Made available in DSpace on 2014-06-11T19:26:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-10-17Bitstream added on 2014-06-13T18:55:28Z : No. of bitstreams: 1 amaro_ler_me_assis.pdf: 8716494 bytes, checksum: 10df139e2241d7556a1c18923e0287b5 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / O presente trabalho tem como tema a recepção Camões nas seções Ensaios/Artigos e Notas e Comentários da revista portuguesa Colóquio Letras (1971-2005) e dos websites, em Língua Portuguesa, sobre Luís Vaz de Camões. No caso de Colóquio Letras, a dificuldade de acesso à obra camoniana e aos textos que facilitam o seu estudo e a sua interpretação, pelo alto custo e por ser impresso, disponível apenas em poucas localidades e no caso do hipertexto, pela mídia em que se insere, acessível em domicílio a apenas 8,6% da população brasileira, segundo o I.B.G.E (tabela de valores absolutos e relativos de 2001-2004), levaramnos a considerar que este estudo facilitará e colaborará, além de ser disponibilizado gratuitamente e estar presente em texto e hipertexto, para o estudo de Luís Vaz de Camões. Nossos objetivos finais são a catalogação e crítica dos textos da Colóquio Letras e seleção dos melhores websites sobre Camões, por meio de fichas catalográficas do programa Camões on-line. Para o primeiro tópico, as análises foram elaboradas de acordo com o texto ao qual se referem, visto que encontramos vários escritores, produzindo em décadas diferentes, inspirados por teorias distintas. Para o segundo, catalogar e indexar o conteúdo (hipertextual e textual), desenvolvendo uma tecnologia exclusiva para seu acesso e veiculação (website e programa Camões on-line); a partir deste conteúdo, traçar a recepção crítica de Camões, levando-se em consideração aspectos como ideário veiculado, teoria literária aplicada, abordagem do discurso, intertextualidade. Os escritores, cujas obras mais nos apoiaram teoricamente, foram Hernani Cidade, Jacinto do Prado Coelho, Carlos Reis, Antonio Freire, A.J. Saraiva e Oscar Lopes, para o primeiro e segundo capítulo e Pierre Lèvy... / This paper has as theme the critical fortune about Luís Vaz de Camões in the sections Essays/Articles and Notes and Comments of the Portuguese magazine Colóquio Letras (1971-2005) and from the websites, in Portuguese, about the same author. In relation to Colóquio Letras, the difficulty to access Camões essays and texts that facilitate its study and interpretation is due to the high cost of this magazine and, being printed, it is only available in few localities. In the case of hypertext, which is inserted in the media, it is accessible in residences for only 8.6 per cent of Brazilian population, according to IBGE an important Brazilian agency responsible for statistics and geographical researches (chart of absolute and relative values of 2001-2004). These facts lead us to consider that this study will facilitate and collaborate for the studies about Luís Vaz de Camões, beside the fact of being availed for free and being present in texts and hypertext. Our final objectives are the catalogue and criticism of the texts present in Colóquio Letras and the selection of the best websites about Camões, through index cards of the program Camões online. For this first topic, the analyses were elaborated according to the text which is referred to, once we have met many writers, producing in different decades, inspired by different theories. Then, for the second topic, we catalogued and indexed the (hyper textual and textual) contents, developing an exclusive technology for their access and transmission (website and the program Camões on-line). Starting from these contents, our intention is to trace the critical fortune about Camões considering aspects such as transmitted idea, applied literary theory, discourse approach and intertextuality ...(Complete abstract, click electronic address below)

Made available in DSpace on 2015-03-26T13:44:24Z (GMT). No. of bitstreams: 1 texto completo.pdf: 1832719 bytes, checksum: f2760053531616e979e6244010d7b44a (MD5) Previous issue date: 2011-02-28 / This dissertation is a comparative study between some satirical poems by Gregório de Matos e Guerra and the epistolary poem Cartas Chilenas by Tomás Antônio Gonzaga. These poets lived and produced in distinct centuries. Gregório de Matos was a poet in the 17th century and Tomás Antônio Gonzaga in the 18th century. This work investigates the satirical ways that both poets poeticize, often convergent, promoting a fruitful continuity of the satire in Brazilian literature. Moreover, it aims to distinguish and value the particularities of its inventive act. This study also aims to demonstrate that the historical factor is not a determining element of the artistic quality of the satirical poem, but is such for the thematic quality of the like, relating to the aforementioned poems. According to the final considerations, one can conclude that the satirical compositions reviewed were led by the poetry of two artists that revolutionized the verse of their time from the 17th and 18th centuries' poetic meter and through a subtle understanding of the world. / Esta dissertação é um estudo comparativo entre alguns poemas satíricos de Gregório de Matos e Guerra e o poema epistolar Cartas Chilenas, de Tomás Antônio Gonzaga. Estes poetas viveram e produziram em séculos distintos. Gregório de Matos foi poeta no século XVII, e Tomás Antônio Gonzaga, no século XVIII. Este trabalho investiga os modos satíricos de poetar de ambos, às vezes convergentes, às vezes divergentes, promovendo uma continuidade fecunda da Sátira na Literatura Brasileira. Além disso, visa a distinguir e valorizar as particularidades de seu ato inventivo. Este estudo também busca demonstrar que o fator histórico não é elemento determinante para a qualidade artística do poema, mas, nos poetas citados, é parte integrante de sua temática. As considerações finais permitem afirmar que as composições satíricas tratadas se conduziram pela poesia de dois artistas que recriaram sua época em versos por meio da medida poética dos séculos XVII e XVIII, e por um sutil entendimento do mundo.

Orientador: Rosane Gazolla Alves Feitosa / Banca: Elêusis Mirian Camocardi / Banca: Ana Maria Domingues de Oliveira / Resumo: O presente trabalho tem como tema a recepção Camões nas seções "Ensaios/Artigos" e "Notas e Comentários" da revista portuguesa Colóquio Letras (1971-2005) e dos websites, em Língua Portuguesa, sobre Luís Vaz de Camões. No caso de Colóquio Letras, a dificuldade de acesso à obra camoniana e aos textos que facilitam o seu estudo e a sua interpretação, pelo alto custo e por ser impresso, disponível apenas em poucas localidades e no caso do hipertexto, pela mídia em que se insere, acessível em domicílio a apenas 8,6% da população brasileira, segundo o I.B.G.E (tabela de valores absolutos e relativos de 2001-2004), levaramnos a considerar que este estudo facilitará e colaborará, além de ser disponibilizado gratuitamente e estar presente em texto e hipertexto, para o estudo de Luís Vaz de Camões. Nossos objetivos finais são a catalogação e crítica dos textos da Colóquio Letras e seleção dos melhores websites sobre Camões, por meio de fichas catalográficas do programa Camões on-line. Para o primeiro tópico, as análises foram elaboradas de acordo com o texto ao qual se referem, visto que encontramos vários escritores, produzindo em décadas diferentes, inspirados por teorias distintas. Para o segundo, catalogar e indexar o conteúdo (hipertextual e textual), desenvolvendo uma tecnologia exclusiva para seu acesso e veiculação (website e programa Camões on-line); a partir deste conteúdo, traçar a recepção crítica de Camões, levando-se em consideração aspectos como ideário veiculado, teoria literária aplicada, abordagem do discurso, intertextualidade. Os escritores, cujas obras mais nos apoiaram teoricamente, foram Hernani Cidade, Jacinto do Prado Coelho, Carlos Reis, Antonio Freire, A.J. Saraiva e Oscar Lopes, para o primeiro e segundo capítulo e Pierre Lèvy ...(Resumo completo, clicar acesso eletrônico abaixo) / Abstract: This paper has as theme the critical fortune about Luís Vaz de Camões in the sections "Essays/Articles" and "Notes and Comments" of the Portuguese magazine Colóquio Letras (1971-2005) and from the websites, in Portuguese, about the same author. In relation to Colóquio Letras, the difficulty to access Camões’ essays and texts that facilitate its study and interpretation is due to the high cost of this magazine and, being printed, it is only available in few localities. In the case of hypertext, which is inserted in the media, it is accessible in residences for only 8.6 per cent of Brazilian population, according to IBGE" an important Brazilian agency responsible for statistics and geographical researches" (chart of absolute and relative values of 2001-2004). These facts lead us to consider that this study will facilitate and collaborate for the studies about Luís Vaz de Camões, beside the fact of being availed for free and being present in texts and hypertext. Our final objectives are the catalogue and criticism of the texts present in Colóquio Letras and the selection of the best websites about Camões, through index cards of the program Camões online. For this first topic, the analyses were elaborated according to the text which is referred to, once we have met many writers, producing in different decades, inspired by different theories. Then, for the second topic, we catalogued and indexed the (hyper textual and textual) contents, developing an exclusive technology for their access and transmission (website and the program Camões on-line). Starting from these contents, our intention is to trace the critical fortune about Camões considering aspects such as transmitted idea, applied literary theory, discourse approach and intertextuality ...(Complete abstract, click electronic address below) / Mestre

Este trabalho trata da ficção histórica de Goethe em duas fases de sua obra. Em primeiro lugar se ocupa do drama pioneiro do Sturm und Drang, Götz von Berlichingen (1773), para então se voltar às Revolutionsdichtungen conjunto de obras produzidas entre 1791 e 1803, período auge do Classicismo de Weimar, em que o autor emitiu juízos sobre diferentes fases da Revolução Francesa. Ao optar por tal tema, visou-se resgatar Goethe como um importante participante do debate histórico-filosófico que começa com os iluministas e culmina no pensamento político da Restauração. Por esse motivo a pesquisa se iniciou com uma busca dos antecedentes do drama histórico do Sturm und Drang, voltando a Gottsched e Lessing. Geralmente o desenvolvimento da ficção histórica do século XVIII é tomado como passivo em relação aos avanços da filosofia ilustrada, como se uma consciência histórica propriamente moderna houvesse aflorado em certos escritores a partir das leituras que fizeram de novas teorias da época. Contra tal suposição, defendeu-se que há na beletrística alemã da virada do século algumas formulações acerca da relação entre indivíduo e processo histórico que, antes de tudo, desafiaram o progressismo dos iluministas tardios, para os quais o advento da Revolução Francesa marcava o próximo passo no aperfeiçoamento da humanidade. Acompanhar o modo como a história foi tratada nas obras do Sturm und Drang até as do Classicismo de Weimar permite-nos, ademais, constatar a radical atualização da missão da cultura literária, que deveria então lidar com as emergências do presente. A literatura almejada naquele contexto deveria funcionar como uma contracorrente do senso comum e um veículo intelectual autônomo, capaz de erguer-se além das paixões partidárias e posicionar corretivos para as contradições contemporâneas. Tais corretivos traziam o diferencial de serem desvinculados das ciências, religião, cultura política ou sabedoria popular a nova arte deveria, assim, ser tomada como autônoma na medida em que podia cindir radicalmente com a cultura do presente em crise, tornando possível o surgimento de um ideal renovado de humanidade e de vida conjunta que a própria Revolução Francesa não foi capaz de concretizar. Aqui reside o que há de mais polêmico e moderno nas chamadas Revolutionsdichtungen e no Classicismo de Weimar como um todo. / The following research deals with Goethe\'s historical fiction in two distinct phases of his career. First off, it handles with the pioneering Sturm und Drang drama, Götz von Berlichingen (1773), and then with the so-called Revolutionsdichtungen a group of works produced between 1791 and 1803, the heyday of the Weimar Classicism, in which the author made judgments about different aspects of the French Revolution. In choosing such a theme, I expect to highlight the importance of Goethe in the historical-philosophical debate which ranges from the works of Enlightenment intellectuals to the political thinking of the Restauration. Thus, the research sets out with a quest for the predecessors of the historical drama of the Sturm Drang, coming across to figures like Gottsched and Lessing. The development of the historical fiction from the 18th century is commonly taken for granted as somewhat passive towards the advances of the Enlightenment philosophy, as if a properly modern historical consciousness had flourished in certain writers after the readings they made from contemporary theories. Against such a presupposition, I claim that in the German belletristic from the turning of the century one can find interesting formulations about the relation between individual and historical process which, above all, cast doubt on the progressism of late Enlightenment philosophers, to whom the advent of the French Revolution marked the next step toward an evolving mankind. Moreover, following the tracks of how history was portrayed from the Sturm und Drang to the Weimar Classicism allows us to verify a radical reformulation of the mission of literary culture, which thenceforth should respond to the emergencies of the present. The literature of that context should work against the common sense, being thus an autonomous cultural medium able to reach beyond the partisan leanings and offer correctives to contemporary contradictions. Such correctives would have the advantage of being independent of the sciences, religion, political culture or popular wisdom a new art therefore should be called autonomous inasmuch as it could split with the culture of a problematic present, allowing for the emergence of a renewed ideal of humanity and communitary life that the French Revolution itself was incapable of materializing. Therein lies what is most polemical and modern in the so-called Revolutionsdichtungen and in the Weimar Classicism as a whole.

This Master's diploma thesis deals with the work of French playwright Molière, to be more precise, with types of characters in his plays. The thesis is not only based on Molière's main works Don Juan, Tartuffe or The Miser but it also studies characters in comedies like The Bourgeois Gentleman, Scapin's Deceits and others. It distinguishes two categories, major and minor characters. Nevertheless the attention is particularly focused on the minor characters. The goal of the thesis is to show what importance the characters have in Molière's plays and what is their role. Keywords: Classicism, Comedy, Molière, Character, French Drama, French Literature, Secondary Character

Le sort qui touche tous les architectes qui ont vécu et travaillé dans l’ombre de Jules Hardouin-Mansart semble ne devoir cesser qu’avec les monographies qui leur sont peu à peu consacrées. C’est le premier objectif de cette thèse. Pierre Bullet est en effet l’un de ces oubliés dont le rôle est difficilement saisissable à première vue. Il témoigne pourtant, par ses réalisations, par ses activités, et à travers son Architecture pratique, d’une évolution tant dans la manière de voir et de faire l’architecture, que dans les habitudes constructives. Cette étude s’attache à définir et à expliquer cette évolution, tout en mesurant la place qu’a pu y tenir Bullet. Elle s’organise en trois axes. L’œuvre bâti est étudié d’abord, puis les modes et particularités du processus d’invention de l’architecte sont exposés à travers l’étude des nombreux dessins conservés au Musée national de Stockholm. L’ouvrage majeur de Bullet, l’Architecture pratique, est ensuite analysé en tant qu’objet d’abord, puis comme témoin de la normalisation à l’oeuvre dans l’architecture à la fin du XVIIe siècle. Cette synthèse est complétée par plusieurs outils et documents : un volume d’annexes contenant les transcriptions d’écrits inédits de Pierre Bullet ; un catalogue des œuvres ; un catalogue des dessins rassemblant l’ensemble des feuilles conservées au Musée national de Stockholm attribuées à Bullet ; une édition critique et cumulative de l’Architecture pratique. / The fortune of every architect who lived and worked in Jules Hardouin-Mansart’s shadow seems to be reversed only by the gradual rise of monographs devoted to them. Here is the prior aim of this essay. Pierre Bullet appears to be one of those oversights whose role seems hard to capture. However, through his constructive work, other activities and his Architecture pratique does he testifies to an evolution in the ways of both seeing and doing architecture, as in the constructive habits. This study is directed at defining and explaining this evolution while seizing Bullet’s place in it. It splits in three parts. First we review the constructed work, then outline the categories and specifications of the inventing process by the study of the many drawings preserved at the National Museum of Stockholm. At last Bullet’s major writing, the Architecture pratique, is explored both as itself and as a testament of the normalization process in progress at the end of 17th century. This essay is complemented by several tools and documents: one volume of appendix containing transcripts of unpublished writings of Bullet; a catalogue of works; a catalogue of drawings gathering all papers attributed to Bullet kept at the National Museum of Stockholm; a cumulative and critical edition of the Architecture pratique.

This thesis presents extended program notes for a recorded graduate classical guitar recital consisting of the following works for solo guitar with string quartet and chamber orchestra: Mario Castelnuovo-Tedesco: Quintet for Guitar and Strings, Op. 143; Leo Brouwer: Concerto No. 3 (“Elegiaco”). Both works are pioneering and invaluable contributions to guitar literature. Tedesco’s Quintet for Guitar and Strings, Op. 143 is the first quintet ever composed to properly showcase the virtuosity of the guitar within a chamber setting. Concerto “Elegiaco” demonstrates the refinement of Leo Brouwer’s use of post-modern tonality and minimalism within classical form, and showcases his unique compositional style.

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This master thesis is concerned with biblical epic poem (or "epos") by Slovak author Augustin Dolezal, called Memorial Tragedy (1791, originally in Czech language). In this type of genre author takes well known biblical stories, such as fall of man or murder of Abel and adds his own fabricated circumstances. In this particular case author is trying to provide reader with catechesis and religious education on top the tale. Tragedy is mainly focused on the nature of sin and its connection to human condition, fall of man and possibility of evil in the world. Method of this paper is mainly theme analysis and comparison with Bible and its well known exegesis throughout the history. It is focused on comicality, which shall be defined in the theoretical part. Practical part attempts to come up with interpretation of the text in such a way, that certain themes, tropes or figures from the literary text are interconnected with certain features of comicality and shown as such. Keywords: Comicality, Biblical Epic Poem, Augustin Dolezal, Baroque, Classicism, Carnivalesque

<p>Oda kao umjetnička forma, lijepo i uzvi&scaron;eno, razum i ma&scaron;ta, dinamički i<br />matematički uzvi&scaron;eno, uzvi&scaron;enost forme i uzvi&scaron;enost ideje, subjektivizacija uzvi&scaron;enosti, neki<br />su od ključnih pojmova kojima se bavi ovo istraživanje. Međutim, u &scaron;irem kontekstu, ono<br />obuhvata i pojmove individualnog i op&scaron;teg, vječnog i prolaznog, konačnog i beskonačnog,<br />ljudskog i mitskog, ljudskog i božanskog, čovjeka i prirode. Sva ta pitanja, naime, prožimaju<br />se u uzvi&scaron;enim okvirima ode, koja je svojim postojanjem obilježavala najsvjetlije tačke<br />pojedinih epoha i upisivala ih u veličanstvenu hroniku ljudske istorije. Ovaj rad predstavlja<br />osvrt na tu zlatnu hroniku u kojoj će, nadamo se, i na&scaron;a epoha upisati nekoliko stihova.</p> / <p>Ode as an artistic form, beautiful and sublime, reason and imagination,<br />dynamically and mathematically sublime, the sublimity of a form and the sublimity of an<br />idea, subjectivity of the sublime, are some of the key terms of this study. However, in<br />somewhat wider context, it also includes the individual and the universal, eternal and<br />temporal, finite and infinite, human and mythical, human and divine, man and nauture. All<br />these questions are intertwined in the sublime frame of an ode, which, by its own existence,<br />has marked the brightest spots of each epoch and written them in the magnificent chronicle of<br />human history. This work represents the retrospect of that golden chronicle in which our own<br />epoch will hopefully write a few lines.</p>