist, although I am not in a laboratory but in a jewellery workshop. My objects, which I call potential jewellery, or maybe-jewellery, are presented in an installation in the form of a clinical setting. It is a representation of where body adornment meets medical technology, where jewellery meets prostheses and implants. This project does not have any answers or a clear message about what is right or wrong – it is based on a curiosity without having a conclusion in mind. The installation is meant to be a reminder that our bodies are always adorned, modified and in transformation – that we are in an ongoing metamorphosis from one state to another.
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Ancient Cranial Modifications with Medical and Cultural SignificanceBrahler, Emily A. 06 May 2015 (has links)
No description available.
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Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough TattoosChan, Karen Bic Kwun 31 August 2012 (has links)
Using interpretive methods of social inquiry, this thesis explores the socio-political significance of body tattoos made of Chinese-like text, which have recently become popular Western phenomena. It theorizes how contemporary Western tattooing complicates bodily and social boundaries, providing context to interrogate ideas of authenticity. Coining the term "Chinesenough" (from “Chinese” and “enough”), I describe how many such tattoos do not reflect in Chinese what many wearers and viewers assume they do. I contrast how Chinesenough tattoos (re)produce whiteness to the multiple and contradictory Chinesenesses that are also (re)produced. Reading Chinesenough flash art on tattoo studio walls as objects constituting social space, I consider the social meaning of their English subtitles and manner of organization. I theorize the body’s absence from Chinesenough flash art while articulating my body’s sense experience of encountering the same. Finally, I produce and theorize five illustrations that carnivalize Chinesenough iconography to disrupt and transform the phenomenon.
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Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough TattoosChan, Karen Bic Kwun 31 August 2012 (has links)
Using interpretive methods of social inquiry, this thesis explores the socio-political significance of body tattoos made of Chinese-like text, which have recently become popular Western phenomena. It theorizes how contemporary Western tattooing complicates bodily and social boundaries, providing context to interrogate ideas of authenticity. Coining the term "Chinesenough" (from “Chinese” and “enough”), I describe how many such tattoos do not reflect in Chinese what many wearers and viewers assume they do. I contrast how Chinesenough tattoos (re)produce whiteness to the multiple and contradictory Chinesenesses that are also (re)produced. Reading Chinesenough flash art on tattoo studio walls as objects constituting social space, I consider the social meaning of their English subtitles and manner of organization. I theorize the body’s absence from Chinesenough flash art while articulating my body’s sense experience of encountering the same. Finally, I produce and theorize five illustrations that carnivalize Chinesenough iconography to disrupt and transform the phenomenon.
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