Dagdrömmar är en tapetkollektion bestående av tre fondtapeter som kombinerar det moderna, massproducerade digitaltrycket med traditionell, unik broderiteknik. Genom att tillföra handbroderi och dess struktur och textila känsla till ett digitaltryckt tapetmaterial skapas en kollektion som befinner sig i gränslandet mellan design och konst, lyx och budget samt dröm och verklighet.Daydreams is a wallpaper collection consisting of three images that combines the modern, mass-produced digital printing techniques with traditional, unique needlework. By applying embroidery – with its structure and fabric texture – to a digitally printed wallpaper material, a collection is created that lingers on the borders between art and design, luxury and modesty as well as dream and reality. / Program: Textildesignutbildningen

Bakalauro darbą sudaro penkių darbų skaitmeninės spaudos kolekcija pavadinimu ,,Paukščio akimis“, šis darbas, tai tarsi dailės terapija sau, kuriame naudojant faktūrų ir linijų ritmikas, Adobe Photoshop CS4 programa, buvo kurtos daugiasluoksnės kompozicijos, kuriomis buvo norima atskleisti vidinės būsenos istoriją. Dailės terapijos tikslas - analizuoti savo meno kūrinius ir padėti sau ugdyti asmenybę. Yra manoma, kad kūrėjas norėdamas mokyti kurti kitus, visų pirma turi gerai pažinoti save. Aprašomajame darbe, taikant teorinę analizę darbams pagrįsti, buvo ieškota panašumų kitų autorių darbuose. Kadangi kolekcijoje „Paukščio akimis“ daug simbolių, tai buvo remtasi simbolisto M. K. Čiurlionio ir garsios simbolistės, siurrealistės ir realistės Fridos Kahlo kūryba. Frida tapė savo intymias gyvenimo detales, taip tarsi taikydama dailės terapiją sau. Darbams atlikti buvo pasirinkta skaitmeninės spaudos technika, prieš tai pasidomint kokie lietuvių menininkai dirba šia technika. Išanalizavus lietuvių menininkų R. Dichavičiaus ir K. Grigaliūno darbus, bei kuriant visas kompozicijas, remtasi šių autorių plastiniais kompozicijos sprendimais. Taikant interpretacijos metodą, buvo išanalizuoti kolekcijos darbai ir parengtas pasiūlyms, kaip bakalauro darbo specifiką būtų galima pritaikyti ugdymo procese, nes mokiniams būtina padėti integruotis šiuolaikinėje visuomenėje, kurioje, sparčiai plintant naujausioms medijoms, persipina technologijos ir įvairių meno sričių plastinės išraiškos... [toliau žr. visą tekstą] / Bachelor of Arts work consists of the collection of five digital print pieces under the title “From the bird‘s sight”. This work is as if the therapeutic art for oneself in which multi-layer compositions, revealing the history of inner state, were created by the means of factures and the rhythmic of lines, with the help of Adobe Photoshop CS4 programme. The aim of the art therapy is to analyze your own works of art and to help yourself to develop as a personality. It is thought that the creator, willing to teach others how to create art, first of all has to know well himself. In the work described, similarities in different authors’ works have been looked for, while using theoretical analysis for creations to be justified. Since there are plenty of symbols in the collection “From the bird‘s sight”, the reference to creation of the symbolist M.K Ciurlionis and a famous surrealist and realist’s Frida Kahlo works was made. Frida was painting the details of her intimate life in the way, as if she applied the art therapy for herself. Digital print technique was chosen for completing the work, but before this, some investigation about Lithuanian artists, using this technique in their creation, was made. After analyzing the works by Lithuanian artists R. Dichavicius and K. Grigaliunas and while making all the compositions, it was referred to the plastic solutions of the compositions made by these artists. The whole collection of works was analyzed while applying the method of... [to full text]

This work places itself within the field of textile design and atmospheric design. The primary motive is to integrate and broaden the two fields by developing design proposals in textile design. The aim is to explore how to change the atmosphere of a space through the use of fabric manipulations, surface patterns, colours, light and shadow. The design method consisted of material explorations, light and shadow experiments, design of surface patterns, heat transfer print and pleating techniques. Colours were tested in combination with lights. The result is a collection of three textile dividers of space that by the impact of light change the current atmosphere in public spaces, and by doing so, the perception and mood are changed. The value of this work is to show design potentials for new expressional possibilities, a new approach to merge the fields of textile design and atmospheric design.

I explore visual and process-based systems to solidify the allusive nature of conceptual ideas. Impermanence, time and interdependence are reoccurring themes that stem from an interest in Eastern philosophy. Oscillating from representation to abstract minimalism, printmaking to sculpture, each element in a work is tailored to the concept. The minimalist appearance suggests simplicity, however elaborate planning and systematic execution are at the heart of my practice. Systems create great constraint, yet provide great freedom.

Work analysis we-to-print aplications run by company REP Tisk spol. s r. o. It contains theoretical background, analysis od the current version of the application and suggestions for new version. The emphasis was primarily on pricing variability. Key was also possibility to run the application on multiple web sites simultaneously.

Stories to wear is a bachelor degree work in textile design. The position of the work is in digitally printed textile surface pattern for clothing where the surface pattern collection is designed for storytelling and playfulness. The project explores the synergistic effect in combining a method where randomness decides the outcome, textiles, patterns and the body. / Stories to Wear är ett kandidatarbete inom textildesign. Arbetets position är inom digitalt tryckt textilytmönster för kläder där ytmönsterskollektionen är designad för berättande och lekfullhet. Projektet utforskar den synergistiska effekten av att kombinera en metod där slumpen bestämmer utfallet, textilier, mönster och kroppen.

Un objet ancien dont on ne se sert plus aujourd’hui continue cependant de vivre dans notre vie contemporaine. Il se présente à nous avec un autre fonctionnement et souvent avec une autre définition : ce n’est plus l’objet utile ni l’outil pratique qu’il a été. Dans cette thèse, la valeur de l’objet ancien est étudiée dans sa dimension immatérielle et spirituelle. Ainsi nous renouvellerons sa définition en réfléchissant sur son essence et sa forme d’un point du vue contemporain. La première partie de cette thèse présente les concepts de la valeur de l’objet ancien de nos jours sous un angle sociologique. Ensuite, nous proposons une approche du concept de l’objet ancien comme une chose mi-humaine mi-objet. Puisqu’un objet ancien d’une autre époque possède toujours en lui cette vie de l’époque révolue, est-ce que cet objet peut vivre comme s’il était une chose animée ? Dans la seconde partie, nous avons recherché quelles caractéristiques pouvaient donner à l’objet ancien cette sensation de vie humaine ? Peut-être tout d’abord les traces des gens qui se sont accumulées sur lui visiblement et invisiblement ? La notion coréenne de « sonté » nous a permis de traduire et d’exprimer ces traces visibles et invisibles sur l’objet ancien. Dans la dernière partie, l’objet ancien est étudié dans le domaine de l’art contemporain. Les artistes contemporains voient l’objet ancien comme un nouvel objet et lui donne une autre forme et une autre essence qui, bien souvent, est une allégorie de la destinée humaine. / An ancient object that is no longer in use today continues however to survive in our contemporary life. It is presented to us with another function and often with another definition: it is no longer the useful object nor the practical tool that it used to be. In this dissertation, the value of the ancient object is studied in its immaterial and spiritual dimensions. We will thus renew its definition by reflecting on its essence and form from a contemporary viewpoint. The first part of the dissertation presents the concepts around the value of the ancient object in our time from a sociological angle. Next, we propose an approach to the concept of the ancient object as half-human and half-object. Since an ancient object from another era always keeps within itself its life in the period gone by, could this object exist as if it were an animated entity? In the second part, we have sought what characteristics could offer the ancient object this sensation of human life. Perhaps, first of all, the traces of people that it has accumulated visibly and invisibly? The Korean notion of “sonté” allows us to translate and express these visible and invisible traces on the ancient object. In the last part, the ancient object is studied in the field of contemporary art. Contemporary artists see the ancient object as a new object and give it another form and another essence which often is an allegory of human destiny.