The charms are among the oldest extant specimens of English prose and verse, and in their first form were undoubtedly of heathen origin. In the form in which they have been handed down they are much overlaid with Christian lore, but it is not difficult to recognize the primitive mythological strata. The charms have points of contact with medieval Latin literature, both in form and spirit; and yet they afford us glimpses of the Germanic past, and pictures of the everyday life of the Anglo-Saxons, not found in other Old English poetry.

Afin d'anticiper les effets du vieillissement des enceintes de confinement des centrales électronucléaires, l'IRSN effectue des recherches avancées sur le vieillissement du béton. Les problématiques de fissuration liées au vieillissement sont abordées à l'aide d'une méthode micromécanique basée sur des Modèles de Zones Cohésives Frottantes et à l'aide de la méthode d'<<Eigen-Erosion >> basée sur des considérations énergétiques. L'objectif de la thèse est de réduire les temps de calcul liés à ces deux approches, tout en conservant une bonne précision dans les zones d'intérêt, en adaptant la discrétisation en espace à l'aide de techniques de raffinement local adaptatif. La méthode de raffinement retenue est la méthode CHARMS (Conforming Hierarchical Adaptive Refinement Methods). Cette méthode, basée sur le raffinement des fonctions de base, permet un raffinement sans dégradation de la qualité des mailles initiales. En particulier, les non conformités géométriques sont naturellement prises en compte. Initialement appliquée à la Mécanique des Fluides, cette méthode est d'abord étendue à la Mécanique des Milieux Dé-formables en proposant un critère de raffinement général, puis elle est appliquée à la méthode d'<< Eigen-Erosion >> et aux Modèles de Zones Cohésives. Enfin, l'influence de la morphologie des inclusions d'un Volume Elémentaire Représentatif de béton numérique sur le comportement apparent et sur la fissuration est étudiée. / In order to anticipate effects of ageing in confinement structures of nuclear power plant, the IRSN develops research programs to study the ageing of concrete. A micromechanical approach, based on Cohesive Zone Models, and the "Eigen-Erosion" method, based on energetics consideration, are used. The aim of this study is to reduce the computational cost while keeping simulations with good accuracy in the areas of interest. The strategy is to adapt the spatialdiscretization in the areas of interest using local adaptive refinement technics. The selected refinement method is called CHARMS (Conforming Hierarchical Adaptive Refinement Methods). CHARMS is based on the refinement of basis functions and enables refinement without any loss of the inital mesh quality. The geometrical non conformities are implicitly handled. Initialyapplied to Fluid Mechanics, the method is first extended to Solid Mechanics with a specific refinement criterion. It is then applied to "Eigen-Erosion" and to Cohesive Zone Models. The inclusion's shape of a Representative Elementary Volume of numerical concrete is studied in order to determine the influence over the apparent behaviour and the crack propagation.

With Microsoft's new operating system, Windows 8, a new type of applications were introduced, Windows Store Apps. These applications must meet certain requirements in order to be uploaded to Windows own store for apps. There are also guidelines to follow. The requirements and guidelines include appearance and functionality, such as a common search function in the applications to contribute to a more unified experience. How does these requirements and guidelines influence developers? Whether the development of the Windows Store Apps gets more difficult, or perhaps even simpler, is studied and evaluated in this report. In order to reach a reliable conclusion, a Windows Store App has been designed and developed in consensus with Microsoft's requirements. The app that has been developed is intended to help users to find Stockholm's best spots. It turned out that none of the demands were unreasonable hard to implement. However, it may be difficult to find meaningful uses for some of the recommended features. If common features, such as search and sharing, are implemented it should be done in accordance with Microsoft's requirements and guidelines. This is no problem since Microsoft provides information and examples of how the features should be implemented. Of course, all of the Windows Store Apps must be able to run on all devices that can run Windows 8, which means several different resolutions and input methods to take into account. This is one of the more difficult requirements to fulfill and require extensive testing of the application, which contributes to a longer development time. With the help of Visual Studio’s simulator, it is possible to get a reasonably good idea of how the app works, but it is still not good to trust it. The look must follow the guidelines that allow the user to always be familiar with the interface, regardless of which app is running. For example, every page in the app has to be built up horizontally unlike traditional websites. The interface is easy to implement using Visual Studio’s templates but it may be really tricky if you try to implement it by yourself. Windows Store Apps is extensively different from its competitor’s apps and as a developer, you are forced to think in completely new ways. It can sometimes feel limited, but on the other hand you got very much for free considering the standard look and functionality. / Med Microsoft nya operativsystem, Windows 8, introducerades en ny typ av applikationer, Windows Store Apps. Dessa applikationer måste uppfylla vissa krav för att få laddas upp till Windows egen Store för appar. Det finns även riktlinjer att hålla sig till. Kraven och riktlinjerna innefattar utseende och funktionalitet, som till exempel en gemensam sökfunktion i applikationerna för att bidra till en mer enhetlig upplevelse. Hur påverkas utvecklare av dessa krav och riktlinjer? Huruvida utvecklingen försvåras eller kanske till och med förenklas undersöks och utvärderas i denna rapport. För att komma fram till en tillförlitlig slutsats har en egen Windows Store App konstruerats och utformats i enighet med Microsofts krav. Appen som har utvecklats är ämnad att hjälpa användarna att finna Stockholms smultronställen. Det visade sig att inget av kraven var orimliga att implementera. Däremot kan det vara svårare att finna meningsfulla användningsområden för en del av de rekommenderade funktionerna. Om vanliga funktioner, såsom sök och delning, implementeras ska detta ske enligt Microsofts krav och riktlinjer. Just detta är inga problem då Microsoft tillhandahåller information och exempel på hur det ska ske. Självklart måste alla Windows Store Apps fungera på samtliga enheter som kan köra Windows 8 vilket innebär flera olika upplösningar och inmatningsmetoder. Detta är ett av de svårare kraven att uppfylla och kräver omfattande testning av applikationen, vilket bidrar till en längre utvecklingstid. Med hjälp av Visual Studios simulator är det möjligt att få en någorlunda uppfattning om hur väl appen fungerar men den är långt ifrån att lita på. Utseendet måste följa riktlinjerna för att låta användaren hela tiden vara familjär med gränssnittet oavsett app. Exempelvis måste varje sida i appen byggas upp horisontellt till skillnad från traditionella hemsidor. Utseendet är lätt att implementera med hjälp av Visual Studios mallar men kan vara riktigt knepigt att försöka sig på själv. Windows Store Apps skiljer sig markant från konkurrenternas appar och utvecklare tvingas att tänka i helt nya banor. Det är möjligt ibland känna sig begränsad, men å andra sidan finns mycket gratis genom det standardiserade utseendet och funktionerna.

This dissertation examines the ways that books can show the place of magic in fifteenth-century English society. Specifically, I am interested in what was important about magic to people and how magic was used by people in the creation of their identities, both as individuals and within the community. As I explore these issues, I aim to demonstrate that magic freely co-mingled with non-magical texts in manuscripts. Furthermore, this mixing of magical and non-magical texts is a vital part of understanding magic’s role in the shaping of people’s identities, both public and private. Chapter one presents the results of a preliminary survey of magic in fifteenth-century English manuscripts. I clarify how I delineate between texts – magical and non-magical and between genres of magic. This chapter also uses a series of case studies to look at some of the issues of ownership that are dealt with in more detail in the later chapters of this thesis. Chapters two, three, and four look at individual manuscripts in depth. In Chapter two, I examine how a lower gentry household used their notebook to establish their place within a strata of the gentry that was increasingly interested in medical and scientific texts in the fifteenth century. Chapter three looks at the private notebook of an anonymous scribe and how its owner combines the ordinary and transgressive qualities of magic to create an identity for himself that is based on a quasi-clerical masculinity and the ludic qualities of magic. Chapter four concerns Robert Taylor’s medical notebook, which he may have used as a part-time medical practitioner, and the insight it gives into the everyday concerns of medieval people. Chapter five is an examination of the book of an early fifteenth-century Cistercian monk named Richard Dove. Dove’s notebook contains a copy of the Ars notoria, the only manuscript containing ritual magic that I study in this dissertation. I argue that Dove, unlike other monastic users of the Ars notoria, does not use the text for its spiritual benefits, but its material benefits as part of his desire to participate in a broader intellectual culture outside the monastery.

This dissertation examines the ways that books can show the place of magic in fifteenth-century English society. Specifically, I am interested in what was important about magic to people and how magic was used by people in the creation of their identities, both as individuals and within the community. As I explore these issues, I aim to demonstrate that magic freely co-mingled with non-magical texts in manuscripts. Furthermore, this mixing of magical and non-magical texts is a vital part of understanding magic’s role in the shaping of people’s identities, both public and private. Chapter one presents the results of a preliminary survey of magic in fifteenth-century English manuscripts. I clarify how I delineate between texts – magical and non-magical and between genres of magic. This chapter also uses a series of case studies to look at some of the issues of ownership that are dealt with in more detail in the later chapters of this thesis. Chapters two, three, and four look at individual manuscripts in depth. In Chapter two, I examine how a lower gentry household used their notebook to establish their place within a strata of the gentry that was increasingly interested in medical and scientific texts in the fifteenth century. Chapter three looks at the private notebook of an anonymous scribe and how its owner combines the ordinary and transgressive qualities of magic to create an identity for himself that is based on a quasi-clerical masculinity and the ludic qualities of magic. Chapter four concerns Robert Taylor’s medical notebook, which he may have used as a part-time medical practitioner, and the insight it gives into the everyday concerns of medieval people. Chapter five is an examination of the book of an early fifteenth-century Cistercian monk named Richard Dove. Dove’s notebook contains a copy of the Ars notoria, the only manuscript containing ritual magic that I study in this dissertation. I argue that Dove, unlike other monastic users of the Ars notoria, does not use the text for its spiritual benefits, but its material benefits as part of his desire to participate in a broader intellectual culture outside the monastery.

Thesis (Ph. D.)--University of Missouri-Columbia, 2000. / Typescript. Vita. Includes bibliographical references (leaves 202-216). Also available on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 2000. / Typescript. Vita. Includes bibliographical references (leaves 202-216). Also available on the Internet.

This paper presents how I came to create this collection of jewellery that is intimately tied to memories and fragments. How I have conducted my research about collections, museums, jewellery, and artists. Incorporating those findings into the workshop and the way the pieces came to be. Made in silver, zinc and iron, and with use of the techniques casting and etching.  And conclusively how a collection took form with this idea to give a sense of treasures or a language from an unknown world or place. Somewhere where time has passed and the individual pieces convey the notion that they are fragments of a greater whole, part of a story or memory that we can sense but not quite reckon, not to be fully understood.

Master of Music / Music, Theatre, and Dance / Steve Maxwell / This master’s report focuses on the history, brief analysis, and pedagogy of the four works performed on February 15, 2016 for the author’s Master’s Recital. The first chapter explains the work Pantomime by Philip Sparke. It contains a short biography of Philip Sparke, an in-depth background on the composition of the work, and a theoretical and pedagogical look at the piece. The second chapter centers on Fantasia by Gordon Jacob. This brief biography will explore Jacob’s compositional output and legacy, and the theoretical analysis will focus on his use of chromatics and the interplay between the piano and the euphonium. The pedagogical analysis will focus on performance techniques and practice. The third chapter is devoted to Blue Lake Fantasies, an unaccompanied work for solo euphonium by David Gillingham. The biography will focus on Gillingham’s contribution to euphonium repertoire, specifically and the history of where and why this work was written. There will be a concise theoretical analysis followed by a heavily pedagogical analysis, which will break down the performance techniques used in each of the five movements. The final chapter of the report is about David Werden’s euphonium arrangement for two euphoniums and piano of Believe Me If All Those Endearing Young Charms by Simone Mantia. This chapter will present a short biography of Mantia explaining his historical significance, a brief theoretical analysis, and a pedagogical analysis that focuses on the duet aspect of this piece.