Cette thèse veut réactualiser les Séminaires dirigés par C. G. Jung de 1935 à 1939 sur la lecture de l'œuvre maîtresse de Nietzsche, Ainsi parlait Zarathoustra. Nous présentons, comme élément préalable d'investigation, un examen des méthodes des deux auteurs concernés. Le lecteur sera à même de saisir à quel point il est opportun de prolonger dans la psychologie analytique de Jung le projet initié par Nietzsche, ce dernier admettant lui-même être guidé par l'investigation psychologique, si ce n'est avoir écrit le Zarathoustra sous la pression des archétypes. Notre recherche nous amène à réévaluer le projet réformateur de Nietzsche à la lumière de ce qui se présente au départ comme une projection de l'homme/Nietzsche dans la figure du dieu/Zarathoustra. Nous établissons dans quelle mesure le concept de spiritualisation devient plus fondamental que celui d'esthétique lorsqu'il s'agit d'interpréter le fond de l'intention philosophique de Nietzsche; puis nous voyons comment s'associe l'ensemble du système nietzschéen à la perspective jungienne du quaternion, ce qui révélera le rôle essentiel que joue le corps dans un ensemble qui veut dépasser une tradition philosophique dominée par l'idée chrétienne de trinité. Cette réflexion éclairera ce qu'il convient d'appeler la pensée la plus abyssale de Nietzsche, soit l'Éternel retour, dans la dynamique des manifestations de l'inconscient. Nous résumons l'essentiel des volumineux Séminaires et présentons, en annexe, un lexique des concepts philosophiques importants qui s'y trouvent ainsi qu'une description contextuelle des symboles utilisés par Nietzsche, travail essentiel d'investigation de Jung qui se laisse porter par cette "rivière de figures" qu'est le Zarathoustra. À travers la lecture de Nietzsche, nous découvrons certaines motivations obscures que peut cacher l'intention philosophique. Nous verrons en quoi l'essentiel du processus d'identification entre Nietzsche, Zarathoustra et le Surhomme fait état de la présence irrépressible de la figure du Vieil homme sage; et comment la recherche du "sens de la Terre", chez Nietzsche, intègre une dimension "numineuse" caractéristique qui rend si complexe l'idée de "dépassement de la métaphysique" et la tenue d'un discours moralisateur, entendu l'ambivalence de la psyché humaine, notamment en situation de crise.

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¿Cómo se expresa el inconsciente colectivo en la pintura moderna? Esta pregunta surge al término de mi último proceso creativo. Intenté comprender y conocer los elementos y dinámicas que podrían haber estado presentes en dicho proceso. Intuí que los planteamientos de Jung (1995) en torno a la simbología del inconsciente colectivo podrían enlazarse con las formaciones zoomorfas de la serie de obras que concluí (conformada por tres dibujos y seis pinturas). Más aun, como intento mostrar en este estudio, los arquetipos, los sueños, el primitivismo y los símbolos —conceptos claves de Jung— parecieron particularmente pertinentes para comprender el proceso creativo. Las ideas sobre el inconsciente colectivo son fructíferas y esclarecedoras con relación a la pintura moderna, en especial, el surrealismo y la pintura automática. Por tal razón, en este trabajo se revisará desde la perspectiva de Jung las obras plásticas de Giorgio di Chirico, Marc Chagall, Paul Klee, Jean Arp, Joan Miró y Max Ernst.

El presente trabajo explora el desarrollo del concepto freudiano “proyección” en el marco de la mutua colaboración entre Sigmund Freud y Carl Jung. La investigación se inscribe en la línea conceptual histórica y de determinantes inconscientes en el desarrollo de conceptos. En ella, se pretende dar cuenta de diferencias teóricas y metodológicas entre Freud y Jung desde sus inicios que puedan ayudar a dar sentido a la colaboración mutua en el desarrollo del concepto proyección. Para este fin, se revisó críticamente la correspondencia entre ambos, así como las obras de cada uno en las que se pueda evidenciar el trabajo con el concepto / The following work explores the development of the freudian concept “projection” in the framework of the mutual collaboration between Sigmund Freud and Carl Jung. This research is framed in the line of historical-conceptual research and unconscious determinants in the concept’s development. We intend to explain, the theoretical and methodological differences between Freud and Jung from the beginning that make sense on the mutual collaboration in the development of that concept. With this purpose, we reviewed critically the correspondence between both authors, as well as each one’s works referred to the concept

Made available in DSpace on 2016-04-29T13:31:35Z (GMT). No. of bitstreams: 1 Dissertacao integral.pdf: 1828407 bytes, checksum: 5ae4f33e879a658e67f1ba3bedfa29f0 (MD5) Previous issue date: 2005-05-13 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Abstract The purpose of this work is to study the formation of analytical psychology in Brazil. To this end, a social approach in the history of psychology was used seeking to place people and facts in a general context once history is inserted in a certain time and place. Three figures considered pioneers in this field in the country were identified Nise da Silveira, Pethö Sándor and Leon Bonaventure whose personal and professional paths are addressed. At the same time, also noted, are the possible related broader events and situations that may be related to their being responsible for their role as pioneers. In mapping the contributions made by these professionals in the field of analytical psychology, one perceives the development of a creative work not limited to the dissemination of Carl Gustav Jung s concepts, but to the proposition of their own methods and techniques. Furthermore, particularly in the work of the two first pioneers researched, one observes the collaboration toward the birth of a Brazilian analytical psychology. / O objetivo deste trabalho é o estudo da constituição da psicologia analítica no Brasil. Para esse fim, utilizou-se a abordagem social em história da psicologia buscando situar personagens e fatos no contexto geral, na medida em que se entende que a história está inserida em determinado tempo e lugar. Foram identificados três personagens considerados pioneiros da disciplina no país Nise da Silveira, Pethö Sándor e Leon Bonaventure, cujos percursos pessoais e profissionais são abordados, ao mesmo tempo em que são apontados eventos e situações mais amplos que podem estar relacionadas ao processo que levou tais pessoas a assumirem o papel de pioneiros. Ao mapear-se a contribuição desses profissionais, para o campo da psicologia analítica, percebe-se o desenvolvimento de um trabalho criativo que não se limita à disseminação, no país, dos conceitos de Carl Gustav Jung, propondo métodos e técnicas próprias. Além disso, particularmente na obra dos dois primeiros pioneiros pesquisados, observa-se a colaboração para a constituição de uma psicologia analítica brasileira.

Twentieth century American fiction assimilates archetypes of traditional mythologies, in particular the hero archetype, to create a contemporary mythology which relays social issues relevant to its age. This is first approached by creating a theoretical framework, which primarily consists of both Jungian theories of the collective unconscious and the model on which Joseph Campbell based his conception of the archetype in what is known as myth criticism. The theoretical framework also introduces and describes the graphic novel and its use of characterisation distinctive to post-modern fiction. The Sandman, which is the subject of this study, is then contextualised against the backdrop of the evolution of the American comic book, with its influence of folklore, mythology and visual presentation. Through an overview and analysis of The Sandman series as a whole, as well as a reading of its pivotal narrative, The Kindly Ones, this thesis explores the way in which The Sandman fulfils its purpose of integrating an archetypal hero into contemporary mythology. This is achieved by validating claims proposing the existence of a contemporary mythology through an analysis of Morpheus, The Sandman's protagonist and his unique heroic journey. The conclusion reached is that The Sandman indeed represents a contemporary mythology that contains a new form of social commentary, incorporating archetypes from traditional mythology and re-evaluating the role of the hero in this day and age. / Afrikaans & Theory of Literature / M. A. (Theory of Literature)

Thesis (MA)--Stellenbosch University, 2001. / ENGLISH ABSTRACT: The problem explored in this study concerns authenticity, and can be formulated as the question: 'How does one become oneself? In order to answer this query, related issues must be addressed, for example: the nature of consciousness/ self-awareness; the individual's relationship to society; the meaning of existence, and so forth. The reply's of three thinkers, Kierkegaard, Sartre and Jung, will be discussed in this investigation. They have been selected for several reasons: Each of their respective theories addresses issues that are generally pertinent in contemporary society, such as: the alienation and dissociation of individuals from each other and themselves through mass-mindedness and the impersonal nature of state and religious institutions; the anxiety that many experience due to, firstly, a lack of confidence in the abovementioned institutions and, secondly, a loss of trust in existing (political, religious, moral, social) life-strategies, because these often fail to give a convincing sense of meaning and purpose to life. Each of the three thinkers places the 'self at the center of their philosophy, and addresses many similar themes which share between them a family resemblance that admits of comparison. The theories are presented in an order that · allows for a dialectical approach to the problem of self: Kierkegaard's fundamentally Christian theory is presented as thesis, and Sartre's atheistic position as anti-thesis. Jung's theory of the psyche is presented as synthesis, because it is antimetaphysical, but nevertheless claims to prove empirically that a convincing religious/ spiritual experience is the key ingredient for authenticity. The outcome of the enquiry will show that the three thinkers point from different directions towards the same basic conceptualization of the 'self: The self is both a project and a goal or, to put it differently, a journey and a destination, the goal/destination being the synthesis of the various disparate and conflicting elements that influence or make up the personality. The study as a whole echoes the three individual approaches in describing the condition of modem man as a malady or sickness, which is the lack of authenticity, of which the symptoms are falsehood, anxiety, alienation, crippled relationships, lack of responsibility and adaptibility, and perhaps, on a larger scale, issues such as social/ political injustice and conflict. The cure for this malady is an enhancement of consciousness/ awareness that is known as 'the self. The self is seen as a 'becoming' and a choice, a dynamic synthesis, something which is not given and cannot be taken for granted, but must be actively striven for. The study outlines and explores the nature and value of such a project towards the self. / AFRIKAANSE OPSOMMING: Hierdie studie beskou die probleem van outentisiteit, wat as die vraag, 'Hoe word ek myself?', gestel kan word. Om hierdie vraag te beantwoord, moet verdere kwessies, soos byvoorbeeld die aard van (self)bewussyn, die verhouding waarin die indivudu tot die samelewing staan, en die betekenis van 'bestaan' ( eksistensie ), ook aangespreek word. Die voorstelle van drie denkers, Kierkegaard, Sartre and Jung, word bespreek in hierdie tesis. Die drie is vir verskeie redes uitgesoek: Elkeen van hulle spreek pertinente kwessies rondom die modeme samelewing aan, byvoorbeeld: individue se vervreemding en verwydering van hulself en ander weens die massa-mentaliteit en onpersoonlike aard van staats- en godsdienstige instellings; die angs en spanning wat baie ervaar as gevolg van 'n gebrek aan vertroue in bogenoemde instellings, asook 'n gebrekkige geloof in bestaande (politiese, godsdienstige, more le, so si ale) lewensstrategiee wat nie meer daarin slaag om sin of rede aan die lewe te gee nie. Elkeen van die drie denkers plaas die 'self sentraal tot hulle filosofie, en spreek temas aan wat onderling familie-ooreenkomste vertoon, en daarom onderlinge vergelyking toelaat. Die teoriee word aangebied in 'n volgorde wat 'n dialekti~se aanslag tot die probleem moontlik maak: Kierkegaard se Christelike teorie word as tese aangebied, en Sartre se ateistiese posisie as anti-tese. Jung se teorie van die psige word as sintese voorgehou, want, alhoewel dit geen metafisiese aansprake maak nie, beskou dit 'n oortuigende religieuse/ geestelike ervaring as die hoofbestandeel vir outentisiteit. Die gevolgtrekking van die ondersoek sal wys dat die drie denkers vanuit verskillende rigtings na dieselfde konsepsie van die 'self wys: Die self is sowel 'n projek as 'n doel, of, anders gestel, 'n reis en 'n bestemming. Die doel/ bestemming is 'n sintese van die verskillende, onderling botsend~ elemente waaruit die self bestaan en waardeur dit beinvloed word. Die studie in geheel volg die voorbeeld van die drie denkers deur die modeme mens se 'toestand' as 'n soort siekte te beskryf. Die simptome van hierdie siekte, of gebrek aan outentisiteit, is valsheid, angs, vervreemding, gebrekkige verhoudings, die afwesigheid van persoonlike verantwoordelikheid en aanpasbaarheid, en ook miskien kwessies soos sosiale en politiese onreg en konflik. Die remedie vir so 'n siekte is die 'self: 'n verheldering en intensifisering van bewussyn, wat gesien kan word as 'n 'wording' en 'n keuse, 'n dinamiese sintese, iets wat nie as voor-die-hand-liggend beskou kan word nie, maar wat aktief nagestreef moet word. Hierdie studie ondersoek die aard en waarde van so 'n projek gerig op die self

Thesis (MPhil (Ancient Studies)--University of Stellenbosch, 2006. / This thesis explores the Star Wars films in terms of C.G. Jung's theories on the archetypes and the collective unconscious, particularly as described by Joseph Campbell in his discussion of the journey of the mythic hero. In Chapter 1 short definitions of relevant terms such as “myth,” “the collective unconscious” and “archetypes” are given. Chapter 2 is a short discussion of four Jungian archetypes relevant to the topic, namely the Shadow, Guide, Mother, and Father. Chapter 3 focuses on the archetype of the Self and the psychological process of individuation as described by Jung, and its relation to the mythic hero and his journey. In Chapter 4 Star Wars is analysed in terms of the theoretical framework set out in Chapters 1-3. Chapter 5 is the concluding chapter, in which certain conclusions are made pertaining to the mythic character and psychological function of Star Wars, i.e., that the films contain elements that are mythic in character and may therefore perform the same psychological functions as myth. It is also argued that the popularity of Star Wars can therefore be ascribed to the same psychological reasons as the popularity of myth. Some attention is also given to possible further areas of study in this field, such as the mythic character of some other popular phenomena (for example Harry Potter or The Lord of the Rings) and the function of myth and modern mythic equivalents as a community-shaping factor in people’s lives.

This thesis discusses three intellectuals, each from a distinct academic background, and their relationship with National Socialism. Persons covered are Carl Gustav Jung, Martin Heidegger, and Eugen Fischer. This thesis aims at discovering something common and fundamental about the intellectuals' relationship to politics as such. The relationship each had with National Socialism is evaluated with an eye to their distinct academic backgrounds. The conclusion of this thesis is that intellectuals succumb all too easily to political and cultural extremism; none of these three scholars saw themselves as National Socialists, yet each through his anti-Semitism and willingness to cooperate assisted the regime.

Made available in DSpace on 2016-04-26T20:24:26Z (GMT). No. of bitstreams: 1 Dissertaco Aydil da Fonseca Prudente.pdf: 436002 bytes, checksum: 86a8fe237b446e54ad281fac48b9f3a2 (MD5) Previous issue date: 2006-05-15 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The purpose of this study is to approach the failure of resocialization measures applied to the young offender and analyze the tradition of repression and incrimination present in this area. Firstly, it analyzes from the point of view of the analytical psychology of Carl Gustav Jung, the development of the rationality in the western culture, and the structuration of consciousness inside the current patriarchal pattern. It identifies the distinction of polarity in the consciousness, inherent to this dynamism, and its excesses such as the inclusion of the authoritarianism in the culture and the Law. Subsequently, it identifies the archetypical conflict Father-son hidden by the conflict of the youth with the law, and the transference of this conflict to the society and the justice. The Law, which represents the cultural and collective precept, takes the archetypical function of order, limits, tradition, respect and authority, which are attributes of the father archetype and conflict with the youth, concerning his private life. Finally, it indicates the consequences, to the development of the young offender personality, of the authoritarian pattern accepted by the Law, observing the attitude of Judges and public prosecutors that work in this area, their role and personal conflicts, accordingly it appoints better ways to establish this relationship / O trabalho aborda o fracasso prático das medidas de ressocialização aplicadas ao adolescente infrator e analisa a cultura incriminadora e repressora atualmente presente neste campo. Analisa inicialmente, à luz da psicologia analítica, criada por Carl Gustav Jung, o desenvolvimento da racionalidade, na cultura ocidental, e a estruturação da consciência dentro do padrão atual patriarcal. Identifica a discriminação de polaridades, na consciência, própria desse dinamismo, e aponta seus excessos - como a incorporação, na cultura e no Direito, do autoritarismo. Em um segundo momento, identifica, por trás do conflito do adolescente com a Lei, a existência de um conflito arquetípico Pai-filho, e a transferência, pelo adolescente, desse conflito à sociedade e à Justiça. O Direito, como representante do cânone cultural coletivo, assume a função arquetípica da ordem, do limite, da tradição, do respeito, e da autoridade, todos esses atributos do arquétipo paterno que conflitam com o jovem, na esfera pessoal, e encarnam as questões principais com as quais ele acaba tendo que lidar. Finalmente, sempre com o apoio da tradição junguiana, procura discriminar as conseqüências, para o desenvolvimento da personalidade do jovem infrator, do padrão autoritário assumido pela Lei, comentando a postura dos Juízes e dos Promotores de Justiça que lidam nessa área, o seu papel, identificando a existência de conflitos particulares dos operadores jurídicos, e discriminando, também, os aspectos positivos a serem buscados por esses indivíduos na sua atitude em relação ao jovem