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1er janvier-15 juin 1760 /Grimm, Friedrich Melchior, Dafgård, Sigun. January 1981 (has links)
Akademisk avhandling--Romanska språk--Uppsala, 1981.
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GRIMM REALITY: A DIGITAL VIDEO FEATURE PRESENTATIONCHATTERJEE, ERIC JAYDEEP January 2002 (has links)
No description available.
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Snövit : från undersaga till bildberättelse / Snow White : from Fairytale to Picture StoryPakiam, Barbro January 1999 (has links)
Snow White through Grimm and Disney - A Comparative Study This essay attempts to discern the differences regarding six Swedish versions of the fairy-tale Snow White and the Seven Dwarfs over a period of 150 years. Focus is placed on structural transformations through time and media according to the analytical theories of Vladimir Propp. Attention is also given to former research done on the impact of the fairy-tale on the child from a psychological and social point of view. Of interest is the historical background of the tale, commencing with oral tradition, and how this was dealt with by the Grimm brothers. Three of the versions used for this comparative study are variants of the Grimm tale, and three belong to Walt Disney productions, i.e. the film and its picture stories. The aim of the comparison is to clarify how and why this tale is retained to the present.
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Women's roles in fairy tales a comparison of the portrayal of women in "Marienkind" of the Brothers Grimm and Benedikte Naubert's "Ottilie" /Münder, Astrid. January 1900 (has links)
Thesis (M.A.)--West Virginia University, 2002. / Title from document title page. Document formatted into pages; contains vi, 84 p. Includes abstract. Includes bibliographical references (p. 81-84).
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Aschenputtel und ihre Schwestern - Frauenfiguren im Märchen : Eine Kontrastierung des Grimmschen Aschenputtel von 1857 mit Aschenputtelerzälungen des 20. und 21. Jahrhunderts /Wittmann, Gerda-Elisabeth. January 2008 (has links)
Thesis (MA)--University of Stellenbosch, 2008. / Bibliography. Also available via the Internet.
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Paganismo cristão: o processo de construção da moralidade dos contos dos irmãos Grimm / Christian paganism: the construction process of the moral of the brothers Grimm talesAlmeida, Guilherme Weber Gomes de 11 April 2017 (has links)
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Previous issue date: 2017-04-11 / Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG / The Brothers Jacob and Wilhelm Grimm made a deep research of the culture and folklore from
Germany in the XIX century, which is focused on the popular oral tales. The following work
focuses on analyzing the construction process of the moral of the Brothers Grimm tales
regarding the relation between pagan symbolism and Christian values. In sum, four Brothers
Grimm’s tales were analyzed “Snow White” (“Schbeewittchen”), “The Water of Life” (“Das
Wasser des Lebens”) e “Rumpelstiltskin” (“Rumpelstilzchen”) (originally published on Kinderund
Hausmärchen, from 1812) e “The Pied Piper of Hamelin” (“Die Kinderzu Hameln”) (from
DeustscheSagen, published in 1816). The literary analysis considered several important
things such as space, time, characters, narrative structure, themes and conflicts. A deep
research was necessary to understand the historical evolution of each tale. The literary
analysis was done from the Portuguese translation of Kinder- und Hausmärchen,
Contosmaravilhososinfantis e domésticos 1812-1815 (2012), translated by Christine Röhring,
published by Cosac Naify. The Pied Piper of Hamelin was analyzed from the version translated
by American scholar D. L. Ashliman from 2013, which is available in his personal academic
web page. The theory base comes from several important scholars, such as Nelly Novaes
Coelho (1998), Jack Zipes (2002), Maria Tatar (2004), Karin Volobuef (2011), D. L. Ashliman
(2013), among others. / No século XIX, os irmãos Jacob e Wilhelm Grimm realizaram um amplo mapeamento cultural
do folclore alemão com ênfase nos contos de tradição oral popular. O trabalho a seguir tem
como objetivo analisar o processo de construção da moral dos contos dos irmãos Grimm,
tendo em vista a relação entre o simbolismo pagão e os dogmas cristãos. Foram analisados 4
contos dos irmãos Grimm: “Branca de Neve” (“Schbeewittchen”), “A água da vida” (“Das
WasserdesLebens”) e “Rumpelstiltskin” (“Rumpelstilzchen”) (publicados originalmente na
coletânea Kinder- und Hausmärchen de 1812) e “O Flautista de Hamelin” (“Die
KinderzuHameln”) (que consta na obra DeustscheSagen, publicada em 1816). Os contos
foram analisados a partir de alguns pontos considerados como relevantes para a construção
da moralidade literária: espaço, tempo, personagens, estrutura da narrativa, temática e
conflitos. Foi realizada também uma profunda pesquisa de informações importantes para
melhor compreender a evolução histórica de cada peça literária em questão. Os contos serão
analisados a partir da primeira edição de Contos maravilhosos infantis e domésticos 1812-
1815 (2012), traduzido por Christine Röhrig, publicado pela editora Cosac Naify. O conto “O
Flautista de Hamelin” foi analisado a partir das versões traduzidas pelo pesquisador americano
D. L Ashliman de 2013 que constam em sua página acadêmica. A fundamentação teórica foi
realizada a partir de importantes pesquisadores literários tais como Nelly Novaes Coelho
(1998), Jack Zipes (2002), Maria Tatar (2004), Karin Volobuef (2011), D. L. Ashliman (2013),
entre outros.
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[en] THE GRIMM BROTHERSNULL COLLECTION: READING, TRANSLATION AND MELANCHOLY IN THE KINDER-UND HAUSMARCHEN ANTHOLOGY / [pt] O ACERVO DOS IRMÃOS GRIMM: LEITURA, TRADUÇÃO E MELANCOLIA NA COLETÂNEA, KINDER-UND HAUSMARCHENSYLVIA MARIA TRUSEN 21 June 2006 (has links)
[pt] A comparação das anotações manuscritas com a primeira
(1812) e a última
edição (1857) dos contos reunidos por Wilhelm e Jacob
Grimm, no livro Kinderund
Hausmärchen, evidenciou um processo de leitura e tradução,
cujo teor
melancólico sugere a preocupação em delinear uma unidade
não apenas fraternal,
mas também da própria nação que se desenhava na escrita do
acervo. Assim, a
partir do par conceitual leitura e tradução, o estudo
visou sondar sua construção,
mediante a pesquisa comparada da primeira e última edição,
bem como dos
apontamentos recolhidos no intitulado Manuscrito de
Ollenberg. A perspectiva
interdisciplinar adotada, se permitiu entreve a adaptação
das narrativas ao público
leitor contemporâneo, também possibilitou constatar o
conflito inerente ao ajuste
exigido pelo novo destinatário. Outrossim, verificando o
caráter inédito no Brasil
de algumas das narrativas inventariadas pelos Irmãos,
especialmente daquelas
centradas sobre a melancolia, prosseguiu-se à tradução das
narrativas ilustrativas
do processo. Desse modo, pôde-se perseguir a elaboração de
uma escrita que,
paulatinamente, se liberta do peso do texto considerado
original. / [en] The comparison of the handwritten notes of the first
(1812) and the last
(1857) editions of the tales collected by Wilhem and Jacob
Grimm in Kinder-und
Hausm-rchen revealed a reading and translation process
whose melancholic style
suggests an intention to delineate not only an unit of
fraternity, but also an unit of
the nation that was being portrayed in the collectanea.
Therefore, considering the
conceptual pair of reading and translation, this study
aimed at exploring the
construction of the collectanea by comparing its two
editions and the notes
gathered in the book Ollenberg´s Manuscript. The
interdisciplinary perspective of
the study made it possible to catch a sight of the
adaptation of the narratives in
order to match its contemporary readership and to evidence
the inherent conflict
present in the process of adjusting the work to its new
readership. Moreover, after
having verified that some tales collected by the Grimm
Brothers remained
unpublished in Brazil - specially those marked by
melancholy -, those pieces of
work were translated into Portuguese in this study. As a
result, this study also
made it possible to understand the process of creating a
work that gradually frees
itself from the burden of the concept of what an original
text is.
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Das Märchen im Propaganda-Film der Nazi-Zeit / The fairy tale in the propaganda film of the Nazi eraŠIMEČKOVÁ, Anna January 2019 (has links)
This thesis focuses on a traditional form of fairy tale and its updates as an instrument of Nazi propaganda. The main object of this analysis is a fairy tale as a literary and didactic genre. The diploma thesis consists of a theoretical part and a practical part. The theoretical part introduces general signs of fairy tale genre and main principals of propaganda manipulation in modern history. The practical part focuses on a comparison of selected Grimm brothers 'fairy tales and movie processing of Nazi propaganda. Furthermore, the analysis focuses on didactic intensions, literary and film language and forms of manipulation in a movie as an instrument of propaganda.
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Askungen en prinsessa som ingen annan : En komparativ studie om Askungens förändring, ur ett intersektionellt perspektivHuss, Jessica January 2015 (has links)
Den här uppsatsen undersöker Askungens förändring genom tiderna via ett intersektionellt perspektiv, där analys av maktförhållanden i sagan ingår. Analysen går igenom tre olika versioner av Askungen som jämförs med varandra. Jag har tagit hjälp av den tidigare forskningen som Jack Zipes och Bruno Bettelheim har ägnats sig åt inom detta område. Simone de Beauvoir och Michel Foucault teorier används i uppsatsen för att öppna upp sagan från flera håll.
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Das Bild des Fremden im Werk von Ludwig Emil Grimm (1790 - 1863)Bose, Herbert von January 2004 (has links)
Zugl.: Tübingen, Univ., Diss., 2004
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