Thesis (Th. M.)--Westminster Theological Seminary, Philadelphia, 1986. / This is an electronic reproduction of TREN, #036-0018. Includes bibliographical references (leaves 105-112).

Thesis (M.A.)--Miami University, Dept. of English, 2004. / Title from first page of PDF document.

Thesis (Th. M.)--Westminster Theological Seminary, Philadelphia, 1986. / Includes bibliographical references (leaves 105-112).

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-06-13T18:51:49Z No. of bitstreams: 1 CiroSoaresDosSantos_TESE.pdf: 4563001 bytes, checksum: 62a14ba7fa3909a8a52bc85c7a655748 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-06-13T20:58:41Z (GMT) No. of bitstreams: 1 CiroSoaresDosSantos_TESE.pdf: 4563001 bytes, checksum: 62a14ba7fa3909a8a52bc85c7a655748 (MD5) / Made available in DSpace on 2017-06-13T20:58:41Z (GMT). No. of bitstreams: 1 CiroSoaresDosSantos_TESE.pdf: 4563001 bytes, checksum: 62a14ba7fa3909a8a52bc85c7a655748 (MD5) Previous issue date: 2017-03-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / A vertigem das antologias: Greg?rio de Matos constitui-se como enumera??o de seletas com listagem de capas, poemas, versos, notas, temas, datas, tomados como dados para sustentar a tese de que o poeta do barroco instaura-se como artista autor a partir do fazer antol?gico desde sempre. A simplicidade dessa assertiva mal esconde a complexidade de demonstrar, pois, que, do nascimento de seu discurso po?tico na col?nia portuguesa ? canoniza??o na literatura brasileira, h? um movimento hist?rico de leitura da obra de Greg?rio de Matos que se repete: a condu??o de um autor da imensid?o inapreens?vel ao unit?rio parcial em livros; do que surgem ciclos de antologias segundo os quais s?o organizados os cap?tulos integrantes deste estudo. A abordagem ? pr?tica antol?gica enfrenta a problem?tica de descrever a hist?ria da instaura??o de Greg?rio de Matos como autor via recep??o po?tica cristalizada por publica??es de antologias. A pesquisa possibilita alcance do objetivo geral de compreender a recep??o da obra do poeta baiano pela reflex?o sobre diferentes concretiza??es de leitura promovidas-propiciadas por antologias. A partir da leitura do conjunto de livros selecionados, depois de coleta em livrarias e bibliotecas, apresenta considera??es inferenciais sobre o fazer antol?gico da capa at? aos demais paratextos. Para tanto, parte da quest?o geral de como ? a recep??o da obra do escritor baiano seiscentista, documentada por antologistas, e da hip?tese geral de que a elabora??o de edi??es da obra gregoriana foi condicionada pelos determinantes hist?ricos de cada ?poca da recep??o. Para verifica??o dessa hip?tese, observa a atualidade das antologias frente ao horizonte de leitura do legado gregoriano, propiciado pelo fazer po?tico de ent?o quando do lan?amento da publica??o, assim como pelos atuais pressupostos te?ricos de estudos das artes do s?culo XVII. Esse procedimento surge por meio de di?logo com a fortuna cr?tica dedicada ao autor seiscentista, principalmente com a cr?tica de Haroldo de Campos e Augusto de Campos ao legado gregoriano, assim como com a ensa?stica de Francisco Ivan da Silva ? poesia barroca, al?m da pesquisa de Adolfo Hansen e Marcello Moreira ?s letras coloniais. A vertigem das antologias reafirma a import?ncia da hist?ria da literatura ao buscar fazer revis?o do julgamento do legado po?tico em diferentes ?pocas, conforme mudem as circunst?ncias sociais de cada tempo e a possibilidade de compreens?o da obra de Greg?rio de Matos do romantismo ao modernismo, at? a contemporaneidade. Francisco Adolfo de Varnhagen, Segismundo Spina, James Amado, H?lio P?lvora, Gilfrancisco, Andr? Seffrin, Iuri Pereira, Jo?o Adolfo Hansen e Marcello Moreira s?o nomes de editores da poesia de Greg?rio de Matos, respons?veis por fazer existir ciclos antol?gicos e por projetar continuidade de ocorr?ncia da pr?tica antologista da poesia seiscentista para leitores brasileiros. / The infinity of anthologies: Greg?rio de Matos thesis is a compilation with a list of covers, poems, verses, notes, themes and dates taken as data for supporting the thesis that the baroque poet constitutes himself as an artist author from the anthological practice since always. The simplicity of this assertion hardly hides the complexity of demonstrating, therefore, that, from his poetic discourse in the Portuguese colony to the canonization in Brazilian literature, there is a historical movement of reading the Greg?rio de Matos? works, which repeats itself: the leading of an author from the unapprehensible immensity to the partial unitary in books; whose cycles of anthologies emerge according to which the integrated chapters of this study are organized. An approach to the anthological practice faces the problematic of describing the story about Greg?rio de Matos? establishment as an author via crystalized poetic reception of anthological publications. The research enables the accomplishment of the general objective on understanding the reception of the poet?s work about the reflection on different reading embodiments promoted-propitiated by anthologies. From the selected books set reading, after collecting them in bookshops and libraries, we have come to the inferential considerations on the anthological practice from the cover to the paratexts. Therefore, we take off from the general question on the work?s reception of the sixteenth-century writer, documented by anthologists, as from the general hypothesis that the editions of the Gregorian work was conditioned by the historical determinants from each reception period. To verify this hypothesis, we observe the current anthologies in front of the reading horizon of Gregorian?s legacy, propitiated by the poetic making of when it was published and also by the current theoretical presuppositions of art studies in the seventeenth century. This procedure is operated through a dialogue with the critical fortune dedicated to the seventeenth-century author, mainly the Haroldo de Campos and Augusto de Campos? criticism to the Gregorian legacy, as well as the Francisco Ivan?s essay on baroque poetry, in addition to Adolfo Hansen and Marcello Moreira?s research on colonial letters. The infinity of anthologies reaffirms the literature history?s importance on aiming to review the poetic legacy?s judgment in different periods, according to the social circumstances from each time and Gregorio de Matos?s work understandment from romanticism to modernism, until contemporaneity. Francisco Adolfo de Varnhagen, Segismundo Spina, James Amado, H?lio P?lvora, Gilfrancisco, Andr? Seffrin, Iuri Pereira, Jo?o Adolfo Hansen and Marcello Moreira are editors? names of Greg?rio de Matos? poetry. They are responsible for bringing the anthological cycles to life and for carrying on the seventeenth-century poetries? anthological practice for brazilian readers.

No description available.

The poems in Greg Williamson's 2008 sonnet sequence, A Most Marvelous Piece of Luck, all turn toward imagined experiences of death, skirting the line between life and death and illustrating the boundary that one crosses but cannot experience—the liminal, aporetic boundary that occurs at the moment of until (the word marking the turn of each sonnet in Williamson's collection). Throughout this sequence, Williamson also examines the idea of death and its implications for the writer, examining the problematized situation of life after death. In my own collection, Assemblage, I attempt to examine the liminal as well, looking at death in several poems, but also looking at the way one uses the past in understanding the present and the present in understanding the future.

During the last decade a crisis has emerged in the polling industry because of the rising numbers of missing data. The purpose of this study is to examine the effects of missing data when estimating the public opinion. More specifically, the purpose is to gain understanding of how fluctuations in the amount of missing data affect estimations of political opinion in a Swedish context. Among other methods, we use generalized regression estimation to make our own estimations of the Swedish political opinion. We do this in order to examine the effects of including or not including the variable Voting in the 2018 general election in the estimation model as a way to adjust for lack of response caused by political partisanship. Further, we also examine if certain political events affect the willingness to participate in political opinion polls. Our results show that fluctuations in the amount of missing data does not affect the fluctuations in estimations of political opinion. The reason for this is that the Swedish polling companies already adjust for the lack of response due to political partisanship. We do however find that adjusting for partisanship in estimation models somewhat helps to keep the fluctuations in estimated opinion on an adequate level. Finally, we can also conclude that political events in some cases affect the amount of missing data in political opinion polls. This is true for events that concern all political parties. Our results also show that political events related to a single party or party member does not affect the level of missing data.

This essay examines the nature of Sara Lidmans novel Bära mistel by drawing on theories of Kate Soper and Greg Garrard. The analysis examines the culture surrounding the characters Linda Ståhl and Björn Ceder in relation to the nature of the north. It considers concepts such as the imminent presence of nature versus a distance to it, the idealization of nature, the connection between nature and God, and the problems that follow society’s way of looking at Norrland as wilderness. Simultaneously I analyze how nature and culture tend to overlap and thus one often becomes a product of the other.

Once a source of environmental concern, mine tailings could now contribute to the fight against climate change. Greg Dipple and team are discovering how mines can potentially ofset their own emissions.

La presente investigación tiene por objetivo analizar el aporte de la práctica del Neo futurismo de Greg Allen en el entrenamiento de la escucha en escena, la misma que se analizará de manera integral desde tres ejes: la escucha del actor con uno mismo (actor – yo), con su o sus compañeros (actor – actor) y con la audiencia (actor – espectador). Para tal efecto, se realizó un laboratorio en el que se puso en práctica ejercicios del neo futurismo, corriente basada en una estética de honestidad, velocidad y brevedad, propuesta por Greg Allen en 1988. Esta práctica comprende cuatro principios básicos que la constituyen, los cuales son: el actor es el actor, está donde está, el tiempo es ahora y está haciendo algo de verdad; de tal modo que exige al actor una apertura total en el escenario para su accionar. A su vez, para la respectiva recolección de información, se utilizaron las técnicas de entrevista y observación. Finalmente, el laboratorio se desarrolló con seis participantes, entre estudiantes a partir de sexto ciclo en adelante y egresados de la especialidad de Teatro de la Facultad de Artes Escénicas de la PUCP. Laboratorio que culminó en una muestra final frente a un público abierto.