Syftet med denna studie var att undersöka hur musikhögskolestuderande med trummor som huvudinstrument uppfattar hur melodisk koordination påverkar deras lärande. Övningarna är specifikt konstruerade för trumset för att fungera som ett verktyg till att öppna upp den musikaliska lyhördheten och periodkänslan samt vara en effektiv övning för koordination och balans. I denna studie deltog fem informanter under utbildning på Kungl. Musikhögskolan i Stockholm. Metoden som användes var att genom loggböcker från informanterna analysera deras beskrivningar av min frågeställning. För att få fram underlag för analys av undersökningen har informanterna fått fem frågor att besvaras under den 10 veckors period då de arbetade med övningarna. I resultatet beskrev informanterna hur de uppfattade sin progression och hur de verkade förändra sin medvetenhet om denna mellan tillfällena. Resultaten visar att informanterna upplevde att deras rytmiska gehör samt musikaliska periodkänsla förbättrats. De erfor även att övningarna förstärkte deras timing och inspirerade till nytt melodiskt synsätt. I kapitlet diskussion ligger betoningen på den ifrågasättande aspekten: Vad är resultatet av denna studie och har forskningsfrågorna besvarats. / The purpose of this study was to investigate how music students, playing the drums, interpret melodic coordination in aspects of learning. In this study five students from the Royal Academy of Music in Stockholm participated. The students were given exercises, specifically designed for drums. These exercises are to be used as keys to unlock and further develop the musical awareness and the awareness of musical periods. Furthermore are these exercises an efficient way to train the coordination and balance. To be able to get material for the analysis of this study, journals have been used. These journals were given to the students who during a 10-week period of time used the exercises and answered the five theses. In the result the students described their progression and their awareness of progression during the ten weeks. The results show that the students experienced an improvement of their rhytmical pitch and their periodicity in musical performance . Further state that the exercises improved their timing and inspired a new melodic point of view. Finally I discuss the purpose of this study, the result and whether or not the theses have been answered.

La pièce de théâtre comme outil d'enseignement de l'histoire dans la région Pays de la Loire Using Theatre as a Didactic Tool for History Lessons in the Pays de la Loire Region Bc. Klára Paseková Abstract This thesis describes the advantages of using theater play as a didactic tool for history teaching, with specific examples from the area of Pays de la Loire, France. The special role of school externist in the context of French schools is introduced, as well as the specific place of drama play as a motivational and educational tool in connection with the subject of history. Using the example of the play Mystère sur les quais de Nantes, the usefulness of the theater play for explaining complex history concept is demonstrated. Materials for history teachers include preparation instructions, the play itself and materials for subsequent discussion session with the author Mme Le Fahler and workshop. Further analysis illustrates the specifics of creating a play for the purpose of teaching history. Keywords: didactic tool, play, dramatisation, drama in education, Pays de la Loire, historical fact, historical contectualisation of character, preparation of scenario

There is a constant struggle for teachers to find new methods that generate learning. Every student learns differently and not everyone benefits from the traditional learning methods that teachers have used for centuries. Therefore, teachers must now variate their teaching methods so that every student gets the same opportunity to learn. This study aims to explore the possibility to use song lyrics as a didactic tool to bring in a practical element in the subject of social studies. Furthermore, the purpose of this study is to see how the students experience this kind of practical element in a theoretical school subject. At last, this study is interested in finding out if this kind of didactic tool and teaching method is an effective way to generate learning. To answer these questions the study uses three qualitative methods - a lesson study, group interviews and a survey. Earlier research has found that is it positive to connect the teaching materials to something that the students can relate to since this can create interest and motivation. The use of song lyrics in this study hopes to use something familiar to the students and connect this to social studies. By analysing collected data using two scientific theories, we can conclude three things. First of all, song lyrics can be used to provide a clear and realistic connection to society. Secondly, the participating students overall seemed to enjoy using song lyrics as a didactic tool. Finally, the study can conclude that song lyrics can generate learning since it creates interest among the students.

The conclusions of the first Chapter represent the results of the study of theoretical materials. The second Chapter is devoted to the development of an electronic educational resource. These are called requirements, principles, and conditions. The necessity and structure of the ESM scenario plan are determined. The plan-EOR prospectus for the discipline is shown. / Работа включает анализ информационно-образовательной среды, электронный образовательный ресурс как компонент информационной образовательной среды, типы и классы ЭОР, рассматривается ЭОР как дидактическое средство. Посвящена разработке электронного образовательного ресурса. Называются требования, принципы, условия. Определена необходимость и структура сценарного плана ЭОР. Показан план-проспект ЭОР для учебной дисциплины.