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51	Conduire Amour: Liebe Der Frau Als Schlüssel Zum Heil Und Brüderlichen Frieden in Wolfram Von Eschenbachs Parzival Hall, Eleanor Kinser 17 July 2009 (has links) This paper examines Wolfram von Eschenbach’s juxtaposition of contrary things in Parzival as the beginning of the road to spiritual salvation for Parzival. Men’s quest for fame and honor in the material, Arthurian world is compared to the divine Grail kingdom and the godlike women who shed compassionate, Christ-like tears. Wolfram’s message of peace and love for brother is examined through his use of symbolism, particularly through womens’ tears and turtledove imagery. Parzival, Gâwân and Feirefiz are compared in order to show that the love and quest for personal honor in the Arthurian world is a necessary step on the path to God’s divine love and salvation. Compassion and love for one’s neighbor must be learned before Parzival attains his destiny. How marriage teaches Parzival triuwe and how he demonstrates this characteristic are examined. Romantic love, emulation of women and divine love lead Parzival to his destiny. Holy grail Grail Salvation christ Song of songs Chivalry Crusades Wolfram Muslim-christian brotherhood Peace Turtledove Crying Knights templar Templeise Jerusalem Destiny Honor Love Triuwe Arts and Humanities Other Languages, Societies, and Cultures
52	Literature in the Age of Science: Technology and Scientists in the Mid-Twentieth Century Works of Isaac Asimov, John Barth, Arthur C. Clarke, Thomas Pynchon, and Kurt Vonnegut Simes, Peter A. 08 1900 (has links) This study explores the depictions of technology and scientists in the literature of five writers during the 1960s. Scientists and technology associated with nuclear, computer, and space science are examined, focusing on their respective treatments by the following writers: John Barth, Kurt Vonnegut, Thomas Pynchon, Isaac Asimov, and Arthur C. Clarke. Despite the close connections between the abovementioned sciences, space science is largely spared from negative critiques during the sixties. Through an analysis of Barth's Giles Goat-boy, Vonnegut's Cat's Cradle, Pynchon's The Crying of Lot 49, Asimov's short stories "Key Item," "The Last Question," "The Machine That Won the War," "My Son, the Physicist," and Clarke's 2001: A Space Odyssey, it is argued that altruistic goals of space science during the 1960s protect it from the satirical treatments that surround the other sciences. Asimov science and literature Pynchon Cold War Vonnegut 2001 Barth Scientists in literature. Technology in literature. Science in literature. Barth, John, 1930- Giles goat-boy. Vonnegut, Kurt. Cat's cradle. Pynchon, Thomas. Crying of lot 49.
53	Conspiracy Theory and Conspiracism in Postwar Literature Abu Shal, Abdulrahman Faisal 14 July 2020 (has links) No description available. African American Studies African Americans American Studies American Literature Black Studies Literature European Studies Conspiracy Theory Conspiracism Postwar Literature Thomas Pynchon Ishmael Reed Umberto Eco The Crying of Lot 49 Gravitys Rainbow Mumbo Jumbo Foucaults Pendulum American Literature Italian Literature Cultural Studies Postmodernism
54	Tränen in der modernen Kunst Spiekermann, Geraldine 15 June 2012 (has links) Tränen überschreiten die Grenzen des Körpers von innen nach außen und werden damit zu einem sichtbaren Anzeichen eines seelischen Extremzustands. In der Arbeit wird untersucht, ob die Träne, die Körpergrenzen gefährdet oder sogar auflöst, in der modernen und gegenwärtigen Kunst Metapher und Trägerin innerästhetischer Transgression werden kann. Dies bedeutet zugleich, dass eine Umwertung der Träne, von der Perle der Reinheit zu einem bedrohlichen Fluidum, stattgefunden hat. Die Träne als eine bedrohliche Grenzüberschreiterin ist ein Motiv, das in früheren Kunstepochen so nicht anzutreffen ist. Damit verweist sie zugleich exemplarisch auf die Auflösungsstrategien, welche die Kunst des 20. und 21. Jahrhunderts bestimmen. Fotoarbeiten von Man Ray, Madame Yevonde und Sam Taylor-Wood, Zeichnungen von Pablo Picasso und Hans Bellmer, Performances von Marina Abramović und Gina Pane, Video-arbeiten von Bill Viola und Bas Jan Ader, Installationen von Daniele Buetti und eine Buchserie von Dieter Roth, denen allen das Motiv der Träne gemeinsam ist, werden in einem Close Rea-ding auf Auflösungstendenzen hin untersucht. Besonderes Augenmerk gilt medienspezifischen Strukturen und Analogien. / Tears overstep the bounds of the human body from within – to become evidence of a crit-ical state of mind. The present study examines whether the tear, which endangers or even dispels the boundaries of the body, could be seen as a metaphor and even as an indication of aesthetic transgression in modern and contemporary art. This would mean that the tear as motif has also undergone a paradigm change, from the pearl of purity to a threatening fluid. The aspect of the tear as a transgressor of boundaries is not to be found in earlier periods of art. Accordingly, it also references the process of disintegration, which strongly determines 20th and 21st century art. Photographs by Man Ray, Madame Yevonde and Sam Taylor-Wood, drawings by Pablo Picasso and Hans Bellmer, performances of Marina Abramovic and Gina Pane, video works by Bill Viola and Bas Jan Ader, installations by Daniele Buetti and a series of books by Dieter Roth – which all deal with the tear complex – will be examined in close reading. Their connection with disintegrative tendencies will be scrutinised, and special attention given to media-specific structures and analogies. Körper Tränen Weinen Gefühl Affekt Ausdruck Grenzüberschreitung Körperflüssigkeiten Moderne Kunst Zeitgenössische Kunst Man Ray Madame Yevonde Sam Taylor-Wood Pablo Picasso Hans Bellmer Marina Abramovic Gina Pane Bill Viola Bas Jan Ader Daniele Buetti Dieter Roth Colyn de Coter Dirk Bouts Secondo Pia Georges Bataille Body Tears Crying Emotion Affect Expression Transgression Bodily Fluids Modern Art Contemporary Art Man Ray Madame Yevonde Sam Taylor-Wood Pablo Picasso Hans Bellmer Marina Abramovic Gina Pane Bill Viola Bas Jan Ader Daniele Buetti Dieter Roth Colyn de Coter Dirk Bouts Secondo Pia Georges Bataille 700 Künste, Bildende Kunst allgemein 46 Bildende Kunst LH 84123 ddc:700

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