Šiame darbe teorinį galios diskurso pagrindą sudaro keturi prancūzų tradicijos teoretikai – M. Foucault, P. Bourdieu, M. de Certeau ir J. Baudrillard. Remiantis jų darbais yra analizuojami skirtingi aspektai, kurie sudaro galios cirkuliacijos sistemą šiuolaikiniuose miestuose. Esminį vaidmenį šioje sistemoje vaidina galios tarpininkai, kurie leidžia galiai sklisti nepriklausomai nuo to, ar yra tiesioginis ryšys tarp galios šaltinio ir kasdienio veikėjo. Darbo tikslas yra apibrėžti, kas būdinga galios tarpininkams, kurie lemia galios santykius šiuolaikinių miestų viešosiose erdvėse. Tam, visų pirma buvo išanalizuoti svarbiausi aspektai iš M. Foucault disciplinuojančios galios, P. Bourdieu laukų teorijos, M. de Certeau kasdienio gyvenimo praktikų, J. Baurillard simuliacijų ir daiktų bei individų santykio koncepcijų. Remiantis teorinės analizės rezultatais, sudarytas galios cirkuliacijos modelis, atsižvelgiant į tai, kad jis turi būti pritaikomas empiriškai nagrinėti galios santykiams miestų viešosiose erdvėse. Empirinę darbo dalį sudarė dviejų etapų kokybinis tyrimas. Pirmame etape buvo taikoma fotodokumentacija ir užfiksuoto vaizdo analizė, kurios rezultatas – 732 fotografijos, o antrajame – atlikta 16 pusiau struktūruotų interviu. Medžiaga buvo renkama dviejuose miestuose – Berlyne ir Vilniuje. Tyrimo rezultatai atspindėjo išryškintus galios tarpininkų aspektus ir leido pamatyti, kaip jie atsispindi tikrovėje – dviejų skirtingų miestų viešosiose erdvėse. Teorinė analizė ir... [toliau žr. visą tekstą] / The theoretical groundwork of power discourse used in this paper is based on the works of four French authors: M. Foucault, P. Bourdieu, M. de Certeau and J. Baudrillard. The different aspects that these authors explore in their search for the meaning of power enable one to look at different aspects in a system of power relations: power itself, which emanates from a power source and reaches everyday agents by means of a power mediator. As the separation of the power source from the everyday agents that it strives to influence increases predominantly, the power mediator plays a crucial role, as it enables power to dissipate without direct contact between the two acting parts of the power equation. The aim of this paper is to define what characterizes the power mediators that influence power relations in contemporary urban public space. In order to achieve this aim, first of all the main theoretical aspects were analyzed from M. Foucault's concept of disciplinary power, P. Bourdieu's field theory, M. de Certeau's practice of everyday life and J. Baudrillard's simulations. A theoretical analysis of the aforementioned allows for constructing a model of power circulation in a form which may later be applied to further research power relations in urban public space. Qualitative research was conducted in two stages in Berlin and Vilnius. The first stage used photographic documentation as the primary method for data gathering. 732 photographs were made and analyzed. During the second... [to full text]

Thesis (Ph.D) -- University of Adelaide, Dept. of English, 2001. / Bibliography: leaves 466-497.

Made available in DSpace on 2016-08-29T14:09:32Z (GMT). No. of bitstreams: 1 tese_5168_.pdf: 2770321 bytes, checksum: 88e9fab0e30d28130cd409f497dfa97e (MD5) Previous issue date: 2012-06-13 / O consumo tem sido considerado um elemento central para o entendimento da sociedade contemporânea. Frente a esse fato muitos estudos têm sido feitos sobre o tema em diversas perspectivas. Esse trabalho se propõe a apresentar algumas das abordagens acerca do consumo. Dentre elas, aquelas que compreendem o consumo com algo ligado ao processo produtivo, que a partir da revolução industrial, teria dado início a sociedade de consumo. Nesse sentido, encontram-se os autores de base frankfourtianas. Outra perspectiva vê o consumo como uma atividade social, como apontam os estudos antropológicos sobre o consumo. Entretanto, é em Michel de Certeau que esse trabalho irá buscar suas bases teóricas, na medida em que pretende encarar o consumo não como uma atividade ligada ao consumismo exagerado de bens, ou ao desgaste, mas sim como algo ligado a produção criativa. Na perspectiva certeauniana, o consumo seria um uso criativo que os sujeitos praticantes fazem daquilo que lhes é ofertado, a partir de estratégias e táticas praticadas nos/dos/com os cotidianos. Sendo assim, os consumidores não são de forma alguma alienados ou manipulados pelos meios de produção, mas sim sujeitos criativos capazes de subverter o que é estabelecido pelas estratégias que determinam os próprios. Nesse projeto pretende-se compreender O que se constitui como próprio do sujeito praticante consumidor na/da Praia do Canto para os comerciantes locais e clientes? A partir dessa determinação pretende-se dentre outras coisas compreender e identificar as formas criativas que são praticadas no dia-dia do bairro Praia do Canto em Vitória-ES, como forma de escape ao que é instituído. / In the contemporaneous context, the act of consuming has been a subject of great interest by researchers from different areas. It has been approached from diversified perspectives, based on production process or social argument. This research, originated from Certeau‟s (2008, 2009, 1995, 1982, 2011) studies, is an attempt to understand the act of consuming as a creative “use”, taking into consideration the power of ordinary practices proper of people who perform everyday events. The practices artistic nature would confer to the act of consuming an inventive and political dimension. This way, this research concentrates on consumptions/uses that are performed at a beauty parlour in a high medium social class neighborhood in Vitória – ES. The objective is to negotiate wider senses, related to the notion of esthetics consumption, than those stereotyped ideas which associate beauty consumption to superfluous and frivolous actions. The inform data production indicates a diverse range of possible “uses” of the beauty parlour, which strengthens different ways of existence, based on taking care of oneself, including body and health issues; on the ethical relationships guided by esthetics dimension and possibilities of assuming “minor” esthetics with vanishing lines, allowing to produce different meanings associated to consumption. Keywords: 1. Certeau, Michel de, 1925-1986. 2. Consumer society. 3. Beauty care. 4. Aesthetic. 5. Beauty parlors.

Made available in DSpace on 2016-08-29T14:09:32Z (GMT). No. of bitstreams: 1 tese_5168_.pdf: 2770321 bytes, checksum: 88e9fab0e30d28130cd409f497dfa97e (MD5) Previous issue date: 2012-06-13 / Na contemporaneidade, o tema consumo tem despertado interesse de estudiosos de várias áreas. Assim, vem sendo abordado a partir de diversas perspectivas, sejam elas à luz do processo de produção ou marcadas pelo social. Este trabalho, a partir dos estudos de Certeau (2008; 2009; 1995; 1982; 2011), busca compreender o consumo como “uso” criativo, ao apostar na potência que têm as práticas ordinárias dos sujeitos praticantes do cotidiano. O caráter artístico das práticas daria ao consumo uma dimensão inventiva, inapreensível e política. Dessa forma, a pesquisa se concentra nos consumos/ usos que são feitos de um salão de beleza em um bairro de classe média alta na cidade de Vitória – ES. A ideia é negociar sentidos mais amplos para a noção de consumo estético do que aqueles estereotipados que relacionam o consumo de beleza ao supérfluo e fútil. A produção dos dados sinaliza para uma diversa gama de “usos” possíveis do salão de beleza. Esses usos potencializam diferentes modos de existência, baseados no cuidado de si a partir do cuidado com o corpo e com a saúde; nas relações éticas pautadas pela dimensão estética, e nas possibilidades de assumir estéticas “menores” com linhas de escape, e dessa forma, produzirem diferentes sentido para a noção de consumo. / In the contemporaneous context, the act of consuming has been a subject of great interest by researchers from different areas. It has been approached from diversified perspectives, based on production process or social argument. This research, originated from Certeau‟s (2008, 2009, 1995, 1982, 2011) studies, is an attempt to understand the act of consuming as a creative “use”, taking into consideration the power of ordinary practices proper of people who perform everyday events. The practices artistic nature would confer to the act of consuming an inventive and political dimension. This way, this research concentrates on consumptions/uses that are performed at a beauty parlour in a high medium social class neighborhood in Vitória – ES. The objective is to negotiate wider senses, related to the notion of esthetics consumption, than those stereotyped ideas which associate beauty consumption to superfluous and frivolous actions. The inform data production indicates a diverse range of possible “uses” of the beauty parlour, which strengthens different ways of existence, based on taking care of oneself, including body and health issues; on the ethical relationships guided by esthetics dimension and possibilities of assuming “minor” esthetics with vanishing lines, allowing to produce different meanings associated to consumption.

Orientador : Sirio Possenti / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudo da Linguagem / Made available in DSpace on 2018-07-27T16:17:49Z (GMT). No. of bitstreams: 1 Marques_MariaCelesteSaidSilva_D.pdf: 10314647 bytes, checksum: 460fd68bb33f2e311ea59f4224b4faa3 (MD5) Previous issue date: 2001 / Resumo: Esta tese é uma investigação sobre o trabalho inventivo do sujeito. A autora analisa panfletos políticos produzidos pelas duas principais frentes político-ideológicas, que disputaram as eleições no Brasil em 1998, centrando o enfoque no processo discursivo para verificar o trabalho realizado pelo sujeito panfleteiro. Sem voltar a velha hipótese do sujeito produtor e considerando o princípio dialógico bakhtiniano e a concepção de inventividade como desenvolvida por Michel de Certeau, a pesquisa busca mostrar que o panfleto é um gênero e um lugar onde o sujeito "trabalha". Esta tese destaca as táticas discursivas do sujeito que são demonstradas a partir da grande diversidade e particularidades na construção do panfleto. Contrariamente à Escola de Análise do Discurso francesa (AD) que diz que o sujeito é assujeitado pela formação ideológica que impõe o que pensar, pela formação discursiva que determina o que deve dizer, as manipulações e subversões apresentadas são resultados do trabalho de um sujeito constitutivo e inventivo como previstos por Bakhtin e por De Certeau. Em suma, a tese mostra que o sujeito é constituído por outros discursos, ou seja, pela ideologia, pelo inconsciente, pela história, mas que não é assujeitado por eles. Com efeito, entre o sujeito origem e o sujeito assujeitado pela maquinaria discursiva, há um sujeito tático que trabalha com materiais lingüísticos / Doutorado / Doutor em Linguística

Teachers’ everyday practices are embedded in school contexts in which their teaching autonomy is constrained by rules, moral obligations, physical settings,and official directives. When a curricular revision mandated that programming was to be a part of mathematics in upper secondary education, teachers’ conditions changed. How teachers adapted to the new curriculum and how they navigated the tensions and contradictions that they encountered is in this thesis analyzed in terms of teachers’ tactics and policy strategies. The overall goal of the investigation is to contribute to a critical understanding of how mathematics teachers integrate programming in their professional practice and how this integration aligns and diverges from the intentions behind the reform. The empirical material is drawn from nine individual interviews with mathematics teachers that were already proficient in programming. The teachers’ unit plans and other lesson materials featuring programming activities served as a trigger point to delve into further reflections upon their own professional practices. To complete the scene, the policy documents were also examined. These included the mathematics curriculum, as well as related official documents and a collection of institutionally sanctioned programming exercises and demonstrations. Two tactical approaches were made apparent when mathematics teachers began to integrate computer programming in their subject: Dual teaching and Interspersed programming. The teacher’s use of dual teaching practices or interspersed programming are tactics shaped by and in response to the conditions of the new curriculum and their own preferences and views on student learning. These two tactics disclose different ontological commitments in relation to the strategies dictated by the curriculum and reflect a cardinal distinction between planning mathematics activities with elements of programming and planning programming activities with elements of mathematics. Of relevance for teachers and curriculum designers is the understanding of (a) how the notion of programming and mathematics as separate subjects oversimplifies teachers’ actual integration practices, and (b) how the curricular choices made by policy can shape the teaching tactics adopted by educators.

The present master's thesis with the title "Rise and Development of a Historical Event - Historico-Anthropological View of the History of Overseas Discoveries" discusses the rise and development of a historical event through the sociocultural point of view. It discusses how the sociocultural peculiarities of the society at that time influenced the shaping of events that later became an important historical account from the historians' perspective. One of the substantial methodological resources for the present study is the approach developed by Michele de Certeau and his theoretical elaboration of the process called "writing of history". The first chapter deals with the historical anthropology as the methodological approach in the historical investigation. The second chapter focuses on Michele de Certeau and his studies in the field of historiography. In the third chapter there is a historical overview called "The Century of Overseas Discoveries" focusing on the century when the crucial historical events took place - great discovery voyages. The fourth and fifth chapters are based on the previous theoretical texts on historical anthropology and Michele de Certeau. The aim of this master's thesis is to relate these new approaches of historical investigation to the presented topic of the history of...

This thesis investigates the potential for the online production of place, specifically as it applies to the host site for the Homestuck web comic, MS Paint Adventures, and its attendant fandom. The proliferation of digital environments such as video games, web sites, and chat rooms has led to numerous opportunities for the study of online spaces and the numerous practices that take place within them. The lack of physical location in online spaces can, however, make it difficult to conceptualize of a web site as real, a problem that has often led researchers to develop new theories of space that do not rely on material places. This thesis was inspired by questions about the potential for the production of online place, and how and to what extent this operation can be studied through the application of a theory of place. Applying Certeau's theory of place from The Practice of Everyday Life this thesis theorizes the operations through which Andrew Hussie created MS Paint Adventures as a habitable place. Hussie accomplishes this through the generation and maintenance of authority, the creation of stable and ordered elements, and the establishment of the "proper," the rules and reality that govern the site. In addition, I theorize about the space that MS Paint Adventures as a place attempts to create, a space where readers are encouraged and enabled to engage with the web comic Homestuck and with each other through meaningful online interaction, and about the ways in which the site can be, and is, inhabited. Ultimately, I explore the extent to which web sites, though lacking physical location, can be fairly and logically conceived of, and therefore examined as, habitable places.

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