Global ETD Search

1	Materialien zu einer Edition der Lyrik Franco Fortinis : kritischer Apparat der Varianten und Werkbibliographie / Gentile, Giuseppe. Fortini, Franco, January 1982 (has links) Diss.--Literaturwissenschaften--Köln, 1978. / Contient un choix de poésies de F. Fortini. Bibliogr. p. 260-270. Bibliogr. des œuvres de F. Fortini p. 232-259. Fortini, Franco, Fortini, Franco,
2	Mutarsi in altra voce : funzioni della metrica nell'opera di Franco Fortini / Se changer en voix autre : fonctions de la métrique dans l'œuvre de Franco Fortini / Turning into Another Voice : functions of Metrics in Franco Fortini’s Poetry Agliozzo, Andrea 25 March 2019 (has links) Cette recherche se propose d’étudier la notion de « métrique » au sein de l’œuvre poétique et critique de Franco Fortini. Ce concept fera l’objet d’une analyse esthétique croisée aux domaines de l’éthique et de la politique. Le travail s’articule autour des différentes significations des concepts de métrique et de biographie, un couple de concepts utilisé par Fortini comme titre d’un poème publié dans « Officina » en 1955 et lors d’une conférence présentée à Genève en 1980. Nous avons divisé notre recherche en trois parties. Dans la première partie, nous avons examiné les concepts clés du parcours poétique et intellectuel de Fortini – à savoir l’histoire, la littérature, la forme et la figure – analysés selon leurs significations respectives dans le parcours biographique de l’auteur. Dans la deuxième partie, nous avons ensuite analysé les essais sur la métrique publiés vers la fin des années cinquante, pour sonder le lien entre « liberté » et « nécessité » à la lumière de la dialectique entre individu et collectivité. Cette partie tisse aussi une comparaison entre la théorie du vers et la pratique de composition chez Pasolini, les Novissimi et Amelia Rosselli, et développe une étude anthropologique sur la relation entre le rythme et le mètre à partir de l’œuvre de Ernesto De Martino. La troisième et dernière partie, enfin, expose les limites d’une métrique conçue comme « mesure arithmétique », en approfondissant la réflexion sur la forme à la lumière de la critique du rythme d’Henri Meschonnic, comparée au travail de traduction de Fortini. L’étude de ce rapport nous a ainsi permis d’évaluer l’impact des modèles de Brecht et de Goethe sur le choix formel de l’auteur. / The research investigates the notion of “metrics” in Franco Fortini’s works, extending aesthetic inquiry to ethics and politics. The work is based on the different variations of the couple metrics and biography, used by Fortini as a title for both a poem published in 1955 and a conference paper presented at the University of Geneva in 1980: these dates set the time span of the research. The thesis is composed of three parts. The first one examines the key concepts of Fortini’s poetic and intellectual path – history, literature, form and figure – in the different meanings that they assume along his biographical trajectory. The second part analyses the essays of the late 1950s about metrics and stylistic criticism, verifying the relationship between «freedom» and «necessity» in a dialectic between the individual and the community. The second part also hosts a confrontation with the theory of verse and compositional practice of Pasolini, the Novissimi and Amelia Rosselli. The third and last part shows the limits of a metric conceived as an «arithmetic measure»: in order to delve into the theory of form, I confront Meschonnic’s critique of rhythm with Fortini’s translations. The study of these latter allows us to estimate the impact of models such as Brecht and Goethe on the formal choices of the author. Fortini Métrique Poésie Rythme Traduction Littérature italienne Critique Poésie et politique Fortini Metrics Poetry Rhythm Translation Italian poetry Critics Poetry and politics
3	Édition critique de La guerra a Milano de Franco Fortini / A critical edition of Fortini’s La guerra a Milano La Monica, Alessandro 25 May 2016 (has links) Ma recherche est une étude qui reconstitue le milieu littéraire, culturel et intellectuel dans lequel se trouve l’écrivain italien Franco Fortini (1917-1994) pendant son séjour en Suisse. La section centrale de la thèse est une édition critique de La guerra a Milano qui, d’un côté, fait ressortir la leçon originaire destinée à être publiée en Suisse, et qui de l’autre rend évident, à travers l’apparat critique, l’évolution des variantes introduites par les éditions de presse. Le texte qui fut publié en 1963, en effet, issu d’un travail de correction effectué vingt ans plus tard, fut privé des passages en italique qui, décrivant la condition de réfugié du jeune écrivain, créaient un remarquable contrepoint à la narration historique. Le texte du ’63, de plus, n’a plus un rôle autonome, mais est accompagné (ou mieux – contre la chronologie – anticipé) par le récit Sere in Valdossola. Avoir récupéré cette forme originaire du texte, en la préférant aux deux éditions (1963 et 1985), nous a fait pencher pour une édition qui mette en évidence la leçon de Z (1943-44) et signale en apparat soit les variantes génétiques (celles de Z, placées dans le premier paragraphe), soit les variantes évolutives des éditions de presse (à recenser dans un second paragraphe). Dans l’appendice on a reproduit aussi la leçon du manuscrit, accompagnée d’un apparat qui signale les variantes internes. Un bref commentaire final comprend des notes explicatives du texte (des traductions des passages en langue étrangère, des références à des personnages ou à des évènements historiques, etc.). Ma recherche permettra ainsi aux chercheurs (et, plus tard, par une éventuelle publication de la thèse à des lecteurs plus nombreux) de connaître un document inédit d’un des auteurs italiens les plus remarquables de la seconde moitié du vingtième siècle. / My research examines the literary, cultural and intellectual milieu in which the Italian writer Franco Fortini (1917-1994) lived during his stay in Switzerland. During this stay, in fact, Fortini tied many friendships with Italian and French intellectuals, such as Ignazio Silone, Adriano Olivetti, Gianfranco Contini, Starobinski, Paul Eluard, Jean-Paul Sartre and Simone de Beauvoir. The central section of the thesis is a critical edition of La guerra a Milano which, on one hand, highlights the original lesson to be published in Switzerland, and on the other, makes clear, through the critical apparatus, the changing variants introduced by the new editions. The text was published in 1963, in fact, after a twenty-years-long correction work, and was deprived of the italicized passages describing the refugee status of the young writer, that created a remarkable counterpoint to the historical narration. The 1963 text has an autonomous role, but it is accompanied (or better - against the timing - advanced) by the story in Sere Valdossola. To have recovered this original text, instead of the two editions (1963 and 1985), highlights the lesson of the typescript (1943-1944). In the appendix we have also reproduced the lesson of the manuscript, accompanied by notes that signal internal variants. A brief final comment includes explanatory notes of the text (translations of foreign-language passages, references to characters or historical events, etc.). My research will thus enable researchers (and, later, thanks to eventual publication of the thesis, many others readers) knowing an unpublished document of one of the most outstanding Italian writers of the second half of the twentieth century. La guerra a Milano is Fortini’s first text to be written in its entirety and to be reissued during the postwar period with the publication of Sere in Valdossola (1963). Éditions critiques Littérature italienne Franco Fortini Antifascisme Seconde Guerre mondiale Résistance Italie Philologie italienne Critical edition Italian literature Franco Fortini Antifascism Second World War Resistance Italy Italian philology
4	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318
5	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318

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