Global ETD Search

131	Italské inspirace středoevropské architektury / Italian inspiration of middle european architecture Brabcová, Anna January 2015 (has links) At the end of the 15th century in Bohemia penetrates the Renaissance style, which appeared in 1493 at the Prague Castle in the form of windows of the Vladislav Hall in the Old Royal Palace. Their appearance is historically and stylistically linked to the Buda Castle, where Vladislaus II. Jagiello relocated in 1490. Here he met the prime marble carvings of the court of Matthias Corvinus, for which worked Italian masters. Patterns of fragments of windows founded in Buda can find at the Palazzo Ducale of Federico da Montefeltro in Urbino, because Hungary was due Queen Beatrice of Aragon from Naples in live contact with Italy.
132	TRA PALLADE E BACCO. PROFILO ISTITUZIONALE E ASPIRAZIONI UMANISTICHE NELLE ACCADEMIE LETTERARIE MILANESI DURANTE IL PERIODO SPAGNOLO (1548-1715) CORSI, ALESSANDRO 28 February 2019 (has links) Il presente elaborato esamina la trasformazione degli assetti istituzionali adottati dalle accademie letterarie milanesi nell’arco cronologico racchiuso fra la comparsa delle adunanze tra le mura cittadine e l’avvicendamento della dinastia regnante conseguente al trattato di Utrecht. La ricostruzione della fisionomia assunta dal fenomeno associativo nel periodo considerato è compiuta attraverso l’individuazione delle personalità che alimentarono gli sforzi eruditi, il riconoscimento dei gruppi che componevano la costellazione delle élite intellettuali attive nella compagine urbana, la contestualizzazione dei progetti culturali, nonché delle frizioni politiche, poste a sostrato delle iniziative intraprese e la definizione dei tratti spiccatamente ambrosiani progressivamente stratificatisi nei recinti accademici. La proposta esegetica dei componimenti ad opera dall’Accademia della Val di Blenio, mossa a partire dai rilievi storici effettuati intorno alla parabola bio-bibliografica del Facchino Cosme de Aldana, precede lo studio documentario relativo alle fondazioni accademiche occorse nei centri scolastici cittadini, frutto della sinergia tra la curia arcivescovile, gli ordini religiosi coinvolti nell’educazione dei giovani e gli organi di rappresentanza patrizia milanesi. I rinvenimenti archivistici relativi alle riunioni degli Inquieti introducono quindi alla disamina del percorso di consolidamento di un “sistema di virtù”, metronomo delle radunanze barocche, nella sua declinazione ambrosiana, che entrerà in crisi allo scadere del XVII secolo. / By adopting a long-term period chronological perspective, this research analyses the institutional frameworks’ development of Milanese literary academies between their appearance in the city area and the beginning of Austrian government’s jurisdiction after the Peace of Utrecht. Key objectives of the phenomenon’s historical reconstruction are: the identification of patrons who promoted the academies’ dissemination; the description of associational networks made up by different intellectual elite groups operating in Milan; the contextualization of cultural projects - and resulting under covered political tensions - that influenced the academical pattern’s expansion process; finally, the gradual constitution of a peculiar Ambrosian identity related with this associations’ typology. The exegesis of the “Badia della Val di Blenio” academy’s literary production, deduced by the historical examine of the “Facchino” Cosme de Aldana’s bio-bibliographical experience, introduces the enquiry on students’ academical foundations, which were the result of the cooperation between the archiepiscopal curia, religious orders involved in the educational programs and representative bodies of Milanese patricians. Archival discoveries on Inquieti’s meetings contribute in depicting the progressive composition of a coherent Ambrosian “system of virtues” (the baroque reference point for academical activities), that got into a substantial crisis at the end of seventeenth century. M-STO/02: STORIA MODERNA
133	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318
134	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318

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