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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Configuração do dano à moral difusa a partir da delimitação jurídica do patrimônio imaterial coletivo

Melo, Guilherme Aparecido Bassi de 07 May 2013 (has links)
Made available in DSpace on 2016-04-26T20:21:35Z (GMT). No. of bitstreams: 1 Guilherme Aparecido Bassi de Melo.pdf: 501735 bytes, checksum: 55b2263ca229bb2255d6661363881e15 (MD5) Previous issue date: 2013-05-07 / This dissertation aims to analyze the possibility of recognition of an intangible collective heritage, based on objective order of values, whose foundation is paramount to article 1º of the Brazilian Constitution. After demonstrating that the constitutional article refered above provides the necessary support for conceiving a collective consciousness grounded in dignity conceived in its community dimension, we look foward to establish the effectiveness of supervision exercised by the instruments made available by the brazilian system of law at the moment of the protection of the legal immaterial goods, especially intangible heritage collective. Thus, outlined the parameters of material and protection configuration, procedural and extra-procedural, we consider the nature of the indemnification established as a direct result of the verification of the lesion to the collective moral, synonymous of intangible collective heritage. To achieve this latter goal, the allocation of indemnities was investigated, always confronting the general purposes of the Public Civil Action law and specific function of article 13. For last, two special features were detailed and properly correlated to the assumptions set out at the beginning of the dissertation, in order to conclude on the trend of the Superior Court of Justice with regard to the effectiveness of safeguarding the legal interests of immaterial character. / A presente dissertação tem por objetivo analisar a possibilidade de reconhecimento de um patrimônio imaterial coletivo, calcado numa ordem objetiva de valores, cujo fundamento primordial é o artigo 1º da Constituição da República Federativa do Brasil. Após a constatação de o referido dispositivo constitucional fornece os subsídios necessários para a formatação de uma consciência coletiva calcada numa dignidade concebida em sua dimensão comunitária, procura-se estabelecer a efetividade exercida pelos instrumentos de tutela colocados à disposição pelo ordenamento quando da proteção aos bens jurídicos imateriais, mormento o patrimônio imaterial coletivo. Assim, traçados os parâmetros de configuração material e de tutela, processual e extraprocessual, parte para a consideração da natureza da indenização fixada como decorrência direta da verificação de lesão à moral difusa, correlata semântica do patrimônio imaterial coletivo. Para a consecução desse último objetivo, também a destinação das parcelas pecuniárias arrecada foi perscruta, sempre confronto as finalidades gerais da Lei da Ação Civil Pública e a disposição expressa e específica de seu artigo 13. Por derradeiro, dois recursos especiais foram detalhas e devidamente correlacionados às premissas fixadas no início da dissertação, a fim de concluir sobre a tendência do Superior Tribunal de Justiça no que à efetividade de tutela dos bens jurídicos de caráter imaterial
12

Gregarious space, uncertain grounds, undisciplined bodies the Soviet avant-garde and the 'crowd' design problem

Ziada, Hazem 05 April 2011 (has links)
This thesis proposes a theoretical framework for spatial inquiry into conditions of radical social gregariousness, through probing the crowd design problem in the work of the Soviet Rationalist architects (1920s-30s) - particularly their submissions to the Palace of Soviets competition (Moscow 1931-3). Legitimizing the crowd construct as an index of collective consciousness, and examining the early-modern revolutionary crowd's struggles for proclaiming its self-consciousness, this thesis investigates the interwar political phenomenon of amassing large crowds within buildings as a device for constructing collective social relations. The research project is divided into two main parts. The first is concerned with the crowd design problem, identifying this problem not just as the technical task of accommodating large political crowds, but as the basis of the formulation a new kind of conceptual intent in architecture. Finding the competition brief inadequate to in-depth formulation, the thesis investigates three primary sources for the crowd design problem: mass-events, revolutionary-theatre and revolutionary-art. Four components comprise the Crowd Design Problem each seeking legitimacy in the mass of crowd-bodies: i) the problem of crowd configurations; ii) challenges from the kinesthetic-space conception evoked by theatrical director V.E. Meyerhold's Biomechanics; iii) the legitimacy of 'the object' within a spatial-field of intersubjectivity; and iv) the challenge of 'seeing' crowds from immersive viewpoints counteracting representational filters of class privilege. Part-II focuses on the response of the Rationalists--one of the groups participating in the competition--to the crowd design problem. The study unearths in their designs a logic of space-making founded in the construction of inter-subjective states of consciousness radically different from prevailing individualistic conceptions of social space. To explain this logic of space-making, it proposes the notion of Gregarious Space--a theoretical framework of inquiry into what Marx called "species-being", taking radical gregariousness as the primary, generative condition of society. Besides drawing on morphological principles, social theory, historical analyses, and philosophical reflections, the notion of Gregarious Space is found to be particularly amenable to design propositions. Within the proposed theoretical framework, the Rationalists' design-proposition of curved-grounds, dense notations, textured co-visibilities and empathetic graphic conventions - all comprise a founding spatial-principle trafficking in rhythmic fields between subjects and against non-commodified objects: a principle which challenges the material domain of Productivist Constructivism as well as Historical Materialism's canonical constructs of alienation. Moreover, its uncertain kinesthetics sustain dynamic, aleatory states of consciousness which subvert prevailing disciplinary techniques of Panopticon inspection.
13

Protean deities : classical mythology in John Keats’s ‘Hyperion poems’ and Dan Simmons’s Hyperion and The fall of Hyperion

Steyn, Herco Jacobus 10 1900 (has links)
This dissertation concurs with the Jungian postulation that certain psychological archetypes are inclined to be reproduced by the collective unconscious. In turn, these psychological archetypes are revealed to emerge in literature as literary archetypes. It is consequently argued that science fiction has come to form a new mythology because the archetypal images are displaced in a modern, scientific guise. This signifies a shift in the collective world view of humanity, or a shift in its collective consciousness. It is consequently argued that humanity’s collective consciousness has evolved from mythic thought to scientific thought, courtesy of the numerous groundbreaking scientific discoveries of the past few centuries. This dissertation posits as a premise that Pierre Teilhard de Chardin’s supposition of humanity’s collective consciousness evolving towards what he calls the Omega Point to hold true. The scientific displacement of the literary archetypes reveals humankind’s evolution towards the Omega Point and a cosmic consciousness. / English Studies / M.A. (English)
14

A Narrative Analysis of Women’s Desires and Contributions to Community, Sentience, Agency and Transformation

Petrone, Deborah Amorette 08 June 2016 (has links)
No description available.
15

The impact of the city on human perception

Gomes, Evan 14 September 2016 (has links)
The practicum examines the impact of the physical layout of cities on the way we perceive them. In particular it examines the influence of natural, social, and built elements in perception of the downtown core of Winnipeg. It goes on to propose an urban design strategy for the downtown core, supported by supplementary urban design guidelines. / October 2016
16

Vliv Tomáše a Jana Antonína Bati na rozvoj města Otrokovice / Influence of Thomas and Jan Atonín Bata on the town Otrokovice development

Malotová, Hana January 2013 (has links)
Theme that I dealt in my dissertation with, concerns of my hometown Otrokovice and also to the region in which the city is located. Describes the development and building of this place,and especially of city districtsBaťov,which took place here in the 20th and 30 the last century. Under the leadership of brothers Tomas and Jan Antonín Bata here arose ideal industrial town, the only of its kind in the country. This is not qustion just about new town plan, but also a new type of labor and social relations. In my work I deal with not only the sociological impact of this process on indigenous peoples but also a new way of educating young people, the concept of discipline and the phenomenon of collective consciousness. I also asked myself about the sustainable development of Down Otrokovice to the environmental and economic, and their possible future. There is also a comparison with the nearby Zlin, where Bata began the process of transforming. Mentioned town is still the center of the region and tradition bearers of this system.

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